Emo Nemo

Mily

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Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

Harry Potter's life is miserable. His parents are dead and he's stuck with his heartless relatives, who force him to live in a tiny closet under the stairs. But his fortune changes when he receives a letter that tells him the truth about himself: he's a wizard. A mysterious visitor rescues him from his relatives and takes him to his new home, Hogwarts School of Witchcraft and Wizardry.After a lifetime of bottling up his magical powers, Harry finally feels like a normal kid. But even within the Wizarding community, he is special. He is the boy who lived: the only person to have ever survived a killing curse inflicted by the evil Lord Voldemort, who launched a brutal takeover of the Wizarding world, only to vanish after failing to kill Harry.Though Harry's first year at Hogwarts is the best of his life, not everything is perfect. There is a dangerous secret object hidden within the castle walls, and Harry believes it's his responsibility to prevent it from falling into evil hands. But doing so will bring him into contact with forces more terrifying than he ever could have imagined.Full of sympathetic characters, wildly imaginative situations, and countless exciting details, the first installment in the series assembles an unforgettable magical world and sets the stage for many high-stakes adventures to come.

One choice can transform you—or it can destroy you. But every choice has consequences, and as unrest surges in the factions all around her, Tris Prior must continue trying to save those she loves—and herself—while grappling with haunting questions of grief and forgiveness, identity and loyalty, politics and love.Tris's initiation day should have been marked by celebration and victory with her chosen faction; instead, the day ended with unspeakable horrors. War now looms as conflict between the factions and their ideologies grows. And in times of war, sides must be chosen, secrets will emerge, and choices will become even more irrevocable—and even more powerful. Transformed by her own decisions but also by haunting grief and guilt, radical new discoveries, and shifting relationships, Tris must fully embrace her Divergence, even if she does not know what she may lose by doing so.New York Times bestselling author Veronica Roth's much-anticipated second book of the dystopian DIVERGENT series is another intoxicating thrill ride of a story, rich with hallmark twists, heartbreaks, romance, and powerful insights about human nature.

Joanne Rowling, also known by her pen name J. K. Rowling, is a British author and philanthropist. She wrote Harry Potter, a seven-volume children's fantasy series published from 1997 to 2007. The series has sold over 600 million copies, been translated into 84 languages, and spawned a global media franchise including films and video games. The Casual Vacancy (2012) was her first novel for adults. She writes Cormoran Strike, an ongoing crime fiction series, under the alias Robert Galbraith.

I had removed this review, which violates Article 2 of the Terms of Use:You agree not to post User Content that: (i) may create a risk of harm, loss, physical or mental injury, emotional distress, death, disability, disfigurement, or physical or mental illness to you, to any other person, or to any animal.Looking at the comment thread, it is abundantly clear that the review not only may, but indeed has caused emotional distress to several Potter fans. I would like to offer my apologies to these unfortunate people, who had every right to expect better service from Goodreads. But, despite the above, I have decided on mature consideration that I will attempt an experiment: I am reinstating the original review, hiding the dangerous and inflammatory content inside a spoiler tag. If you are a person easily offended by negative comments about Harry Potter and still decide to click it, then you have only yourself to blame. You have been warned.(view spoiler)[I got into an argument the other day with an articulate 17 year old Harry Potter fan - let's call him D - who wanted to know why I was being so nasty in my review of Deathly Hallows. What was wrong with it? I offered various structural criticisms: the ending is abrupt and unconvincing, the subplot with the Horcruxes has not been adequately foreshadowed in the earlier volumes, and the book as a whole is overlong and boring. D expressed surprise that I could call Deathly Hallows boring, when I'd given five stars to Madame Bovary and Animal Farm, both of which he considered far duller. The discussion continued for some time. In the end, I said I would write a review summarising my objections to the series as a whole. Here it is.As I said to D, it's not the books or the author. The early Potter books are cute and entertaining, and J.K. Rowling seems like a nice person - if someone's going to scoop the literary Powerball jackpot, why not her? What I very strongly object to is the way the books have been marketed. About 10 years ago, it seems to me, some clever people figured out a new marketing strategy, which they first applied to Potter; when that came to an end, the same methods were used for Twilight. Both series have enjoyed a level of success which is utterly disproportionate to their quality, and which is also unprecedented in literary history. Twilight clearly follows Potter; I've had several discussions about what preceded Potter, and the answer, everyone seems to agree, is that there was no earlier success story of this kind. Before Potter, there was no YA series of dubious merit that absolutely everyone read. I think it's uncontroversial that Potter, in terms of literary quality, is better than Twilight, but Twilight has been even more successful. At one point, the four volumes occupied the top four spots in the New York Times bestseller list. On Goodreads, nearly half of the top 50 reviews are of Twilight books. This is an absurd and unnatural state of affairs. Even though Twilight may not be quite as bad as is sometimes made out - I'm one of many people who have tried to defend it - there's no way it deserves this level of attention.So why is everyone reading it, and why, before that, was everyone reading Potter? As I said, I think it's primarily about the marketing, though I wish I was more sure about the details. Here, at any rate, are some thoughts. First, the publishers are aggressively using economies of scale and deals with third parties. They print very large numbers of copies, and they work together with movie studios, game companies and merchandisers to cross-promote them. I think it's particularly important that a large proportion of the books are sold, not at bookstores, but at normal supermarkets. It's well known that the cover price is usually marked down to the point where the supermarket is not in fact making any profit; they have discovered that they can successfully treat it as a loss leader. This is causing great pain to independent bookstores. Some of them, I have read, have adopted the desperate expedient of buying copies at supermarkets and then reselling them. Second, let's look at the content and style. Even though Potter and Twilight are fairly different in some ways, they also have many strong similarities. Above all, they are extremely easy to read, at every level. The vocabulary is unchallenging; the sentences are short and simple; most characters are one-dimensional stereotypes; the story is uncomplicatedly plot-driven; there are few references to other works of literature. You can read these books if you're tired, if you're sleepy, if you have poor reading skills, if you've never read anything else. They consequently have a very large potential audience.Third, they describe a comforting, emasculated world in which most of the things that make our own world so difficult and unpleasant have been removed. Most strikingly, there is no sex; in Harry Potter, which is supposed to be about fairly normal teens, no one masturbates, no girls get pregnant, none of them are labelled sluts because they've had sex with more than one boy (sometimes one is enough, for that matter), no one gets their heart broken and drops out of school or starts taking drugs as a result, no one is stuck in a dead-end relationship that they wish they could escape from, but can't. The worst thing that happens in either series is the sequence in New Moon where Edward temporarily leaves Bella. Meyer notoriously doesn't describe Bella's feelings at all, but just leaves several pages blank. Once, in fact not so long ago, most adults would have been embarrassed to be seen reading YA literature of this kind; to start with, the comforting word "YA" hadn't been invented yet, and they would have been reading children's books. Somehow, there's been a shift in standards. You look around you on a bus to see what people are reading, and you can be pretty sure you'll see at least a couple of people over 20 engrossed in Potter or Twilight. It's odd that this has happened, and I wish I understood why.In conclusion, I couldn't help being struck by the two books D chose to contrast against Potter. D, Madame Bovary is going to outlast both of these authors because Emma is a real person who experiences the crazy and contradictory emotions that real people experience when they are very unhappy, and as a result she behaves in a crazy and contradictory way; also, Flaubert, unlike Rowling and Meyer, took a great deal of trouble over his prose, and created some of the most beautiful and ironic passages in world literature. There aren't many books I'd call masterpieces, but this is one of them. And finally, Animal Farm is indeed an allegory of the Russian Revolution. More importantly, though, it's about how smart, unscrupulous people manipulate trusting, weak people. Tens of millions of people are reading Potter and Twilight, not because the books are well-written or interesting, but because the readers have been manipulated into buying them by the Napoleons and Squealers of this world. That's what I'm objecting to. Think about it for a moment. (hide spoiler)]

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2011 superhero film produced by Marvel Studios

With the world now aware of his identity as Iron Man, Tony Stark must contend with both his declining health and a vengeful mad man with ties to his father's legacy.

2010 superhero film directed by Jon Favreau

Young hero Thomas embarks on a mission to find a cure for a deadly disease known as "The Flare".

2018 American dystopian science fiction film

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), also known as Harley Quinn: Birds of Prey or simply Birds of Prey, is a 2020 American superhero film based on the DC Comics team, the Birds of Prey. Produced by Warner Bros. Pictures, DC Films, LuckyChap Entertainment, Clubhouse Pictures, and Kroll & Co. Entertainment, and distributed by Warner Bros. Pictures, it is the eighth installment in the DC Extended Universe (DCEU), and serves as a spin-off and sequel to Suicide Squad (2016). It was directed by Cathy Yan and written by Christina Hodson, and stars Margot Robbie as Harley Quinn alongside Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez, Chris Messina, Ella Jay Basco, Ali Wong, and Ewan McGregor. The film follows Harley Quinn, who, after breaking up with the Joker, is threatened by Gotham City crime lord Roman Sionis, and joins forces with Helena Bertinelli, Dinah Lance and Renee Montoya (who go on to form the Birds of Prey) to save Cassandra Cain.

John Wick is on the run after killing a member of the international assassins' guild, and with a $14 million price tag on his head, he is the target of hit men and women everywhere.

Teen Miles Morales becomes the Spider-Man of his universe, and must join with five spider-powered individuals from other dimensions to stop a threat for all realities.

An astronaut becomes stranded on Mars after his team assume him dead, and must rely on his ingenuity to find a way to signal to Earth that he is alive.

2015 science fiction film directed by Ridley Scott

When the creator of a virtual reality called the OASIS dies, he makes a posthumous challenge to all OASIS users to find his Easter Egg, which will give the finder his fortune and control of his world.

Anna, Elsa, Kristoff, Olaf and Sven leave Arendelle to travel to an ancient, autumn-bound forest of an enchanted land. They set out to find the origin of Elsa's powers in order to save their kingdom.

Steve Rogers, a rejected military soldier, transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organizati

After returning to the criminal underworld to repay a debt, John Wick discovers that a large bounty has been put on his life.

2017 American action thriller film directed by Chad Stahelski

Twenty-seven years after their first encounter with the terrifying Pennywise, the Losers Club have grown up and moved away, until a devastating phone call brings them back.

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In the 1980s the X-Men must defeat an ancient all-powerful mutant, En Sabah Nur, who intends to thrive through bringing destruction to the world.

2016 superhero film directed by Bryan Singer

Five years after an ominous unseen presence drives most of society to suicide, a mother and her two children make a desperate bid to reach safety.

Rogue One: A Star Wars Story (or simply Rogue One) is a 2016 American epic space opera film directed by Gareth Edwards. The screenplay by Chris Weitz and Tony Gilroy is from a story by John Knoll and Gary Whitta. It was produced by Lucasfilm and distributed by Walt Disney Studios Motion Pictures. It is the first installment of the Star Wars anthology series and an immediate prequel to Star Wars (1977). The main cast consists of Felicity Jones, Diego Luna, Ben Mendelsohn, Donnie Yen, Mads Mikkelsen, Alan Tudyk, Riz Ahmed, Jiang Wen, and Forest Whitaker. Set a week before Star Wars, the plot follows a group of rebels who band together to steal plans of the Death Star, the ultimate weapon of the Galactic Empire. It details the Rebel Alliance's first effective victory against the Empire, first referenced in Star Wars' opening crawl.

Following the events of Avengers: Endgame (2019), Spider-Man must step up to take on new threats in a world that has changed forever.

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Robert F. Fox (born October 11, 1991), known professionally as Toby Fox (previously Toby "Radiation" Fox), is an American video game developer and video game composer. He is known for developing the role-playing video games Undertale and Deltarune for which the former garnered acclaim and he received nominations for a British Academy Game Award and three Game Awards.Fox's early work consisted primarily of composing music, notably doing so for the webcomic Homestuck, and, following the success of Undertale, he went on to compose music for a number of other independent video games. Other notable works include contributing to the soundtracks of Super Smash Bros. Ultimate and multiple Pokémon video games.

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Don't Hug Me I'm Scared(often abbreviated toDHMIS) is a surreal horror comedy web series created by British filmmakers Becky Sloan and Joseph Pelling. It consists of six episodes, released from July 29 2011 to June 19 2016 through the artists' website, YouTube and Vimeo. The series combines segments in live action, puppetry, traditional animation, and computer animation.Each episode starts like a typical children's series, consisting of anthropomorphic puppets akin to those featured inSesame Streetand other popular children's TV programmes. The series parodies these programmes by juxtaposing this childlike, colourful environment and its inhabitants against disturbing themes; each episode features a surreal plot twist in the climax, including psychedelic content and imagery involving gore and psychological horror. The six episodes explore and discuss the subjects of creativity, time, love, technology, diet, and dreams.

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