Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

Doomed to - or blessed with - eternal life after drinking from a magic spring, the Tuck family wanders about trying to live as inconspicuously and comfortably as they can. When ten-year-old Winnie Foster stumbles on their secret, the Tucks take her home and explain why living forever at one age is less a blessing that it might seem. Complications arise when Winnie is followed by a stranger who wants to market the spring water for a fortune.

Two boys – a slow learner stuck in the body of a teenage giant and a tiny Einstein in leg braces – forge a unique friendship when they pair up to create one formidable human force. A wonderful story of triumph over imperfection, shame, and loss.

A Vietnamese girl plants six lima beans in a Cleveland vacant lot. Looking down on the immigrant-filled neighborhood, a Romanian woman watches suspiciously. A school janitor gets involved, then a Guatemalan family. Then muscle-bound Curtis, trying to win back Lateesha. Pregnant Maricela. Amir from India. A sense of community sprouts and spreads. Newbery-winning author Paul Fleischman uses thirteen speakers to bring to life a community garden's founding and first year. The book's short length, diverse cast, and suitability for adults as well as children have led it to be used in countless one-book reads in schools and in cities across the country.Seedfolks has been drawn upon to teach tolerance, read in ESL classes, promoted by urban gardeners, and performed in schools and on stages from South Africa to Broadway.

After reading Adventures of Huckleberry Finn, I realized that I had absolutely nothing to say about it. And yet here, as you see, I have elected to say it anyway, and at great length. Reading this novel now, at the age of mumble-mumble, is a bit like arriving at the circus after the tents have been packed, the bearded lady has been depilated, and the funnel cake trailers have been hitched to pick-up trucks and captained, like a formidable vending armada, toward the auburn sunset. All the fun has already been used up, and I’m left behind circumnavigating the islands of elephant dung and getting drunk on Robitussin®. Same story, different day. How exactly did I make it through eight total years of high school and undergraduate studies in English without having read any Mark Twain but a brief (and forgotten) excerpt from Life on the Mississippi? Isn’t this illegal by now? I mean, isn’t there a clause in the Patriot Act... an eleventh commandment... a dictate from Xenu? Isn’t Huckleberry Finn, like Romeo and Juliet and To Kill a Mockingbird, now an unavoidable teenage road bump between rainbow parties and huffing spray paint? Isn’t it the role of tedious classic literature to add color and texture to the pettiness of an adolescence circumscribed by status updates, muff shaving, and shooting each other? Or am I old-fashioned? Let’s face it. In the greater social consciousness, there are two stars of this book: (1) the word 'nigger' and (2) the Sherwood Schwartz-style ending in which Tom Sawyer reappears and makes even the most casual reader wonder whether he might not be retarded. Huckleberry Finn, for all his white trash pedigree, is actually a pretty smart kid -- the kind of dirty-faced boy you see, in his younger years, in a shopping cart at Wal-Mart, being barked at by a monstrously obese mother in wedgied sweatpants and a stalagmite of a father who sweats tobacco juice and thinks the word 'coloreds' is too P.C. Orbiting the cart, filled with generic cigarette cartons, tabloids, and canned meats, are a half-dozen kids, glazed with spittle and howling like Helen Keller over the water pump, but your eyes return to the small, sad boy sitting in the cart. His gaze, imploring, suggestive of a caged intellect, breaks your heart, so you turn and comparison-shop for chewing gum or breath mints. He is condemned to a very dim horizon, and there’s absolutely nothing you can do about it, so you might as well buy some Altoids and forget about it... That boy is the spiritual descendant of Huckleberry Finn. The 'nigger' controversy -- is there still one? -- is terribly inconsequential. It almost seems too obvious to point out that this is (a) firstly a 'period novel,' meaning it that occurs at a very specific historical moment at a specific location and (b) secondly a first-person narrative, which is therefore saddled with the language, perspective, and nascent ideologies of its narrator. Should we expect a mostly uneducated, abused adolescent son of a racist alcoholic who is living in the South before the Civil War to have a respectful, intellectually-enlightened perspective toward black people? Should the character of Huck Finn, in other words, be ahistorical, anachronistic? Certainly not, if we expect any semblance of honesty from our national literature. Far more troubling to many critics is the ending of Huckleberry Finn, when -- by a freakishly literary coincidence -- Huck Finn is mistaken for Tom Sawyer by Tom’s relatives, who happen to be holding Jim (the slave on the run) in hopes of collecting a reward from his owners. There are all sorts of contrivances in this scenario -- the likes of which haven’t been seen since the golden age of Three’s Company -- which ends with Tom arriving and devising a ridiculously elaborate scheme for rescuing Jim. All in all, the ending didn’t bother me as much as it bothered some essayists I’ve read. That is, it didn’t strike me as especially conspicuous in a novel which relies a great deal on narrative implausibility and coincidence. Sure, Tom Sawyer is something of an idiot, as we discover, but in a novel that includes faked deaths and absurd con jobs, his idiocy seems well-placed. In the end, I suppose the greatest thing I can say about this novel is that it left me wondering what happened to Huck Finn. Would his intellect and compassion escape from his circumstances or would he become yet another bigoted, abusive father squiring another brood of dirty, doomed children around a fluorescently-lit Wal-Mart?

The Outsiders is about two weeks in the life of a 14-year-old boy. The novel tells the story of Ponyboy Curtis and his struggles with right and wrong in a society in which he believes that he is an outsider. According to Ponyboy, there are two kinds of people in the world: greasers and socs. A soc (short for "social") has money, can get away with just about anything, and has an attitude longer than a limousine. A greaser, on the other hand, always lives on the outside and needs to watch his back. Ponyboy is a greaser, and he's always been proud of it, even willing to rumble against a gang of socs for the sake of his fellow greasers--until one terrible night when his friend Johnny kills a soc. The murder gets under Ponyboy's skin, causing his bifurcated world to crumble and teaching him that pain feels the same whether a soc or a greaser.Librarian note: This record is for one of the three editions published with different covers and with ISBN 0-140-38572-X / 978-0-14-038572-4. The records are for the 1988 cover (this record), the 1995 cover, and the 2008 cover which is also the current in-print cover.

 The only thing you’ll find on the summit of Mount Everest is a divine view. The things that really matter lie far below. – Peak MarcelloAfter fourteen-year-old Peak Marcello is arrested for scaling a New York City skyscraper, he's left with two choices: wither away in Juvenile Detention or go live with his long-lost father, who runs a climbing company in Thailand. But Peak quickly learns that his father's renewed interest in him has strings attached. Big strings. As owner of Peak Expeditions, he wants his son to be the youngest person to reach the Everest summit--and his motives are selfish at best. Even so, for a climbing addict like Peak, tackling Everest is the challenge of a lifetime. But it's also one that could cost him his life.Roland Smith has created an action-packed adventure about friendship, sacrifice, family, and the drive to take on Everest, despite the incredible risk. The story of Peak’s dangerous ascent—told in his own words—is suspenseful, immediate, and impossible to put down.

Brian is on his way to Canada to visit his estranged father when the pilot of his small prop plane suffers a heart attack. Brian is forced to crash-land the plane in a lake--and finds himself stranded in the remote Canadian wilderness with only his clothing and the hatchet his mother gave him as a present before his departure. Brian had been distraught over his parents' impending divorce and the secret he carries about his mother, but now he is truly desolate and alone. Exhausted, terrified, and hungry, Brian struggles to find food and make a shelter for himself. He has no special knowledge of the woods, and he must find a new kind of awareness and patience as he meets each day's challenges. Is the water safe to drink? Are the berries he finds poisonous? Slowly, Brian learns to turn adversity to his advantage--an invading porcupine unexpectedly shows him how to make fire, a devastating tornado shows him how to retrieve supplies from the submerged airplane. Most of all, Brian leaves behind the self-pity he has felt about his predicament as he summons the courage to stay alive. A story of survival and of transformation, this riveting book has sparked many a reader's interest in venturing into the wild.

A bizarre chain of events begins when sixteen unlikely people gather for the reading of Samuel W. Westing's will. And though no one knows why the eccentric, game-loving millionaire has chosen a virtual stranger—and a possible murderer—to inherit his vast fortune, one thing's for sure: Sam Westing may be dead ... but that won't stop him from playing one last game!

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American singer and guitarist (1964–2017)

American guitarist, singer and songwriter (1942–1970)

British musician, actor, record producer and arranger

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