Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Jesus' Son, the first collection of stories by Denis Johnson, presents a unique, hallucinatory vision of contemporary American life unmatched in power and immediacy and marks a new level of achievement for this acclaimed writer. In their intensity of perception, their neon-lit evocation of a strange world brought uncomfortably close to our own, the stories in Jesus' Son offer a disturbing yet eerily beautiful portrayal of American loneliness and hope.Contains:Car Crash While HitchhikingTwo MenOut on BailDundunWorkEmergencyDirty WeddingThe Other ManHappy HourSteady Hands at Seattle GeneralBeverly Home'

A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece.A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.(front flap)

On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues. As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. At the center of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly drawn by Capote, are shown to be reprehensible yet entirely and frighteningly human. In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative.

This is my third Cormac McCarthy book. First one was The Road, which is without a doubt one of the best books I ever read, it had a great impact on me. Second was No country for old men, after seeing the movie and discovering this story was also written by McCarthy I felt the need to read the story too to fully grasp its meanings. McCarthy writes dark, incredible, fascinating stories, Outer Dark is no exception. I find his writing and style very powerful, very expressive, beautiful, clear sentences, language and descriptions and the stories are so fascinating and always food for thought, I am a big fan of Cormac McCarthy now. This book leaves you thinking... what does this all mean, and it stays in your mind. I'm sure I will want to keep rereading his books. This man is a great writer. So glad I discovered his talents last year with The Road. Next McCarthy book is on my list to read, but after a break and some other books. This book has to sink in first and first I need some lighter reads before starting the next one. However, looking forward to it already.

"An impressive novel . . . the most brutal and authentic account of a road gang that we have had." —New York TimesOut of his experiences working on a chain gang, Donn Pearce created Cool Hand Luke, the larger-than-life war hero—Good Guy Number One—turned drunkard, vandal, and convict. A blasphemer and "pretty evil feller" who "could work the hardest, eat the mostest, and tell the biggest lies." Luke's outsized feats of gambling and gluttony—he bets Society Red, a college man from Boston, that he can eat fifty eggs—and his harrowing escapes and recaptures are recounted by Dragline, who followed Luke in his last, fatal escape attempt and who basks in Luke's reflected glory. To the convicts left behind on the chain gang, Luke has become the hope of freedom and defiance that they dare not act upon themselves. Luke's refusal to "git his mind right" and submit to the sadistic discipline of the Walking Boss becomes part of their mythology of survival.

Written with “force and precision and grace” (John Wilwol, New York Times Book Review) Hold the Dark is a “taut and unforgettable journey into the heart of darkness” (Dennis Lehane). At the start of another pitiless winter, wolves have taken three children from the remote Alaskan village of Keelut, including the six-year-old son of Medora and Vernon Slone. Wolf expert Russell Core is called in to investigate these killings and discovers an unholy truth harbored by Medora before she disappears. When her husband returns home to discover his boy dead and his wife missing, he begins a maniacal pursuit that cuts a bloody swath across the frozen landscape. With the help of a local police detective, Core attempts to find Medora before her husband does, setting in motion a deadly chain of events in this “chilling, mysterious, and completely engaging novel” (Tim O’Brien) that marks the arrival of a major American writer.

From the author of White Noise (winner of the National Book Award) and Zero KIn this powerful, eerily convincing fictional speculation on the assassination of John F. Kennedy, Don DeLillo chronicles Lee Harvey Oswald's odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of the president will galvanize the nation against communism, the scales are irrevocably tipped.A gripping, masterful blend of fact and fiction, alive with meticulously portrayed characters both real and created, Libra is a grave, haunting, and brilliant examination of an event that has become an indelible part of the American psyche.

In this wild battering ram of a novel, which was originally published to vast controversy in 1965, Norman Mailer creates a character who might be a fictional precursor of the philosopher-killer he would later profile in The Executioner’s Song. As Stephen Rojack, a decorated war hero and former congressman who murders his wife in a fashionable New York City high-rise, runs amok through the city in which he was once a privileged citizen, Mailer peels away the layers of our social norms to reveal a world of pure appetite and relentless cruelty. One part Nietzsche, one part de Sade, and one part Charlie Parker, An American Dream grabs the reader by the throat and refuses to let go. Praise for An American Dream “Perhaps the only serious New York novel since The Great Gatsby.”—Joan Didion, National Review “A devil’s encyclopedia of our secret visions and desires . . . the expression of a devastatingly alive and original creative mind.”—Life “A work of fierce concentration . . . perfectly, and often brilliantly, realistic [with] a pattern of remarkable imaginative coherence and intensity.”—Harper’s “At once violent, educated, and cool . . . This is our history as Hawthorne might have written it.”—Commentary Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post (less)

From the Pulitzer Prize-winning author Larry McMurtry comes the sequel and final book in the Lonesome Dove tetralogy. An exhilarating tale of legend and heroism, Streets of Laredo is classic Texas and Western literature at its finest.Captain Woodrow Call, August McCrae's old partner, is now a bounty hunter hired to track down a brutal young Mexican bandit. Riding with Call are an Eastern city slicker, a witless deputy, and one of the last members of the Hat Creek outfit, Pea Eye Parker. This long chase leads them across the last wild stretches of the West into a hellhole known as Crow Town and, finally, into the vast, relentless plains of the Texas frontier.

The Nick Adams Stories show a memorable character growing from child to adolescent to soldier, veteran, writer &amp; parent--a sequence closely paralleling events of Hemingway's life.The 1st section, called Northern Woods, includes "Three Shots", "Indian Camp", "The Doctor &amp; the Doctor's Wife", "Ten Indians" &amp; "The Indians Moved Away". The 2nd section, On His Own, includes "The Light of the World", "The Battler", "The Killers", "The Last Good Country" &amp; "Crossing the Mississippi".The 3rd section, War, has "Night Before Landing", "Nick Sat Against the Wall", "Now I Lay Me", "A Way You'll Never Be" &amp; "In Another Country". The 4th section, Soldier Home, has "Big Two-Hearted River", "The End of Something", "The Three-Day Blow" &amp; "Summer People". The 5th section, Company of Two, has "Wedding Day", "On Writing", "An Alpine Idyll", "Cross-Country Snow" &amp; "Fathers &amp; Sons".

By the author of The Homesman, now a major motion picture The Shootist is John Bernard Books, a gunfighter at the turn of the twentieth century who must confront the greatest Shootist of all: Death. Most men would end their days in bed or take their own lives, but a gunfighter has a third option, one that Books decides to exercise. He may choose his own executioner.As word spreads that the famous assassin has incurable cancer, an assortment of human vultures gathers to feast on the corpse—among them a gambler, a rustler, a clergyman, an undertaker, an old love, a reporter, even an admiring teenager. What follows is the last courageous act in Books’s own legend.This classic, Spur Award–winning novel was chosen by the Western Writers of America as one of the best western novels ever written and was the inspiration for John Wayne’s last great starring role in the acclaimed 1976 film adaptation. The Bison Books edition includes a new introduction by the author’s son, Miles Swarthout, in which he discusses his father’s work and the making of the legendary film.

"They are gone now. Fled, banished in death or exile, lost, undone. Over the land sun and wind still move to burn and sway the trees, the grasses. No avatar, no scion, no vestige of that people remains. On the lips of the strange race that now dwells there their names are myth, legend, dust." -- Cormac McCarthy, The Orchard KeeperMcCarthy is at a natural disadvantage when an obsessive reader finally works back to his first book. Invariably, McCarthy will be unfairly graded against his own amazing later output. I liked Orchard Keeper. I really did. It was superior in almost every way that matters to most serious writing out there, but it just didn't hold up against other McCarthy novels. If one considers \
  Suttree\
 and \
  Blood Meridian\
 to be his masterpieces (and thus 5 stars), and \
  The Road\
, \
  No Country for Old Men\
 and \
  All the Pretty Horses\
 to be solid pieces of American literature (all 4 stars), it is unavoidable that the Orchard Keeper rates only three.The great thing about reading this first McCarthy is you can see the germs of all of McCarthy's potential built into it. It contains the strange embryo of all of McCarthy's future greatness: his great mythic prose, amazing archetypal characters, beautifully grand, natural scenes. If you love McCarthy, please don't skip the Orchard Keeper, just don't expect it to knock you down, and chill you to the bone, and blow you away like Blood Meridian or Suttree.

All the Pretty Horses tells of young John Grady Cole, the last of a long line of Texas ranchers. Across the border Mexico beckons—beautiful and desolate, rugged and cruelly civilized. With two companions, he sets off on an idyllic, sometimes comic adventure, to a place where dreams are paid for in blood.

Hermann Kermit Warm is going to die. The enigmatic and powerful man known only as the Commodore has ordered it, and his henchmen, Eli and Charlie Sisters, will make sure of it. Though Eli doesn't share his brother's appetite for whiskey and killing, he's never known anything else. But their prey isn't an easy mark, and on the road from Oregon City to Warm's gold-mining claim outside Sacramento, Eli begins to question what he does for a living - and whom he does it for.With The Sisters Brothers, Patrick deWitt pays homage to the classic Western, transforming it into an unforgettable comic tour de force. Filled with a remarkable cast of characters - losers, cheaters, and ne'er-do-wells from all stripes of life - and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West, and two brothers bound by blood, violence, and love.

In 1979, Tim O'Brien's Going After Cacciato—a novel about the Vietnam War—won the National Book Award. In this, his second work of fiction about Vietnam, O'Brien's unique artistic vision is again clearly demonstrated. Neither a novel nor a short story collection, it is an arc of fictional episodes, taking place in the childhoods of its characters, in the jungles of Vietnam and back home in America two decades later.

From the bestselling author of Savages (now an Oliver Stone film). This novel of the drug trade takes you deep inside a world riddled with corruption, betrayal, and bloody revenge. Art Montana is an obsessive DEA agent. The Barrera brothers are heirs to a drug empire. Nora Hayden is a jaded teenager who becomes a high-class hooker. Father Parada is a powerful and incorruptible Catholic priest. Callan is an Irish kid from Hell’s Kitchen who grows up to be a merciless hitman. And they are all trapped in the world of the Mexican drug Federaci. From the streets of New York City to Mexico City and Tijuana to the jungles of Central America, this is the war on drugs like you’ve never seen it.

While Eisenstein documented the forces of totalitarianism and Stalinism upon the faces of the Russian peoples, DeLillo offers a stunning, at times overwhelming, document of the twin forces of the Cold War and American culture, compelling that "swerve from evenness" in which he finds events and people both wondrous and horrifying.Underworld opens with a breathlessly graceful prologue set during the final game of the Giants-Dodgers pennant race in 1951. Written in what DeLillo calls "super-omniscience" the sentences sweep from young Cotter Martin as he jumps the gate to the press box, soars over the radio waves, runs out to the diamond, slides in on a fast ball, pops into the stands where J. Edgar Hoover is sitting with a drunken Jackie Gleason and a splenetic Frank Sinatra, and learns of the Soviet Union's second detonation of a nuclear bomb. It's an absolutely thrilling literary moment. When Bobby Thomson hits Branca's pitch into the outstretched hand of Cotter—the "shot heard around the world"—and Jackie Gleason pukes on Sinatra's shoes, the events of the next few decades are set in motion, all threaded together by the baseball as it passes from hand to hand."It's all falling indelibly into the past," writes DeLillo, a past that he carefully recalls and reconstructs with acute grace. Jump from Giants Stadium to the Nevada desert in 1992, where Nick Shay, who now owns the baseball, reunites with the artist Kara Sax. They had been brief and unlikely lovers 40 years before, and it is largely through the events, spinoffs, and coincidental encounters of their pasts that DeLillo filters the Cold War experience. He believes that "global events may alter how we live in the smallest ways," and as the book steps back in time to 1951, over the following 800-odd pages, we see just how those events alter lives. This reverse narrative allows the author to strip away the detritus of history and pop culture until we get to the story's pure elements: the bomb, the baseball, and the Bronx. In an epilogue as breathless and stunning as the prologue, DeLillo fast-forwards to a near future in which ruthless capitalism, the Internet, and a new, hushed faith have replaced the Cold War's blend of dread and euphoria.Through fragments and interlaced stories—including those of highway killers, artists, celebrities, conspiracists, gangsters, nuns, and sundry others—DeLillo creates a fragile web of connected experience, a communal Zeitgeist that encompasses the messy whole of five decades of American life, wonderfully distilled.

For sixty years, Jewish refugees and their descendants have prospered in the Federal District of Sitka, a "temporary" safe haven created in the wake of revelations of the Holocaust and the shocking 1948 collapse of the fledgling state of Israel. Proud, grateful, and longing to be American, the Jews of the Sitka District have created their own little world in the Alaskan panhandle, a vibrant, gritty, soulful, and complex frontier city that moves to the music of Yiddish. For sixty years they have been left alone, neglected and half-forgotten in a backwater of history. Now the District is set to revert to Alaskan control, and their dream is coming to an end: once again the tides of history threaten to sweep them up and carry them off into the unknown. But homicide detective Meyer Landsman of the District Police has enough problems without worrying about the upcoming Reversion. His life is a shambles, his marriage a wreck, his career a disaster. He and his half-Tlingit partner, Berko Shemets, can't catch a break in any of their outstanding cases. Landsman's new supervisor is the love of his life—and also his worst nightmare. And in the cheap hotel where he has washed up, someone has just committed a murder—right under Landsman's nose. Out of habit, obligation, and a mysterious sense that it somehow offers him a shot at redeeming himself, Landsman begins to investigate the killing of his neighbor, a former chess prodigy. But when word comes down from on high that the case is to be dropped immediately, Landsman soon finds himself contending with all the powerful forces of faith, obsession, hopefulness, evil, and salvation that are his heritage—and with the unfinished business of his marriage to Bina Gelbfish, the one person who understands his darkest fears. At once a gripping whodunit, a love story, an homage to 1940s noir, and an exploration of the mysteries of exile and redemption, The Yiddish Policemen's Union is a novel only Michael Chabon could have written.(front flap)

When Jack Kerouac’s On the Road first appeared in 1957, readers instantly felt the beat of a new literary rhythm. A fictionalised account of his own journeys across America with his friend Neal Cassady, Kerouac’s beatnik odyssey captured the soul of a generation and changed the landscape of American fiction for ever.Influenced by Jack London and Thomas Wolfe, Kerouac always wanted to be a writer, but his true voice only emerged when he wrote about his own experiences in On the Road. Leaving a broken marriage behind him, Sal Paradise (Kerouac) joins Dean Moriarty (Cassady), a tearaway and former reform school boy, on a series of journeys that takes them from New York to San Francisco, then south to Mexico. Hitching rides and boarding buses, they enter a world of hobos and drifters, fruit-pickers and migrant families, small towns and wide horizons. Adrift from conventional society, they experience America in the raw: a place where living is hard, but ‘life is holy and every moment is precious’.With its smoky, jazz-filled atmosphere and its restless, yearning spirit of adventure, On the Road left its mark on the culture of the late 20th century, influencing countless books, films and songs. Kerouac’s prose is remarkable both for its colloquial swing and for the pure lyricism inspired by the American landscape – ‘the backroads, the black-tar roads that curve among the mournful rivers like Susquehanna, Monongahela, old Potomac and Monocacy’. This Folio Society edition is illustrated with evocative photographs of Kerouac and the landscapes of 1950s America. Now acknowledged as a modern classic, On the Road remains a thrilling and poignant story of the road less travelled.

From the critically acclaimed author of The 25th Hour, a captivating novel about war, courage, survival — and a remarkable friendship that ripples across a lifetime.During the Nazis’ brutal siege of Leningrad, Lev Beniov is arrested for looting and thrown into the same cell as a handsome deserter named Kolya. Instead of being executed, Lev and Kolya are given a shot at saving their own lives by complying with an outrageous directive: secure a dozen eggs for a powerful Soviet colonel to use in his daughter’s wedding cake. In a city cut off from all supplies and suffering unbelievable deprivation, Lev and Kolya embark on a hunt through the dire lawlessness of Leningrad and behind enemy lines to find the impossible.By turns insightful and funny, thrilling and terrifying, City of Thieves is a gripping, cinematic World War II adventure and an intimate coming-of-age story with an utterly contemporary feel for how boys become men.

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