Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

Gabriel Allon, art restorer and spy, has been widely acclaimed as one of the most fascinating characters in the genre and now he is about to face the greatest challenge of his life.Allon is recovering from a grueling showdown with a Palestinian master terrorist, when a figure from his past arrives in Jerusalem. Monsignor Luigi Donati is the private secretary to His Holiness Pope Paul VII, and a man as ruthless as he is intelligent. Now, however, he has come to seek Allon's help. A young Swiss guard has been found dead in St. Peter's Basilica, and although Donati has allowed the official inquiry to determine that it is suicide, his instinct tells him that it is murder-and that his master is in grave danger. He has trusted Allon in the past, and he is the only man he trusts now.Allon reluctantly agrees to get involved, but once he begins to investigate he concludes that Donati has every right to be concerned, as, following the trail from the heart of the Vatican to the valleys of Switzerland and beyond, he slowly unravels a conspiracy of lies and deception. An extraordinary enemy walks among them, with but one goal: the most spectacular assassination ever attempted.

In Beatrice Prior's dystopian Chicago, society is divided into five factions, each dedicated to the cultivation of a particular virtue--Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is--she can't have both. So she makes a choice that surprises everyone, including herself.During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles to determine who her friends really are--and where, exactly, a romance with a sometimes fascinating, sometimes infuriating boy fits into the life she's chosen. But Tris also has a secret, one she's kept hidden from everyone because she's been warned it can mean death. And as she discovers a growing conflict that threatens to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves . . . or it might destroy her.

The faction-based society that Tris Prior once believed in is shattered - fractured by violence and power struggles and scarred by loss and betrayal. So when offered a chance to explore the world past the limits she's known, Tris is ready. Perhaps beyond the fence, she and Tobias will find a simple new life together, free from complicated lies, tangled loyalties, and painful memories.But Tris's new reality is even more alarming than the one she left behind. Old discoveries are quickly rendered meaningliess. Explosive new truths change the hearts of those she loves. And once again, Tris must battle to comprehend to complexities of human nature - and of herself - while facing impossible choices about courage, allegiance, sacrifice, and love.Told from a riveting dual perspective, ALLEGIANT, by #1 New York Times best-selling author Veronica Roth, brings the DIVERGENT series to a powerful conclusion while revealing the secrets of the dystopian world that has captivated millions of readers in DIVERGENT and INSURGENT.

One choice can transform you—or it can destroy you. But every choice has consequences, and as unrest surges in the factions all around her, Tris Prior must continue trying to save those she loves—and herself—while grappling with haunting questions of grief and forgiveness, identity and loyalty, politics and love.Tris's initiation day should have been marked by celebration and victory with her chosen faction; instead, the day ended with unspeakable horrors. War now looms as conflict between the factions and their ideologies grows. And in times of war, sides must be chosen, secrets will emerge, and choices will become even more irrevocable—and even more powerful. Transformed by her own decisions but also by haunting grief and guilt, radical new discoveries, and shifting relationships, Tris must fully embrace her Divergence, even if she does not know what she may lose by doing so.New York Times bestselling author Veronica Roth's much-anticipated second book of the dystopian DIVERGENT series is another intoxicating thrill ride of a story, rich with hallmark twists, heartbreaks, romance, and powerful insights about human nature.

This was the first book I ever bought at a school book fair and it will remain one of my favorites. I recently decided to read one chapter of it each night to my 6 year old son. I loved the sounds of his giggles and howling laughter as I read the stories that made me laugh so hard I couldn't breathe as a child. I was afraid that he wouldn't love the stories as much as I had as a child. I was also afraid that I wouldn't find the stories as entertaining this time around. I was very wrong! The delightful little children on the top floor of this silly school still put me in stitches and kept my son's usually waivering attention. I am so glad I decided to revisit this part of my childhood and brought my son along for the hilarious ride.

Different religious groups include different books in their biblical canons, in varying orders, and sometimes divide or combine books. The Jewish Tanakh (sometimes called the Hebrew Bible) contains 24 books divided into three parts: the five books of the Torah ("teaching"); the eight books of the Nevi'im ("prophets"); and the eleven books of Ketuvim ("writings"). It is composed mainly in Biblical Hebrew, and its Septuagint is the main textual source for the Christian Greek Old Testament.Christian Bibles range from the 73 books of the Catholic Church canon, the 66 books of the canon of some denominations or the 80 books of the canon of other denominations of the Protestant Church, to the 81 books of the Ethiopian Orthodox Tewahedo Church canon. The first part of Christian Bibles is the Greek Old Testament, which contains, at minimum, the above 24 books of the Tanakh but divided into 39 (Protestant) or 46 (Catholic) books and ordered differently. The second part is the Greek New Testament, containing 27 books; the four canonical gospels, Acts of the Apostles, 21 Epistles or letters and the Book of Revelation.

Diary of a Wimpy Kid: Cabin Fever is a 2011 bestselling and award-winning children's book and the sixth book in the Diary of a Wimpy Kid series, written by American author Jeff Kinney. The book was released on November 15, 2011, and was the fastest-selling book of 2011, giving him the third-strongest opening-week sales for a children's author. Cabin Fever had a first printing run of six million copies, which Amulet Books stated was one of their most significant titles for that year. In 2012 Kinney won a "Best Author" Children's Choice Award from the Children's Book Council for Cabin Fever. The book received critical acclaim from critics and fans alike and is generally considered the best book in the series. The book was followed by 2012's The Third Wheel.

Boys don’t keep diaries—or do they?The launch of an exciting and innovatively illustrated new series narrated by an unforgettable kid every family can relate toIt’s a new school year, and Greg Heffley finds himself thrust into middle school, where undersized weaklings share the hallways with kids who are taller, meaner, and already shaving. The hazards of growing up before you’re ready are uniquely revealed through words and drawings as Greg records them in his diary.In book one of this debut series, Greg is happy to have Rowley, his sidekick, along for the ride. But when Rowley’s star starts to rise, Greg tries to use his best friend’s newfound popularity to his own advantage, kicking off a chain of events that will test their friendship in hilarious fashion.Author/illustrator Jeff Kinney recalls the growing pains of school life and introduces a new kind of hero who epitomizes the challenges of being a kid. As Greg says in his diary, “Just don’t expect me to be all ‘Dear Diary’ this and ‘Dear Diary’ that.” Luckily for us, what Greg Heffley says he won’t do and what he actually does are two very different things.Since its launch in May 2004 on Funbrain.com, the Web version of Diary of a Wimpy Kid has been viewed by 20 million unique online readers. This year, it is averaging 70,000 readers a day.F&amp;P level: T

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

In LittleBigPlanet Players meet on a blue and green planet scattered with individual plots – and use their character's amazing abilities to play, create and s...

There are no points or levels, just a myriad of sights and sounds, places and activities...all ready to explore. Spend your time passing new ordinances—or goi...

Animal Crossing, known in Japan as Dōbutsu no Mori+, is a 2001 social simulation game developed and published by Nintendo for the GameCube. It is an enhanced version of the Nintendo 64 game Dōbutsu no Mori, which was only released in Japan earlier the same year, and was followed by another edition, Dōbutsu no Mori e+, in 2003.Animal Crossing is an endless and non-linear game in which a human takes up residence in a village inhabited by anthropomorphic animals. The main goal of the game is to save money in order to pay off the mortgage on the human's house. This requires collecting natural materials and selling them. The human can engage in everyday life in the village, interact with the animals, attend events, and contribute to the village's development. The game's western localization differs significantly from the original release in that Japanese holidays and cultural references are replaced with Western ones.

Pirate101is a pirate-themed massively multiplayer online role-playing game (MMORPG) created by KingsIsle Entertainment. A sister game toWizard101, players assume the role of heroic pirates who set out in search of the treasures of the "Spiral".Players can complete quests, sail ships, befriend companions, and battle enemies in a turn-based combat system similar to that used in board games.The fictional universe of the Spiral is divided into several worlds, each consisting of multiple areas. The game's content is divided into numerous "Books", which are further subdivided into individual "Chapters". Players may purchase access to all areas related to a given Chapter using "Crowns", the game's premium currency. Purchasing a membership grants unlimited access to all Chapters for a limited time. Upon character creation, players are given free access to "Introduction" and to "Prologue Part 1", the first Book.

Subway Surfers is an endless runner mobile game co-developed by Kiloo and SYBO Games, private companies based in Denmark. It is available on Android, iOS, HarmonyOS, Kindle, and Windows Phone platforms and uses the Unity game engine. In the game, players take the role of young graffiti artists who, upon being caught in the act of "tagging" a metro railway site, run through the railroad tracks to escape from the inspector and his dog. As they run, they grab gold coins, power-ups, and other items along the way while simultaneously dodging collisions with trains and other objects. They can also jump on top of the trains and surf with hoverboards to evade capture until the character crashes into an obstacle, gets caught by the inspector, or gets hit by a train, at which point the game ends. Special events, such as the Season Hunt, can result in in-game rewards and characters.

A mysterious package has arrived, and the creature inside has only one request&hellip;CANDY! Help get the candy to Om Nom, the adorable monster, in this highly...

The Sims FreePlayis a strategic life simulation game developed by EA Mobile and later with Firemonkeys Studios. It is a free version ofThe Simsfor mobile devices; it was released for iOS on December 15, 2011, released for Android in February 15, 2012, released for BlackBerry 10 in July 31, 2013, and released for Windows Phone 8 in September 12, 2013. The game was released for Fire OS in October 2012.InThe Sims FreePlay,players"build" and design houses and customize and create (a maximum of 100) virtual people calledSims. Players can control their Sims to satisfy their wishes, and let them complete different kinds of actions to gainSimoleons,Lifestyle Points, andSocial Points(all three currencies in the game). The game runs in real-time, and takes real time to complete actions. All actions must be instructed by players, unlike in the Windows version, where Sims have some degree of autonomy. Players can progress through 55 levels to unlock content (such as furniture for the Sims’ houses) that can be purchased with the virtual currencies previously mentioned. Families of Sims can have children provided there is one adult; there is a limit on the amount of allowable couples due to a limit on the people in the player's town. However, if the player buys items from the online store, they become a VIP that will allow them to increase the number of Sims they can have in their town. In the game, there are "quests" that players are required to complete as well as optional quests ("discovery quests") that they may choose to pursue. Sims must bake a cake to age until completion of a certain quota of discovery quests. There are three types of currency:

The game involves players creating and destroying various types of blocks in a three dimensional environment. The player takes an avatar that can destroy or cre...

When two kids find and play a magical board game, they release a man trapped in it for decades - and a host of dangers that can only be stopped by finishing the game.

The magically long-haired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.

2010 computer-animated musical fantasy-comedy film by Disney

The story of a team of female African-American mathematicians who served a vital role in NASA during the early years of the U.S. space program.

Three girls are kidnapped by a man with a diagnosed 23 distinct personalities. They must try to escape before the apparent emergence of a frightful new 24th.

An American nanny is shocked that her new English family's boy is actually a life-sized doll. After she violates a list of strict rules, disturbing events make her believe that the doll is really alive.

High School Musical 3: Senior Year is a 2008 American musical film written by Peter Barsocchini and directed by Kenny Ortega. The sequel to High School Musical 2 (2007) and the third installment of the High School Musical film series, the film follows Troy Bolton (Zac Efron), Gabriella Montez (Vanessa Hudgens), Sharpay Evans (Ashley Tisdale), her twin brother Ryan Evans (Lucas Grabeel), Chad Danforth (Corbin Bleu), and Taylor McKessie (Monique Coleman), who are in their final year of high school and face the daunting prospect of being separated as they go off to college. Joined by the rest of their East High classmates, they stage their last spring musical, reflecting their experiences, hopes, and fears about the future.

The Lion King II: Simba's Pride is a 1998 American animated direct-to-video musical romantic drama film. It is the sequel to Disney's 1994 animated feature film, The Lion King, with its plot influenced by William Shakespeare's Romeo and Juliet, and the second installment in The Lion King trilogy. According to director Darrell Rooney, the final draft gradually became a variation of Romeo and Juliet.

Beatrice Prior must confront her inner demons and continue her fight against a powerful alliance which threatens to tear her society apart with the help from others on her side.

2015 American science fiction movie directed by Robert Schwentke

Trevor Slattery is a fictional character portrayed by Ben Kingsley in the Marvel Cinematic Universe (MCU). An actor hired to portray the legendary terrorist leader of the Ten Rings dubbed "the Mandarin", he first appeared in the film Iron Man 3 (2013) and reprised the role in the Marvel One-Shot All Hail the King (2014) and in the film Shang-Chi and the Legend of the Ten Rings (2021), which features the real leader of the Ten Rings, Wenwu. He will also appear in the upcoming Wonder Man series. General response to the character was mixed, with many comic fans criticizing the character and how his reveal affected the film's Mandarin portrayal, while others defended the twist by noting its social commentary and how it avoided the racist caricature of the comics' Mandarin.

After awakening from a four-year coma, a former assassin wreaks vengeance on the team of assassins who betrayed her.

The spectre of a disfigured man haunts the children of the parents who murdered him, stalking and killing them in their dreams.

A spunky young orphan is taken in by a rich eccentric, much to the chagrin of the cantankerous woman who runs the orphanage.

A couple begins to experience terrifying supernatural occurrences involving a vintage doll shortly after their home is invaded by satanic cultists.

A prince cursed to spend his days as a hideous monster sets out to regain his humanity by earning a young woman's love.

1991 American animated musical fantasy romance film

As Hannah Montana's popularity begins to take over her life, Miley Stewart, on the urging from her father takes a trip to her hometown of Crowley Corners, Tennessee to get some perspective on what matters in life the most.

Spy Kids 3-D: Game Over (also known as Spy Kids 3: Game Over) is a 2003 American spy action comedy film, the sequel to Spy Kids 2: The Island of Lost Dreams, and the third installment overall in the Spy Kids film series. Written and directed by Robert Rodriguez and co-produced by Elizabeth Avellán, the film stars Antonio Banderas, Carla Gugino, Alexa Vega, Daryl Sabara, Elijah Wood, Ricardo Montalbán, Holland Taylor, Mike Judge, Salma Hayek, Matt O'Leary, Emily Osment, Cheech Marin, Bobby Edner, Courtney Jines, Robert Vito, Ryan Pinkston, Danny Trejo, Alan Cumming, Tony Shalhoub, and Sylvester Stallone. It was released in the United States on July 25, 2003 by Dimension Films. Despite mixed reviews, the film grossed $197 million on a $38 million budget.

After the earth-shattering revelations of Insurgent, Tris must escape with Four beyond the wall that encircles Chicago, to finally discover the shocking truth of the world around them.

2016 American science fiction adventure film directed by Robert Schwentke

Celebrates the birth of show business and tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation.

2017 American biographical musical film directed by Michael Gracey

When a pilot crashes and tells of conflict in the outside world, Diana, an Amazonian warrior in training, leaves home to fight a war, discovering her full powers and true destiny.

When the world's best spy is turned into a pigeon, he must rely on his nerdy tech officer to save the world.

2019 American animated film produced by Blue Sky Studios

Trinidadian-born rapper, singer, and songwriter

Canadian singer-songwriter and record producer

American singer, songwriter, dancer, record producer, actor and graffiti artist

The misadventures of a talking sea sponge who works at a fast food restaurant, attends a boating school, and lives in an underwater pineapple.

The Duncan family are adjusting to the surprise birth of their fourth child, Charlie. When parents Amy and Bob return to work they put their latest addition in the care of her three older siblings.

A musical prodigy gets into a gifted program called Advanced Natural Talents at the local high school.

The Russo family may be an ordinary family with an average restaurant, but behind close doors, all three children must compete to be the next family wizard.

Flashing between past and present, a fractured family confronts haunting memories of their old home and the terrifying events that drove them from it.

Carly hosts her own home-grown web show, iCarly, Carly and sidekick Sam's regular webcasts ultimately feature everything from comedy sketches and talent contests to interviews, recipes, and problem-solving.

Four hockey players from Minnesota aspire to become a boyband. Kendall, Logan, Carlos, and James embark on a life-changing journey and face challenges along the way.

Following the lives of confident aspiring musician Austin, quiet talented songwriter Ally, and their two friends.

Mary, Queen of Scots, faces political and sexual intrigue in the treacherous world of the French court.

2013- 2017 TV series starring Adelaide Kane

A dangerously charming, intensely obsessive young man goes to extreme measures to insert himself into the lives of those he is transfixed by.

In this American version of the hit UK show, Simon Cowell and his fellow judges search for a singer who has the "X factor".

Spoiled billionaire playboy Oliver Queen is missing and presumed dead when his yacht is lost at sea. He returns five years later a changed man, determined to clean up the city as a hooded vigilante armed with a bow.

American action-adventure television series

Follows teenager Clay Jensen, in his quest to uncover the story behind his classmate and crush, Hannah, and her decision to end her life.

2017 American teen drama web television series

An anthology series centering on different characters and locations, including a house with a murderous past, an insane asylum, a witch coven, a freak show circus, a haunted hotel, a possessed farmhouse, a cult, the apocalypse, and a

American anthology horror television series

After the loss of their parents in a mysterious fire, the three Baudelaire children face trials and tribulations attempting to uncover dark family secrets.

American black comedy-drama television series from Netflix

After a bad break-up, Jess, an offbeat young woman, moves into an apartment loft with three single men. Although they find her behavior very unusual, the men support her - most of the time.

Privileged teens living on the Upper East Side of New York can hide no secret from the ruthless blogger who is always watching.

2007 American teen drama television series

A young woman with a troubled past is drawn to a small town in Maine where fairy tales are to be believed.

16 year old Cassie Blake moves to Chance Harbor, Washington to live with her grandmother after her mother mysteriously dies. She discovers she's a witch along with 5 other teens.

2011 American supernatural teen television drama

Evolved humans with amazing abilities (Teleportation, Telekinesis, Telepathy) are being hunted down by agents of Ultra.

music

movies

shows

books

games

Active tastebuds