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Evan Shively (Perseus271)

An acclaimed bestseller and international sensation, Patrick Suskind's classic novel provokes a terrifying examination of what happens when one man's indulgence in his greatest passion—his sense of smell—leads to murder.In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift—an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

Oryx and Crake is at once an unforgettable love story and a compelling vision of the future. Snowman, known as Jimmy before mankind was overwhelmed by a plague, is struggling to survive in a world where he may be the last human, and mourning the loss of his best friend, Crake, and the beautiful and elusive Oryx whom they both loved. In search of answers, Snowman embarks on a journey–with the help of the green-eyed Children of Crake–through the lush wilderness that was so recently a great city, until powerful corporations took mankind on an uncontrolled genetic engineering ride. Margaret Atwood projects us into a near future that is both all too familiar and beyond our imagining.

In 1967, after a session with a psychiatrist she'd never seen before, eighteen-year-old Susanna Kaysen was put in a taxi and sent to McLean Hospital. She spent most of the next two years on the ward for teenage girls in a psychiatric hospital as renowned for its famous clientele--Sylvia Plath, Robert Lowell, James Taylor, and Ray Charles--as for its progressive methods of treating those who could afford its sanctuary. Kaysen's memoir encompasses horror and razor-edged perception while providing vivid portraits of her fellow patients and their keepers. It is a brilliant evocation of a "parallel universe" set within the kaleidoscopically shifting landscape of the late sixties. Girl, Interrupted is a clear-sighted, unflinching documnet that gives lasting and specific dimension to our definitions of sane and insane, mental illness and recovery.

Curtis Sittenfeld’s debut novel, Prep, is an insightful, achingly funny coming-of-age story as well as a brilliant dissection of class, race, and gender in a hothouse of adolescent angst and ambition.Lee Fiora is an intelligent, observant fourteen-year-old when her father drops her off in front of her dorm at the prestigious Ault School in Massachusetts. She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel. As Lee soon learns, Ault is a cloistered world of jaded, attractive teenagers who spend summers on Nantucket and speak in their own clever shorthand. Both intimidated and fascinated by her classmates, Lee becomes a shrewd observer of–and, ultimately, a participant in–their rituals and mores. As a scholarship student, she constantly feels like an outsider and is both drawn to and repelled by other loners. By the time she’s a senior, Lee has created a hard-won place for herself at Ault. But when her behavior takes a self-destructive and highly public turn, her carefully crafted identity within the community is shattered.Ultimately, Lee’s experiences–complicated relationships with teachers; intense friendships with other girls; an all-consuming preoccupation with a classmate who is less than a boyfriend and more than a crush; conflicts with her parents, from whom Lee feels increasingly distant, coalesce into a singular portrait of the painful and thrilling adolescence universal to us all.From the Hardcover edition.

I had an intense reaction to this book. I friggin hated it. Or, rather, I loved to hate it, while I was reading it. It was an assignment in a Postmodern Lit. class, and everyone in the class liked the protagonist but me. I thought he was awful. I couldn't believe they enjoyed him, much less admitted to enjoying him. But some part of me must have understood....That was the point. This is a story I felt in my stomach. It was so full of perversion, of the grotesque, and I was 20 and a "good girl" and wanted so badly to not be drawn to it but there I was, ploughing through. Disgusted with so much along the way, but to my great surprise I found myself touched. I cried for a character I thought I was completely repelled by. I couldn't believe it. And at the end, when I reached the last page, when I finished and shut the book...I was grateful. Not to have finished it; I was grateful that I got to read it in the first place. There are awful images and episodes that stick with me. It is not pleasant to revisit them. But you know what? With every bit of my smiley, idealistic being I say...Thank God. (Or, rather, Thank Grass.) There isn't always easy beauty, or recognizable beauty around us. Oftentimes the beauty is buried in dirt and hard-earned, and doesn't even look like anything lovely at all once you get to it. But you hold it in your hands and it will move you. And if you're lucky, it will change you.

Howard Belsey, a Rembrandt scholar who doesn't like Rembrandt, is an Englishman abroad and a long-suffering professor at Wellington, a liberal New England arts college. He has been married for thirty years to Kiki, an American woman who no longer resembles the sexy activist she once was. Their three children passionately pursue their own paths: Levi quests after authentic blackness, Zora believes that intellectuals can redeem everybody, and Jerome struggles to be a believer in a family of strict atheists. Faced with the oppressive enthusiasms of his children, Howard feels that the first two acts of his life are over and he has no clear plans for the finale. Or the encore.Then Jerome, Howard's older son, falls for Victoria, the stunning daughter of the right-wing icon Monty Kipps, and the two families find themselves thrown together in a beautiful corner of America, enacting a cultural and personal war against the background of real wars that they barely register. An infidelity, a death, and a legacy set in motion a chain of events that sees all parties forced to examine the unarticulated assumptions which underpin their lives. How do you choose the work on which to spend your life? Why do you love the people you love? Do you really believe what you claim to? And what is the beautiful thing, and how far will you go to get it?Set on both sides of the Atlantic, Zadie Smith's third novel is a brilliant analysis of family life, the institution of marriage, intersections of the personal and political, and an honest look at people's deceptions. It is also, as you might expect, very funny indeed.

A Good Man Is Hard to Find is Flannery O'Connor's most famous and most discussed story. O'Connor herself singled it out by making it the title piece of her first collection and the story she most often chose for readings or talks to students. It is an unforgettable tale, both riveting and comic, of the confrontation of a family with violence and sudden death. More than anything else O'Connor ever wrote, this story mixes the comedy, violence, and religious concerns that characterize her fiction.This casebook for the story includes an introduction by the editor, a chronology of the author's life, the authoritative text of the story itself, comments and letters by O'Connor about the story, critical essays, and a bibliography. The critical essays span more than twenty years of commentary and suggest several approaches to the story--formalistic, thematic, deconstructionist-- all within the grasp of the undergraduate, while the introduction also points interested students toward still other resources. Useful for both beginning and advanced students, this casebook provides an in-depth introduction to one of America's most gifted modern writers.

Sylvia Plath's shocking, realistic, and intensely emotional novel about a woman falling into the grip of insanity. Esther Greenwood is brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time. In her acclaimed and enduring masterwork, Sylvia Plath brilliantly draws the reader into Esther's breakdown with such intensity that her insanity becomes palpably real, even rational—as accessible an experience as going to the movies. A deep penetration into the darkest and most harrowing corners of the human psyche, The Bell Jar is an extraordinary accomplishment and a haunting American classic.

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

Slaughterhouse-Five, or, The Children's Crusade: A Duty-Dance with Death is a 1969 semi-autobiographic science fiction-infused anti-war novel by Kurt Vonnegut. It follows the life and experiences of Billy Pilgrim, from his early years, to his time as an American soldier and chaplain's assistant during World War II, to the post-war years, with Billy occasionally traveling through time. The text centers on Billy's capture by the German Army and his survival of the Allied firebombing of Dresden as a prisoner of war, an experience which Vonnegut himself lived through as an American serviceman. The work has been called an example of "unmatched moral clarity" and "one of the most enduring anti-war novels of all time".

The story of a mentally disabled man whose experimental quest for intelligence mirrors that of Algernon, an extraordinary lab mouse. In diary entries, Charlie tells how a brain operation increases his IQ and changes his life. As the experimental procedure takes effect, Charlie's intelligence expands until it surpasses that of the doctors who engineered his metamorphosis. The experiment seems to be a scientific breakthrough of paramount importance--until Algernon begins his sudden, unexpected deterioration. Will the same happen to Charlie?

It's 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders.An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember. What will he find in attempting to unlock her memories?Captivating and disturbing, Alias Grace showcases best-selling, Booker Prize-winning author Margaret Atwood at the peak of her powers.

In The Unbearable Lightness of Being, Milan Kundera tells the story of a young woman in love with a man torn between his love for her and his incorrigible womanizing and one of his mistresses and her humbly faithful lover. This magnificent novel juxtaposes geographically distant places, brilliant and playful reflections, and a variety of styles, to take its place as perhaps the major achievement of one of the world’s truly great writers.

I'd love to know who of the Johnstone clan of writers wrote this entry in the Preacher series. It's head and shoulders above other Johnstone clan novels including those supposedly by Johnstone himself. This is one of the best I've read of all the Johnstone books.This book reveals the making of the character 'Preacher' of the Mountain Man series. It begins in 1913 and covers the lives of the early American pioneers, the war of 1812, riverboat life, early towns, frontier life, etc, etc. It is very well written and seems to be very historically accurate. Seems this 8th book of the series is the one to start with for the new Johnstone reader.Bottom line: i recommend this book.

Northanger Abbey () is a coming-of-age novel and a satire of Gothic novels written by Jane Austen. It was completed for publication in 1803, making it the first of Austen's novels in order of completion, but was only published posthumously in 1817 with another of her novels, Persuasion. The story revolves around Catherine Morland, the young and naïve "heroine", and her journey to a better understanding of herself and the world around her.Seventeen-year-old Catherine Morland is one of ten children of a country clergyman. Although a tomboy in her childhood, by the age of 17 she is "in training for a heroine" and is excessively fond of reading Gothic novels, among which Ann Radcliffe's Mysteries of Udolpho is a favourite.

Kafka on the Shore, a tour de force of metaphysical reality, is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. Their odyssey, as mysterious to them as it is to us, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish (and worse) fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle—yet this, along with everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own.

alternate cover can be found hereSumire is in love with a woman seventeen years her senior. But whereas Miu is glamorous and successful, Sumire is an aspiring writer who dresses in an oversized second-hand coat and heavy boots like a character in a Kerouac novel.Sumire spends hours on the phone talking to her best friend K about the big questions in life: what is sexual desire, and should she ever tell Miu how she feels for her? Meanwhile K wonders whether he should confess his own unrequited love for Sumire.Then, a desperate Miu calls from a small Greek island: Sumire has mysteriously vanished...

Toru, a quiet and preternaturally serious young college student in Tokyo, is devoted to Naoko, a beautiful and introspective young woman, but their mutual passion is marked by the tragic death of their best friend years before. Toru begins to adapt to campus life and the loneliness and isolation he faces there, but Naoko finds the pressures and responsibilities of life unbearable. As she retreats further into her own world, Toru finds himself reaching out to others and drawn to a fiercely independent and sexually liberated young woman.A magnificent blending of the music, the mood, and the ethos that was the sixties with the story of one college student's romantic coming of age, Norwegian Wood brilliantly recaptures a young man's first, hopeless, and heroic love.

A short, sleek novel of encounters set in Tokyo during the witching hours between midnight and dawn, and every bit as gripping as Haruki Murakami’s masterworks The Wind-Up Bird Chronicle and Kafka on the Shore.At its center are two sisters—Eri, a fashion model slumbering her way into oblivion, and Mari, a young student soon led from solitary reading at an anonymous Denny’s toward people whose lives are radically alien to her own: a jazz trombonist who claims they’ve met before, a burly female “love hotel” manager and her maid staff, and a Chinese prostitute savagely brutalized by a businessman. These “night people” are haunted by secrets and needs that draw them together more powerfully than the differing circumstances that might keep them apart, and it soon becomes clear that Eri’s slumber—mysteriously tied to the businessman plagued by the mark of his crime—will either restore or annihilate her.After Dark moves from mesmerizing drama to metaphysical speculation, interweaving time and space as well as memory and perspective into a seamless exploration of human agency—the interplay between self-expression and empathy, between the power of observation and the scope of compassion and love. Murakami’s trademark humor, psychological insight, and grasp of spirit and morality are here distilled with an extraordinary, harmonious mastery.

Alternate cover edition here.High-class call girls billed to Mastercard. A psychic 13-year-old dropout with a passion for Talking Heads. A hunky matinee idol doomed to play dentists and teachers. A one-armed beach-combing poet, an uptight hotel clerk and one very bemused narrator caught in the web of advanced capitalist mayhem. Combine this offbeat cast of characters with Murakami's idiosyncratic prose and out comes Dance Dance Dance.

With the Empire attacking the Kingdoms of the North and the Wild Hunt, a cavalcade of ghastly riders, breathing down your neck, the only way to survive is to f...

Sid Meier's Civilization VI is a turn-based strategy 4X video game developed by Firaxis Games, published by 2K Games, and distributed by Take-Two Interactive. The mobile port was published by Aspyr Media. The latest entry into the Civilization series, it was released on Microsoft Windows and macOS in October 2016, with later ports for Linux in February 2017, iOS in December 2017, Nintendo Switch in November 2018, PlayStation 4 and Xbox One in November 2019, and Android in 2020.Similar to previous installments, the goal for the player is to develop a civilization from an early settlement through many in-game millennia to become a world power and achieve one of several victory conditions, such as through military domination, technological superiority, or cultural influence, over the other human and computer-controlled opponents. Players do this by exploring the world, founding new cities, building city improvements, deploying military troops to attack and defend themselves from others, researching new technologies and civics advancements, developing an influential culture, and engaging in trade and negotiations with other world leaders.

A woman starts exhibiting increasingly disturbing behavior after asking her husband for a divorce. Suspicions of infidelity soon give way to something much more sinister.

French film (dir. Andrzej Żuławski; 1981)

A delusional young man strikes up an unconventional relationship with a doll he finds on the Internet.

Ben Sanderson, a Hollywood screenwriter who lost everything because of his alcoholism, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.

In the future, a sadistic gang leader is imprisoned and volunteers for a conduct-aversion experiment, but it doesn't go as planned.

1971 dystopian crime film directed by Stanley Kubrick

An ambitious young executive is sent to retrieve his company's CEO from an idyllic but mysterious "wellness center" at a remote location in the Swiss Alps, but soon suspects that the spa's treatments are not what they seem.

Based on the life of Aileen Wuornos, a Daytona Beach prostitute who became a serial killer.

A naive teenager is sent to rehab camp when her straitlaced parents and friends suspect her of being a lesbian.

A punk rock band is forced to fight for survival after witnessing a murder at a neo-Nazi skinhead bar.

A family in 1630s New England is torn apart by the forces of witchcraft, black magic, and possession.

2015 American supernatural horror film by Robert Eggers

In 1980s Italy, romance blossoms between a seventeen-year-old student and the older man hired as his father's research assistant.

A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents in suburban Detroit in the mid 1970s.

A young woman, studying to be a vet, develops a craving for human flesh.

Sixteen-year-old Sarah is given thirteen hours to solve a labyrinth and rescue her baby brother Toby when her wish for him to be taken away is granted by the Goblin King Jareth.

Wallace & Gromit: The Curse of the Were-Rabbit is a 2005 stop-motion animated film produced by DreamWorks Animation and Aardman Animations. It was directed by Nick Park and Steve Box (in Box's feature directorial debut) as the second feature-length film by Aardman, after Chicken Run (2000). It was the last DreamWorks Animation film to be distributed by DreamWorks Pictures, as the studio spun off as an independent studio in 2004 until being acquired by Universal Pictures in 2016. The film premiered in Sydney, Australia on 4 September 2005, before being released in cinemas in the United States on 7 October 2005 and in the United Kingdom a week later on 14 October 2005.The Curse of the Were-Rabbit is a parody of classic monster movies and Hammer Horror films and also serves as part of the Wallace and Gromit series, created by Park. The film centres on good-natured yet eccentric cheese-loving inventor Wallace and his intelligent quiet dog, Gromit, in their latest venture as pest control agents. They come to the rescue of their town plagued by rabbits before the annual Giant Vegetable Competition. However, the duo soon find themselves against a giant rabbit consuming the town's crops.

Rashōmon (羅生門, litt. La Porte Rashō) est un film japonais réalisé par Akira Kurosawa en 1950, d'après deux nouvelles de Ryūnosuke Akutagawa (nouvelles Rashômon et Dans le fourré, cette dernière est inspirée de The Moonlit Road, une nouvelle écrite par Ambrose Bierce ). Il a donné son nom à l'effet Rashōmon qui désigne le fait que plusieurs personnes décrivent différemment le même événement.Dans le Japon de la fin Heian (794-1185), quatre personnes présentent des versions très différentes d'un même crime. Un bûcheron ayant découvert un corps, un procès est ouvert. La première version du crime apparaît dans la bouche du bandit qui avoue être l'auteur du meurtre, puis on découvre celle de l'épouse qui dit avoir tué son mari, puis celle du défunt samouraï qui, par la bouche de la medium raconte s’être suicidé. La quatrième version correspond à celle du bûcheron qui, revenant sur sa déclaration, annonce avoir été témoin de la scène.

A screenwriter develops a dangerous relationship with a faded film star determined to make a triumphant return.

Two siblings and three of their friends en route to visit their grandfather's grave in Texas fall victim to a family of cannibalistic psychopaths.

Perfect Blue: Yume Nara Samete (PERFECT BLUE 夢なら醒めて……) is a 2002 Japanese fantasy suspense film directed by Toshiki Satō and based on the novel Perfect Blue: Kanzen Hentai by Yoshikazu Takeuchi. It was released on August 24, 2002.Jasper Sharp of Midnight Eye wrote that "for the most part Yume Nara Samete is downright boring".

A self-diagnosed nymphomaniac recounts her erotic experiences to the man who saved her after a beating.

After awakening from a four-year coma, a former assassin wreaks vengeance on the team of assassins who betrayed her.

English singer-songwriter and multi-instrumentalist

American rapper, singer, songwriter, and actress

American singer, songwriter, pianist, arranger, and civil rights activist

Shonen Knife is a Japanese alternative rock band formed in Osaka, in 1981. Heavily influenced by 1960s girl groups, pop bands, The Beach Boys, and early punk rock bands, such as the Ramones, the trio crafts stripped-down songs with simple yet unconventional lyrics sung both in Japanese and English.The trio maintains a distinctly underground garage rock sound rooted in D.I.Y. aesthetics. The band has been credited with making "the international pop underground more international" by "opening it up to bands from Japan". They have also performed as a Ramones tribute band under the name The Osaka Ramones.Shonen Knife was formed in December 1981 in Osaka, Japan with sisters guitarist-vocalist Naoko Yamano and drummer Atsuko Yamano and their friend bassist Michie Nakatani. Naoko sang lead and played guitar, Nakatani was also a lead singer and played bass and keyboards, and Atsuko sang backing vocals, played drums, and designed their stage outfits. The group was something of an anomaly when they started, as they were founded at a time when all-female bands were scarce. Eschewing the then-rising, early J-pop movement, Shonen Knife was influenced by 1970s punk rock and new wave bands such as The Ramones and Buzzcocks. They began to write energetic rock songs with rough, punky instrumentation, all the while embracing a do-it-yourself ethos. However, unlike traditional rebellious punk rockers, the trio emphasized positivity using catchy, upbeat melodies and frivolous, carefree lyrics that often dealt with sweets and animals. The group eventually came to describe their music as, "oo-oo-ultra-eccentric-super-cult-punk-pop-band-shonen-knife!" Shonen Knife performed their first gig on March 14, 1982 at Studio One, a club in Osaka, before an audience of 36 who paid 100 yen each. Later that August, they released their first independent album, Minna Tanoshiku, on cassette.

Brigitte Anne-Marie Bardot ( (listen) brizh-EET bar-DOH; French: [bʁiʒit baʁdo] (listen); born 28 September 1934), often referred to by her initials B.B., is a French former actress and singer, and animal rights activist. Famous for portraying sexually emancipated personae with hedonistic lifestyles, she was one of the best known sex symbols of the 1950s and 1960s. Although she withdrew from the entertainment industry in 1973, she remains a major popular culture icon.Born and raised in Paris, Bardot was an aspiring ballerina in her early life. She started her acting career in 1952. She achieved international recognition in 1957 for her role in the controversial And God Created Woman, and also caught the attention of French intellectuals. She was the subject of Simone de Beauvoir's 1959 essay The Lolita Syndrome, which described her as a "locomotive of women's history" and built upon existentialist themes to declare her the first and most liberated woman of post-war France. Bardot later starred in Jean-Luc Godard's 1963 film Le Mépris. For her role in Louis Malle's 1965 film Viva Maria! she was nominated for a BAFTA Award for Best Foreign Actress.

Jamaican recording artist; singer, actress and model

Nora Lum (born June 2, 1988), known professionally as Awkwafina, is an American actress, comedian, internet personality, rapper, author and television host. She rose to prominence in 2012 when her rap song "My Vag" became popular on YouTube. She then released her debut album, Yellow Ranger (2014), and appeared on the MTV comedy series Girl Code (2014–2015). Her second album, In Fina We Trust, was released in 2018.She played the supporting roles in the comedy films Neighbors 2: Sorority Rising (2016), Ocean's 8 (2018), Crazy Rich Asians (2018), and Jumanji: The Next Level (2019). She played a leading role in the comedy-drama film The Farewell (2019), for which she received critical acclaim and won the Golden Globe Award for Best Actress in a Motion Picture – Comedy or Musical, becoming the first woman of Asian descent to win a Golden Globe in any lead actress film category. She was also nominated for the BAFTA in the Rising Star Category in 2020 and the Critics' Choice Movie Award for Best Actress, as well as winning the Satellite Award for Best Actress.

American singer, songwriter, multi-instrumentalist, and producer

An idiosyncratic FBI agent investigates the murder of a young woman in the even more idiosyncratic town of Twin Peaks.

American drama television series from 1990–1991

During the Great Depression, an Oklahoma farm boy and a charismatic minister learn that they are key players in a proxy war being fought between Heaven and Hell.

Eric Andre tries to host a talk show in a bizarre environment, where he is sometimes the player of pranks and sometimes the victim.

Drama about the pioneers of the science of human sexuality whose research touched off the sexual revolution.

A psychotherapist questions his abilities and gets help by reuniting with his old therapist, whom he has not seen for ten years.

The wild misadventures of Edina "Eddy" Monsoon and her best friend Patsy Stone, who live in a nearly constant haze of drugged, drunken selfishness.

The magical action-adventures of a teenage girl who learns of her destiny as the legendary warrior Sailor Moon and must band together with the other Sailor Scouts to defend the Earth and Galaxy.

1992 television anime directed by Junichi Sato, Takuya Igarashi and Kunihiko Ikuhara

A smart and cynical girl goes through teenage life as a proud outsider in a world of mainly idiotic adolescents and condescending adults.

Documentary Now parodies the current obsession with documentaries. Season one features six different stories and stylistic approaches paying tribute to the doc format.

American mockumentary television series on IFC

Nathan Fielder uses his business degree and life experiences to help real small businesses turn a profit. But because of his unorthodox approach, Nathan's genuine efforts to do good often draw real people into an experience far beyon

In 1667, 28-year-old all-powerful king of France, Louis XIV, decides to build the greatest palace in the world - Versailles. But drained budget, affairs and political intrigues complicate things.

2010s historical fiction television series

A mini-series of adaptations of Shakespeare's history plays: Richard II, Henry IV: Parts 1 and 2, and Henry V.

2012 series of British television films directed by Richard Eyre

Story of the rise and the fall of the Renaissance dynasty.

French-German-Czech-Italian historical drama television series

After the downfall of Cardinal Wolsey, his secretary, Thomas Cromwell, finds himself amongst the treachery and intrigue of King Henry VIII's court and soon becomes a close advisor to the King, a role fraught with danger.

Divorced single mom Mildred Pierce decides to open a restaurant business, which tears at the already-strained relationship with her ambitious elder daughter, Veda.

A raunchy spoof edition of Countdown (1982) with the stars of 8 Out of 10 Cats (2005).

Charlie Brooker quizzes celebrity guests on their televisual literacy.

Newspaper illustrator John Moore meets with criminal psychologist (alienist) Dr. Laszlo Kreizler to investigate a serial killer in New York during the late 19th century.

A seemingly cold but very passionate policewoman goes head to head with a seemingly passionate father who is in fact a cold serial killer in this procedural out of Belfast. The only thing they share is their common complexity.

A hit man from the Midwest moves to Los Angeles and gets caught up in the city's theatre arts scene.

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