It is summer, it is the Edinburgh Festival. People queuing for a lunchtime show witness a road-rage incident - a near-homicidal attack which changes the lives of everyone involved. Jackson Brodie, ex-army, ex-police, ex-private detective, is also an innocent bystander - until he becomes a murder suspect. As the body count mounts, each member of the teeming Dickensian cast's story contains a kernel of the next, like a set of nesting Russian dolls. They are all looking for love or money or redemption or escape: but what each actually discovers is their own true self.

Catriona

David Fox

One Good Turn

a tap on a fender triggers a nearly homicidal attack. Jackson Brodie, ex-cop, ex-private detective, new millionaire, is among the bystanders.  The event thrusts Jackson into the orbit of the wife of an unscrupulous real estate tycoon, a washed-up comedian, a successful crime novelist, a mysterious Russian woman, and a female police detective. Each of them hiding a secret, each looking for love or money or redemption or escape, they all play a role in driving Jackson out of retirement and into the middle of several mysteries that intersect in one sinister scheme.  Kate Atkinson "writes such fluid, sparkling prose that an ingenious plot almost seems too much to ask, but we get it anyway," writes Laura Miller for Salon. With a keen eye for the excesses of modern life, a warm understanding of the frailties of the human heart, and a genius for plots that turn and twist, Atkinson has written a novel that delights and surprises from the first page to the last.

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