Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

The world on the other side of the rift:  Kelewan, a land seething with political intrigue and deadly conspiracies.  Following the opulent panoply of Daughter Of The Empire and the dazzling pageantry of Servant Of The Empire comes the resounding conclusion to the Empire trilogy.Besieged by spies and rival houses, stalked by a secret and merciless brotherhood of assassins, the brilliant Lady Mara of the Acoma faces the most deadly challenge she has ever known.  The fearsome Black Robes see Mara as the ultimate threat to their ancient power.  In search of allies who will join her against them, Mara must travel beyond civilization's borders and even into the hives of the alien cho-ja.  As those near and dear to her fall victim to many enemies, Mara cries out for vengeance.  Drawing on all of her courage and guile she prepares to fight her greatest battle of all--for her life, her home, and the Empire itself.

Raymond E. Feist's classic fantasy epic, Magician, has enchanted readers for over twenty years. The revised edition was prepared to celebrate the tenth anniversary of its publication, and incorporates over 15,000 words of text omitted from previous editions.At Crydee, a frontier outpost in the tranquil Kingdom of the Isles, an orphan boy, Pug, is apprenticed to a master magician – and the destinies of two worlds are changed forever.Suddenly the peace of the Kingdom is destroyed as mysterious alien invaders swarm the land. Pug is swept up into the conflict but for him and his warrior friend, Tomas, an odyssey into the unknown has only just begun.Tomas will inherit a legacy of savage power from an ancient civilization. Pug’s destiny is to lead him through a rift in the fabric of space and time to the mastery of the unimaginable powers of a strange new magic. Reviews'Epic scope… fast moving action…vivid imagination'WASHINGTON POST'tons of intrigue and action'PUBLISHERS WEEKLY

A magnificent epic set against a history of seven thousand years of the struggles of Gods and Kings and men - of strange lands and events - of fate and a prophecy that must be fulfilled!THE BELGARIADIt had all begun with the theft of the Orb that had so long protected the West from the evil God Torak. Before that, Garion had been a simple farm boy. Afterward, he discovered that his aunt was really the Sorceress Polgara and his grandfather was Belgarath, the Eternal Man. Then, on the long quest to recover the Orb, Garion found to his dismay that he, too, was a sorcerer.Now, at last, the Orb was regained and the quest was nearing its end. Of course, the questors still had to escape from this crumbling enemy fortress and flee across a desert filled with Murgo soldiers searching for them, while Grolim Hierarchs strove to destroy them with dark magic. Then, somehow, they must manage to be in Riva with the Orb by Erastide.After that, however, Garion was sure that his part in these great events would be finished.But the Prophecy still held future surprises for Garion - and for the little Princess Ce'Nedra!THUS CONTINUES BOOK FOUR OF THE BELGARIAD

She soars above a world of warriors, kings, and priests. The daughter of Belgarath and the shape-shifter Poledra, she has fought wars, plotted palace coups, and worked her powerful magic for three thousand years. Now, Polgara looks back at her magnificent life, in this fitting crown jewel to the saga that is the Eddings' Belgariad and Mallorean cycles. Her hair streaked white by her father's first touch, her mind guided by a mother she will not see again for centuries, Polgara begins life in her Uncle Beldin's tower, and in the prehistorical, magical Tree that stands in the middle of the Vale. There, she first learns the reaches of her powers. There she assumes the bird shapes that will serve her on her adventures. And there she starts on the path toward her destiny as Duchess of Erat, shepherdess of the cause of good, adversary of Torak the One-Eyed Dragon God, and guardian of the world's last, best hope: the heir to the Rivan throne.Here is the legendary life story of a woman of wit, passion, and complex emotions, a woman born of two majestic parents who could not have been more unlike one another. Ordained to make peace and make war, to gain love and lose love, Polgara lives out her family's rich prophecy in the ceaseless struggle between the Light and the Dark.Polgara is the epic culmination of a magnificent saga, and a fitting farewell to a world which, once experienced, will never be forgotten.

Magic and murder engulf the realm of Kelewan.  Fierce warlords ignite a bitter blood feud to enslave the empire of Tsuranuanni.  While in the opulent Imperial courts, assassins and spy-master plot cunning and devious intrigues against the rightful heir.  Now Mara, a young, untested Ruling lady, is called upon to lead her people in a heroic struggle for survival.  But first she must rally an army of rebel warriors, form a pact with the alien cho-ja, and marry the son of a hated enemy.  Only then can Mara face her most dangerous foe of all--in his own impregnable stronghold.  An epic tale of adventure and intrigue.  Daughter of the Empire is fantasy of the highest order by two of the most talented writers in the field today.

”Life would be so dull without enemies.”This book is twice the paging and half the plotting of the Daughter of the Empire. And a love triangle.Do you remember Mara? A girl who had to grow up quickly after her father and brother were killed, and she had to lead her family? In the first volume of the series, Daughter of the Empire, Mara suffered humiliation and abuse but managed to defeated many adversities, and the enemies of the Acoma family in an incredible whirlwind of intrigue, plotting and being two moves ahead of everybody else.The Servant of the Empire picks up practically immediately after these events. Lord Minawanabi solemnly swears bloody revenge against Lady Acoma and her family. Mara, although having gained influence in the Tsuranuanni Empire, is well aware that her position is not secure. Herein lies my first problem with The Servant of the Empire: it’s really hard to play the same trick twice. While the Acoma family was at the verge of extinction in the previous book, this time thanks to Mara’s ingeniousness, things are much better both politically, and economically. And yet, the opening chapters try to convince the reader of a looming disaster of epic proportions. How could that be credible? The Acoma are not on the brink of ruin any more! The ruling lady is more experienced, has a wide margin for manoeuvres and more assets at her disposal. The febrile undertones of the narrative ring falsely and unconvincing.The only thing that saved the book is Mara herself. Her character is built very artfully and in great detail that offers a fully multidimensional figure. It would seem that after the heartbreaking events of the previous book, Mara will not be able to develop further and will only settle in and mature, but here, the novel is a very positive surprise. Mara-Anni decides to buy a group of barbaric slaves who arouse both her irritation and certain fascination. Among them, you will find one who will not only open the girl's eyes to the world around her but also open her heart (though, as I said before: brace yourselves for a triangle). What I also liked was the fact that the world presented is much richer than in the previous volume. There are more families, more names, more places, and although it may bring chaos, when we deal with it, you will notice how beautiful and multi-layered is the Empire and its social order. The more pity that the intrigues in this instalment are so awfully puerile. In some way, Feist and Wurts had lost their strength and the second volume is weaker; still good level, but definitely missing something.In her splendid review  of the Daughter of the Empire carol. wrote: ”Mara develops the habit of keeping her plans to herself…This both aids and detracts the story; aiding because it keeps the reader in suspense about what she will do, but detracting because it means her actions are often not quite comprehensible to the reader…left with a culture and heroine that is just slightly incomprehensible.” To be honest, as much as I see the potential problem here, I loved the plotting in the Daughter of the Empire. Mara’s inscrutability, her ability to scheme in silence, to factor in other people’s virtues and vices into how events pan out, in the end, to take everything and everybody in one sweep and entirely by surprise - that was simply glorious and I enjoyed every page of this as it allowed me the double-guessing game. In this book we have two separate intrigues, so to speak. The first one is explained in detail by the plotting enemy so when things are put in motion, the reader can safely take a nap because the next couple of dozen hundred pages is obvious meeting predictable. The second plot is much wider. This is a very turbulent period for Kelewan: there is a devastating war with Midkemia, and the representatives of the families react against the removal of the Warlord and the Emperor's growing power supported by the Assembly of the magicians. But this power game sort of happens above Mara’s head rendering her a passive more often than active participant of the events. Additionally, this part of scheming is narrated by an outsider from another world for whom the majority of the imperial politics is as understandable as cold fusion. What it means is that we are told that something incredibly subtle and complex happens but how or why or in what precise way the moves and decisions are made - if you’d like to know that (I did!), you will be left wanting. What is described in detail is the senseless and chaotic violence of the imperial palace nights that not only reminded me the Hobbesian war of “all against all” but also proved all the intrigues obsolete in the face of naked force; playground games for bored, rich kids destroyed by brute power. This was the main reason why the intrigues created by the Authors failed to arouse any emotions in me. Descriptions of fights and landscapes, fantastic characters, delicate relationships between the families and the Council's Game itself, did not contribute too much to the main story.Here I need to put my two-pence against the antagonists too. All the scions of Minawanabi family make laughable enemies. The way they are portrayed, couples an inherent vicious streak and an unhealthy appetite for pain with telling, telling and more telling. To the contrary, Mara is both beautiful and smart and compassionate. She has the best set of advisers and warriors you could dream of. All her servants are as dedicated as sect members. Hint hint: Minawanabi are bad and dear reader you should shudder at the mere thought of them while your loyalty and heart should be inevitably invested in Mara - how crude a trick in a book about subtle schemes! We are repeatedly told how dangerous, smart and talented the Minawanabi are - we never see a shred of it. The Minawanabi suffer one defeat after another and are beaten by Mara or a twist of fate every single time. The near disaster moment at the end of the book just happens not because Mara does or does not do something and clearly not because the Minawanabi family has an upper hand. The convergence of various factors leads to a concatenation which plays out, without Mara’s merit. The barbarian slave is more important here as his views have a growing influence on the Lady’s decisions. It is under this influence that Mara changes her approach to tradition and honour, which are the most important values in Tsuranuanni society. As the Empire is at a turning point and it is a perfect time for change… change happens. And while it was nice to see how cultures are bared naked against each other (both figuratively and literally) and how things that were taken for granted need to be reexamined or else lose all rationale, it also meant that long (long!) buildups mount to nothing much (view spoiler)[the compromised spy network! or the enemies that become allies because (hide spoiler)]

A Darkness at Sethanon is the stunning climax to Raymond E. Feist's brilliant epic fantasy trilogy, the Riftwar Saga. Here be dragons and sorcery, swordplay, quests, pursuits, intrigues, stratagems, journeys to the darkest realms of the dead and titanic battles between the forces of good and darkest evil. Here is the final dramatic confrontation between Arutha and Murmandamus - and the perilous quest of Pug the magician and Tomas the warrior for Macros the Black. A Darkness at Sethanon is heroic fantasy of the highest excitement and on the grandest scale, a magnificent conclusion to one of the great fantasy sagas of our time.

The Trail of Prophecy...Legends told of how the evil God Torak had coveted the power of the Orb of Aldur, until defeated in a final battle. But prophecy spoke of a time when he would awake and again seek dominance over the world. Now the Orb has been stolen by a priest of Torak, and that time was at hand. The master Sorcerer Belgarath and his daughter Polgara the arch-Sorceress were on the trail of the Orb, seeking to regain it before the final disaster. And with them went Garion, a simple farm boy only months before, but now the focus of the struggle. He has never believed in sorcery and wanted no part of it. Yet with every league they traveled, the power grew in him, forcing him to acts of wizardry he could not accept. This continues the magnificent epic of The Belgariad, began in Pawn of Prophecy, set among strange lands against a background of a war of men, Kings, and Gods that had spanned seven thousand years - a novel of strange fate and a prophecy that must come true!

A poisoned bolt has struck down the Princess Anita on the day of her wedding to Prince Arutha of Krondor.To save his beloved, Arutha sets out in search of the mystic herb called Silverthorn that only grows in the dark and forbidding land of the Spellweavers.Accompanied by a mercenary, a minstrel, and a clever young thief, he will confront an ancient evil and do battle with the dark powers that threaten the enchanted realm of Midkemia.

Lara Jean Covey writes letters to all of her past loves, the letters are meant for her eyes only. Until one day when all the love letters are sent out to her previous loves. Her life is soon thrown into chaos when her foregoing loves confront her one by one.

Based in Quantico, Virginia, the Behavioral Analysis Unit (B.A.U.) is a subsection of the F.B.I. Called in by local Police departments to assist in solving crimes of a serial and/or extremely violent nature where the perpetrator is unknown (referred to by the Unit as the unknown subject or "unsub" for short), the B.A.U. uses the controversial scientific art of profiling to track and apprehend the unsub. Profiling entails coming up with basic characteristics of the unsub and the victims (referred to as the victimology), using evidence from the case and matching that information to historic precedents and psychological analyses as a means to solve the case. Because of the nature of the work conducted by the B.A.U. - the work being time consuming and psychologically demanding - its members are fiercely loyal to the Unit and to its other members. Also because of the work's overall demanding nature, not many members of the B.A.U. have been able to maintain a happy or stable family life.

A medical drama based in the pediatrics department. This drama will draw the story of a young man, Park Shi-on with Idiot Savant Syndrome who overcomes obstacles to become a pediatric surgeon. He is a pediatrician who despite his developmental disabilities is a medical genius. He is a gifted doctor but has trouble with other areas of his life, such as relating to people socially. Meanwhile, Cha Yoon-seo is a pediatric surgical fellow and Kim Do-han is the best pediatric surgeons in Korea. He will finds himself frequently in confrontation with Park Shi-on.

2013 South Korean medical drama television series

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