Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

(B+) 77% | GoodNotes: It’s fast-food fantasy: formulaic fun. Foundational founts of fruitful fodder, framework, and footing for future fiction.

The thrilling sequel to Jennifer A. Nielsen's blockbuster NEW YORK TIMES bestseller THE FALSE PRINCE -- now in paperback!A kingdom teetering on the brink of destruction. A king gone missing. Who will survive? Just weeks after Jaron has taken the throne, an assassination attempt forces him into a deadly situation. Rumors of a coming war are winding their way between the castle walls, and Jaron feels the pressure quietly mounting within Carthya. Soon, it becomes clear that deserting the kingdom may be his only hope of saving it. But the further Jaron is forced to run from his identity, the more he wonders if it is possible to go too far. Will he ever be able to return home again? Or will he have to sacrifice his own life in order to save his kingdom? The stunning second installment of The Ascendance Trilogy takes readers on a roller coaster ride of treason and murder, thrills and peril, as they journey with the Runaway King.

One war. Too many deadly battles. Can a king save his kingdom when his own survival seems unlikely?War has come to Carthya. It knocks at every door and window in the land. And when Jaron learns that King Vargan of Avenia has kidnapped Imogen in a plot to bring Carthya to its knees, Jaron knows it is up to him to embark on a daring rescue mission. But everything that can go wrong does.His friends are flung far and wide across Carthya and its neighbouring lands. In a last-ditch effort to stave off what looks to be a devastating loss for the kingdom, Jaron undertakes what may be his last journey to save everything and everyone he loves. But even with his lightning-quick wit, Jaron cannot forestall the terrible danger that descends on him and his country. Along the way, will he lose what matters most? And in the end, who will sit on Carthya's throne?

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

Cinder and Captain Thorne are fugitives on the run, now with Scarlet and Wolf in tow. Together, they're plotting to overthrow Queen Levana and her army.Their best hope lies with Cress, a girl imprisoned on a satellite since childhood who's only ever had her netscreens as company. All that screen time has made Cress an excellent hacker. Unfortunately, she's just received orders from Levana to track down Cinder and her handsome accomplice.When a daring rescue of Cress goes awry, the group is separated. Cress finally has her freedom, but it comes at a higher price. Meanwhile, Queen Levana will let nothing prevent her marriage to Emperor Kai. Cress, Scarlet, and Cinder may not have signed up to save the world, but they may be the only hope the world has.

"Magnus Chase, you nearly started Ragnarok. What are you going to do next?"It's been six weeks since Magnus and his friends returned from defeating Fenris Wolf and the fire giants. Magnus has adjusted to life at the Hotel Valhalla—as much as a once-homeless and previously alive kid can. As a son of Frey, the god of summer, fertility, and health, Magnus doesn't exactly fit in with the rest of Odin's chosen warriors, but he has a few good peeps among his hallmates on floor nineteen, and he's been dutifully training for Ragnarok along with everyone else. His days have settled into a new kind of normal.But Magnus should have known there's no such thing as normal in the Nine Worlds. His friends Hearthstone and Blitzen have disappeared. A new hallmate is creating chaos. According to a very nervous goat, a certain object belonging to Thor is still missing, and the thunder god's enemies will stop at nothing to gain control of it.Time to summon Jack, the Sword of Summer, and take action. Too bad the only action Jack seems to be interested in is dates with other magical weapons. . . .

The Ultimate Guide is a good book for Percy Jackson fans, but you can get a little bored of it. It's packed with information about Percy, Annabeth, Grover, and even monsters he fought! I liked that you could take a quiz about who your god parent would be, but I didn't like that the Ultimate Guide has a whole section about Percy's "background". It took up a lot of the book, and most of that information is in the first book. On the positive side, I really like the pictures in the book, and I like the section about all of the gods and goddesses. My favorite is the section about life at camp. There is a double page picturing Camp Half-Blood and on the next page, Percy's camp schedule. It's kind of cool to see what life at camp half blood would be like. It also has a great front cover. I saw it in the book store and was immediately drawn to the shiny holographic cover. It opens up with a magnetic clip thingy which also made it look cool. The Ultimate Guide is great if you are a Percy Jackson fan that wants to learn a little bit more about Percy Jackson and his life.

Before WICKED was formed, before the Glade was built, before Thomas entered the Maze, sun flares hit the earth and mankind fell to disease.Mark and Trina were there when it happened, and they survived. But surviving the sun flares was easy compared to what came next. Now a disease of rage and lunacy races across the eastern United States, and there’s something suspicious about its origin. Worse yet, it’s mutating, and all evidence suggests that it will bring humanity to its knees.Mark and Trina are convinced there’s a way to save those left living from descending into madness. And they’re determined to find it—if they can stay alive. Because in this new, devastated world, every life has a price. And to some, you’re worth more dead than alive.

In the blink of an eye, everyone disappears. Gone. Except for the young.There are teens, but not one single adult. Just as suddenly, there are no phones, no internet, no television. No way to get help. And no way to figure out what's happened.Hunger threatens. Bullies rule. A sinister creature lurks. Animals are mutating. And the teens themselves are changing, developing new talents—unimaginable, dangerous, deadly powers—that grow stronger by the day. It's a terrifying new world. Sides are being chosen, a fight is shaping up. Townies against rich kids. Bullies against the weak. Powerful against powerless. And time is running out: On your 15th birthday, you disappear just like everyone else...

Cinder, the cyborg mechanic, returns in the second thrilling installment of the bestselling Lunar Chronicles. She’s trying to break out of prison—even though if she succeeds, she’ll be the Commonwealth’s most wanted fugitive. Halfway around the world, Scarlet Benoit’s grandmother is missing. When Scarlet encounters Wolf, a street fighter who may have information as to her grandmother’s whereabouts, she is loath to trust this stranger, but is inexplicably drawn to him, and he to her. As Scarlet and Wolf unravel one mystery, they encounter another when they meet Cinder. Now, all of them must stay one step ahead of the vicious Lunar Queen Levana, who will do anything for the handsome Prince Kai to become her husband, her king, her prisoner.

What was once the western United States is now home to the Republic, a nation perpetually at war with its neighbors. Born into an elite family in one of the Republic's wealthiest districts, fifteen-year-old June is a prodigy being groomed for success in the Republic's highest military circles. Born into the slums, fifteen-year-old Day is the country's most wanted criminal. But his motives may not be as malicious as they seem.From very different worlds, June and Day have no reason to cross paths—until the day June's brother, Metias, is murdered and Day becomes the prime suspect. Caught in the ultimate game of cat and mouse, Day is in a race for his family's survival, while June seeks to avenge Metias's death. But in a shocking turn of events, the two uncover the truth of what has really brought them together, and the sinister lengths their country will go to keep its secrets.Alternate Cover edition for ISBN 9780399256752

Alternate Cover Edition for ISBN: 9780786849567Ten thousand years ago, humans and fairies fought a great battle for the magical island of Ireland. When it became clear to the fairy families that they could never win, they decided to move their civilisation underground and keep themselves hidden from the humans. All the fairy families agreed on this, except the eighth family, the demons.The demons planned to lift their small island out of time until they had regrouped and were ready to wage war on the humans once more. However, the time spell went wrong, and the island of Hybras was catapulted into Limbo, where it has remained for ten thousand years.Now, the tainted time spell is deteriorating and demons are being sucked back into the present space and time. The fairy Council are naturally concerned about this and are monitoring any materialisations. When the spell’s deterioration accelerates, the materialisations become unpredictable. Even the fairy scientists cannot figure out where the next demon will pop up.But someone can. Artemis Fowl, the teenage criminal mastermind, has solved temporal equations that no normal human should be intelligent enough to understand. But Artemis Fowl is no normal human.So when a confused and frightened demon pops up in a Sicilian theatre, Artemis Fowl is there to meet him. Unfortunately, he is not the only one. A second, mysterious party has also solved the temporal equations, and manages to abduct the demon before Artemis can secure him.This is a disaster for the fairy People, because this demon was no ordinary fairy. He was the last demon warlock, and as such held the key to the survival of the entire demon race.It is up to Artemis and his old comrade Captain Holly Short to track down the missing demon and rescue him before the time spell dissolves completely and the lost demon colony returns violently to Earth.

After the 1st wave, only darkness remains. After the 2nd, only the lucky escape. And after the 3rd, only the unlucky survive. After the 4th wave, only one rule applies: trust no one.Now, it's the dawn of the 5th wave, and on a lonely stretch of highway, Cassie runs from Them. The beings who only look human, who roam the countryside killing anyone they see. Who have scattered Earth's last survivors. To stay alone is to stay alive, Cassie believes, until she meets Evan Walker. Beguiling and mysterious, Evan Walker may be Cassie's only hope for rescuing her brother-or even saving herself. But Cassie must choose: between trust and despair, between defiance and surrender, between life and death. To give up or to get up.

Michael is a gamer. And like most gamers, he almost spends more time on the VirtNet than in the actual world. The VirtNet offers total mind and body immersion, and it’s addictive. Thanks to technology, anyone with enough money can experience fantasy worlds, risk their life without the chance of death, or just hang around with Virt-friends. And the more hacking skills you have, the more fun. Why bother following the rules when most of them are dumb, anyway?But some rules were made for a reason. Some technology is too dangerous to fool with. And recent reports claim that one gamer is going beyond what any gamer has done before: he’s holding players hostage inside the VirtNet. The effects are horrific—the hostages have all been declared brain-dead. Yet the gamer’s motives are a mystery.The government knows that to catch a hacker, you need a hacker.And they’ve been watching Michael. They want him on their team.But the risk is enormous. If he accepts their challenge, Michael will need to go off the VirtNet grid. There are back alleys and corners in the system human eyes have never seen and predators he can’t even fathom—and there’s the possibility that the line between game and reality will be blurred forever.

Sixteen-year-old Cinder is considered a technological mistake by most of society and a burden by her stepmother. Being cyborg does have its benefits, though: Cinder's brain interference has given her an uncanny ability to fix things (robots, hovers, her own malfunctioning parts), making her the best mechanic in New Beijing. This reputation brings Prince Kai himself to her weekly market booth, needing her to repair a broken android before the annual ball. He jokingly calls it "a matter of national security," but Cinder suspects it's more serious than he's letting on.Although eager to impress the prince, Cinder's intentions are derailed when her younger stepsister, and only human friend, is infected with the fatal plague that's been devastating Earth for a decade. Blaming Cinder for her daughter's illness, Cinder's stepmother volunteers her body for plague research, an "honor" that no one has survived.But it doesn't take long for the scientists to discover something unusual about their new guinea pig. Something others would kill for.

Percy Jackson isn't expecting freshman orientation to be any fun. But when a mysterious mortal acquaintance appears at his potential new school, followed by demon cheerleaders, things quickly move from bad to worse.In this fourth installment of the blockbuster series, time is running out as war between the Olympians and the evil Titan lord Kronos draws near. Even the safe haven of Camp Half-Blood grows more vulnerable by the minute as Kronos's army prepares to invade its once impenetrable borders. To stop the invasion, Percy and his demigod friends must set out on a quest through the Labyrinth - a sprawling underground world with stunning surprises at every turn.

Jason has a problem.He doesn’t remember anything before waking up in a bus full of kids on a field trip. Apparently he has a girlfriend named Piper, and a best friend named Leo. They’re all students at a boarding school for “bad kids.” What did Jason do to end up here? And where is here, exactly?Piper has a secret.Her father has been missing for three days, ever since she had that terrifying nightmare about his being in trouble. Piper doesn’t understand her dream, or why her boyfriend suddenly doesn’t recognize her. When a freak storm hits during the school trip, unleashing strange creatures and whisking her, Jason, and Leo away to someplace called Camp Half-Blood, she has a feeling she’s going to find out.Leo has a way with tools.When he sees his cabin at Camp Half-Blood, filled with power tools and machine parts, he feels right at home. But there’s weird stuff, too—like the curse everyone keeps talking about, and some camper who's gone missing. Weirdest of all, his bunkmates insist that each of them—including Leo—is related to a god. Does this have anything to do with Jason's amnesia, or the fact that Leo keeps seeing ghosts?

first book in the Heroes of Olympus series by Rick Riordan

Since their mother's death, Sadie and Carter have become near-strangers. While Sadie has lived with her grandparents in London, Carter has traveled the world with their father, the famed Egyptologist Dr. Julius Kane.  One night, Dr. Kane brings the siblings to the British Museum, where he hopes to set things right for his family. Instead, he unleashes the Egyptian god Set, who banishes him to oblivion and forces the children to flee for their lives. Soon, Sadie and Carter discover that all the gods of Egypt are waking, and that Set now has his sights on them. To stop him, the duo embarks on a dangerous journey across the globe, one that brings Carter and Sadie ever closer to the truth about their family and its connection to a secret order that has existed since the time of the pharaohs.The heart-stopping action and magic explode off the page in The Red Pyramid, The Graphic Novel, based on the worldwise best-selling novel by Rick Riordan.

He's b-a-a-ack! Despite their best efforts, Carter and Sadie Kane can't seem to keep Apophis, the chaos snake, down. Now Apophis is threatening to plunge the world into eternal darkness, and the Kanes are faced with the impossible task of having to destroy him once and for all. Unfortunately, the magicians of the House of Life are on the brink of civil war, the gods are divided, and the young initiates of Brooklyn House stand almost alone against the forces of chaos. The Kanes' only hope is an ancient spell that might turn the serpent's own shadow into a weapon, but the magic has been lost for a millennia. To find the answer they need, the Kanes must rely on the murderous ghost of a powerful magician who might be able to lead them to the serpent's shadow . . . or might lead them to their deaths in the depths of the underworld. Nothing less than the mortal world is at stake when the Kane family fulfills its destiny in this thrilling conclusion to the Kane Chronicles.

fantasy adventure novel, 2012, third and last in the Kane trilogy

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On the day that Hurricane Katrina hits New Orleans, elderly Daisy Williams (nee Fuller) is on her deathbed in a New Orleans hospital. At her side is her adult daughter, Caroline. Daisy asks Caroline to read to her aloud the diary of Daisy's lifelong friend, Benjamin Button. Benjamin's diary recounts his entire extraordinary life, the primary unusual aspect of which was his aging backwards, being diagnosed with several aging diseases at birth and thus given little chance of survival, but who does survive and gets younger with time. Abandoned by his biological father, Thomas Button, after Benjamin's biological mother died in childbirth, Benjamin was raised by Queenie, a black woman and caregiver at a seniors home. Daisy's grandmother was a resident at that home, which is where she first met Benjamin. Although separated through the years, Daisy and Benjamin remain in contact throughout their lives, reconnecting in their forties when in age they finally match up. Some of the revelations in Benjamin's diary are difficult for Caroline to read, especially as it relates to the time past this reconnection between Benjamin and Daisy, when Daisy gets older and Benjamin grows younger into his childhood years.

84 years later, a 100 year-old woman named Rose DeWitt Bukater tells the story to her granddaughter Lizzy Calvert, Brock Lovett, Lewis Bodine, Bobby Buell and Anatoly Mikailavich on the Keldysh about her life set in April 10th 1912, on a ship called Titanic when young Rose boards the departing ship with the upper-class passengers and her mother, Ruth DeWitt Bukater, and her fiancé, Caledon Hockley. Meanwhile, a drifter and artist named Jack Dawson and his best friend Fabrizio De Rossi win third-class tickets to the ship in a game. And she explains the whole story from departure until the death of Titanic on its first and last voyage April 15th, 1912 at 2:20 in the morning.

Jumanji, one of the most unique--and dangerous--board games ever, falls into the hands of the curious teen, Alan Parrish, in 1969. Mysterious and magical, the game strands the unsuspecting boy in the lush, savage forests of a mythical realm. Nearly three decades later, the game releases him before the awed eyes of the young orphaned siblings, Judy and Peter Shepherd. Now, the wild and incessant beat of the jungle's tribal drums is calling for the now-adult Alan and the other hesitant players, as the one who rolls the dice must never leave undone what the roll has started. Has anyone ever escaped from the game and Jumanji's formidable foes?

Alameda Slim (Randy Quaid), a wanted cattle rustler, uses an alias to buy up properties all over western Nebraska, and his next target is the Patch of Heaven dairy farm, where the widow owner cares more for her "family" of yard animals than she does for profit. She just doesn't have the cash to keep in business or to prevent Slim from taking her farm. The animals, mainly carefree youngsters, are unable to help, however, three cows of very different temperaments rise to the desperate occasion and set out to do battle for their dream home. They team up with the Sheriff's megalomaniac horse and any other animal who can possibly help, even a crazy lucky rabbit and an invincible buffalo.

2004 American animated Western musical comedy film

During an ordinary day in Hundred Acre Wood, Winnie the Pooh sets out to find some honey. Misinterpreting a note from Christopher Robin, Owl convinces Tigger, Rabbit, Piglet, Pooh, Kanga, Roo, and Eeyore that their young friend has been captured by a creature named the Backson, and they set out to save him.

In 15th-century Paris, Clopin the puppeteer tells the story of Quasimodo, the misshapen but gentle-souled bell ringer of Notre Dame, who was nearly killed as a baby by Claude Frollo, the Minister of Justice. But Frollo was forced by the Archdeacon of Notre Dame to raise Quasimodo as his own. Now a young man, Quasimodo is hidden from the world by Frollo in the belltower of the cathedral. But during the Festival of Fools, Quasimodo, cheered on by his gargoyle friends Victor, Hugo, and Laverne, decides to take part in the festivities, where he meets the lovely gypsy girl Esmeralda and the handsome soldier Phoebus. The three of them find themselves ranged against Frollo's cruelty and his attempts to destroy the home of the gypsies, the Court of Miracles. And Quasimodo must desperately defend both Esmeralda and the very cathedral of Notre Dame.

1996 American animated musical drama film

"The Croods" are an eccentric family of cavemen, who survive the harsh terrain by living accordingly to a strict set of rules. But when their home is destroyed in the wake of an impending disaster known as "The End", they are forced to leave their home of shelter and security, and into the wilderness of the unknown to find a new home.

2013 American computer-animated adventure comedy film

Elliot (Joel McHale) incessantly parades proudly with his antlers, until unwise rock-jumping sees them crushed, and thus his new pride. Bride Giselle (Jane Krakowski) thinks Elliot has commitment anxiety when he rushes off to take the lead in the rescue of canine buddy Mr. Weenie (Cody Cameron), who is kidnapped by a poodle's gang of master-devoted pets determined to reconvert him. The feral gang has great trouble even penetrating the heavily guarded holiday resort where the brainwashing attempt is happening.

2009 animated feature film directed by Matthew O'Callaghan

Garden gnomes Gnomeo (James McAvoy) and Juliet (Emily Blunt) have as many obstacles to overcome as their quasi namesakes when they are caught up in a feud between neighbors. But with plastic pink flamingos and lawnmower races in the mix, can this young couple find lasting happiness?

When the farmer's away, all the animals play, and sing, and dance. Eventually, though, someone has to step in and run things, a responsibility that ends up going to Otis, a carefree cow.

The candy recipes of the goody shops have been stolen by the Goody Bandit, and many animals are out of business. While the police are chasing the criminal, there is a mess at Granny's house involving Little Red Hiding Hood, The Wolf, The Woodsman and Granny, disturbing the peace in the forest. They are all arrested by the impatient Chief Grizzly. Detective Nicky Flipper is in charge of the investigation, and each accused gives his/her own version of the incident. Flipper uses the information to disclose the identity of the evil Goody Bandit.

Inspired by Charles Dickens' "Oliver Twist". A homeless kitten named Oliver, roams the streets of New York, where he is taken in by a gang of homeless mutts who survive by stealing from others. During one of these criminal acts, Oliver meets a wealthy young girl named Jenny Foxworth. This meeting will forever change his life.

Lem is just an average teenager working on getting the girl and furthering his career at the local planetarium - except that he's an alien. At least to U.S. astronaut Captain Charles T. Baker who lands on Lem's planet hoping for a quick flag plant and a hasty return to earth and his millions of screaming fans. But on this alien planet the media has tagged spacemen as brain-eating, zombie-creating monsters, causing Baker to run for his life and into Lem's house. Now it's up to the green native to get the clumsy astronaut back to his spaceship before military dictator General Grawl and mad scientist Professor Kipple manage to exterminate the Earthly visitor.

Wishes come true in this movie, and love makes its way into the hearts of those young, old, and overseas. Chuckie's dad, Chaz (Michael Bell), starts dating again, and it's Chuckie's wish to find a new mom. When Stu Pickles (Jack Riley) is summoned to Reptarland, an amazing new amusement park in Paris, to work on his Reptar invention, Tommy (Elizabeth Daily), Chuckie (Christine Cavanaugh), Angelica (Cheryl Chase), Phil (Kath Soucie), Lil (Kath Soucie), Dil (Tara Strong), Didi (Melanie Chartoff), and the whole gang tag along to the city of romance. But the Rugrats' big adventure turns out to be more than glamor, fashion, and smelly cheese. Chuckie learns that when it comes to Princesses and potential mommies, things are not always what they seem, and for Chaz, finding the right woman can be difficult in any language. As the Rugrats' travels take them from the Eiffel Tower to Notre Dame and everywhere in-between, the world's favorite babies learn new lessons about courage, loyalty, trust, and above all, true love.

The evil wizard Gargamel creates a couple of mischievous Smurf-like creatures called the Naughties that he hopes will let him harness the all-powerful, magical Smurf-essence. But when he discovers that only a real Smurf can give him what he wants, and only a secret spell that Smurfette knows can turn the Naughties into real Smurfs, Gargamel kidnaps Smurfette and brings her to Paris, where he has been winning the adoration of millions as the world¹s greatest sorcerer. It's up to Papa, Clumsy, Grouchy, and Vanity to return to our world, reunite with their human friends Patrick and Grace Winslow, and rescue her! Will Smurfette, who has always felt different from the other Smurfs, find a new connection with the Naughties Vexy and Hackus or will the Smurfs convince her that their love for her is True Blue?

Abandoned after an accident, baby Mowgli is taken and raised by a family of wolves. As the boy grows older, the wise panther Bagheera realizes he must be returned to his own kind in the nearby man-village. Baloo the bear, however, thinks differently, taking the young Mowgli under his wing and teaching him that living in the jungle is the best life there is. Bagheera realizes that Mowgli is in danger, particularly from Shere Khan the tiger who hates all people. When Baloo finally comes around, Mowgli runs off into the jungle where he survives a second encounter with Kaa the snake and finally, with Shere Khan. It's the sight of a pretty girl, however, that draws Mowgli to the nearby man-village and stay there.

In a tree farm, three musically inclined chipmunks, Alvin, Simon and Theodore, find their tree cut down and sent to Los Angeles. Once there, they meet the frustrated songwriter David Seville, and despite a poor house wrecking first impression, they impress him with their singing talent. Seeing the opportunity for success, both human and chipmunks make a pact for them to sing his songs. While that ambition proves a frustrating struggle with the difficult trio, the dream does come true after all. However, that success presents its own trials as their unscrupulous record executive, Ian Hawke, plans to break up this family to exploit the boys. Can Dave and the Chipmunks discover what they really value amid the superficial glamor around them?

2007 live action/CGI film directed by Tim Hill

The sequel to 2005's "Madagascar", in which New York Zoo animals, Alex the Lion, Marty the Zebra, Melman the Giraffe and Gloria the Hippo, still stranded on Madagascar, start to leave the island. All of a sudden, they land in the wilderness of Africa, where Alex meets the rest of his family, but has trouble communicating with them after spending so much time at the Central Park Zoo.

2008 American computer-animated comedy film

Tommy Pickles (Elizabeth Daily) faces responsiblity when Dylan Pickles (Tara Strong), his new baby brother is born. As with all newborns, the child becomes a bane to Tommy and the rest of his gang. Even Philip Deville (Kath Soucie) and litt don't like them. So they decide to return Dylan to where he came from, the hospital. But they get lost along the way, lost, and get into even more trouble with a circus. Can they find their way home and can Tommy and Dylan just get along?

The stork delivers a baby elephant to Mrs. Jumbo, veteran of the circus, but the newborn is ridiculed because of his truly enormous ears and dubbed "Dumbo". After being separated from his mother, Dumbo is relegated to the circus' clown acts; it is up to his only friend, a mouse, to assist Dumbo to achieve his full potential.

American electronic music producer and DJ

Canadian rapper, singer, songwriter and actor

English and Albanian singer and songwriter

The character-driven cartoon chronicles the nautical and often nonsensical adventures of SpongeBob, an incurably optimistic and earnest sea sponge, and his underwater friends. Dwelling a few fathoms beneath the tropical isle of Bikini Atoll in the sub-surface city of Bikini Bottom, SpongeBob lives in a two-story pineapple. Instead of taking the logical approach to everyday challenges, SpongeBob approaches life in a wayward and unconventional way. Whether searching for the ultimate spatula to perfect his burger flipping technique at the Krusty Krab or just hanging out with his best friend Patrick (an amiable starfish), SpongeBob's good intentions and overzealous approach to life usually create chaos in his underwater world.

The FBI teams up with a formerly-institutionalized scientist - who was performing experiments on the fringe of real science - and his son to investigate weird crimes that are seemingly part of a larger pattern, and may be connected with a global company called Massive Dynamic.

American science fiction television series

A modern take on the cases of Sherlock Holmes, with the detective now living in New York City.

For Emma Swan, life has been anything but a happy ending. But when she's reunited with Henry - the son she gave up for adoption ten years ago - on the night of her 28th birthday, everything changes. The now 10-year-old Henry is in desperate need of Emma's help because he believes from reading a book of fairy-tales that she's the daughter of Snow White and Prince Charming - who sent her away from the Enchanted Forest to be protected from a curse that was enacted by the Evil Queen. Emma initially refuses to believe a word of Henry's story but soon finds that his hometown of Storybrooke, Maine is more than it seems. Because it's in Storybrooke that all of the classic characters we know are frozen in time with no memories of their former selves - except for the Evil Queen, who is Storybrooke's mayor and Henry's adoptive mother Regina Mills. Now, as the epic "Final Battle" for the future of both worlds approaches, Emma will have to accept her destiny and uncover the mystery behind a place where fairy-tales are to be believed.

Popular animated series featuring Scooby-Doo, a Great Dane who joins four California high school students (Fred, Daphne, Velma and Shaggy) on many quests to solve strange mysteries. Each mystery is current and unusual and involves the group stopping someone from wreaking certain havoc on the world. The gang were always driving in the Mystery Machine, returning from or going to a regular teenage function, when their van develops engine trouble or breaks down for a variety of reasons. Their (unintended) destination turns out to be suffering a monster problem, and the gang volunteers to investigate the case. Eventually, enough clues are found to convince the gang that the ghost or monster was a villain. Invariably, the ghost or monster was apprehended and revealed to be an apparently blameless authority figure or otherwise innocuous local who uses the disguise to cover up a crime or scam. After proclaiming "And I would have gotten away with it too, if it weren't for you meddling kids!", the villain was then taken away to prison, and the gang was allowed to continue on their way to their destination.

The offbeat adventures of Courage, a cowardly dog who must overcome his own fears to heroically defend his unknowing farmer owners from all kinds of dangers, paranormal events and menaces that appear around their land.

American horror animated television series

The continuing adventures of Ben Tennyson (Yuri Lowenthal) and his new partner, Rook Blonko (Bumper Robinson).

In a future where humans are infected by untested, microscopic robots, a young man with the ability to control the bots helps a government agency control the tech's vicious creations.

American animated science fantasy television series

With his secret identity now revealed to the world, Ben Tennyson continues to fight evil as a superhero with the help of the newly acquired Ultimatrix.

After discovering the original Star-Spangled Kid's gear, teenager Courtney Whitmore joins the Justice Society of America as Stargirl, teaming up with her stepfather Pat Dugan in his robotic exosuit. Based on the DC Comic Stars and S.T.R.I.P.E.

Adventures of Sonic the Hedgehog is a comical, light-hearted and gag-driven adventure series based on the titular character Sonic the Hedgehog, a sometimes arrogant yet kind-hearted and mischievous teenage hedgehog with the power to move at supersonic speeds. Sonic, along with his idolizing young friend Tails, regularly oppose the main antagonist Dr. Robotnik, his robot henchmen Scratch, Grounder, and Coconuts, and thwart their plans to conquer their home planet of Mobius. The series features a short PSA segment titled "Sonic Says" at the end of each episode; these segments were written by

Mechanics by day, the masked Swat Kats duo are a crack force defending Megakat City from criminal masterminds and monsters. Well-crafted, meticulously-animated children's science-fiction in faithful comic book style, with well-rounded characters, ongoing story lines and dashes of humor.

As a child Matt Murdock was blinded by a chemical spill in a freak accident. Instead of limiting him it gave him superhuman senses that enabled him to see the world in a unique and powerful way. Now he uses these powers to deliver justice, not only as a lawyer in his own law firm, but also as vigilante at night, stalking the streets of Hell's Kitchen as Daredevil, the man without fear.

Fifteen-year-old Ben Tennyson must utilize the Omnitrix yet again in order to locate his missing Grandpa Max, accompanied by his cousin Gwen and former enemy Kevin 11.

The story of Ben Tennyson, a typical kid who becomes very atypical after he discovers the Omnitrix, a mysterious alien device with the power to transform the wearer into ten different alien species.

Six teens attending an adventure camp on the opposite side of Isla Nublar must band together to survive when dinosaurs wreak havoc on the island.

Timmy Turner, a 10-year-old boy, has had it with his babysitter! He summons his fairy godparents who have the power to grant him wishes. Some of the wishes are really helpful, others don't work out so well. Timmy's godparents Wanda and Cosmo have ideas of their own and always lead Timmy on interesting adventures.

When Donald Duck decides to join the Navy, he leaves his nephews, Huey, Dewey, and Louie in the care of his cantankerous Uncle Scrooge. He is an eccentric and miserly billionaire who loves to literally swim in his money that is held in his corporate headquarters/vault known as the Money Bin. While the initial meeting was less than pleasant, events soon have them, along with a newly hired nanny, her granddaughter, and Scrooge's dimwitted, but skilled pilot, on countless adventures as the group goes around the world looking for treasure, or defending Scrooge's current assets from enemies like the Beagle Boys or Magica De Spell.

American animated television series from 1987

The adventures of average suburban boy Johnny Test, who wittingly plays test subject for his genius twin sisters' various experiments, reluctantly fighting evil villains in the process.

Canadian/American/British television series

An adventuresome family of experts in the field of creatures known as cryptids attempts to protect their secrets and powers from the forces of evil.

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