Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

In the Society, officials decide. Who you love. Where you work. When you die.Cassia has always trusted their choices. It’s hardly any price to pay for a long life, the perfect job, the ideal mate. So when her best friend appears on the Matching screen, Cassia knows with complete certainty that he is the one…until she sees another face flash for an instant before the screen fades to black. Now Cassia is faced with impossible choices: between Xander and Ky, between the only life she’s known and a path no one else has ever dared follow—between perfection and passion.Matched is a story for right now and storytelling with the resonance of a classic.

An alternate cover edition can be found here.Many hundreds of years ago, the city of Ember was created by the Builders to contain everything needed for human survival. It worked…but now the storerooms are almost out of food, crops are blighted, corruption is spreading through the city and worst of all—the lights are failing. Soon Ember could be engulfed by darkness…But when two children, Lina and Doon, discover fragments of an ancient parchment, they begin to wonder if there could be a way out of Ember. Can they decipher the words from long ago and find a new future for everyone? Will the people of Ember listen to them?

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

B z z z z z z z The buzzing sound? Do you hear that? There it is again. B z z z z z z z No? Well, I really shouldn't have asked. Most people can't hear it, anyway. But, if you could, you'd think it sounds like you're teetering on the edge of the universe. That's what Isabelle Bean thinks...and she's not that far from the truth. B z z z z z z z You really don't hear that? Well, it's actually not that great to have a buzzing in your ear. It's distracting for one thing. And when Isabelle starts listening to the buzz instead of, say, her boring teacher, strange things happen. She gets sent to the principal's office (that's not so strange), but then while awaiting her punishment, she tumbles into an adventure—into another world that's a little bit different, a little bit Hansel &amp; Gretel-y, a little bit like a fairy tale, which would be great, but...did I mention that Isabelle is an unusual dresser? When she shows up in fairy-tale land wearing her favorite high, pointy boots, the fairy-tale people start thinking that Isabelle is a witch -- and not just any witch, but the witch! From Edgar Award-winning author Frances O'Roark Dowell comes the unlikely story of Isabelle Bean—an ultimate misfit, an outsider extraordinaire, and not a witch!

Thirteen-year-old Jonah has always known that he was adopted, and he's never thought it was any big deal. Then he and a new friend, Chip, who's also adopted, begin receiving mysterious letters. The first one says, "You are one of the missing." The second one says, "Beware! They're coming back to get you."Jonah, Chip, and Jonah's sister, Katherine, are plunged into a mystery that involves the FBI, a vast smuggling operation, an airplane that appeared out of nowhere - and people who seem to appear and disappear at will. The kids discover they are caught in a battle between two opposing forces that want very different things for Jonah and Chip's lives.Do Jonah and Chip have any choice in the matter? And what should they choose when both alternatives are horrifying?With Found, Margaret Peterson Haddix begins a new series that promises to be every bit as suspenseful as Among the Hidden, and proves her, once again, to be a master of the page-turner.

Meet Rochelle Evans: pretty, popular--and never been kissed. Meet Noah Flynn: badass, volatile--and a total player. And also Elle's best friend's older brother... When Elle decides to run a kissing booth for the school's Spring Carnival, she locks lips with Noah and her life is turned upside down. Her head says to keep away, but her heart wants to draw closer--this romance seems far from fairy tale and headed for heartbreak. But will Elle get her happily ever after?

Jack’s mom is gone, leaving him all alone on a campsite in Maine. Can he find his way back to Boston before the authorities realize what happened?Ever since Jack can remember, his mom has been unpredictable, sometimes loving and fun, other times caught in a whirlwind of energy and "spinning" wildly until it’s over. But Jack never thought his mom would take off during the night and leave him at a campground in Acadia National Park, with no way to reach her and barely enough money for food. Any other kid would report his mom gone, but Jack knows by now that he needs to figure things out for himself - starting with how to get from the backwoods of Maine to his home in Boston before DSS catches on. With nothing but a small toy elephant to keep him company, Jack begins the long journey south, a journey that will test his wits and his loyalties - and his trust that he may be part of a larger herd after all.

Bronze, Silver, Gold (hard), Platinum (very hard)...

Four college freshmen and best friends find that it may take more than a shared pair of jeans to help them stay in touch as their lives go in different directions.

A modern-day remake of the Cyrano DeBergerac tale.

The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.

2005 comedy movie directed by Robert Luketic

Eloise, having been relieved of maid of honor duties after being unceremoniously dumped by the best man via text, decides to attend the wedding anyway, only to find herself seated with five fellow unwanted guests at the dreaded Table

A college graduate goes to work as a nanny for a rich New York family. Ensconced in their home, she has to juggle their dysfunction, a new romance, and the spoiled brat in her charge.

2007 US romantic comedy movie directed by Shari Springer Berman and Robert Pulcini

When two kids find and play a magical board game, they release a man trapped in it for decades - and a host of dangers that can only be stopped by finishing the game.

Tough ex-con Corky and her lover Violet concoct a scheme to steal millions of stashed mob money and pin the blame on Violet's crooked boyfriend Caesar.

1996 American neo-noir crime thriller film directed by The Wachowskis

The magically long-haired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.

2010 computer-animated musical fantasy-comedy film by Disney

A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.

Alice stumbles into the world of Wonderland. Will she get home? Not if the Queen of Hearts has her way.

1951 American animated musical fantasy film produced by Walt Disney Productions

When the farmer's away, all the animals play, and sing, and dance. Eventually, though, someone has to step in and run things, a responsibility that ends up going to Otis, a carefree cow.

E.B., the Easter Bunny's teenage son, heads to Hollywood, determined to become a drummer in a rock 'n' roll band. In LA, he's taken in by Fred after the out-of-work slacker hits E.B. with his car.

The story of a young deer growing up in the forest.

A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.

A hapless young Viking who aspires to hunt dragons becomes the unlikely friend of a young dragon himself, and learns there may be more to the creatures than he assumed.

2010 animated film directed by Dean DeBlois and Chris Sanders

In a robot world, a young idealistic inventor travels to the big city to join his inspiration's company, only to find himself opposing its sinister new management.

The canine star of a fictional sci-fi/action show that believes his powers are real embarks on a cross country trek to save his co-star from a threat he believes is just as real.

2008 American computer animated comedy-adventure film produced by Walt Disney Animation Studios and released by Walt Disney Pictures

To save her father from death in the army, a young maiden secretly goes in his place and becomes one of China's greatest heroines in the process.

1998 American animated musical action-comedy-drama film produced by Walt Disney Feature Animation

When a son of a gangster shark boss is accidentally killed while on the hunt, his would-be prey and his vegetarian brother decide to use the incident to their own advantage.

2004 animated film by Vicky Jenson, Bibo Bergeron, and Rob Letterman

A group of animals who have spent all their life in a New York zoo end up in the jungles of Madagascar, and must adjust to living in the wild.

2005 American computer-animated comedy film

American singer, songwriter, record producer, multi-instrumentalist, and dancer

American singer, songwriter, dancer and actor

Jared Joseph Leto ( LEH-toh; born December 26, 1971) is an American actor and musician. Known for his method acting in a variety of roles, he has received numerous accolades over a career spanning three decades, including an Academy Award and a Golden Globe Award. Additionally, he is recognised for his musicianship and eccentric stage persona as a member of the rock band Thirty Seconds to Mars.After starting his career on the television series My So-Called Life (1994), Leto made his film debut in How to Make an American Quilt (1995) and gained critical attention for his performance in Prefontaine (1997). After supporting roles in The Thin Red Line (1998), Fight Club (1999), Girl, Interrupted (1999) and American Psycho (2000), he received widespread praise for his lead role in Requiem for a Dream (2000). He then began focusing increasingly on music, returning to acting with Panic Room (2002), Alexander (2004), Lord of War (2005), Chapter 27 (2007), and Mr. Nobody (2009). His performance in Dallas Buyers Club (2013) earned him the Academy Award for Best Supporting Actor. He has since starred in Suicide Squad (2016), Blade Runner 2049 (2017), The Little Things (2021), House of Gucci (2021), and Morbius (2022).

Zachary David Alexander Efron (; born October 18, 1987) is an American actor and singer. He began acting professionally in the early 2000s and rose to prominence in the late 2000s for his leading role as Troy Bolton in the High School Musical trilogy (2006–2008). During this time, he also starred in the musical film Hairspray (2007) and the comedy film 17 Again (2009). Efron has since starred in the films New Year's Eve (2011), The Lucky One (2012), The Paperboy (2012), Neighbors (2014), Dirty Grandpa (2016), Neighbors 2: Sorority Rising (2016), Baywatch (2017), The Greatest Showman (2017) and Extremely Wicked, Shockingly Evil and Vile (2019).Efron was born in San Luis Obispo, California, and later moved to Arroyo Grande, California. His father, David Efron, is an electrical engineer at a power station, and his mother, Starla Baskett, is a secretary who worked at the same power plant. Efron has a brother, Dylan, and had, as he has described, a "normal childhood" in a middle-class family. His last name, "Efron" (אפרון), is a Jewish surname, taken from a Biblical place name. Zac has described himself as Jewish, though he was raised in an agnostic household and did not practice religion as a child.

Mitchel Tate Musso (born July 9, 1991) is an American actor, singer, songwriter and musician. He is best known for his three Disney Channel roles as Oliver Oken/Mike Standley III in Hannah Montana; Jeremy Johnson in the animated series Phineas and Ferb; and his Disney XD role as King Brady on Pair of Kings. He was the host of Disney Channel's PrankStars.He voiced DJ in the computer animated/motion capture film, Monster House, and starred as Raymond Figg in the Disney Channel Original Movie, Life Is Ruff, released in 2005. Musso's self-titled debut album was released on June 2, 2009 on Walt Disney Records. The album debuted at number 19 on the Billboard 200.Musso was born in Garland, Texas, the son of Katherine (née Moore) and Samuel Musso, who were involved in community theater in Dallas, Texas. He has two brothers – Mason Musso, who sings lead vocals in the band Metro Station, and Marc Musso, an actor. He grew up in Rockwall, Texas.

Privileged teens living on the Upper East Side of New York can hide no secret from the ruthless blogger who is always watching.

2007 American teen drama television series

Carrie Bradshaw is in her junior year of high school in the early 1980s. She asks her first questions about love, sex, friendship and family while navigating the worlds of high school and Manhattan.

A young woman, destined to slay vampires, demons and other infernal creatures, deals with her life fighting evil, with the help of her friends.

1997 American supernatural drama TV series

Three sisters discover their destiny, to battle against the forces of evil, using their witchcraft. They are the Charmed Ones.

American supernatural drama / fantasy television series (1998–2006)

After being mistaken for younger than she really is, a single mother decides to take the chance to reboot her career and her love life as a 26-year old.

Diana Bishop, historian and witch, accesses Ashmole 782 and knows she must solve its mysteries. She is offered help by the enigmatic Matthew Clairmont, but he's a vampire and witches should never trust vampires.

After his hometown is destroyed and his mother is killed, young Eren Yeager vows to cleanse the earth of the giant humanoid Titans that have brought humanity to the brink of extinction.

A superhero-loving boy without any powers is determined to enroll in a prestigious hero academy and learn what it really means to be a hero.

Shirayuki was a young girl born with unique apple-red hair. She meets a famous but foolish Prince Raji, who falls in love with her at first sight and orders her to become his concubine. With nowhere else to go, Shirayuki cuts her hai

Angels of Death (殺戮の天使, Satsuriku no Tenshi, lit. "Angels of Slaughter") is a Japanese horror adventure game by Hoshikuzu KRNKRN (Makoto Sanada) for Microsoft Windows and Nintendo Switch. It was created using RPG Maker and was originally released as freeware via the Den Fami Nico Game Magazine website on August 14, 2015. It launched on Steam in Japanese, Chinese, Korean and English on December 19, 2016. A prequel titled Angels of Death Episode.Eddie (殺戮の天使 Episode.Eddie, Satsuriku no Tenshi Episode.Eddie) is released as part of bonuses included in limited edition Blu-ray and DVD Box Set of the anime's first volume.Two manga adaptations, one based on the game and one on the prequel, written by Makoto Sanada and with art by Kudan Nazuka, began serialization in Media Factory's shōjo manga magazine Monthly Comic Gene in 2015 and Kadokawa Pixiv in 2016, respectively. The first manga has been collected in seven tankōbon volumes and has over 1 million volumes in print while the prequel has been collected in two volumes. Following the adaptations, a 4-koma manga series titled Satsuten! and the three-volume novel series are published with art by negiyan and written by Kina Chiren.

Rosario + Vampire (Japanese: ロザリオとバンパイア, Hepburn: Rozario to Banpaia) is a Japanese manga series written and illustrated by Akihisa Ikeda. The story revolves around Tsukune Aono, a boy who inadvertently enrolls in a boarding school for monsters. He quickly befriends Moka Akashiya, a vampire who soon develops an obsession with his blood, and later meets other monster girls who soon take a romantic liking to him. The manga was serialized in Monthly Shonen Jump starting with the August 2004 issue, and ending with the June 2007 issue. A bonus chapter was published in Weekly Shōnen Jump in September 2007. Ten tankōbon volumes were compiled and released from October 2004 to October 2007.Rosario + Vampire: Season II (ロザリオとバンパイア seasonII, Rozario to Banpaia Shīzun Tsū), a continuation of the series, was serialized from the November 2007 issue of Jump Square to the March 2014 issue, with an epilogue chapter in April. The series is licensed in North America and in the United Kingdom by Viz Media, and in Australia and New Zealand by Madman Entertainment. The series also spanned three CD dramas, two visual novels, a novel adaptation, and two internet radio shows.

Yuki Cross, along with her best friend Zero, attempts to keep the peace between humans and vampires at Cross Academy, but personal issues soon threaten the situation.

An intelligent high school student goes on a secret crusade to eliminate criminals from the world after discovering a notebook capable of killing anyone whose name is written into it.

Lucifer Morningstar has decided he's had enough of being the dutiful servant in Hell and decides to spend some time on Earth to better understand humanity. He settles in Los Angeles - the City of Angels.

A commercial airliner suddenly reappears after being missing for five years. As those aboard reintegrate into society, they experience guiding voices and visions of events yet to occur, and soon a deeper mystery unfolds.

The cases of the Naval Criminal Investigative Service's Washington, D.C. Major Case Response Team, led by Special Agent Leroy Jethro Gibbs.

American military drama/police procedural fictional television series

After being hit on the head by a toilet seat, a young temp clerk becomes a grim reaper in death.

Shadowhunters, also known as Shadowhunters: The Mortal Instruments, is an American supernatural drama television series developed by Ed Decter, based on the book series The Mortal Instruments written by Cassandra Clare. It premiered in North America on Freeform on January 12, 2016. Primarily filmed in Toronto, Ontario, Canada, the series follows Clary Fray, who finds out on her eighteenth birthday that she is not who she thinks she is, but rather comes from a long line of Shadowhunters, human-angel hybrids who hunt down demons, and has to deal with the struggle of forbidden love.

Sheriff Deputy Rick Grimes wakes up from a coma to learn the world is in ruins and must lead a group of survivors to stay alive.

American post-apocalyptic drama television series

After being recruited to a secretive academy, a group of students discover that the magic they read about as children is very real-and more dangerous than they ever imagined.

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