Elena Rainn

KRKY Y

Kyrsten Iris

Coen Van loo

_ eshago@uw.edu

Watashi Wa Jigabudesu

Roman Bryzhatiy

Karl Halmos-Westram

Timothy Galvin

Ljsly Bernard

Ruby Brown

Dimitri Nuri

Set deep in the south of Italy, Corpo Celeste is the story of 13 year old Marta who is struggling to resettle after ten years growing up in Switzerland. Bright-eyed and restless, she observes the sights, sounds and smells of the city but feels very much an outsider. Marta is about to undergo the rite of confirmation. In the convention of the Catholic Church she takes catechism but confronts the morality of the local Catholic community. A series of subtle moments trace her journey as she connects and conflicts with her mother, sister and the Sunday school teacher Santa. From experiencing her period to making a bold decision to cut her hair, Marta begins to shape her own life for the first time since moving back to Italy. Corpo Celeste heralds the arrival of a young and distinctive voice. Alice Rohrwacher's writing and directing debut is a sensitive unveiling of the moral and religious layers that can smother adolescence.

Two men make the dangerous journey from Africa to Italy for a better life, but then face hostility and violence in this shocking look at the life-and-death struggle of refugees.

In A CIAMBRA, a small Romani community in Calabria, Pio Amato is desperate to grow up fast. At 14, he drinks, smokes and is one of the few to easily slide between the region's factions - the local Italians, the African refugees and his fellow Romani. Pio follows his older brother Cosimo everywhere, learning the necessary skills for life on the streets of their hometown. When Cosimo disappears and things start to go wrong, Pio sets out to prove he's ready to step into his big brother's shoes but soon finds himself faced with an impossible decision that will show if he is truly ready to become a man.

Amina, a practicing Muslim, lives with her daughter, 15-year-old Maria. When Amina learns Maria is pregnant and wants to abort the child, they face an impossible situation in a country where abortion is legally and morally condemned.

2021 film directed by Mahamat-Saleh Haroun

Without a doubt, young, fresh, and effortlessly sexy Sylwia, a famous social media influencer and motivational fitness guru, is on top of her game. Oozing with energy and optimism, the athletic, obsessively self-promoting blonde messiah of fitness leads entire workout classes to ecstasy and self-acceptance, having managed to amass an army of die-hard followers. However, who can believe that deep-seated sadness resides in Sylwia's soul? For instance, who knows what Sylwia is doing between her posts, apart from posing for glamorous magazines and promoting her sponsors' products? And, what happens if one of Sylwia's fans is interested in much more than learning how to burn stubborn fat?

Somewhere in Santiago at a dimly-lit nightclub, Orlando, the kindly and well-off owner of a textile company, locks eyes with Marina, a hopeful singer and the roughly half-his-age love of his life. But, unfortunately, after Marina's birthday celebration and a night of passion, Orlando falls gravely ill--and by the following morning--he dies in hospital. In the wake of her companion's untimely death, Marina will soon realise that, from now on, everything is brought into question: her involvement in Orlando's death, their unconventional relationship; and above all, her right to mourn her beloved deceased. In the end, what was Marina's crime; a deed so hideous that would rob a fantastic woman of her respect, her dignity, and ultimately, her identity?

CALL ME BY YOUR NAME, the new film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman. It's the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17-year-old young man, spends his days in his family's 17th-century villa transcribing and playing classical music, reading, and flirting with his friend Marzia (Esther Garrel). Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows with natural delights. While Elio's sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver (Armie Hammer), a 24-year-old American college graduate student working on his doctorate, arrives as the annual summer intern tasked with helping Elio's father. Amid the sun-drenched splendor of the setting, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever.

Halley lives with her six year old daughter Moonee in a budget motel along one of the commercial strips catering to the Walt Disney World tourist clientele outside Orlando, Florida. Halley, who survives largely on welfare, has little respect for people, especially those who cross her, it an attitude that she has passed down to Moonee, who curses and gives the finger like her mother. Although the motel's policy is not to allow long term rentals, Bobby, the motel manager, has made arrangements for people like Halley to live there while not undermining the policy as he realizes that many such tenants have no place to go otherwise. Halley, Moonee and Moonee's friends, who live in the motel or others like it along the strip and who she often drags into her disruptive pranks, are often the bane of Bobby's existence, but while dealing with whatever problem arises, Bobby has a soft spot especially for the children and thus, by association, their parents, as he knows that Moonee and others like her are just children acting like a children under whatever guidance they have, Moonee who has less guidance than most. Although there are some lines which he will not tolerate to be crossed, Bobby lets most of the disruptive things that they do go, largely as long as it does not affect the bread and butter of the motel, namely the tourist trade. The summer in this collective is presented, when Moonee and her friends, such as Scooty, are out of school and are left largely to their own devices while self-absorbed Halley does whatever she wants, often just staying in the room watching TV. Halley is supposed to look after Scooty, the son of Halley's friend Ashley, they who live in the unit immediately underneath Halley and Moonee's, while Ashley is at work at a local diner. In turn, Ashley pilfers cooked meals from the diner to feed Halley, Moonee and Scooty. Over the course of the summer, Halley systematically begins to alienate one by one the people who are her unofficial support by responding with that disrespect to anything she feels is against her. As such, Halley begins to take more and more extreme measures to maintain the life she leads with Moonee.

Lena is seven months pregnant and she's ready to sell the baby in her belly. Ermanno agrees to pretend to be the father. Fabio, the uncle of Ermanno, will pay them to buy the child that he and his wife Bianca cannot have. A fake adoption between relatives, a loophole to bypass the law cause in Italy the surrogate motherhood is forbidden. A world in which money is the only standard of value, the only thing that matter. Ermanno and Lena are two strangers that must pretend in public to be a couple and live together until the delivery. They are used to only think about themselves and they fight all the time. But living side by side they start becoming what they were only pretending to be.

Agnese and Stefano are profoundly different. She is only seventeen, lives with her mother (a harsh but devoted woman and a regular church-goer) and is about to take a vow of chastity to last until marriage. He is a 25 year old man, with a violent temper and a difficult past behind, who works as a warden in a car park that borders with a gypsy camp. Their unexpected meeting engenders a sentiment of purity, made of little stolen moments and mutual help. But when they make love for the first time, Agnese s illusion of purity is shattered. She experiences a deep sense of betrayal towards her ideals, which leads her to take an extreme decision in the hope of erasing her sin.

Theo was born an unwanted child. The social services set out to find the perfect home for his adoption.

Follows the story of 15-year-old Chiara whose close-knit family falls apart after her father abandons them in Calabria.

Angélique is sixty. But she is not old. The best proof is that she is still working as a taxi girl in a cabaret by the French-German border. And that her love for men is intact. And that she keeps loving partying. And that there is nothing for her like night life... Of course clients are becoming rarer and rarer. Sure a few of them are offensive to her and treat her like meat... But what a surprise when Michel, a friendly retired miner, asks her to marry him! Will she be able to become a respected married lady? Will she manage to make it up with her family? Can she really say farewell to her present lifestyle?

2014 film by Samuel Theis, Marie Amachoukeli, Claire Burger

Georges and Anne are a couple of retired music teachers enjoying life in their eighties. However, Anne suddenly has a stroke at breakfast and their lives are never the same. That incident begins Anne's harrowingly steep physical and mental decline as Georges attempts to care for her at home as she wishes. Even as the fruits of their lives and career remain bright, the couple's hopes for some dignity prove a dispiriting struggle even as their daughter enters the conflict. In the end, George, with his love fighting against his own weariness and diminished future on top of Anne's, is driven to make some critical decisions for them both.

Forty-six year old Diane Després - "Die" - has been widowed for three years. Considered white trash by many, Die does whatever she needs, including strutting her body in front of male employers who will look, to make an honest living. That bread-winning ability is affected when she makes the decision to remove her only offspring, fifteen year old Steve Després, from her previously imposed institutionalization, one step below juvenile detention. She institutionalized him shortly following her husband's death due to Steve's attention deficit hyperactivity disorder (ADHD) and his violent outbursts. He was just kicked out of the latest in a long line of facilities for setting fire to the cafeteria, in turn injuring another boy. She made this decision to deinstitutionalize him as she didn't like the alternative, sending him into more restrictive juvenile detention from which he would probably never be rehabilitated. However, with this deinstitutionalization, she has to take care of him which means only being able to do home based work. Despite they always yelling expletives at each other and Steve sometimes demonstrating those violent tendencies toward her, Die and Steve truly do love each other, his emotions which are sometimes manifested as an Oedipus complex especially as he seems to need her complete attention most specifically when it is being directed at possible male suitors. Their lives, both individually and as a family, are affected with the entrance of two of their neighbors. The first is Paul, a lawyer, who does have that sexual interest in Die as he tries to help Steve through his legal problems. The second and more important is Kyla, who lives across the street with her husband Patrick and their adolescent daughter, they who are in transit in their life to wherever Patrick's job will take them. Kyla is a high school teacher on sabbatical as she deals with her own emotional issues, which are manifested in stuttering whenever she feels incapable of dealing with her life. Kyla may find that she needs the Després as much as they need her.

She is small, but dangerous. Wherever Benni ends up, she is immediately expelled. The wild 9-year-old girl has already become what child-protection services call a "system crasher". And she is certainly not looking to change her ways. Because Benni has one single goal: to be back at home with her mommy. But Bianca is scared of her own daughter. Mrs. Bafané from child protection services is trying her best to find a permanent placement for Benni. She hires anger-management trainer Micha to be Benni's school escort and suddenly there is a seed of hope. Will Micha be able to succeed where all others failed?

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The film is inspired by the true story of Mirco Mencacci, one of the most gifted Italian sound editors working today, who happens to be blind. A small village in Tuscany, 1971. Mirco is a bright, lively 10-year-old, crazy about the movies - especially Westerns and adventure films. His father, an incurable idealist, is a truck driver. One day, while Mirco is playing with an old rifle, the gun accidentally goes off; the boy is shot in the head. He survives, but loses his sight. At that time, Italian law considered blind people hopelessly handicapped, and did not permit them to attend public school. Hence, young Mirco's parents are forced to shut their son up in a "special school for the blind": the David Chiossone Institute in Genoa. In the beginning Mirco does not accept his new condition. But he is feisty and determined. When he finds an old tape recorder and a few used reels and discovers that by cutting and splicing tape he can create little fairy tales made only of sounds, a brand-new world opens up to him. His new adventure is opposed by the religious authorities that run the boarding school, who are convinced that a blind boy is a disabled person who must not be allowed to harbor illusions. But Mirco will not give up. He continues to fight in every way possible, and he slowly involves his classmates, leading them to rediscover their dreams and capacities. Then one night, with the help of the only sighted child - the daughter of the doorkeeper, with whom Mirco shares a tender friendship - he convinces the small group of boys to sneak out of school and go to the cinema down the street. For all of them, the experience is exhilarating. But the consequences are grim. Mirco is expelled. In the meantime, a broader struggle to change society is taking place outside. 1970's political protests are erupting. Students are taking to the streets. During one of his earlier escapades, Mirco had made friends with Ettore, a blind university student with strong political awareness. Hearing that Mirco has been expelled, Ettore pushes the whole city to mobilize. Students and workers protest in front of the Cassone Institute, threatening to shut down the city's blast furnace if Mirco is not re-admitted. As a consequence, the head of the institute is put under investigation. Mirco is finally re-admitted and granted special permission: to change the year-end show. Instead of reciting the usual religious poems, the children put on a performance of their "fairy tale in sound", before an audience of blind-folded, spellbound parents.

April 24, 1993: the last program of Radio Arrow is on the air. Over the microphone, Bruno tells the story of the radio station which is also the story of a group of friends. In the beginning the radio was called Radio Raptus but its name was changed into Radio Arrow after the body of Ivan Benassi, known as the arrow, was found half-immersed, head down, in a ditch. Jena, Boris and Tito are the friends with whom Arrow and Bruno spend most of their time. They consider the bar Laika as their own home and it's there that Adolfo, the barman, talks to them about privately-owned radio stations for the first time. All of them, individually, try to find their way to grow up or to remain forever young, through long days spent in the bar, love stories, small-town practical jokes and dramatic events.

Alice and Mattia, two exceptional personalities but inadequate, synthesis of two lives in pain, two special people who travel on the same track, but are two worlds imploded, unable to open up to the world. One fully understands the feelings of the other, but is never able to express them out loud, in short, they are two prime numbers. Prime numbers are divisible only by 1 and themselves.

As a man leaves his wife and daughter, a series of brief conversations, observed gestures, chance encounters and impulsive acts, tell the story of the relationships that flounder and thrive in the wake of this decision.

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