Boba

Enes Buğra 

Jim Thomas

andres santamaría

Dad Is ar

Murat Dadaş

Marcus Hopson

Michael Walsh

ANDY

vision

Sheikha

The Selfish Gene: 30th Anniversary Edition—with a new Introduction by the AuthorInheriting the mantle of revolutionary biologist from Darwin, Watson, and Crick, Richard Dawkins forced an enormous change in the way we see ourselves and the world with the publication of The Selfish Gene. Suppose, instead of thinking about organisms using genes to reproduce themselves, as we had since Mendel's work was rediscovered, we turn it around and imagine that "our" genes build and maintain us in order to make more genes. That simple reversal seems to answer many puzzlers which had stumped scientists for years, and we haven't thought of evolution in the same way since.Why are there miles and miles of "unused" DNA within each of our bodies? Why should a bee give up its own chance to reproduce to help raise her sisters and brothers? With a prophet's clarity, Dawkins told us the answers from the perspective of molecules competing for limited space and resources to produce more of their own kind. Drawing fascinating examples from every field of biology, he paved the way for a serious re-evaluation of evolution. He also introduced the concept of self-reproducing ideas, or memes, which (seemingly) use humans exclusively for their propagation. If we are puppets, he says, at least we can try to understand our strings. —Rob Lightner

In his blistering new novel, Cormac McCarthy returns to the Texas-Mexico border, the setting of his famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law–in the person of aging, disillusioned Sheriff Bell–can contain.As Moss tries to evade his pursuers–in particular a mysterious mastermind who flips coins for human lives–McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph.

Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

The unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father’s servant, The Kite Runner is a beautifully crafted novel set in a country that is in the process of being destroyed. It is about the power of reading, the price of betrayal, and the possibility of redemption; and an exploration of the power of fathers over sons—their love, their sacrifices, their lies.A sweeping story of family, love, and friendship told against the devastating backdrop of the history of Afghanistan over the last thirty years, The Kite Runner is an unusual and powerful novel that has become a beloved, one-of-a-kind classic.--khaledhosseini.com

Thus Spoke Zarathustra is a foundational work of Western literature and is widely considered to be Friedrich Nietzsche’s masterpiece. It includes the German philosopher’s famous discussion of the phrase ‘God is dead’ as well as his concept of the Superman. Nietzsche delineates his Will to Power theory and devotes pages to critiquing Christian thinking, in particular Christianity’s definition of good and evil.

For nearly a century, the original version of Upton Sinclair's classic novel has remained almost entirely unknown. When it was published in serial form in 1905, it was a full third longer than the censored, commercial edition published in book form the following year. That expurgated commercial edition edited out much of the ethnic flavor of the original, as well as some of the goriest descriptions of the meat-packing industry and much of Sinclair's most pointed social and political commentary. The text of this new edition is as it appeared in the original uncensored edition of 1905. It contains the full 36 chapters as originally published, rather than the 31 of the expurgated edition. A new foreword describes the discovery in the 1980s of the original edition and its subsequent suppression, and a new introduction places the novel in historical context by explaining the pattern of censorship in the shorter commercial edition.

I recently went to Las Vegas for the first, and probably only, time in my life. I hadn't read this book in years, and previously, it hadn't even been my favorite Hunter S. Thompson work. Thompson is dearly missed by many people, and on a personal level, I miss him deeply. He spoke to a true astonishment at the complete, unrelenting fuckedupedness of America and her politics, and he did it with a bite that was deserved and unmatched. He probably could have been a very rich super-novelist of popular, uninspired filth. He probably could have been a brilliant novelist of any kind. But he chose to do what he did, and he did it better than any of his generation. Like Mark Twain, he chronicled American stupidity in the tongue of his generation, and he captured it perfectly, from the insanity of the drug experience to the depravity of American politics. For years, no work of his stood out to me as much as Fear and Loathing on the Campaign Trail '72 or the Gonzo letters. Fear and Loathing in Las Vegas, to me, wasn't his best work. Then I went to Vegas. Suddenly, all the subtle differences between this and his other work made sense, and I realized that he had captured the true tackiness of the truest tacky city on the entire planet (though Dubai with their fucking Island fantasies are likely to take over soon). Fear &amp; Loathing in Las Vegas IS Las Vegas. It's a nightmare, a joke, a blunder of comical, cosmically-fucked proportions. It's not Sin City. It's where Sin goes to die when it's embarrassed for itself. It's where families go on vacations with ten-year-olds, children who get handed fliers for prostitutes. It's the living, pulsing, filthing embodiment of the Holy Dollar. It's sensory overload on a scale drugs can't equal, a place where you almost have to take a brimful of Valium and a pint of ether to feel normal and not feel utterly ashamed at the state of the human condition. It would make you want to blow your brains out if it weren't so goddamned fun, even if you're gay, you hate gambling and hookers make your brain itch. Yet you never, ever feel like it is evil or subversive or curious in any way. It's just about a buck, and every other blink reminds you of it. This is a place where Hunter S. Thompson could easily mingle with a law enforcement convention and not get noticed. This is a place where a lawyer could leave you with a hotel bill. This is a place where no questions get asked because no answers would make sense, and the only thing profound about any of it is that you know, on a gut level, that all the oil used to produce all the plastic used to build that city no doubt funded an island shaped like Australia that was built off the coast of the UAE over the weekend. This novel will never cease to be important, and one day, as a cultural artifact of a forgotten culture from a forgotten nation, it will be one of the most important anthropological pieces in existence. I wish he'd survived the Bush administration. We need this man.NC

Translated and with a preface by Mark HarmanLeft unfinished by Kafka in 1922 and not published until 1926, two years after his death, The Castle is the haunting tale of K.’s relentless, unavailing struggle with an inscrutable authority in order to gain access to the Castle. Scrupulously following the fluidity and breathlessness of the sparsely punctuated original manuscript, Mark Harman’s new translation reveals levels of comedy, energy, and visual power, previously unknown to English language readers.

It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will be busier still.By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left behind there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordian-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor's wife's library, wherever there are books to be found.But these are dangerous times. When Liesel's foster family hides a Jew in their basement, Liesel's world is both opened up, and closed down.In superbly crafted writing that burns with intensity, award-winning author Markus Zusak has given us one of the most enduring stories of our time.

The Metamorphosis and Other Stories, by Franz Kafka, is part of the Barnes &amp; Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes &amp; Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes &amp; Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.Virtually unknown during his lifetime, Franz Kafka is now one of the world’s most widely read and discussed authors. His nightmarish novels and short stories have come to symbolize modern man’s anxiety and alienation in a bizarre, hostile, and dehumanized world. This vision is most fully realized in Kafka’s masterpiece, “The Metamorphosis,” a story that is both harrowing and amusing, and a landmark of modern literature. Bringing together some of Kafka’s finest work, this collection demonstrates the richness and variety of the author’s artistry. “The Judgment,” which Kafka considered to be his decisive breakthrough, and “The Stoker,” which became the first chapter of his novel Amerika, are here included. These two, along with “The Metamorphosis,” form a suite of stories Kafka referred to as “The Sons,” and they collectively present a devastating portrait of the modern family.Also included are “In the Penal Colony,” a story of a torture machine and its operators and victims, and “A Hunger Artist,” about the absurdity of an artist trying to communicate with a misunderstanding public. Kafka’s lucid, succinct writing chronicles the labyrinthine complexities, the futility-laden horror, and the stifling oppressiveness that permeate his vision of modern life.Jason Baker is a writer of short stories living in Brooklyn, New York.

Heart of Darkness and Selected Short Fiction, by Joseph Conrad, is part of the Barnes &amp; Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes &amp; Noble Classics: * New introductions commissioned from today's top writers and scholars * Biographies of the authors * Chronologies of contemporary historical, biographical, and cultural events * Footnotes and endnotes * Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work * Comments by other famous authors * Study questions to challenge the reader's viewpoints and expectations * Bibliographies for further reading * Indices &amp; Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes &amp; Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.One of the most haunting stories ever written, Joseph Conrad’s Heart of Darkness follows Marlow, a riverboat captain, on a voyage into the African Congo at the height of European colonialism. Astounded by the brutal depravity he witnesses, Marlow becomes obsessed with meeting Kurtz, a famously idealistic and able man stationed farther along the river. What he finally discovers, however, is a horror beyond imagining. Heart of Darkness is widely regarded as a masterpiece for its vivid study of human nature and the greed and ruthlessness of imperialism. This collection also includes three of Conrad’s finest short stories: “Youth,” the author’s largely autobiographical tale of a young man’s ill-fated sea voyage, in which Marlow makes his first appearance, “The Secret Sharer,” and “Amy Forster.” Features a map of the Congo Free State.A. Michael Matin is a professor in the English Department of Warren Wilson College in Asheville, North Carolina. He has published articles on various twentieth-century British and postcolonial writers.

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep. J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

Librarian's note: An alternate cover edition can be found hereThis short novel, already a modern classic, is the superbly told, tragic story of a Cuban fisherman in the Gulf Stream and the giant Marlin he kills and loses—specifically referred to in the citation accompanying the author's Nobel Prize for literature in 1954.

The terrifyingly prophetic novel of a post-literate future.Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.The classic dystopian novel of a post-literate future, Fahrenheit 451 stands alongside Orwell’s 1984 and Huxley’s Brave New World as a prophetic account of Western civilization’s enslavement by the media, drugs and conformity.Bradbury’s powerful and poetic prose combines with uncanny insight into the potential of technology to create a novel which, decades on from first publication, still has the power to dazzle and shock.--back cover

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

1992 Gold Medallion Award winner! For over 300 years Christians have found life within the pages of The Pilgrim's Progress. This edition by Cheryl Ford provides a fresh, modern rendering as biblical truths are weaved into a simple yet profound story that reveals the treacheries of the human heart and the power of conquering faith. Many modern translations of this Christian classic leave out significant parts or add passages not included in John Bunyan's original. But this translation is different. First, in contemporary English it faithfully presents the complete text (including the pilgrimages of Christian and Christiana). Second, more than 150 one-color calligraphy pieces by Timothy R. Botts enhance this beloved story. Additional features include comprehensive Scripture cross-references and an index to all the people, places, and spiritual symbols. Questions for group discussion and personal application strengthen the impact of this timeless story of Christian life.

Alternate cover edition of ISBN 9780062457738In this generation-defining self-help guide, a superstar blogger cuts through the crap to show us how to stop trying to be "positive" all the time so that we can truly become better, happier people.For decades, we’ve been told that positive thinking is the key to a happy, rich life. "F**k positivity," Mark Manson says. "Let’s be honest, shit is f**ked and we have to live with it." In his wildly popular Internet blog, Manson doesn’t sugarcoat or equivocate. He tells it like it is—a dose of raw, refreshing, honest truth that is sorely lacking today. The Subtle Art of Not Giving a F**k is his antidote to the coddling, let’s-all-feel-good mindset that has infected American society and spoiled a generation, rewarding them with gold medals just for showing up.Manson makes the argument, backed both by academic research and well-timed poop jokes, that improving our lives hinges not on our ability to turn lemons into lemonade, but on learning to stomach lemons better. Human beings are flawed and limited—"not everybody can be extraordinary, there are winners and losers in society, and some of it is not fair or your fault." Manson advises us to get to know our limitations and accept them. Once we embrace our fears, faults, and uncertainties, once we stop running and avoiding and start confronting painful truths, we can begin to find the courage, perseverance, honesty, responsibility, curiosity, and forgiveness we seek.There are only so many things we can give a f**k about so we need to figure out which ones really matter, Manson makes clear. While money is nice, caring about what you do with your life is better, because true wealth is about experience. A much-needed grab-you-by-the-shoulders-and-look-you-in-the-eye moment of real-talk, filled with entertaining stories and profane, ruthless humor, The Subtle Art of Not Giving a F**k is a refreshing slap for a generation to help them lead contented, grounded lives.

And Then There Were None: A Mystery Play in Three Acts, Agatha Christie And Then There Were None is a mystery novel by English writer Agatha Christie, widely considered her masterpiece and described by her as the most difficult of her books to write. It was first published in the United Kingdom by the Collins Crime Club on 6 November 1939, as Ten Little Niggers, after the British blackface song, which serves as a major plot point. The US edition was not released until December 1939; its American reprints and adaptations were all re-titled: And Then There Were None, after the last five words in the nursery rhyme "Ten Little Indians". Ten guilty strangers are trapped on an island. One by one they are accused of murder; one by one they start to die.عنوانها: ده بچه زنگی؛ ده بومی کوچک؛ ده سیاهپوست کوچولو؛ دیگر کسی آنجا باقی نماند، و آنگاه دیگر هیچ؛ کسی نماند دیگر؛ و سپس هیچ کس نبود؛ تاریخ نخستین خوانش: روز بیست و سوم ماه ژوئن سال 1977میلادیعنوان: ده سیاهپوست کوچولو؛ نویسنده: آگاتا کریستی؛ مترجم: بهمن فرزانه، تهران، کتابهای جیبی، 1345، در 203ص؛ موضوع: داستانهای کارآگاهی از نویسندگان انگلیسی - سده 20معنوان: و آنگاه دیگر هیچ؛ نویسنده: آگاتا کریستی؛ مترجم: بهرا افراسیابی، تهران، سخن، 1372، در 204ص؛ چاپ دوم 1373؛عنوان: ده سیاهپوست کوچولو؛ نویسنده: آگاتا کریستی؛ مترجم: محمد قصاع، تهران، آبنوس، 1373، در 271ص؛ چاپ دیگر: تهران، صبورا، 1374، شابک 9649175109؛ چاپ دوم 130؛عنوان: دیگر کسی آنجا باقی نماند؛ نویسنده: آگاتا کریستی؛ مترجم: پروانه دادبخش، مشهد، جاودان خرد، 1375، در 279ص؛ عنوان: و سپس هیچکس نبود؛ نویسنده: آگاتا کریستی؛ مترجم: ثریا قیصری، تهران، سمیر، 1375، در 248ص؛ عنوان: ده بچه زنگی؛ نویسنده: آگاتا کریستی؛ مترجم: خسرو مهربان سمیعی، تهران، هرمس، 1378، در 245ص؛شابک: 9646641733؛ چاپ دوم 1379؛ چاپ سوم 1386، شابک 9789646641730؛ چاپ دیگر تهران، هرمس، چاپ پنجم 1392، چاپ ششم 1393؛عنوان: ده بومی کوچک؛ نویسنده: آگاتا کریستی؛ مترجم: ذبیح الله منصوری، تهران، دنیای کتاب، 1384، در 286ص؛ شابک 9643461947؛عنوان: کسی نماند دیگر؛ نویسنده: آگاتا کریستی؛ مترجم: سپیده حبیبی، تهران، نگارش کتاب الکترونیک، 1394، در 94ص؛ ای.بوک؛ مصور، شابک 9786008075509؛ده تن، هفت مرد، و سه زن، توسط افرادی به ظاهر متفاوت، دعوت می‌شوند، تا تعطیلات خود را، در جزیره‌ ای دور افتاده، به نام «جزیره ی زنگی» بگذرانند؛ بعضی از آن‌ها، پیشتر همدیگر را سر موضوعی می‌شناخته‌ اند؛ ولی بیشترشان، پیش از رفتن به جزیره، هیچ‌گاه یکدیگر را ندیده‌ بودند؛ این ده نفر، هر یک به گونه‌ ای، در گذشته ی خود، باعث قتل یک فرد شده‌ اند؛ پس از گذشت مدتی در جزیره، آن‌ها متوجه می‌شوند، که همه، از سوی یک فرد به آن جا دعوت شده‌ اند؛ فردی که، با اینکه در جزیره نیست، از راز همه ی آن‌ها آگاه است؛ و اوضاع آشفته می‌شود؛ «گاه که این فرد آغاز به کشتن و قتل، تک‌ تک آنها، به روشی عجیب می‌کند، و قربانیان خود را، با اقتباس از یک شعر کودکانه، به نام: ده سرخپوست کوچک، به قتل می‌رساند؛ ...؛ ا. شربیانی

A masterpiece of satire, this classic has entertained and enlightened readers the world over with its sly and ironic portrayal of human life from the vantage point of Screwtape, a senior tempter in the service of "Our Father Below." At once wildly comic, deadly serious, and strikingly original, C. S. Lewis gives us the correspondence of the worldly-wise old devil to his nephew Wormwood, a novice demon in charge of securing the damnation of an ordinary young man. The Screwtape Letters is the most engaging and humorous account of temptation—and triumph over it—ever written.Now, for the first time, The Screwtape Letters is presented with its full text alongside helpful annotations provided by Lewis enthusiast and dramatist Paul McCusker. The notes include literary, theological, and biographical information to enhance Lewis's core themes and demystify complex ideas. McCusker also guides readers to concepts and references from the beloved author's other treasured volumes to deepen and enrich this timeless classic. The annotated edition is the ultimate guide for understanding the heavenly truths buried in these epistles from below.

I.O.U.S.A. examines the rapidly growing national debt and its consequences for the United States and its citizens. As the Baby Boomer generation prepares to retire, will there even be any Social Security benefits left to collect? Burdened with an ever-expanding government and military, increased international competition, overextended entitlement programs, and debts to foreign countries that are becoming impossible to honor, America must mend its spendthrift ways or face an economic disaster of epic proportions. Throughout history, the American government has found it nearly impossible to spend only what has been raised through taxes. The film blends interviews with both average American taxpayers and government officials to demystify the nation's financial practices and policies. The film follows U.S. Comptroller General David Walker as he crisscrosses the country explaining America's unsustainable fiscal policies to its citizens. The film interweaves archival footage and economic data to paint a profile of America's current economic situation. The film also proffers potential financial scenarios and propose solutions about how to recreate a fiscally sound nation for future generations.

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

2003 film by Mark Achbar, Jennifer Abbott

It is happening all across America-rural landowners wake up one day to find a lucrative offer from an energy company wanting to lease their property. Reason? The company hopes to tap into a reservoir dubbed the "Saudi Arabia of natural gas." Halliburton developed a way to get the gas out of the ground-a hydraulic drilling process called "fracking"-and suddenly America finds itself on the precipice of becoming an energy superpower.

The current method of raw food production is largely a response to the growth of the fast food industry since the 1950s. The production of food overall has more drastically changed since that time than the several thousand years prior. Controlled primarily by a handful of multinational corporations, the global food production business - with an emphasis on the business - has as its unwritten goals production of large quantities of food at low direct inputs (most often subsidized) resulting in enormous profits, which in turn results in greater control of the global supply of food sources within these few companies. Health and safety (of the food itself, of the animals produced themselves, of the workers on the assembly lines, and of the consumers actually eating the food) are often overlooked by the companies, and are often overlooked by government in an effort to provide cheap food regardless of these negative consequences. Many of the changes are based on advancements in science and technology, but often have negative side effects.The products made have been shown in several studies to enlarge male sexual organs and increase male breast size. The answer that the companies have come up with is to throw more science at the problems to bandage the issues but not the root causes. The global food supply may be in crisis with lack of biodiversity, but can be changed on the demand side of the equation.

Richard Dawkins' highly critical documentary attacks the pulsing heart of all mainstream religion- faith; with special focus on Islam, Judaism, and Christianity. Contains repeated references to sectorial schools as child abuse and faith as the stepping stone to terrorist activity.

"The Most Dangerous Man in America" is the story of what happens when a former Pentagon insider, armed only with his conscience, steadfast determination, and a file cabinet full of classified documents, decides to challenge an "Imperial" Presidency-answerable to neither Congress, the press, nor the people-in order to help end the Vietnam War. In 1971, Daniel Ellsberg shook America to its foundations when he smuggled a top-secret Pentagon study to the New York Times that showed how five Presidents consistently lied to the American people about the Vietnam War that was killing millions and tearing America apart. President Nixon's National Security Advisor Henry Kissinger called Ellsberg "the most dangerous man in America," who "had to be stopped at all costs." But Ellsberg wasn't stopped. Facing 115 years in prison on espionage and conspiracy charges, he fought back. Ensuing events surrounding the so-called Pentagon Papers led directly to Watergate and the downfall of President Nixon, and hastened the end of the Vietnam War. Ellsberg's relentless telling of truth to power, which exposed the secret deeds of an "Imperial Presidency," inspired Americans of all walks of life to forever question the previously-unchallenged pronouncements of its leaders. "The Most Dangerous Man in America" tells the inside story, for the first time on film, of this pivotal event that changed history and transformed our nation's political discourse. It is told largely by the players of that dramatic episode-Ellsberg, his colleagues, family and critics; Pentagon Papers authors and government officials; Vietnam veterans and anti-war activists; Watergate principals, attorneys and the journalists who both covered the story and were an integral part of it; and finally-through White House audiotapes-President Nixon and his inner circle of advisors.

Thought-provoking documentary on war propaganda: how governments manipulate the facts and how most media let them get away with it. WWI, Vietnam War, post-2001 Afghanistan, post-2003 Iraq, Palestine: a historical account of PR, embedded journalism, lies and cover-ups, but also of courageous journalists who disclose the truth.

Featuring never-before-seen footage, this documentary delivers a startling new look at the Peoples Temple, headed by preacher Jim Jones who, in 1978, led more than 900 members to Guyana, where he orchestrated a mass suicide via tainted punch.

Following up on 'Bowling for Columbine', film-maker Michael Moore provides deep and though-provoking insights on the American security system, the level of paranoia, fear, uncertainty, false values and patriotism, which all combined together to set a stage for George W. Bush to launch a war on Iraq instead of focusing on getting the real culprit(s) behind the terrorist attacks of September 11, 2001. This documentary also focuses on how some Saudis were safely and secretly flown out of America while planes were ostensibly grounded after the attacks. Archived film footage, candid interviews with politicians, and an overall waste of public funds for a war that was initiated on false pretension to wit: a weapon of mass distraction - to take the focus away from the real enemy and get Americans glued to their TV sets to watch innocent Iraqis and Afghans getting killed. And a war that would eventually alienate the U.S.A. and its citizens from almost every country on Earth.

A documentary analyzing the role of the modern American media and its effects on democracy.

With gasoline prices approaching $4/gallon, fossil fuel shortages, unrest in oil producing regions around the globe and mainstream consumer adoption and adoption of the hybrid electric car (more than 140,000 Prius' sold this year), this story couldn't be more relevant or important. The foremost goal in making this movie is to educate and enlighten audiences with the story of this car, its place in history and in the larger story of our car culture and how it enables our continuing addiction to foreign oil. This is an important film with an important message that not only calls to task the officials who squelched the Zero Emission Vehicle mandate, but all of the other accomplices, government, the car companies, Big Oil, even Eco-darling Hydrogen as well as consumers, who turned their backs on the car and embrace embracing instead the SUV. Our documentary investigates the death and resurrection of the electric car, as well as the role of renewable energy and sustainable living in our country's future; issues which affect everyone from progressive liberals to the neo-conservative right.

documentary film that explores the creation, limited commercialization, and subsequent destruction of the battery electric vehicle in the United States, specifically the General Motors EV1 of the mid-1990s

Chronological look at the fiasco in Iraq, especially decisions made in the spring of 2003 - and the backgrounds of those making decisions - immediately following the overthrow of Saddam: no occupation plan, an inadequate team to run the country, insufficient troops to keep order, and three edicts from the White House announced by Bremmer when he took over: no provisional Iraqi government, de-Ba'athification, and disbanding the Iraqi armed services. The film has chapters (from History to Consequences), and the talking heads are reporters, academics, soldiers, military brass, and former Bush-administration officials, including several who were in Baghdad in 2003.

Linguist, intellectual and activist, Noam Chomsky discusses and reflects on the state of world events including the War in Iraq, September 11th, the War on Terror, Media Manipulation and Control, Social Activism, Fear, and American Foreign Policy in both large forums and in small interactive discussions with other intellectuals, activists, fans, students and critics. Interwoven, is Dr. Carol Chomsky, Noam's wife and manager who reflects on what drives Noam and what life is like with him. Other candid reflections about Noam Chomsky and his thoughts, work and influece are offerred by others throughout the film.

The End of Poverty? asks if the true causes of poverty today stem from a deliberate orchestration since colonial times which has evolved into our modern system whereby wealthy nations exploit the poor. People living and fighting against poverty answer condemning colonialism and its consequences; land grab, exploitation of natural resources, debt, free markets, demand for corporate profits and the evolution of an economic system in in which 25% of the world's population consumes 85% of its wealth. Featuring Nobel Prize winner Amartya Sen and Joseph Stiglitz, authors/activist Susan George, Eric Toussaint, Bolivian Vice President Alvaro Garcia Linera and more.

Naomi Klein gives a lecture tracing the confluence of ideas about modifying behavior using shock therapy and other sensory deprivation and modifying national economics using the "shock treatment" of Milton Friedman and the Chicago School. She moves chronologically: Pinochet's Chile, Argentina and its junta, Yeltsin's Russia, Bush and Bremer's Iraq. A trumped-up villain provides distraction or rationalization: Marxism, the Falklands, nuclear weapons, terrorists; and, always, there is a great shift of money and power from the many to the few. News footage, a narrator, and talking heads back up Klein's analysis. She concludes on a note of hope.

2010 documentary film Michael Winterbottom and Mat Whitecross

A look at America's struggles with war, class, race and women's rights. based on Howard Zinn's "A People's History of the United States."

REQUIEM FOR THE AMERICAN DREAM is the definitive discourse with Noam Chomsky on the defining characteristic of our time - the deliberate concentration of wealth and power in the hands of a select few. Through interviews filmed over four years, Chomsky unpacks the principles that have brought us to the crossroads of historically unprecedented inequality - tracing a half century of policies designed to favor the most wealthy at the expense of the majority - while also looking back on his own life of activism and political participation. Profoundly personal and thought provoking, Chomsky provides penetrating insight into what may well be the lasting legacy of our time - the death of the middle class; a swan song for our democracy. A potent reminder that power ultimately rests in the hands of the governed, REQUIEM is required viewing for all who maintain hope in a shared stake in the future.

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