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Picture of a movie: Contact
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Contact
1997
Astronomer Dr. Ellie Arroway has long been interested in contact to faraway lands, a love fostered in her childhood by her father, Ted Arroway (David Morse), who died when she was nine-years-old, leaving her orphaned. Her current work in monitoring for extraterrestrial life is based on that love and is in part an homage to her father. Ever since funding from the National Science Foundation (N.S.F.) was pulled on her work, which is referred to some, including her N.S.F. superior David Drumlin (Tom Skerritt), as more science fiction than science, Ellie, with a few of her rogue scientist colleagues, have looked for funding from where ever they could get it to continue their work. When Ellie and her colleagues hear chatter originating from the vicinity of the star Vega, Ellie feels vindicated. But that vindication is short lived when others, including politicians, the military, religious leaders, and other scientists, such as Drumlin, try to take over her work. When the messages received from space are decoded, the project takes on a whole new dimension, which strengthens for Ellie the quest for the truth. Thrown into the mix are the unknown person who has up until now funded most of Ellie's work and what his motivations are, and Palmer Joss (Matthew McConaughey), a renowned author and theologian, who despite their fundamental differences in outlook, is mutually attracted to Ellie, that attraction based in part on intellect and their common goal of wanting to know the truth.
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Picture of a book: Lord of Light
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Lord of Light
Roger Zelazny
Prince Siddhartha attained enlightenment at the foot of the Bodhi tree and became the Buddha: his teachings swept across India, striking at the roots of decadent Brahmanism. The Hindu priests were understandably alarmed, but were helpless against the doctrine of the eightfold path as the stale air inside a room against the tempest raging outside. So they did the clever thing: after the Buddha's passing, they assimilated him and made him an avatar of Vishnu (in fact, they licked him by joining him). Perhaps this is the fate of all reformers!This much is history. Roger Zelazny takes the bare bones of this story, adds the exotic ingredients of Indian myth and legend haphazardly, seasons it with the spirit of Prometheus who moved against heaven, and serves it up as a science fiction novel. For people who have not tasted exotic and spicy Indian dishes (at least not regularly), this is extraordinary fare indeed: alas, for my jaded palate, this is quite ordinary.Zelazny writes superbly. The novel is structured imaginatively-as Adam Roberts says in the introduction, the author deliberately wrong foots us with the flashback. The language is rich and lush and a bit cloying, like India at its exotic best (or worst), seen from an “Orientalist” perspective. In an age when characterization was almost nonexistent in SF, Zelazny gives us rounded characters who behave consistently. The SF elements are also well developed and consistent with a technology so far advanced that it is “indistinguishable from magic” (to borrow from Arthur C. Clarke).That the author is well acquainted with India is obvious. He knows the names of a lot of Indian gods (not only the Vedic pantheon – Murugan is a Tamil god). From the way the Kathakali performance is described in detail, I am almost sure that Zelazny has travelled in Kerala (my native place). The way each god’s “Attribute” defines him or her is more or less consistent with Hindu mythology – and it has been translated into scientific terms quite convincingly. And the way the “Rakasha” (the Rakshasa s and Asuras of Indian myth) have been described as elemental spirits of the planet, subdued and imprisoned by the human colonisers, closely parallels the real origin of these demons in folklore.But once all the bells and whistles were removed, I found the story of a renegade god moving against the celestial dictators quite ordinary. If the whole Indian pantheon were not in the story, if it was just the tale of a plain “Sam”‘s rebellion, I do not think this book would have merited a second glance at the awards. It was sold under the label of exotic India, like many other orientalist offerings. One might argue that this was Zeazny’s intention, and that there is nothing wrong in it: I would tend to agree. His vision of using Indian myth to flavor a science fiction novel was (at the time of its publication) a bold, path-breaking move. Only thing is, I am not one of the intended audience!I have one more caveat: Zelazny mixes and matches the gods and their attributes with a free hand (especially towards the end). Since these are not true gods but human beings who have taken on these attributes, this is technically OK, but it soon becomes a pot-pourri very difficult to follow. Also, in the process, he saw many of the gods only single dimensionally (this is most notable in the case of Krishna, who is seen only as a lecher).I would recommend this book for people unfamiliar with Indian mythology. I am afraid those who are well-read in the same may feel disappointed.
Picture of a book: Crux
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Crux
Ramez Naam
Finalist for the 2014 Prometheus Award.Six months have passed since the release of Nexus 5.  The world is a different, more dangerous place.   In the United States, the terrorists – or freedom fighters – of the Post-Human Liberation Front use Nexus to turn men and women into human time bombs aimed at the President and his allies. In Washington DC, a government scientist, secretly addicted to Nexus, uncovers more than he wants to know about the forces behind the assassinations, and finds himself in a maze with no way out. In Thailand, Samantha Cataranes has found peace and contentment with a group of children born with Nexus in their brains. But when forces threaten to tear her new family apart, Sam will stop at absolutely nothing to protect the ones she holds dear.   In Vietnam, Kade and Feng are on the run from bounty hunters seeking the price on Kade’s head, from the CIA, and from forces that want to use the back door Kade has built into Nexus 5.  Kade knows he must stop the terrorists misusing Nexus before they ignite a global war between human and posthuman. But to do so, he’ll need to stay alive and ahead of his pursuers.   And in Shanghai, a posthuman child named Ling Shu will go to dangerous and explosive lengths to free her uploaded mother from the grip of Chinese authorities.   The first blows in the war between human and posthuman have been struck.  The world will never be the same. \ File Under\ : Science Fiction [ Stage 2 | Terrorist or Freedom Fighter? | Mind Games | Upgrading… ]
Picture of a book: Zones of Thought: A Fire Upon the Deep / A Deepness in the Sky
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Zones of Thought: A Fire Upon the Deep / A Deepness in the Sky
Vernor Vinge
Vinge's masterpieces together at last, in one epic volume.The Hugo Award winning A FIRE UPON THE DEEP and its epic companion novel A DEEPNESS IN THE SKY, set in the same universe but 20,000 years earlier, were benchmarks for SF in the last decade of the 20th century.In FIRE 'Vinge presents a galaxy divided into Zones - regions where different physical constraints allow very different technological and mental possibilities. Earth remains in the "Slowness" zone, where nothing can travel faster than light and minds are fairly limited. The action of the book is in the "Beyond", where translight travel and other marvels exist, and humans are one of many intelligent species. One human colony has been experimenting to find a path to the "Transcend", where intelligence and power are so great as to seem godlike. Instead they release the Blight, an evil power, from a billion-year captivity.' Publisher's WeeklyIn DEEPNESS, 'the story has the same sense of epic vastness despite happening mostly in one isolated solar system. Here there's a world of intelligent spider creatures who traditionally hibernate through the "Deepest Darkness" of their strange variable sun's long "off" periods, when even the atmosphere freezes. Now, science offers them an alternative. Meanwhile, attracted by spider radio transmissions, two human starfleets come exploring--merchants hoping for customers and tyrants who want slaves. Their inevitable clash leaves both fleets crippled, with the power in the wrong hands, which leads to a long wait in space until the spiders develop exploitable technology. Over the years Vinge builds palpable tension through multiple storylines and characters.' Dave Langford
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