Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Gabriel Allon, art restorer and spy, has been widely acclaimed as one of the most fascinating characters in the genre and now he is about to face the greatest challenge of his life.Allon is recovering from a grueling showdown with a Palestinian master terrorist, when a figure from his past arrives in Jerusalem. Monsignor Luigi Donati is the private secretary to His Holiness Pope Paul VII, and a man as ruthless as he is intelligent. Now, however, he has come to seek Allon's help. A young Swiss guard has been found dead in St. Peter's Basilica, and although Donati has allowed the official inquiry to determine that it is suicide, his instinct tells him that it is murder-and that his master is in grave danger. He has trusted Allon in the past, and he is the only man he trusts now.Allon reluctantly agrees to get involved, but once he begins to investigate he concludes that Donati has every right to be concerned, as, following the trail from the heart of the Vatican to the valleys of Switzerland and beyond, he slowly unravels a conspiracy of lies and deception. An extraordinary enemy walks among them, with but one goal: the most spectacular assassination ever attempted.

In Beatrice Prior's dystopian Chicago, society is divided into five factions, each dedicated to the cultivation of a particular virtue--Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is--she can't have both. So she makes a choice that surprises everyone, including herself.During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles to determine who her friends really are--and where, exactly, a romance with a sometimes fascinating, sometimes infuriating boy fits into the life she's chosen. But Tris also has a secret, one she's kept hidden from everyone because she's been warned it can mean death. And as she discovers a growing conflict that threatens to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves . . . or it might destroy her.

The faction-based society that Tris Prior once believed in is shattered - fractured by violence and power struggles and scarred by loss and betrayal. So when offered a chance to explore the world past the limits she's known, Tris is ready. Perhaps beyond the fence, she and Tobias will find a simple new life together, free from complicated lies, tangled loyalties, and painful memories.But Tris's new reality is even more alarming than the one she left behind. Old discoveries are quickly rendered meaningliess. Explosive new truths change the hearts of those she loves. And once again, Tris must battle to comprehend to complexities of human nature - and of herself - while facing impossible choices about courage, allegiance, sacrifice, and love.Told from a riveting dual perspective, ALLEGIANT, by #1 New York Times best-selling author Veronica Roth, brings the DIVERGENT series to a powerful conclusion while revealing the secrets of the dystopian world that has captivated millions of readers in DIVERGENT and INSURGENT.

One choice can transform you—or it can destroy you. But every choice has consequences, and as unrest surges in the factions all around her, Tris Prior must continue trying to save those she loves—and herself—while grappling with haunting questions of grief and forgiveness, identity and loyalty, politics and love.Tris's initiation day should have been marked by celebration and victory with her chosen faction; instead, the day ended with unspeakable horrors. War now looms as conflict between the factions and their ideologies grows. And in times of war, sides must be chosen, secrets will emerge, and choices will become even more irrevocable—and even more powerful. Transformed by her own decisions but also by haunting grief and guilt, radical new discoveries, and shifting relationships, Tris must fully embrace her Divergence, even if she does not know what she may lose by doing so.New York Times bestselling author Veronica Roth's much-anticipated second book of the dystopian DIVERGENT series is another intoxicating thrill ride of a story, rich with hallmark twists, heartbreaks, romance, and powerful insights about human nature.

This was the first book I ever bought at a school book fair and it will remain one of my favorites. I recently decided to read one chapter of it each night to my 6 year old son. I loved the sounds of his giggles and howling laughter as I read the stories that made me laugh so hard I couldn't breathe as a child. I was afraid that he wouldn't love the stories as much as I had as a child. I was also afraid that I wouldn't find the stories as entertaining this time around. I was very wrong! The delightful little children on the top floor of this silly school still put me in stitches and kept my son's usually waivering attention. I am so glad I decided to revisit this part of my childhood and brought my son along for the hilarious ride.

Boys don’t keep diaries—or do they?The launch of an exciting and innovatively illustrated new series narrated by an unforgettable kid every family can relate toIt’s a new school year, and Greg Heffley finds himself thrust into middle school, where undersized weaklings share the hallways with kids who are taller, meaner, and already shaving. The hazards of growing up before you’re ready are uniquely revealed through words and drawings as Greg records them in his diary.In book one of this debut series, Greg is happy to have Rowley, his sidekick, along for the ride. But when Rowley’s star starts to rise, Greg tries to use his best friend’s newfound popularity to his own advantage, kicking off a chain of events that will test their friendship in hilarious fashion.Author/illustrator Jeff Kinney recalls the growing pains of school life and introduces a new kind of hero who epitomizes the challenges of being a kid. As Greg says in his diary, “Just don’t expect me to be all ‘Dear Diary’ this and ‘Dear Diary’ that.” Luckily for us, what Greg Heffley says he won’t do and what he actually does are two very different things.Since its launch in May 2004 on Funbrain.com, the Web version of Diary of a Wimpy Kid has been viewed by 20 million unique online readers. This year, it is averaging 70,000 readers a day.F&amp;P level: T

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

In LittleBigPlanet Players meet on a blue and green planet scattered with individual plots – and use their character's amazing abilities to play, create and s...

There are no points or levels, just a myriad of sights and sounds, places and activities...all ready to explore. Spend your time passing new ordinances—or goi...

A mysterious package has arrived, and the creature inside has only one request&hellip;CANDY! Help get the candy to Om Nom, the adorable monster, in this highly...

The game involves players creating and destroying various types of blocks in a three dimensional environment. The player takes an avatar that can destroy or cre...

Jumanji, one of the most unique--and dangerous--board games ever, falls into the hands of the curious teen, Alan Parrish, in 1969. Mysterious and magical, the game strands the unsuspecting boy in the lush, savage forests of a mythical realm. Nearly three decades later, the game releases him before the awed eyes of the young orphaned siblings, Judy and Peter Shepherd. Now, the wild and incessant beat of the jungle's tribal drums is calling for the now-adult Alan and the other hesitant players, as the one who rolls the dice must never leave undone what the roll has started. Has anyone ever escaped from the game and Jumanji's formidable foes?

After receiving the healing powers from a magical flower, the baby Princess Rapunzel is kidnapped from the palace in the middle of the night by Mother Gothel. Mother Gothel knows that the flower's magical powers are now growing within the golden hair of Rapunzel, and to stay young, she must lock Rapunzel in her hidden tower. Rapunzel is now a teenager and her hair has grown to a length of 70-feet. The beautiful Rapunzel has been in the tower her entire life, and she is curious of the outside world. One day, the bandit Flynn Ryder scales the tower and is taken captive by Rapunzel. Rapunzel strikes a deal with the charming thief to act as her guide to travel to the place where the floating lights come from that she has seen every year on her birthday. Rapunzel is about to have the most exciting and magnificent journey of her life.

As the United States raced against Russia to put a man in space, NASA found untapped talent in a group of African-American female mathematicians that served as the brains behind one of the greatest operations in U.S. history. Based on the unbelievably true life stories of three of these women, known as "human computers", we follow these women as they quickly rose the ranks of NASA alongside many of history's greatest minds specifically tasked with calculating the momentous launch of astronaut John Glenn into orbit, and guaranteeing his safe return. Dorothy Vaughan, Mary Jackson, and Katherine Gobels Johnson crossed all gender, race, and professional lines while their brilliance and desire to dream big, beyond anything ever accomplished before by the human race, firmly cemented them in U.S. history as true American heroes.

Though Kevin (James McAvoy) has evidenced 23 personalities to his trusted psychiatrist, Dr. Fletcher (Betty Buckley), there remains one still submerged who is set to materialize and dominate all of the others. Compelled to abduct three teenage girls led by the willful, observant Casey, Kevin reaches a war for survival among all of those contained within him -- as well as everyone around him -- as the walls between his compartments shatter.

Greta, a young American woman, takes a job as a nanny in a remote English village and discovers that the family's 8-year-old is a life-sized doll that the parents care for just like a real boy as a way to cope with the death of their actual son 20 years ago. When she violates a list of strict rules, her worst nightmare is brought to life by a series of disturbing, inexplicable events and she comes to believe that the doll is alive.

As she searches for allies and answers in the wake of the uprising, Tris and Four are on the run. Being hunted by Jeanine Matthews, the leader of the Erudite faction, Tris and Four will race against time as they try to figure out what Abnegation sacrificed their lives to protect, and why the Erudite leaders will do anything to stop them. Haunted by her past choices but desperate to protect the ones she loves, Tris faces one impossible challenge after another as she unlocks the truth about the past and ultimately the future of her world.

The lead character, called 'The Bride,' was a member of the Deadly Viper Assassination Squad, led by her lover 'Bill.' Upon realizing she was pregnant with Bill's child, 'The Bride' decided to escape her life as a killer. She fled to Texas, met a young man, who, on the day of their wedding rehearsal was gunned down by an angry and jealous Bill (with the assistance of the Deadly Viper Assassination Squad). Four years later, 'The Bride' wakes from a coma, and discovers her baby is gone. She, then, decides to seek revenge upon the five people who destroyed her life and killed her baby. The saga of Kill Bill Volume I begins.

Death stalks the dreams of several young adults to claim its revenge on the killing of Freddy Kruger. Chased and chastised by this finger-bladed demon, it is the awakening of old memories and the denials of a past of retribution that spurns this hellish vision of a dreamlike state and turns death into a nightmare reality.

In the depths of the 1930s, Annie (Aileen Quinn) is a fiery young orphan girl who must live in a miserable orphanage run by the tyrannical Miss Agatha Hannigan (Carol Burnett). Her seemingly hopeless situation changes dramatically when she is selected to spend a short time at the residence of the wealthy munitions industrialist, Oliver "Daddy" Warbucks (Albert Finney). Quickly, she charms the hearts of the household staff and even the seemingly cold-hearted Warbucks cannot help but learn to love this wonderful girl. He decides to help Annie find her long-lost parents by offering a reward if they would come to him and prove their identity. However, Miss Agatha Hannigan, her evil brother, Daniel Francis "Rooster" Hannigan (Tim Curry), and a female accomplice, plan to impersonate those people to get the reward for themselves, which puts Annie in great danger.

John Form has found the perfect gift for his expectant wife, Mia - a beautiful, rare vintage doll in a pure white wedding dress. But Mia's delight with Annabelle doesn't last long. On one horrific night, their home is invaded by members of a satanic cult, who violently attack the couple. Spilled blood and terror are not all they leave behind. The cultists have conjured an entity so malevolent that nothing they did will compare to the sinister conduit to the damned that is now... Annabelle.

Having lived a life in selfishness, young Prince Adam is cursed by a mysterious enchantress to having the appearance of a monstrous beast. His only hope is to learn to love a young woman and earn her love in return in order to redeem himself. Ten years later, his chance shows itself when a young maiden named Belle (Paige O'Hara) offers to take her ill father Maurice's (Rex Everhart's) place as his prisoner. With help from the castle's enchanted staff, Belle learns to appreciate her captor and immediately falls in love with him. Back in the village however, unscrupulous hunter Gaston (Richard White) has his own plans for Belle.

1991 American animated musical fantasy romance film

Miley Stewart is like any other teenage girl. She juggles friends, school and family, but unlike most teenagers, she is secretly a pop star called Hannah Montana. When her popularity starts to take control of her life, her father sends her on a vacation to his hometown in the Tennessee back country, to give her a perspective on what really matters in life.

After the earth-shattering revelations of INSURGENT, Tris must escape with Four and go beyond the wall enclosing Chicago. For the first time ever, they will leave the only city and family they have ever known. Once outside, old discoveries are quickly rendered meaningless with the revelation of shocking new truths. Tris and Four must quickly decide who they can trust as a ruthless battle ignites beyond the walls of Chicago which threatens all of humanity. In order to survive, Tris will be forced to make impossible choices about courage, allegiance, sacrifice and love.

Orphaned, penniless, but ambitious and with a mind crammed with imagination and fresh ideas, the American entertainer, Phineas Taylor Barnum, will always be remembered as the man with the gift to blur the line between reality and fiction. Thirsty for innovation and hungry for success, the son of a tailor manages to open a wax museum; however, he soon shifts focus to the unique and the peculiar, introducing extraordinary, never-seen-before live acts on the circus stage. Now, some people call Barnum's rich collection of oddities, an outright freak show; but, when Phineas, obsessed for cheers and respectability, gambles everything on the opera singer, Jenny Lind, to appeal to a high-brow audience, he will lose sight of the most crucial aspect of his life: his family. Will Barnum, the greatest showman, risk it all to be accepted?

Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, when a pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers and her true destiny.

Super spy Lance Sterling and scientist Walter Beckett are almost exact opposites. Lance is smooth, suave and debonair. Walter is not. But what Walter lacks in social skills he makes up for in smarts and invention, creating the awesome gadgets Lance uses on his epic missions. But when events take an unexpected turn, Walter and Lance suddenly have to rely on each other in a whole new way. And if this odd couple can't learn to work as a team, the whole world is in peril.

2019 American animated film produced by Blue Sky Studios

American singer, songwriter, and actress (born 1993)

Trinidadian-born rapper and singer (born 1982)

American rapper and songwriter (born 1992)

American singer rapper and songwriter from Georgia

American singer, songwriter, dancer and actress (born 1981)

American singer, songwriter, dancer, and actor

The character-driven cartoon chronicles the nautical and often nonsensical adventures of SpongeBob, an incurably optimistic and earnest sea sponge, and his underwater friends. Dwelling a few fathoms beneath the tropical isle of Bikini Atoll in the sub-surface city of Bikini Bottom, SpongeBob lives in a two-story pineapple. Instead of taking the logical approach to everyday challenges, SpongeBob approaches life in a wayward and unconventional way. Whether searching for the ultimate spatula to perfect his burger flipping technique at the Krusty Krab or just hanging out with his best friend Patrick (an amiable starfish), SpongeBob's good intentions and overzealous approach to life usually create chaos in his underwater world.

Teenagers Teddy and PJ Duncan and their 10-year-old brother, Gabe, are enlisted to help raise the newest addition to their family, Charlotte (nicknamed "Charlie"), when their parents return to work. With their parents juggling full time careers, they pitch in, getting very familiar with baby formula, burps, clothes, and babysitting while navigating typical teenage life.

Chyna Parks, a musical prodigy, gets into a gifted program called Advanced Natural Talents at the local high school. Along with her fellow 'ANTs' she must navigate the halls of a new school of older kids who're not particularly fond of grade-skipping newbies.

"Wizards of Waverly Place" focuses on the Russos. A typical family, which includes a mom, Theresa Russo; a dad, Jerry Russo; a son, Justin Russo; a daughter, Alex Russo; and another son, Max Russo. The kids and the family live normal lives but what their friends don't know is the kids are wizards in training and the dad was a former wizard!

Explores a group of siblings who, as children, grew up in what would go on to become the most famous haunted house in the country. Now adults, and forced back together in the face of tragedy, the family must finally confront the ghosts of their past, some of which still lurk in their minds while others may actually be stalking the shadows of Hill House.

Carly hosts her own home-grown web show, iCarly. She lives with her twenty-something brother/guardian Spencer and produces her webcasts from a makeshift third-floor loft studio. Grappling with adolescence, she never aimed to gain fame as a rising star/underground celebrity to kids. As events unfold in the pilot, it all happens by accident when a teacher puts her in charge of the school talent show. She and her sassy best bud Sam turn the audition process into a show, which Carly's tech savvy smitten friend Freddie tapes - including their hilarious banter and great chemistry - and posts on the Web without telling the girls. The on-line audience clamors for more, and a pop phenomenon blooms, with Carly and sidekick Sam's regular webcasts ultimately featuring everything from comedy sketches and talent contests to interviews, recipes, and problem-solving.

Four hockey players from Minnesota aspire to become a boyband. Kendall, Logan, Carlos, and James embark on a life-changing journey and face challenges along the way.

A comedy about the unique relationship between a young songwriter, Ally Dawson, and Austin Moon, the overnight internet sensation who gains sudden notoriety after performing one of Ally's songs. Austin and Ally struggle with how to maintain and capitalize on Austin's newfound fame. Austin is a rebel type who doesn't follow the rules and is somewhat immature for his age, while Ally is conservative yet self-conscious.

Chronicles the rise to power of Mary Queen of Scots (Kane) when she arrives in France as a 15-year-old, betrothed to Prince Francis, and with her four best friends as ladies-in-waiting. It details the secret history of survival at French Court amidst fierce foes, dark forces, and a world of sexual intrigue.

2013- 2017 TV series starring Adelaide Kane

Based on Caroline Kepnes' best-selling novel of the same name, YOU is a 21st century love story that asks, "What would you do for love?" When a brilliant bookstore manager crosses paths with an aspiring writer, his answer becomes clear: anything. Using the internet and social media as his tools to gather the most intimate of details and get close to her, a charming and awkward crush quickly becomes obsession as he quietly and strategically removes every obstacle - and person - in his way.

2018 American psychological thriller television series

In this American version of the hit UK show, Simon Cowell and his fellow judges search for a singer who has the "X factor".

After many years in a sheltered, rich boy life, Oliver Queen is stranded on an island after his father's yacht crashes. He must learn to survive on his own, five years later he is found alive and well after he was presumed to be dead. After he returns to his home city of Starling City, he begins his crusade to rid his home city of nasty villains, drug dealers, mob bosses, and criminals by becoming an arrow shooting vigilante.

American action-adventure television series

Thirteen Reasons Why, based on the best-selling books by Jay Asher, follows teenager Clay Jensen (Dylan Minnette) as he returns home from school to find a mysterious box with his name on it lying on his porch. Inside he discovers a group of cassette tapes recorded by Hannah Baker (Katherine Langford) -his classmate and crush-who tragically committed suicide two weeks earlier. On tape, Hannah unfolds an emotional audio diary, detailing the thirteen reasons why she decided to end her life. Through Hannah and Clay's dual narratives, Thirteen Reasons Why weaves an intricate and heartrending story of confusion and desperation that will deeply affect viewers.

2017 American teen drama television series

Physical and psychological horrors affect a decomposing family, workers and residents of an insane asylum, a coven of witches, a cast of circus freaks, the employees and guests at a struggling hotel, a family who moved into a mysterious farmhouse, the members of a small suburb in Michigan, the surviving members of the Apocalypse and the counselors of a creepy summer camp in this haunting anthology series, focusing on the themes of infidelity, sanity, oppression, discrimination, addiction and exploitation.

American anthology horror television series

After the Baudelaire parents die in a terrible fire, the Baudelaire orphans search for their families secrets and get them and their fortune away from the terrible grasp of the sinister Count Olaf as he moves with them between different guardians in disguise.

American black comedy-drama television series from Netflix

Jess, a bubbly, off-beat teacher, who is known to burst into song, catches her boyfriend with another woman. Newly homeless, she moves into a loft with three single guys she's never met before. Nick, a jaded, law-school dropout isn't the best of company. Schmidt is a flashy, eccentric businessman who believes he is Yahweh's gift to women. Winston is a former athlete who doesn't know what to do, but really needs a win. Can this dysfunctional group handle the adorkable new girl?

Gossip Girl follows the lives of privileged teenagers on the upper east side. Serena Van Der Woodsen is a blonde and beautiful socialite. Everyone knows Serena. Blair Waldorf is Serena's best friend but it's always about Serena not Blair. Nate Archibald is Blair's boyfriend but ever since Serena came back from boarding school Nate has been acting strange. Chuck Bass is a rich and arrogant person. Daniel Humphrey, a lonely boy from Brooklyn, NY, who nobody knows. Follow the lives of this guilty pleasure show.

2007 American teen drama television series

For Emma Swan, life has been anything but a happy ending. But when she's reunited with Henry - the son she gave up for adoption ten years ago - on the night of her 28th birthday, everything changes. The now 10-year-old Henry is in desperate need of Emma's help because he believes from reading a book of fairy-tales that she's the daughter of Snow White and Prince Charming - who sent her away from the Enchanted Forest to be protected from a curse that was enacted by the Evil Queen. Emma initially refuses to believe a word of Henry's story but soon finds that his hometown of Storybrooke, Maine is more than it seems. Because it's in Storybrooke that all of the classic characters we know are frozen in time with no memories of their former selves - except for the Evil Queen, who is Storybrooke's mayor and Henry's adoptive mother Regina Mills. Now, as the epic "Final Battle" for the future of both worlds approaches, Emma will have to accept her destiny and uncover the mystery behind a place where fairy-tales are to be believed.

16-year-old Cassie moves from California to live with her grandmother in Chance Harbor, Washington, and falls in love with a mysterious boy named Adam. But, when she enrolls in high school there, she realizes that he, she and all the other elite students at the school are witches. She befriends their leader, Diana, but soon discovers that Adam and Diana are dating, which leads to drama.

2011 American supernatural teen television drama

The story of several young people from around the world who represent the next stage in human evolution, possessing special powers, including the ability to teleport and communicate with each other telepathically. Together they work to defeat the forces of evil.

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