Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

There are some terrible reviews of SH5 floating around Goodreads, but one particularly awful sentiment is that Slaughterhouse-Five isn't anti-war.This is usually based on the following quote. "It had to be done," Rumfoord told Billy, speaking of the destruction of Dresden."I know," said Billy."That's war.""I know. I'm not complaining""It must have been hell on the ground.""It was," said Billy Pilgrim."Pity the men who had to do it.""I do.""You must have had mixed feelings, there on the ground.""It was all right," said Billy. "Everything is all right, and everybody has to do exactly what he does. I learned that on Tralfamadore."For context, Mr. Rumfoord is an old military historian described as "hateful and cruel" who wants to see weaklings like Billy exterminated.On Tralfamadore, Billy was introduced to the revelation that all things happen exactly as they do, and that they will always happen that way, and that they will never happen any other way. Meaning, time is all at once. The aliens, incidentally, admit to destroying the universe in a comical accident fated far into the future, and they're very sorry, but so it goes. &lt;- passive acceptanceThe entire story up to this point has been about Billy, buffeted like a powerless pathetic leaf in a storm, pushed this way and that by forces entirely outside his tiny purview. He lays catatonically in a hospital bed after the plane crash and the death of his wife, and all the time traveling back and forth from Dresden where toddlers and families and old grannies and anti-war civilians were burned alive in a carefully organized inferno (so it goes), and Billy is about ready to agree to absolutely anything. It can't be prevented. It can't be helped.You're powerless, after a while. What hope have we, or anyone caught in the middle of a war, or even the poor soldiers who are nothing but pawns and children (hence the children's crusade), to influence these gigantic, global events? Therefore, Billy agrees with the hateful, the cruel Mr. Rumfoord, who is revising his military history of WWII, having previously forgotten to mention the Dresden bombing. Women and children, not evaporated instantly, but melted slowly by chemicals and liquid flame, their leftovers, according to Billy, lying in the street like blackened logs, or in piles of families who died together in their little homes. Incidentally, how can anything be pro-war or anti-war? Because being anti-war is a bit like being anti-conflict, anti-death, and anti-suffering. Is there a book that's pro these things? Is there a book that touches on the subject of war and is not against it?We don't support wars, though we are sometimes forced to accept them. Anyone who thinks that the bombing of Dresden was necessary is delusional.It's like saying, "yo, look how they bombed these innocents - that shit was wrong! Let's go bomb some innocents, too."That's the sad truth of it.

In Breakfast of Champions, one of Kurt Vonnegut’s  most beloved characters, the aging writer Kilgore Trout, finds to his horror that a Midwest car dealer is taking his fiction as truth. What follows is murderously funny satire, as Vonnegut looks at war, sex, racism, success, politics, and pollution in America and reminds us how to see the truth.

Sensational, dramatic, packed with rich excitement and filled with the sweep and violence of human passions, LES MISERABLES is not only superb adventure but a powerful social document. The story of how the convict Jean-Valjean struggled to escape his past and reaffirm his humanity, in a world brutalized by poverty and ignorance, became the gospel of the poor and the oppressed.

'The Wall', the lead story in this collection, introduces three political prisoners on the night prior to their execution. Through the gaze of an impartial doctor--seemingly there for the men's solace--their mental descent is charted in exquisite, often harrowing detail. And as the morning draws inexorably closer, the men cross the psychological wall between life and death, long before the first shot rings out.This brilliant snapshot of life in anguish is the perfect introduction to a collection of stories where the neurosis of the modern world is mirrored in the lives of the people that inhabit it.

This edition features George Orwell's best known novels – 1984 and Animal Farm – with an introduction by Christopher Hitchens. In 1984, London is a grim city where Big Brother is always watching you and the Thought Police can practically read your mind.  Winston Smith joins a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be.Animal Farm is Orwell's classic satire of the Russian Revolution -- an account of the bold struggle, initiated by the animals, that transforms Mr. Jones's Manor Farm into Animal Farm--a wholly democratic society built on the credo that All Animals Are Created Equal. But are they?

Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now . . . Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.

"Nothing happens, nobody comes, nobody goes, it's awful?" Estragon's complaint, uttered in the first act of "Waiting for Godot", is the playwright's sly joke at the expense of his own play - or rather at the expense of those in the audience who expect theatre always to consist of events progressing in an apparently purposeful and logical manner towards a decisive climax. In those terms, "Waiting for Godot" - which has been famously described as a play in which "nothing happens, twice"- scarcely seems recognizable as theatre at all. As the great English critic wrote "Waiting for Godot jettisons everything by which we recognize theatre. It arrives at the custom-house, as it were, with no luggage, no passport, and nothing to declare; yet it gets through, as might a pilgrim from Mars."

This is an alternate cover ed. for ISBN 0679732241.The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character’s voices and actions mesh to create what is arguably Faulkner’s masterpiece and one of the greatest novels of the twentieth century.

Librarian note: Alternate cover edition for this ISBN can be found here.Mother Night is a daring challenge to our moral sense. American Howard W. Campbell, Jr., a spy during World War II, is now on trial in Israel as a Nazi war criminal. But is he really guilty? In this brilliant book rife with true gallows humor, Vonnegut turns black and white into a chilling shade of gray with a verdict that will haunt us all.

novel by Kurt Vonnegut; fictional memoirs of a Howard W. Campbell Jr., an American who moved to Germany in 1923 at age 11, and later became a well-known playwright and Nazi propagandist

Oscar Wilde's madcap farce about mistaken identities, secret engagements, and lovers entanglements still delights readers more than a century after its 1895 publication and premiere performance. The rapid-fire wit and eccentric characters of The Importance of Being Earnest have made it a mainstay of the high school curriculum for decades.Cecily Cardew and Gwendolen Fairfax are both in love with the same mythical suitor. Jack Worthing has wooed Gwendolen as Ernest while Algernon has also posed as Ernest to win the heart of Jack's ward, Cecily. When all four arrive at Jack's country home on the same weekend the "rivals" to fight for Ernest's undivided attention and the "Ernests" to claim their beloveds pandemonium breaks loose. Only a senile nursemaid and an old, discarded hand-bag can save the day!This Prestwick House Literary Touchstone Edition includes a glossary and reader's notes to help the modern reader appreciate Wilde's wry wit and elaborate plot twists.

Life is full of missed opportunities and hard decisions. Sometimes it’s difficult to know what to actually do.  Dubliners  creates an image of an ever movie city, of an ever moving exchange of people who experience the reality of life. And that’s the whole point: realism. Not everything goes well, not everything is perfectly constructed. Life is random and unpredictable. If we’re not careful it may escape from us entirely. There are two types of stories in  Dubliners. The first, and by far the most effective, are those associated with despair, nihilism and death. The second type deals with more ordinary aspects of modern life, the representation of the city and social exchanges. As a collection they provide an image of dark, murky city struggling to cope with the problems associated with rapid urbanisation. The stories do not intertwine, but you are left with the impression that they are not that far from each other: their proximity feels close as you read further into each one. The true mastery of Joyce’s writing reveals itself in what he doesn’t say, the subtle suggestions, the lingering questions, as each story closes without any sense of full resolution. And, again, is this not true of real life? In narrative tradition there is a structured beginning, middle and end, but in the reality of existence it doesn’t quite work this way. Life carries on. It doesn’t have a form of narrative closure, a convenient wrapping up of plot, after each wound we take in life. It carries on. We carry on. And for the Dubliners isolation carries on. \
  “He could not feel her near him in the darkness nor hear her voice touch his ear. He waited for some minutes listening. He could hear nothing: the night was perfectly silent. He listened again: perfectly silent. He felt that he was alone.” \


American writer and journalist (1925-2009)

The Metamorphosis and Other Stories, by Franz Kafka, is part of the Barnes &amp; Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes &amp; Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes &amp; Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.Virtually unknown during his lifetime, Franz Kafka is now one of the world’s most widely read and discussed authors. His nightmarish novels and short stories have come to symbolize modern man’s anxiety and alienation in a bizarre, hostile, and dehumanized world. This vision is most fully realized in Kafka’s masterpiece, “The Metamorphosis,” a story that is both harrowing and amusing, and a landmark of modern literature. Bringing together some of Kafka’s finest work, this collection demonstrates the richness and variety of the author’s artistry. “The Judgment,” which Kafka considered to be his decisive breakthrough, and “The Stoker,” which became the first chapter of his novel Amerika, are here included. These two, along with “The Metamorphosis,” form a suite of stories Kafka referred to as “The Sons,” and they collectively present a devastating portrait of the modern family.Also included are “In the Penal Colony,” a story of a torture machine and its operators and victims, and “A Hunger Artist,” about the absurdity of an artist trying to communicate with a misunderstanding public. Kafka’s lucid, succinct writing chronicles the labyrinthine complexities, the futility-laden horror, and the stifling oppressiveness that permeate his vision of modern life.Jason Baker is a writer of short stories living in Brooklyn, New York.

One of Charles Bukowski's best, this beer-soaked, deliciously degenerate novel follows the wanderings of aspiring writer Henry Chinaski across World War II-era America. Deferred from military service, Chinaski travels from city to city, moving listlessly from one odd job to another, always needing money but never badly enough to keep a job. His day-to-day existence spirals into an endless litany of pathetic whores, sordid rooms, dreary embraces, and drunken brawls, as he makes his bitter, brilliant way from one drink to the next.Charles Bukowski's posthumous legend continues to grow. Factotum is a masterfully vivid evocation of slow-paced, low-life urbanity and alcoholism, and an excellent introduction to the fictional world of Charles Bukowski.

I ran into my friend Dan at the club last week, and he was drunk. So we talked Camus. We didn’t discuss Camus’s theories, or the fact that he avoided riding in cars and then DIED IN A CAR CRASH. We just talked about Camus in relation to Dan’s life and in relation to mine. The only really interesting thing about anything to me is how it affects me. That’s the honest truth. Dan and I agreed that an interest in Existentialism is kind of a stage in your life – like when you liked Pearl Jam or lived in a little house that had a name and seven other people living in it. We then agreed that a re-exploration of all things Existential is usually preceded by your significant other telling you to get bent. Later Dan taught me how to cure a salmon, and we decided to co-host a dinner party in the second week of April. I doubt we would have come to this conclusion without having read The Fall.

The novel is set during World War II, from 1942 to 1944. It mainly follows the life of Captain John Yossarian, a U.S. Army Air Forces B-25 bombardier. Most of the events in the book occur while the fictional 256th Squadron is based on the island of Pianosa, in the Mediterranean Sea, west of Italy. The novel looks into the experiences of Yossarian and the other airmen in the camp, who attempt to maintain their sanity while fulfilling their service requirements so that they may return home.

Heart of Darkness, a novel by Joseph Conrad, was originally a three-part series in Blackwood's Magazine in 1899. It is a story within a story, following a character named Charlie Marlow, who recounts his adventure to a group of men onboard an anchored ship. The story told is of his early life as a ferry boat captain. Although his job was to transport ivory downriver, Charlie develops an interest in investing an ivory procurement agent, Kurtz, who is employed by the government. Preceded by his reputation as a brilliant emissary of progress, Kurtz has now established himself as a god among the natives in “one of the darkest places on earth.” Marlow suspects something else of Kurtz: he has gone mad.A reflection on corruptive European colonialism and a journey into the nightmare psyche of one of the corrupted, Heart of Darkness is considered one of the most influential works ever written.

In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel.Adam Trask came to California from the East to farm and raise his family on the new rich land. But the birth of his twins, Cal and Aaron, brings his wife to the brink of madness, and Adam is left alone to raise his boys to manhood. One boy thrives nurtured by the love of all those around him; the other grows up in loneliness enveloped by a mysterious darkness.First published in 1952, East of Eden is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. A masterpiece of Steinbeck's later years, East of Eden is a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis.--jacket flap

The Pulitzer Prize-winning epic of the Great Depression, a book that galvanized—and sometimes outraged—millions of readers.First published in 1939, Steinbeck’s Pulitzer Prize-winning epic of the Great Depression chronicles the Dust Bowl migration of the 1930s and tells the story of one Oklahoma farm family, the Joads—driven from their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into Haves and Have-Nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity. A portrait of the conflict between the powerful and the powerless, of one man’s fierce reaction to injustice, and of one woman’s stoical strength, the novel captures the horrors of the Great Depression and probes into the very nature of equality and justice in America. At once a naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck’s powerful landmark novel is perhaps the most American of American Classics.

The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960. It went on to win the Pulitzer Prize in 1961 and was later made into an Academy Award-winning film, also a classic.Compassionate, dramatic, and deeply moving, To Kill A Mockingbird takes readers to the roots of human behavior - to innocence and experience, kindness and cruelty, love and hatred, humor and pathos. Now with over 18 million copies in print and translated into forty languages, this regional story by a young Alabama woman claims universal appeal. Harper Lee always considered her book to be a simple love story. Today it is regarded as a masterpiece of American literature.

Brave New World is a dystopian novel by English author Aldous Huxley, written in 1931 and published in 1932. Largely set in a futuristic World State, inhabited by genetically modified citizens and an intelligence-based social hierarchy, the novel anticipates huge scientific advancements in reproductive technology, sleep-learning, psychological manipulation and classical conditioning that are combined to make a dystopian society which is challenged by only a single individual: the story's protagonist.

McMurphy has a criminal past and has once again gotten himself into trouble and is sentenced by the court. To escape labor duties in prison, McMurphy pleads insanity and is sent to a ward for the mentally unstable. Once here, McMurphy both endures and stands witness to the abuse and degradation of the oppressive Nurse Ratched, who gains superiority and power through the flaws of the other inmates. McMurphy and the other inmates band together to make a rebellious stance against the atrocious Nurse.

Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the streets of Britain..

In the early 1990s, Jordan Belfort teamed with his partner Donny Azoff and started brokerage firm Stratton Oakmont. Their company quickly grows from a staff of 20 to a staff of more than 250 and their status in the trading community and Wall Street grows exponentially. So much that companies file their initial public offerings through them. As their status grows, so do the amount of substances they abuse, and so do their lies. They draw attention like no other, throwing lavish parties for their staff when they hit the jackpot on high trades. That ultimately leads to Belfort featured on the cover of Forbes Magazine, being called "The Wolf Of Wall St.". With the FBI onto Belfort's trading schemes, he devises new ways to cover his tracks and watch his fortune grow. Belfort ultimately comes up with a scheme to stash their cash in a European bank. But with the FBI watching him like a hawk, how long will Belfort and Azoff be able to maintain their elaborate wealth and luxurious lifestyles?

The big-screen version of Hunter S. Thompson's seminal psychedelic classic about his road trip across Western America as he and his large Samoan lawyer searched desperately for the "American dream"... they were helped in large part by the huge amount of drugs and alcohol kept in their convertible, The Red Shark.

A touching tale of a wayward young man who struggles to find his identity, living in a world where he can solve any problem, except the one brewing deep within himself, until one day he meets his soul mate who opens his mind and his heart.

Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down.

After her father, step-mother, step-sister and little brother are killed by her father's employers, the 12-year-old daughter of an abject drug dealer manages to take refuge in the apartment of a professional hitman who at her request teaches her the methods of his job so she can take her revenge on the corrupt DEA agent who ruined her life by killing her beloved brother.

In the final installment of the Godfather Trilogy, an aging Don Michael Corleone seeks to legitimize his crime family's interests and remove himself from the violent underworld but is kept back by the ambitions of the young. While he attempts to link the Corleone's finances with the Vatican, Michael must deal with the machinations of a hungrier gangster seeking to upset the existing Mafioso order and a young protege's love affair with his daughter.

1990 film directed by Francis Ford Coppola

The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba.

1974 film directed by Francis Ford Coppola

The Godfather "Don" Vito Corleone is the head of the Corleone mafia family in New York. He is at the event of his daughter's wedding. Michael, Vito's youngest son and a decorated WW II Marine is also present at the wedding. Michael seems to be uninterested in being a part of the family business. Vito is a powerful man, and is kind to all those who give him respect but is ruthless against those who do not. But when a powerful and treacherous rival wants to sell drugs and needs the Don's influence for the same, Vito refuses to do it. What follows is a clash between Vito's fading old values and the new ways which may cause Michael to do the thing he was most reluctant in doing and wage a mob war against all the other mafia families which could tear the Corleone family apart.

1972 American film directed by Francis Ford Coppola

In 1927, Lord Meldrum is a wealthy widower who owns a rubber factory. He lives with his brother Teddy, mother-in-law Lady Lavender, and daughters Poppy and Cissy. Meldrum is having an affair with Lady Agatha, wife of his rival Sir Ralph. He is trying to persuade Teddy to marry socialite Madge Cartwright, but Teddy fancies servant girls more than the upper-class ladies, so he's reluctant to marry Madge. Poppy is a flapper who often flirts with servant James. She's very different from her sister Cissy in appearance as well as attitude. Cissy fancies women more than men, wears men's clothes, and is a member of the workers' movement and a workers' political party. Lady Lavender is extravagant, owns a parrot, and likes to throw food at servants. The servants live downstairs: Mrs. Lipton, the cook; James, a snobbish servant; Henry, the youngest servant, who usually gets clipped behind the ear by James or Mrs. Lipton. The butler Stokes was the last to join the servants, with his daughter Ivy, the maid. He is shady and despises the rich. During WWI, he and James were in the trenches with Teddy and saved his life, so Stokes gets the position of butler upon his arrival at the house. The lowest-ranked of the servants is poor washing lady Mabel; she doesn't live with the Meldrums.

UK television series airing betweeen 1988-1993

As the title suggests, "A Bit of Fry and Laurie" is less of a specific format than a 'coat-hanger' for short sketches, starring the comical duo in various, recurring or unique roles: Stephen Fry, the sophisticated giant who usually plays the smug one, and comparatively small Hugh Laurie, usually playing the patsy.

It is 1917, and lunatic General Sir Anthony Cecil Hogmanay Melchett is leading the British troops at the front lines against the Germans, while everyone waits for Field Marshall Haig's big push. There are various emotions throughout the camp about it. For Captain Kevin Darling, Melchett's bull-dog-like right-hand man, it makes no difference, as it appears he will be safe and sound with the general when the big push occurs. For Lieutenant George Colhurst Saint Barleigh, he is overly excited at thrashing the Germans. For Private S. (probably for Sod-Off) Baldrick, it's a terrifying experience he is not looking forward to. For Captain Edmund Blackadder, however, it's something he's too cowardly to face. Self-centered, arrogant, and sarcastic, Blackadder is always constantly searching for a way out of this silly war, and will try various, often crazy, variations on escape, all of which will take a turn he never expected. Sharing a dugout with George and Baldrick, his main obstacle for escape is Darling, who will ensure everyone is present for the big push.

fourth series of the BBC sitcom Blackadder

During the Regency period, the insane King George III's stark raving mad son, George, is the Prince Regent of Wales. Vulgar and staggeringly slow-and-dim-witted, George exhausts the country's money and would surely be dead by now were it not for his dry, angry, bitter, arrogant and cynical butler, Edmund Blackadder, Esq. Blackadder is an ex-aristocrat who has lost his family fortune and been reduced to servant-hood, and full of loathing knowing he should have a better position then serving a lunatic. Sod-Off Baldrick is his dirty, smelly peasant servant, and Mrs. Miggins is an annoying cheerful coffee-shoppe owner who is too stupid to understand most of Mr. Blackadder's insults.

third series of the BBC sitcom Blackadder

Sixty years after the demise of Prince Edmund Plantagenet, Queen Elizabeth I, who's as insane as her ancestors, is England's current leader. Seductive, easy-to-impress, spoiled, and always seeking a husband, "Queenie" has a leading courtier: Lord Edmund Blackaddder, great-grandson of the original. Now, however, he is dryly cynical and intelligent, but still trying to become king; this time by marrying the queen. However, her right-hand-man, Lord Melchett, will always serve as fair competition for her hand. Blackadder is again assisted by the clueless but fashionable Lord Percy Percy and dung-eating, "cunning" peasant Baldrick.

second series of the BBC sitcom Blackadder

Set in England at the end of the War of the Roses, we soon find out that the history we know is a Tudor fiction. In fact, Henry VII did not actually win the battle of Bosworth Field; he lost and though Richard III died in the battle, his nephew King Richard IV (who certainly was not smothered while still a boy in the Tower of London) reigned on for some years. The story focuses on Richard IV's younger son Prince Edmund, a sniveling coward who calls himself the 'Black Adder'. Assisted by his grungy servant and the moronic Lord Percy, Edmund plots his rise to greatness.

Former high school English teacher and famed mystery writer Jessica Fletcher (Dame Angela Lansbury) has a gift for solving mysteries. You see, it seems murder follows her around, whether it be to the houses of her seemingly endless number of friends, nieces, and nephews, or right in her hometown of Cabot Cove, Maine. Jessica is sometimes assisted by her friend Dr. Seth Hazlitt (William Windom) or the local Sheriff, Amos Tupper (Tom Bosley) and Tupper's successor, Mort Metzger (Ron Masak), a former New York City cop. Sometimes, later in the series, Jessica would only serve as narrator. In later seasons, Jessica moved to Manhattan to teach criminology at Manhattan University.

This series chronicles the misadventures (romantic and otherwise) of the impeccably dressed Bertie Wooster and his trusty and sagacious valet, Jeeves. Peppered with sporting dialogue and memorable, dim-witted and eccentric characters.

British comedy-drama TV series based on Jeeves stories by P.G. Wodehouse

ZSNG

Quince Jelly

Trachea

Frank Duwell

Nick Bosi

Jenny Williams

J Stockman

Katie Athwal

esther

Simon

Machiavelli needs to be looked at as he really was. Hence: Can Machiavelli, who makes the following observations, be Machiavellian as we understand the disparaging term? 1. So it is that to know the nature of a people, one need be a Prince; to know the nature of a Prince, one need to be of the people. 2. If a Prince is not given to vices that make him hated, it is unsusal for his subjects to show their affection for him. 3. Opportunity made Moses, Cyrus, Romulus, Theseus, and others; their virtue domi-nated the opportunity, making their homelands noble and happy. Armed prophets win; the disarmed lose. 4. Without faith and religion, man achieves power but not glory. 5. Prominent citizens want to command and oppress; the populace only wants to be free of oppression. 6. A Prince needs a friendly populace; otherwise in diversity there is no hope. 7. A Prince, who rules as a man of valor, avoids disasters, 8. Nations based on mercenary forces will never be solid or secure. 9. Mercenaries are dangerous because of their cowardice 10. There are two ways to fight: one with laws, the other with force. The first is rightly man’s way; the second, the way of beasts.

More than three decades after its first publication, Edward Said's groundbreaking critique of the West's historical, cultural, and political perceptions of the East has become a modern classic.In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding. Essential, and still eye-opening, Orientalism remains one of the most important books written about our divided world.

The most important philosophical work of the 20th century, and a text whose influence will still be felt for some centuries to come, I am willing to reckon. Even if you are one of the many detractors, the fact remains that it is simply an outstanding monument to man's ability to think deeply, freshly, terrifyingly, and poetically about himself. Heidegger's main focus is on Being ; what does it MEAN to be? This is of course an old question, stemming from the days of Aristotle, but Heidegger is foremost a phenomenologist (i.e. 'To the phenomena themselves') and therefore refuses any recourse to anything that is outside the scope of what is immediately apparent in the one thing that human beings often overlook, that is to say, human existence itself. This means that the scope of ambition of Heidegger's project is staggering ; he intends to determine WHAT a human being IS, by HOW it is ; and this means that he not only takes on a nearly 2000-year-old philosophical tradition, but also a nearly 2000-year-old deeply embedded conception of what a human being is (and by extension, what a human being should be). It is a provocative assault, which may account for the polarizing reactions that Heidegger seems to evoke. But this also means that Being and Time is a primordially 'humane' book, for it was Heidegger who truly brought the existentialist consciousness to the fore of our developing consciousness as a species. Make no mistake, this is still hard-core philosophy, but it is a book about the many banalities of the average human life, and thus, about the many hidden profundities of the average human life. Appreciate Heidegger's phenomenal (see what I did there) insight into the human condition, and you will never look at life, time, the world, concern, other people, a hammer, language, reality, and death in the same way again. Now for the mandatory words of warning. This book is DIFFICULT. But it is difficult in the way the ending stages of a hard-fought chess game is difficult ; Being and Time' may be difficult, but it is NOT 'boring'. Stick with it, make the effort, and you will not be disappointed. You may even (as happened to me) slowly neglect the other distractions of your life and set aside a solid block of time to tackle the text (for me, 3 months), and not even be aware of anything like a sacrifice being made. You just feel like you've decided to venture a few steps deeper into the rabbit hole, is all. And with regards to the language, I actually love the language in 'Being and Time', leave alone finding it something to rail against. It has a kind of an austere beauty to it, a kind of 'mathematical poetry' if you will. For those who complain that Heidegger could have said what he wanted to say in 'easier' language, the answer is that, NO he could not have. Since his project was a radical rethinking of the nature of human existence, he needed a radically new vocabulary to describe the stages of his project. The usual words like 'soul', 'consciousness', and even 'human being' are too embedded in the tradition he is attacking, and have too much baggage. Once you appreciate this, and read the text with 'fresh eyes', then you appreciate the hidden intricacies of his language, as well as to the depths he takes these new terms too. And finally, this is most definitely not a book that a casual reader can 'dip into' ; this is hardcore philosophy that was meant to overthrow another philosophical tradition. So, these would (in my opinion) be the absolute prerequisites before any reader wishes to pursue 'Being and Time' ; 1)A general knowledge of philosophy and the history of philosophy, and at least a surface-level knowledge of what the major philosophers of the Western tradition had to say about life, the universe and everything. This is important, because this tradition represents 'substance metaphysics' or 'the metaphysics of presence' which Heidegger attacks throughout the entire text ; (these terms simply mean the positing of some kind of unit of 'stable timelessness' that 'stands behind' or 'hangs over' human existence, be it the 'soul', 'consciousness', 'God', 'Atman', 'Will', 'Forms' or what have you). A good introductory book on philosophy should do the trick, and in my knowledge, Will Durant's 'The Story of Philosophy' is still the best way to go, though of course, any equivalent book which goes over the main 'theme' of Western philosophy should do the trick2)An intuitive understanding of Nietzsche. His influence is present throughout the text of 'Being and Time', because he is the 'bad boy' cousin of Heidegger's who sounded the death knell of traditional philosophy ; a project which Heidegger systematizes, enhances, and pursues. Since Nietzsche is primarily a poet and a cultural critic rather than an actual philosopher (in addition to being a superb writer) a quick crash course of reading his main works (The Gay Science, Beyond Good and Evil, Twilight of the Idols, and if you can stomach the overblown prose, Zarathustra) would do you good here. 3)A good guide to Being and Time ; predictably, for a work of such complexity and importance, several guides have sprung up of varying quality. The one I used was Gelvin's 'Commentary' which is clear, friendly, excited, and straightforward. Everything that you need. 4)A surface understanding of phenomenology ; a Wikipedia search should do the trick, or any such introductory article. If you're seriously gung-ho then 'An Introduction to Phenomenology' by Sokolowski will ground you more than you strictly need to be grounded. And that's it, you're ready to go. This is not a book that you can read once, and I wonder if 'read' is even an appropriate word. For the same reason that you do not 'read' Finnegans Wake, but 'experience' it as if it wasn't a book but a sentient entity which would get insulted if you labelled it as a book, I think the same would go for 'Being and Time'. It is a profound exploration of the most primordial questions a man can ask about anything, and as such, it demands a steady commitment of your time, energy, your curiosity, and the latent profundities that lie within you and which will be awakened as you thumb through the master piece that is 'Being and Time'.

A distinguished psychiatrist from Martinique who took part in the Algerian Nationalist Movement, Frantz Fanon was one of the most important theorists of revolutionary struggle, colonialism, and racial difference in history. Fanon's masterwork is a classic alongside Edward Said's Orientalism or The Autobiography of Malcolm X, and it is now available in a new translation that updates its language for a new generation of readers.The Wretched of the Earth is a brilliant analysis of the psychology of the colonized and their path to liberation. Bearing singular insight into the rage and frustration of colonized peoples, and the role of violence in effecting historical change, the book incisively attacks the twin perils of post-independence colonial politics: the disenfranchisement of the masses by the elites on the one hand, and intertribal and interfaith animosities on the other.Fanon's analysis, a veritable handbook of social reorganization for leaders of emerging nations, has been reflected all too clearly in the corruption and violence that has plagued present-day Africa. The Wretched of the Earth has had a major impact on civil rights, anticolonialism, and black consciousness movements around the world, and this bold new translation by Richard Philcox reaffirms it as a landmark.

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