angel smith

Nicky Tallon

paul limpert

Harini Sen

Vastralaya

Evan Shively (Perseus271)

Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

This groundbreaking collection reflects an uncompromised definition of feminism by women of color. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.”

I really am glad I finally got around to reading this. The book examines the history of the feminist movement in the United States with an eye towards the ways in which the movement fell short on meeting the needs of women who had other marginalized identities. I personally knew some of this history but not all and as Davis mentions it's crucial to grapple with the historic actions of movements when trying to address why certain people choose not to engage in those movements. I also think most people don't have a good understanding of what intersectionality means necessarily and have a tendency to reduce it down to being about who is "more oppressed". I think the book could do a good job of helping one develop a more nuanced understanding of intersectionality as the ways in which different identities intersect to create differing needs and experiences, which need to be addressed individually. This was 4.5 stars for me and I would totally recommend it to others who want to learn more about feminism or those trying to cultivate a better political analysis around women's liberation and the way it intersects with other movements.

The first nonfiction work by one of the most distinctive prose stylists of our era, Joan Didion's Slouching Towards Bethlehem remains, decades after its first publication, the essential portrait of America—particularly California—in the sixties.It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture.

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  One of the most acclaimed novels of the late 20th century is back.\
When members of the National Book Critics Circle were polled to see which book they would most like to see republished, they chose Speedboat—“by far.” This story of a young female newspaper reporter coming of age in New York City was originally published serially in the New Yorker; it is made out of seemingly unrelated vignettes—tart observations distilled through relentless intellect—which add up to an analysis of our brittle, urban existence. It remains as fresh as when it was first published.

Frank O’Hara was one of the great poets of the twentieth century and, along with such widely acclaimed writers as Denise Levertov, Allen Ginsberg, Robert Creeley, and Gary Snyder, a crucial contributor to what Donald Allen termed the New American Poetry, "which, by its vitality alone, became the dominant force in the American poetic tradition.”Frank O’Hara was born in Baltimore in 1926 and grew up in New England; from 1951 he lived and worked in New York, both for Art News and for the Museum of Modern Art, where he was an associate curator. O'Hara’s untimely death in 1966 at the age of forty was, in the words of fellow poet John Ashbery, "the biggest secret loss to American poetry since John Wheelwright was killed.” This collection is a reissue of a volume first published by Grove Press in 1957, and it demonstrates beautifully the flawless rhythm underlying O'Hara’s conviction that to write poetry, indeed to live, "you just go on your nerve.”

John and Ann Mullany, a junior partner at a law firm and a housewife respectively, are a young, upwardly mobile couple, who most would deem to have a perfect life. Ann's outward perfection belies the fact that she is in therapy, dealing with the stress over worrying about global issues with which she has little to no control. She does not see certain things with which she does have control being problems in her life, namely her sexual repression or her disinterest in sex as an activity, that is until it manifested itself in this stress which in turn is having, what she believes, a negative impact on her marriage. What she is unaware of is that, long before her stress began, John embarked on an affair with her sister, bartender Cynthia Bishop, who she doesn't admire as being too "loud". John reconnects with a close friend from college named Graham Dalton, who, to John, appears to have lost his way in life in the years that they have not been in touch. Graham, via the method in which he deals with his emotional and sexual problems - which is also believes is being totally forthright to all concerned - has a profound effect on Cynthia, John and Ann, who in turn, especially Ann, have a profound effect on him.

A meek word processor in New York impulsively travels downtown to Soho for date with an attractive, but apparently disturbed young woman, and finds himself trapped in a nightmarishly surreal vortex of improbable coincidences and farcical circumstances.

In pre-WWI Paris, two friends, Jules (Austrian) and Jim (French), fall in love with the same woman, Catherine. But Catherine loves and marries Jules. When they meet again in Germany after the war, Catherine starts to love Jim - This is the story of three people in love, a love that doesn't affect their friendship, and about how their relationship evolves with the years.

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