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Harry Potter's life is miserable. His parents are dead and he's stuck with his heartless relatives, who force him to live in a tiny closet under the stairs. But his fortune changes when he receives a letter that tells him the truth about himself: he's a wizard. A mysterious visitor rescues him from his relatives and takes him to his new home, Hogwarts School of Witchcraft and Wizardry.After a lifetime of bottling up his magical powers, Harry finally feels like a normal kid. But even within the Wizarding community, he is special. He is the boy who lived: the only person to have ever survived a killing curse inflicted by the evil Lord Voldemort, who launched a brutal takeover of the Wizarding world, only to vanish after failing to kill Harry.Though Harry's first year at Hogwarts is the best of his life, not everything is perfect. There is a dangerous secret object hidden within the castle walls, and Harry believes it's his responsibility to prevent it from falling into evil hands. But doing so will bring him into contact with forces more terrifying than he ever could have imagined.Full of sympathetic characters, wildly imaginative situations, and countless exciting details, the first installment in the series assembles an unforgettable magical world and sets the stage for many high-stakes adventures to come.

As the old gods awaken, the Chromeria is in a race to find its lost Prism, the only man who may be able to stop catastrophe, Gavin Guile. But Gavin's enslaved on a galley, and when he finally escapes, he finds himself in less than friendly hands. Without the ability to draft which has defined him . . .Meanwhile, the Color Prince's army continues its inexorable advance, having swallowed two of the seven satrapies, they now invade the Blood Forest. Andross Guile, thinking his son Gavin lost, tasks his two grandsons with stopping the advance. Kip and his psychopathic half-brother Zymun will compete for the ultimate prize: who will become the next Prism.

It has been twenty years since the end of the war. The dictatorial Augurs—once thought of almost as gods—were overthrown and wiped out during the conflict, their much-feared powers mysteriously failing them. Those who had ruled under them, men and women with a lesser ability known as the Gift, avoided the Augurs' fate only by submitting themselves to the rebellion's Four Tenets. A representation of these laws is now written into the flesh of any who use the Gift, forcing those so marked into absolute obedience.As a student of the Gifted, Davian suffers the consequences of a war fought—and lost—before he was born. Despised by most beyond the school walls, he and those around him are all but prisoners as they attempt to learn control of the Gift. Worse, as Davian struggles with his lessons, he knows that there is further to fall if he cannot pass his final tests. But when Davian discovers he has the ability to wield the forbidden power of the Augurs, he sets into motion a chain of events that will change everything. To the north, an ancient enemy long thought defeated begins to stir. And to the west, a young man whose fate is intertwined with Davian’s wakes up in the forest, covered in blood and with no memory of who he is…

A Memory of Light is the 14th and final book of the fantasy series The Wheel of Time, written by American authors Robert Jordan and Brandon Sanderson, and published by Tor books. Originally expected to have been published around March 2012, the book was delayed several times, and the hardcover edition was eventually released on January 8, 2013. The book reached No. 1 on several bestsellers lists.The title A Memory of Light was previously intended to apply to a book containing the material in what are now books 12, 13 and 14. The original book was incomplete at the time of Jordan's death on September 16, 2007, from cardiac amyloidosis; his widow Harriet McDougal and publisher Tom Doherty chose to publish the book posthumously. Tor Books announced that Brandon Sanderson had been chosen to finish writing the book.

Gavin Guile is dying.He’d thought he had five years left—now he has less than one. With fifty thousand refugees, a bastard son, and an ex-fiancée who may have learned his darkest secret, Gavin has problems on every side. All magic in the world is running wild and threatens to destroy the Seven Satrapies.Worst of all, the old gods are being reborn, and their army of color wights is unstoppable. The only salvation may be the brother whose freedom and life Gavin stole sixteen years ago.

The end is coming. Logen Ninefingers might only have one more fight in him but it's going to be a big one. Battle rages across the North, the King of the Northmen still stands firm, and there's only one man who can stop him. His oldest friend, and his oldest enemy. It's past time for the Bloody-Nine to come home. With too many masters and too little time, Superior Glokta is fighting a different kind of war. A secret struggle in which no one is safe, and no one can be trusted. His days with a sword are far behind him. It's a good thing blackmail, threats and torture still work well enough. Jezal dan Luthar has decided that winning glory is far too painful, and turned his back on soldiering for a simple life with the woman he loves. But love can be painful too, and glory has a nasty habit of creeping up on a man when he least expects it. While the King of the Union lies on his deathbead, the peasants revolt and the nobles scramble to steal his crown. No one believes that the shadow of war is falling across the very heart of the Union. The First of the Magi has a plan to save the world, as he always does. But there are risks. There is no risk more terrible, after all, than to break the First Law...

Ten years ago, Calamity came. It was a burst in the sky that gave ordinary men and women extraordinary powers. The awed public started calling them Epics. But Epics are no friend of man. With incredible gifts came the desire to rule. And to rule man you must crush his will.Nobody fights the Epics...nobody but the Reckoners. A shadowy group of ordinary humans, they spend their lives studying Epics, finding their weaknesses, and then assassinating them.And David wants in. He wants Steelheart — the Epic who is said to be invincible. The Epic who killed David's father. For years, like the Reckoners, David's been studying, and planning — and he has something they need. Not an object, but an experience.He's seen Steelheart bleed. And he wants revenge.

Mistborn: The Bands of Mourning is a steampunk fantasy novel written by American author Brandon Sanderson. It was published on January 26, 2016, by Tor Books and is the third book in the Wax and Wayne series and sixth in the Mistborn series. It is preceded by Shadows of Self in 2015 and followed by The Lost Metal in 2022.

With what should have been the greatest heist of their career gone spectacularly sour, Locke and his trusted partner, Jean, have barely escaped with their lives. Or at least Jean has. But Locke is slowly succumbing to a deadly poison that no alchemist or physiker can cure. Yet just as the end is near, a mysterious Bondsmage offers Locke an opportunity that will either save him or finish him off once and for all.Magi political elections are imminent, and the factions are in need of a pawn. If Locke agrees to play the role, sorcery will be used to purge the venom from his body - though the process will be so excruciating he may well wish for death. Locke is opposed, but two factors cause his will to crumble: Jean's imploring - and the Bondsmage's mention of a woman from Locke's past: Sabetha. She is the love of his life, his equal in skill and wit, and now, his greatest rival. Locke was smitten with Sabetha from his first glimpse of her as a young fellow orphan and thief-in-training. But after a tumultuous courtship, Sabetha broke away. Now they will reunite in yet another clash of wills. For faced with his one and only match in both love and trickery, Locke must choose whether to fight Sabetha - or to woo her. It is a decision on which both their lives may depend.

Shadows of Self shows Mistborn’s society evolving as technology and magic mix, the economy grows, democracy contends with corruption, and religion becomes a growing cultural force, with four faiths competing for converts.This bustling, optimistic, but still shaky society now faces its first instance of terrorism, crimes intended to stir up labor strife and religious conflict. Wax and Wayne, assisted by the lovely, brilliant Marasi, must unravel the conspiracy before civil strife stops Scadrial’s progress in its tracks.Shadows of Self will give fans of The Alloy of Law everything they’ve been hoping for and, this being a Brandon Sanderson book, more, much more.

Logen Ninefingers, infamous barbarian, has finally run out of luck. Caught in one feud too many, he’s on the verge of becoming a dead barbarian – leaving nothing behind him but bad songs, dead friends, and a lot of happy enemies. Nobleman Captain Jezal dan Luthar, dashing officer, and paragon of selfishness, has nothing more dangerous in mind than fleecing his friends at cards and dreaming of glory in the fencing circle. But war is brewing, and on the battlefields of the frozen North they fight by altogether bloodier rules. Inquisitor Glokta, cripple turned torturer, would like nothing better than to see Jezal come home in a box. But then Glokta hates everyone: cutting treason out of the Union one confession at a time leaves little room for friendship. His latest trail of corpses may lead him right to the rotten heart of government, if he can stay alive long enough to follow it. Enter the wizard, Bayaz. A bald old man with a terrible temper and a pathetic assistant, he could be the First of the Magi, he could be a spectacular fraud, but whatever he is, he's about to make the lives of Logen, Jezal, and Glokta a whole lot more difficult. Murderous conspiracies rise to the surface, old scores are ready to be settled, and the line between hero and villain is sharp enough to draw blood.

Guile is the Prism, the most powerful man in the world. He is high priest and emperor, a man whose power, wit, and charm are all that preserves a tenuous peace. Yet Prisms never last, and Guile knows exactly how long he has left to live.When Guile discovers he has a son, born in a far kingdom after the war that put him in power, he must decide how much he's willing to pay to protect a secret that could tear his world apart.

After a brutal battle with the underworld that nearly destroyed him, Locke and his trusted sidekick, Jean, ﬂed the island city of their birth and landed on the exotic shores of Tal Verrar to nurse their wounds. But even at this westernmost edge of civilization, they can't rest for long — and are soon back to what they do best: stealing from the undeserving rich and pocketing the proceeds for themselves.This time, however, they have targeted the grandest prize of all: the Sinspire, the most exclusive and heavily guarded gambling house in the world. Its nine ﬂoors attract the wealthiest clientele — and to rise to the top, one must impress with good credit, amusing behavior... and excruciatingly impeccable play. For there is one cardinal rule, enforced by Requin, the house's cold-blooded master: it is death to cheat at any game at the Sinspire.﻿Brazenly undeterred, Locke and Jean have orchestrated an elaborate plan to lie, trick, and swindle their way up the nine ﬂoors... straight to Requin's teeming vault. Under the cloak of false identities, they meticulously make their climb — until they are closer to the spoils than ever.But someone in Tal Verrar has uncovered the duo's secret. Someone from their past who has every intention of making the impudent criminals pay for their sins. Now it will take every ounce of cunning to save their mercenary souls. And even that may not be enough...

Also available in Arcanum Unbounded: The Cosmere Collection.A heretic thief is the empire’s only hope in this fascinating tale that inhabits the same world as the popular novel, Elantris.Shai is a Forger, a foreigner who can flawlessly copy and re-create any item by rewriting its history with skillful magic. Condemned to death after trying to steal the emperor’s scepter, she is given one opportunity to save herself. Though her skill as a Forger is considered an abomination by her captors, Shai will attempt to create a new soul for the emperor, who is almost dead. Probing deeply into his life, she discovers Emperor Ashravan’s truest nature—and the opportunity to exploit it. Her only possible ally is one who is truly loyal to the emperor, but councilor Gaotona must overcome his prejudices to understand that Shai’s forgery is as much artistry as it is deception. Brimming with magic and political intrigue, this deftly woven fantasy delves into the essence of a living spirit.

The first series that showed it was possible to do an uninspired rewrite of Tolkien and make a mint was Shannara. After that the doors were flung wide, and the next to profit off the scheme was was Robert Jordan. Of course, I'm not suggesting it's bad to take inspiration from older authors--all authors do this, as Virgil did from Homer, and Milton from Virgil, and Byron from Milton. Tolkien himself drew on the Norse Eddas, Welsh myths, English fairy tales, and Blake's myth-making.But when a skilled author takes inspiration, they expand and change what came before, combining many influences to produce their own unique voice and vision. Jordan didn't have the knowledge of language, history, or culture to truly copy Tolkien's style, nor was he able to add a unique spin.The Eye of The World is a more accessible version of Tolkien, but Tolkien is already a simplified version of the Norse Sagas, meaning that Jordan felt a need to dumb-down the accessible, which doesn't leave his book with much personality.Jordan also takes influence from the Sword &amp; Sorcery tradition, particularly R.E. Howard (Jordan even wrote and published some of his own Conan stories). However, unlike other authors of rollicking adventure Fantasy, like Leiber or Charles Saunders, Jordan kept Tolkien's plodding length. It is difficult to comprehend how an author could take such a simple, familiar story and stretch it out over so many pages.The hero is an orphan who looks different, he gets his father's magic sword, he goes on a quest with an old, wily mentor, gets attacked by evil (dark-skinned) mongoloids from the mysterious East, meets the princess by accident, becomes embroiled in an ancient prophecy, discovers a magic 'force' which controls fate (and the plot), &amp;c., &amp;c. Stop me if you've heard this one before. Like a lot of modern fantasy, the plot and characters are nothing new. If you've seen Star Wars, then you know it by heart. Every fantasy fan has read this same story again and again from countless authors--some, apparently on purpose. Of course, when this old story is told well, with slick pacing and vivid characters, we can forgive the cliches, or even enjoy them freshly, recognizing their universal appeal. But when an author is simply trotting out an old, tired story and doing nothing to make it shine anew, then the only appeal it can lay claim to is bland nostalgia.There's no reason for this sort of repetition: a new book should be more than just fanfic of an older, financially successful book. There are countless different influences out there, long before Tolkien or Howard ever touched pen to paper (many of which can be found in the link at the end of this review), so it's disappointing to see authors continually rehashing the same tedious cliches completely unchanged half a century later.Jordan's long-winded style can't even boast the wealth of meticulous details with which Tolkien filled his pages (often to the detriment of his story). It's clear that Jordan's trying to build a one of those massively detailed worlds so prevalent in pop fantasy, but it's not an interesting, original world--it's just another generic, pseudo-Medieval Europe without any of the genuinely interesting bits that made that time period unique. It's just modern characters with modern psychology swinging around magic swords in a Disneyland version of history.It might not be so bad if the lengthy asides were actually interesting, in and of themselves. If each little piece was amusing in its own right, we might forgive. If they gave us some odd bit of defamiliarization that caused us to look at our own, modern world in a new way, that would be something. Instead, we get dry, lengthy explanations of extraneous facts that we had no reason to be curious about in the first place.Some readers have pointed out that these facts show up in later books of the series, which is probably true, but then, what are they doing in this book? If Mary doesn't appear until book three, it is not useful or interesting to stop in the middle of book one and tell us she has blonde hair. Facts should not be evenly distributed throughout a series, they should be placed in close proximity to scenes that relate to them. That way they make sense to the reader and we have a reason to care about them. That's the difference between foreshadowing and a word search puzzle.If an author has to stop the story every few paragraphs to explain what's going on, then his writing is simply not working. The world should be revealed to us through characters, through their interactions, through small details of verisimilitude that are lovely or interesting on their own, and through scenes designed specifically to illustrate a point without losing focus and falling into lengthy digressions.But Jordan's characters are dull and shallow, his dialogue bland, and his plot (though it possesses many parts) lacks twists or turns. We are given an unending parade of new characters and lengthy asides, which masterfully suck all the drive, purpose, and life from an otherwise simplistic story. At half this length, the book would have been merely another two-star fantasy rehash. At a third the length, it might have started to show some pep--but Jordan had to stretch out his all-to-familiar story to doorstop proportions.In Tolkien, the first hundred pages takes place in quaint Hobbiton. This prelude prepares us for the rest of the book, allowing us to understand the strange world and characters and setting a mood. When the action takes us away, we find we have formed a certain attachment to the bucolic charm of Hobbiton (sickly-sweet as it may be). Finally, when we do depart, the world we meet is much grander in comparison. In Eye of the World, you spend the first hundred and fifty pages in a drab farming community, so that when the characters finally leave, it will seem like something is happening. This is only an illusion.Some of Jordan's fans have pointed to the 'Wheel of Time' aspect as his unique contribution to the genre--mixing Eastern philosophy and the idea of eternal recurrence in with his mock-feudal world, but it's the same thing that E.R. Eddison was doing in the 1920s, and which Michael Moorcock has been exploring and expanding on since the sixties. As such, I don't see it as some new twist that Jordan has added to fantasy, but as another bland rehash of an interesting idea some other author had decades before.Also, like most fantasy authors, Jordan seems to have a problem writing female characters. They are either whiny and snotty, or emasculating ice queens. They all speak in the exact same voice--and the joke in the writing community is that anyone who has met his wife know exactly where every one of his female characters comes from. I couldn't count on both hands the fantasy authors who seem to think 'strong woman' means 'insufferable, unapologetic shrew'. Then again, it isn't as if his male characters aren't any more interesting or fleshed-out, even if they do get a more flattering depiction.I've also been led to understand that later on in the series, we get a magical band of lipstick lesbians who 'go straight' when they grow up (and meet 'real men', like our heroes), plus a bunch of sex-fetish weirdness about punishment by naked public spanking. But I suppose that if Jordan resembles other genre writers in terms of plot, length, setting, and character, he might as well go all the way and throw in some of his own unprocessed sexual hangups.And as the series goes on, the many problems with pacing, plotting, and unfocused asides only grow worse. If Jordan can't keep everything straight in his opening book, how will he possibly deal when the story starts branching out (as stories inevitably do)? It is hardly surprising that such a tenuous grasp will inevitably slip away--as it has for so many other authors in pop fantasy, from Martin to Goodkind, who start off intending to write a trilogy and end up with ten books, each of which takes five years to write, and none of which even manage to finish the plot started in book I.So, take the plot of Star Wars, add the long-windedness of Tolkien, the piecemeal structure of Howard, the cosmology of Moorcock, add in a pinch of awkward sexual hangups, and you have yet another crap pop fantasy, ready to sell a million copies to folks who want nothing more than to read the same story over and over as written by a succession of chubby, bearded, awkward dudes. I'm sure a violent, breast-baring miniseries is already in preproduction.UPDATE: one might point to the endless repetition in modern literature as a sure sign that there is no God, no grand plan, and no purpose to the universe. A benevolent power would surely spare us the pain of such unending mediocrity.However, if there were some deity, and he had a sense of humor, then he would allow the uncreative authors to publish, to gain fame, win awards, and rake in the cash, until their series piled self-indulgently to the length of a minor encyclopedia. Then our clownish deity would let the author announce that he is finally approaching The End (for real this time!), only to perish on the cusp. Since this is precisely what happened to Jordan, I will have to keep an eye out for other signs of this humorous demiurge, possibly in the form of leper-curing banana peels and hagiographic fright wigs.My Fantasy Book Suggestions

4.5/5 starsA colorful, vibrant, and highly character-driven standalone fantasy.If you haven’t seen the tenth-anniversary leatherbound edition of Warbreaker, I suggest you take a look now by clicking here: https://www.brandonsanderson.com/the-...No, I don’t have one; I simply can’t afford it. However, staring at how gorgeous it is, it certainly solidified my decision to reread Warbreaker; this time with the annotated edition which I haven’t done before, and I will recommend reading this edition only if you’ve read the book before. It’s terrifying how fast time flies; I can’t believe that it has been three years since I first read this book. Warbreaker was the first book by Brandon Sanderson that I read after I finished his brilliant Mistborn trilogy. Back then, I didn’t even realize how important this standalone would become in the overarching magnitude of Sanderson’s Cosmere universe. Having read all of Sanderson’s Cosmere books and going back to this made me realize how much Sanderson has improved as an author, and how beneficial it would be to read Warbreaker first before you dive into The Stormlight Archives. Seriously, do it.Picture: Siri and God King by Dan dos SantosTaking place in the world of Nalthis, Warbreaker is a standalone novel within Sanderson’s Cosmere universe, since its publication and for many more years to come, it will remain standalone. The story in Warbreaker follows the tale of two sisters princesses from Idris: Siri and Vivenna. Idris is on the brink of war with Hallandren, and to prevent war from happening, the king of Idris decides to send Vivenna—who has practiced and learned the culture and religion in Hallandran for years—to marry the God King. The king couldn’t go through with it at the last minute, and send his other daughter—Siri—to marry the God-King instead. Other than Siri, Vivenna, and Susebron, we also follow two other main characters, the reluctant god of bravery Lightsong the Bold, and a mysterious swordsman with a sentient sword, Vasher and Nightblood.Picture: Vasher and Vivenna by Dan dos SantosSanderson takes his time here. Warbreaker is mostly paced like the second book of Mistborn trilogy, The Well of Ascension. It’s slow-paced, and I thank Sanderson for it. Sanderson slowly and gradually builds up the tension of the storyline while making sure each main characters receive proper development and distinctive voices first. Contrast and differences in perspectives are a very huge driving factor of the story here. Sanderson himself has mentioned that Warbreaker is a book with many tone; this is also what made Warbreaker so good to read. An event, even when they’re witnessed together, can be perceived very differently depending on where you stand; everyone justifies their actions through the belief that they’re truly doing what’s best for themselves and society. The clash of opinions and beliefs the kind of theme constantly explored in this book, and it also made the characters more colorful in personality.\
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    “Every man is a hero of his own story.” \
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I have always loved Sanderson’s characterizations, and Warbreaker contained, in my opinion, some of his most distinctive characters so far. Siri, Vivenna, Lightsong, Vasher, Nightblood, Susebron, and Denth respectively differ in key personality, and I enjoyed reading their progression immensely. Almost all of the chemistry between the characters in this novel comes in two; Siri with Susebron, Vivenna with Denth or Vasher, Lightsong with Blushweaver or Larimar, and Vasher with Nightblood. The development and the interactions of these characters made the book for me; they felt so natural. The romance development between Siri and God-King, in particular, was endearing and it felt very genuine. Warbreaker is a very heavily character-driven book, which luckily is my favorite type of narrative to read, and these characters have so much to love and for me to feel invested in. I honestly wish the sequel would be published already because I want to know more about them. Picture: Blushweaver and Lightsong by Miranda MeeksAlso, I would like to give a suggestion. If you haven’t read any of Sanderson’s book in his Cosmere universe, Warbreaker would be a great book for you to start your adventure. I usually recommend readers to start with Mistborn trilogy, but if you find the idea of going through a 1500+ pages long series daunting, Warbreaker should be a safer choice. I don’t think you should worry too much about it though, Sanderson has one of the most accessible prose in the genre, and he knows how to write impactful scenes without relying on “beautiful” writing style. His prose allows him to tell a high fantasy story that’s accessible to many readers around the world, and I believe this is one of the many reasons why his books are so damn successful. The internal thoughts of characters were always well-delivered; the dialogues and banter were incredibly entertaining and fun to read. More than any other book in the Cosmere universe, Warbreaker is most likely the one that relies on banter and dialogues the most. Pretty much every appearance that involved Lightsong was utterly delightful to read.\
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    “I swear, my dear. Sometimes our conversations remind me of a broken sword."She raised an eyebrow."Sharp as hell," Lightsong said, "but lacking a point.”\
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Excluding the vivid and cinematic quality that came from the writing, one of the most important aspects and enhancement that came from Sanderson’s accessible prose would be the ease delivery of the staple hard magic system that’s clearly in play here. Designing an intricate and unique magic system is one of Sanderson’s main talents as an author and storyteller. I won’t even bother to explain to you the in-depths complexity of the magic system in Warbreaker that is called Awakening. The basic explanation for how it works is that Awakeners are capable of combining colors, BioChromatic Breath, and a Command to animate an object. This, however, doesn’t begin to touch the surface of the complexity and intricacies of the magic system. Sanderson ramp up the intensity of the story progressively, eventually leading it all towards the staple “Brandon Avalanche” conclusion in the final ten percent of the book.Picture: Vasher and Nightblood by Micah EpsteinI loved Warbreaker, not a surprise there. I would devour its sequel—currently Nightblood is the title—immediately when it’s out. From what I’ve gathered in the most recent State of Sanderson in 2019, there’s a good chance that we won’t see any continuation to this novel until—at least—2025, that’s sixteen years since Warbreaker was first published; it sounds ridiculously long but that’s just how things work in Sanderson’s multi-volume Cosmere universe. Not only Warbreaker is a wonderful standalone, but it’s also filled with well-realized characters that made the multitude of story elements such as mystery, politics, actions, romance, and intricate magic systems worked. Color me impressed once again, Sanderson. Your book left me breathless on my first read, and it continues to be breathtaking on reread. Yes, I'll let myself out now.You can order the book from: Book Depository (Free shipping)You can find this and the rest of my reviews at Novel Notions

In this stunning debut, author Scott Lynch delivers the wonderfully thrilling tale of an audacious criminal and his band of confidence tricksters. Set in a fantastic city pulsing with the lives of decadent nobles and daring thieves, here is a story of adventure, loyalty, and survival that is one part "Robin Hood", one part Ocean's Eleven, and entirely enthralling... An orphan's life is harsh — and often short — in the island city of Camorr, built on the ruins of a mysterious alien race. But born with a quick wit and a gift for thieving, Locke Lamora has dodged both death and slavery, only to fall into the hands of an eyeless priest known as Chains — a man who is neither blind nor a priest.A con artist of extraordinary talent, Chains passes his skills on to his carefully selected "family" of orphans — a group known as the Gentlemen Bastards. Under his tutelage, Locke grows to lead the Bastards, delightedly pulling off one outrageous confidence game after another. Soon he is infamous as the Thorn of Camorr, and no wealthy noble is safe from his sting.Passing themselves off as petty thieves, the brilliant Locke and his tightly knit band of light-fingered brothers have fooled even the criminal underworld's most feared ruler, Capa Barsavi. But there is someone in the shadows more powerful — and more ambitious — than Locke has yet imagined. Known as the Gray King, he is slowly killing Capa Barsavi's most trusted men — and using Locke as a pawn in his plot to take control of Camorr's underworld. With a bloody coup under way threatening to destroy everyone and everything that holds meaning in his mercenary life, Locke vows to beat the Gray King at his own brutal game — or die trying...

Told in Kvothe's own voice, this is the tale of the magically gifted young man who grows to be the most notorious wizard his world has ever seen. The intimate narrative of his childhood in a troupe of traveling players, his years spent as a near-feral orphan in a crime-ridden city, his daringly brazen yet successful bid to enter a legendary school of magic, and his life as a fugitive after the murder of a king form a gripping coming-of-age story unrivaled in recent literature. A high-action story written with a poet's hand, The Name of the Wind is a masterpiece that will transport readers into the body and mind of a wizard.

In Oathbringer, the third volume of the New York Times bestselling Stormlight Archive, humanity faces a new Desolation with the return of the Voidbringers, a foe with numbers as great as their thirst for vengeance.Dalinar Kholin's Alethi armies won a fleeting victory at a terrible cost: The enemy Parshendi summoned the violent Everstorm, which now sweeps the world with destruction, and in its passing awakens the once peaceful and subservient parshmen to the horror of their millennia-long enslavement by humans. While on a desperate flight to warn his family of the threat, Kaladin Stormblessed must come to grips with the fact that the newly kindled anger of the parshmen may be wholly justified.Nestled in the mountains high above the storms, in the tower city of Urithiru, Shallan Davar investigates the wonders of the ancient stronghold of the Knights Radiant and unearths dark secrets lurking in its depths. And Dalinar realizes that his holy mission to unite his homeland of Alethkar was too narrow in scope. Unless all the nations of Roshar can put aside Dalinar's blood-soaked past and stand together--and unless Dalinar himself can confront that past--even the restoration of the Knights Radiant will not prevent the end of civilization.

Three hundred years after the events of the Mistborn trilogy, Scadrial is now on the verge of modernity, with railroads to supplement the canals, electric lighting in the streets and the homes of the wealthy, and the first steel-framed skyscrapers racing for the clouds.Kelsier, Vin, Elend, Sazed, Spook, and the rest are now part of history—or religion. Yet even as science and technology are reaching new heights, the old magics of Allomancy and Feruchemy continue to play a role in this reborn world. Out in the frontier lands known as the Roughs, they are crucial tools for the brave men and women attempting to establish order and justice.One such is Waxillium Ladrian, a rare Twinborn who can Push on metals with his Allomancy and use Feruchemy to become lighter or heavier at will. After twenty years in the Roughs, Wax has been forced by family tragedy to return to the metropolis of Elendel. Now he must reluctantly put away his guns and assume the duties and dignity incumbent upon the head of a noble house. Or so he thinks, until he learns the hard way that the mansions and elegant tree-lined streets of the city can be even more dangerous than the dusty plains of the Roughs.

A fable is a story intended to illustrate a moral.Fable(s), The Fable(s), or A Fable may also refer to:

A sexually frustrated suburban father has a mid-life crisis after becoming infatuated with his daughter's best friend.

1999 American drama film directed by Sam Mendes

In 2027, in a chaotic world in which women have become somehow infertile, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea.

A meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.

An insomniac office worker and a devil-may-care soap maker form an underground fight club that evolves into much more.

A high school wise guy is determined to have a day off from school, despite what the Principal thinks of that.

An undercover cop and a mole in the police attempt to identify each other while infiltrating an Irish gang in South Boston.

2006 American crime thriller film directed by Martin Scorsese

Amélie is an innocent and naive girl in Paris with her own sense of justice. She decides to help those around her and, along the way, discovers love.

Following the Normandy Landings, a group of U.S. soldiers go behind enemy lines to retrieve a paratrooper whose brothers have been killed in action.

1998 American epic war film directed by Steven Spielberg

Two death-row murderesses develop a fierce rivalry while competing for publicity, celebrity, and a sleazy lawyer's attention.

2002 musical film directed by Rob Marshall adapted from the satirical stage musical of the same name

When their relationship turns sour, a couple undergoes a medical procedure to have each other erased from their memories.

A man's coerced confession to an I.R.A. bombing he did not commit results in the imprisonment of his father as well. An English lawyer fights to free them.

A suspended lawyer is forced to enroll in a community college with an eccentric staff and student body.

American comedy television series created by Dan Harmon

The rise of the Guadalajara Cartel as an American DEA agent learns the danger of targeting narcos in Mexico.

A chronicled look at the criminal exploits of Colombian drug lord Pablo Escobar, as well as the many other drug kingpins who plagued the country through the years.

American-Colombian-Mexican crime drama television series

The FBI and ATF seize religious leader David Koresh's Branch Davidian compound near Waco, Texas in the spring of 1993.

In the 1880s American West, murderous outlaw gang leader Frank Griffin hunts for ex-protege Roy Goode. Frank's chase leads him to La Belle, New Mexico--a town inhabited, after a mining disaster, almost entirely by women.

Follows the political rivalries and romance of Queen Elizabeth II's reign and the events that shaped the second half of the twentieth century.

British–American television drama series

Vikings transports us to the brutal and mysterious world of Ragnar Lothbrok, a Viking warrior and farmer who yearns to explore - and raid - the distant shores across the ocean.

Canadian-Irish historical drama television series

Set in a dystopian future, a woman is forced to live as a concubine under a fundamentalist theocratic dictatorship.

An English combat nurse from 1945 is mysteriously swept back in time to 1743.

Flashing between past and present, a fractured family confronts haunting memories of their old home and the terrifying events that drove them from it.

The travels of a lone bounty hunter in the outer reaches of the galaxy, far from the authority of the New Republic.

American space opera streaming television series from 2019

Set at the intersection of the near future and the reimagined past, explore a world in which every human appetite can be indulged without consequence.

2016 US science fiction thriller TV series

Set in the late 1970s, two FBI agents are tasked with interviewing serial killers to solve open cases.

Geralt of Rivia, a solitary monster hunter, struggles to find his place in a world where people often prove more wicked than beasts.

Newspaper illustrator John Moore meets with criminal psychologist (alienist) Dr. Laszlo Kreizler to investigate a serial killer in New York during the late 19th century.

In April 1986, an explosion at the Chernobyl nuclear power plant in the Union of Soviet Socialist Republics becomes one of the world's worst man-made catastrophes.

2019 miniseries about the Chernobyl disaster

Adventurer James Keziah Delaney returns to London during the War of 1812 to rebuild his late father's shipping empire. However, both the government and his biggest competitor want his inheritance at any cost - even murder.

Supernatural, semihistorical, horror anthology series, where each season is inspired by a different infamous or mysterious real life historical tragedy.

The original surreal sketch comedy showcase for the Monty Python troupe.

An all-cynical, all-evil absurdist variety show that parodies the classic educational PBS shows of the 1970s, made up of old cartoons and educational films, children, and puppets from one's worst nightmares.

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