Jaspreet Singh

Hector Jaime Oropesa

aasta Haukland

Jayden

Alokym ya Bassa

Joseph Greer

Catalina Olmos

George Balaskas

Ojasw Upadhyay

Taylor Robinson

Carly Hylton

Daniel Mariani

At the office of Safe Steps, Victoria’s dedicated 24/7 family violence response call centre, phone counsellors receive a call every three minutes. Many women are repeat callers: on average, they will go back to an abusive partner eight times before leaving for good.‘You must get so frustrated when you think a woman’s ready to leave and then she decides to go back,’ I say.‘No,’ replies one phone counsellor, pointedly. ‘I’m frustrated that even though he promised to stop, he chose to abuse her again.’Women are abused or killed by their partners at astonishing rates: in Australia, almost 17 per cent of women over the age of fifteen – one in six – have been abused by an intimate partner.In this confronting and deeply researched account, journalist Jess Hill uncovers the ways in which abusers exert control in the darkest – and most intimate – ways imaginable. She asks: What do we know about perpetrators? Why is it so hard to leave? What does successful intervention look like?What emerges is not only a searing investigation of the violence so many women experience, but a dissection of how that violence can be enabled and reinforced by the judicial system we trust to protect us.Combining exhaustive research with riveting storytelling, See What You Made Me Do dismantles the flawed logic of victim-blaming and challenges everything you thought you knew about domestic and family violence.

Brooke Baron

In a fantasy world of opposing kingdoms, a 15-year-old girl named Helena who works at the family circus with her father and mother, who wishes--quite ironically--that she could run away from the circus and join 'real life'. But such is not to be the case, as she finds herself on a strange journey into the Dark Lands, a fantastic landscape filled with giants, Monkeybirds and dangerous sphinxes. She must find the fabled MirrorMask in order to save the kingdom and get back home.

like what dreams may come

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The movie is set in the Pacific Northwest; specifically, Washington state. We know this from a glimpse of a license plate, the craftsman architecture of the two houses, and the mature, rich landscapes in between. The setting, like the scrutiny of the four main character's lives, is defined by the narrowness of the camera's field-of view. The one commercial street in town is only seen in the reflection of a store window, a shot of a non-descript auto-yard, or the tunnel of a tree-lined suburban sidewalk. The lush, wooded landscape is understood as an immediate presence in the domestic and professional lives of the characters; a steep hill, railroad tracks, a rushing stream, and a path over an old steel bridge are revisited again and again by the characters in their capacities as lovers, parents and friends.

romantic big feels

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Active tastebuds