Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

This is the story of a man who said that he would stop the motor of the world and did. Was he a destroyer or the greatest of liberators?Why did he have to fight his battle, not against his enemies, but against those who needed him most, and his hardest battle against the woman he loved? What is the world’s motor — and the motive power of every man? You will know the answer to these questions when you discover the reason behind the baffling events that play havoc with the lives of the characters in this story. Tremendous in its scope, this novel presents an astounding panorama of human life — from the productive genius who becomes a worthless playboy — to the great steel industrialist who does not know that he is working for his own destruction — to the philosopher who becomes a pirate — to the composer who gives up his career on the night of his triumph — to the woman who runs a transcontinental railroad — to the lowest track worker in her Terminal tunnels. You must be prepared, when you read this novel, to check every premise at the root of your convictions.This is a mystery story, not about the murder — and rebirth — of man’s spirit. It is a philosophical revolution, told in the form of an action thriller of violent events, a ruthlessly brilliant plot structure and an irresistible suspense. Do you say this is impossible? Well, that is the first of your premises to check.

The revolutionary literary vision that sowed the seeds of Objectivism, Ayn Rand's groundbreaking philosophy, and brought her immediate worldwide acclaim.This modern classic is the story of intransigent young architect Howard Roark, whose integrity was as unyielding as granite...of Dominique Francon, the exquisitely beautiful woman who loved Roark passionately, but married his worst enemy...and of the fanatic denunciation unleashed by an enraged society against a great creator. As fresh today as it was then, Rand’s provocative novel presents one of the most challenging ideas in all of fiction—that man’s ego is the fountainhead of human progress...“A writer of great power. She has a subtle and ingenious mind and the capacity of writing brilliantly, beautifully, bitterly...This is the only novel of ideas written by an American woman that I can recall.”—The New York Times

American author, journalist, and social commentator

Vin, the street urchin who has grown into the most powerful Mistborn in the land, and Elend Venture, the idealistic young nobleman who loves her, must build a healthy new society in the ashes of an empire. Three separate armies attack. As the siege tightens, an ancient legend seems to offer a glimmer of hope. But even if it really exists, no one knows where to find the Well of Ascension or what manner of power it bestows.

I can't remember being this violently conflicted about a book in quite some time. There are some areas where it's just so well done, with the author absolutely nailing it, and then others where I found myself grinding my teeth in frustration. I'm going to abandon my usual practice of writing short, pithy reviews and just drunkenly ramble on a few things here. (Still no spoilers, though.) That OK with y'all?Language. About two and a half chapters into this book, I found myself asking, "Why does this feel like a kids' fantasy book?" It wasn't the subject material or the plot, both of which are much more sophisticated than Harry Potter and his ilk. While I would feel perfectly comfortable having a 12-year old read this PG13-violent and utterly asexual book, I don't feel as though it's necessarily written for tweens. Finally it occurred to me: it's the language. This book is one of the most simply written books I've ever read, using only the most basic vocabulary. That isn't a bad thing, as I'd rather read something direct and simple than something flowery and overwritten, but Sanderson's language is so simple here that it's almost as if he's drawing with the Crayola 16-set when other authors have the big 64. (One notable exception: having apparently become recently enamored of the word, he uses maladroitly at least three times. Maybe he was jamming some Weezer while he wrote.) I haven't read any of his other works (yet; Mistborn #2 is on deck), but I have to assume this simplicity is by conscious choice, and it's an interesting choice at that. I'm just not sure yet how I feel about it.One language choice that I am sure how I feel about is Sanderson's decision to have his characters speak good old American English. The narration is similarly plainspoken, with a fair amount of American slang thrown in, rather than the twee, faux-Elizabethan style of a lot of fantasy authors. I like the approach. One of the most time-honored fantasy tropes is having all the characters thee and thou each other, with a few ne'er did yon stars of Yomama glimmer so resplendently, my suzerain for good measure. And I can handle that stuff, having been weaned on Tolkien and everything that came after, but I found Sanderson's decision to move away from that convention refreshing. I interpreted it as Sanderson saying, "The unspoken assumption here is that this book has been translated from whatever languages they speak on this made-up world, so why translate it to anything other than what is most understandable and comfortable for you to read? To couch this story in funky language is to insult your imagination by implying that you need that in order to realize you're reading a fantasy novel."Setting and Plot. The setting is a typical high fantasy world - feudal-style nobility and peasantry; shadowy, powerful priesthood; mysterious evil lord, etc. - with some odd, almost steampunk flourishes thrown in. There are wristwatches. Men's formal wear is described as something more like Victorian coat and tails than medieval garb. Magic in this world is fueled by elemental and alloyed metals, which are described rather exactly, using percentages. It's a unique and interesting blend.The basic plot is about as stock as it gets. If you're familiar with the Star Wars films, the Harry Potter or Percy Jackson books, Eragon, the Dragonriders of Pern trilogy, Dune, Ender's Game, or any one of about a million other works, please play Mad Libs with me:Dear [kid with weird name], I know you are only a [farmer / orphan / urchin / child of a minor noble], and this will be hard for you to accept, but you [have Great Powers / are the Chosen One / insert name of funky power here]. You are the only one who can [save the world / save the universe / defeat the Empire / restore order to the Force / kill the Big Boss]. Luckily, even though you just learned your destiny fifteen minutes ago, you will make up for lost time by quickly becoming better than anyone in the history of ever at [Quidditch / dragon riding / sandworm riding / Allomancy]. Any questions?Needless to say, the book's plot could have been a ticket to Hack City, but it really isn't. Vin's growth and development are handled well.Exposition. This is a fantasy book for the video game generation. By that, I mean that the book follows the general path of a first person RPG:1) Introduction to the world and the main characters2) A few early levels whose only apparent purpose is to teach the player how to use the buttons3) Quests of increasing difficulty, with progressive reveals of the Big Plot4) Fight with the Main Boss, including the inevitable twist5) Denouement and teaser for the next installment.Not that that's a bad thing! But I was really surprised at the way Allomancy (the main "magic" in this world) was laid out. In the two towering fantasy/sci-fi works of the 20th century, The Lord of the Rings and Dune, the supernatural elements of the story operated behind a sort of curtain or screen. The One Ring in LotR and the spice Melange in Dune both held great, mysterious powers, but the specific effects and extent of those powers were seen only in fits and flashes, and never understood completely by the characters or the reader. In contrast, fairly early in this book, Kelsier takes Vin on a practice run where he explains how her powers work and what their advantages and limitations are, using plain language and real-world physics, and lets her fly and mess around and just generally exult in her magic. It left me, the reader, as well as Vin the character, feeling that even if we didn't understand this magic perfectly right now, we might at some point in the future, which was a very different feel.OK, after enough rambling about things I feel ambivalently about, let's wrap up with one big win and one big fail:WIN: Brandon Sanderson can write the hell out of an action scene. (And since the final quarter of this book is pretty much all action, playing directly into Sanderson's strengths, it kicks all kinds of ass.) The fights in this book are gut-wrenching without being overly gory, and the chases and sneaks are heart-stopping as well. Perfect combination of pace and detail. Amazing. Possibly the best I've ever read from an author in this genre, and if he's able to do that so effortlessly, so early in his career, it gives me hope that he can fix...FAIL: ...the dialogue. In spite of being favorably disposed due to the use of informal American English, I eventually found the dialogue here really clunky. Everyone is too wordy. Everyone says one sentence too many. Over and over again, I found myself going, "Real people don't talk like this" and especially, "Real people who are supposed to be close friends don't talk anything like this to each other." Seriously, think of how you talk to your best friends in private, then compare it to this book. In addition, there was always that odd feeling of unneeded exposition, as if the characters were talking half to each other and half to the reader. It was unfortunate, especially in contrast to how slick and fast-moving and just plain awesome a lot of the other writing was.All in all, this was a fun, kinetic read...with a few holes in it. It builds, it explodes, and the ending is really good. If half-stars were allowed, this would have been a 3 1/2. Good stuff.Also, here are my (spoiler-free, suitable as previews) reviews of the second and third books in the series, if you enjoyed this one!

The end draws near....The Last Battle has started. The seals on the Dark One’s prison are crumbling. The Pattern itself is unraveling, and the armies of the Shadow have begun to boil out of the Blight.The sun has begun to set upon the Third Age.Perrin Aybara is now hunted by specters from his past: Whitecloaks, a slayer of wolves, and the responsibilities of leadership. All the while, an unseen foe is slowly pulling a noose tight around his neck. To prevail, he must seek answers in Tel’aran’rhiod and find a way--at long last--to master the wolf within him or lose himself to it foreverMeanwhile, Matrim Cauthon prepares for the most difficult challenge of his life. The creatures beyond the stone gateways--the Aelfinn and the Eelfinn--have confused him, taunted him, and left him hanged, his memory stuffed with bits and pieces of other men’s lives. He had hoped that his last confrontation with them would be the end of it, but the Wheel weaves as the Wheel wills. The time is coming when he will again have to dance with the Snakes and the Foxes, playing a game that cannot be won. The Tower of Ghenjei awaits, and its secrets will reveal the fate of a friend long lost.This penultimate novel of Robert Jordan’s #1 New York Times bestselling series--the second of three based on materials he left behind when he died in 2007--brings dramatic and compelling developments to many threads in the Pattern. The end draws near.Dovie’andi se tovya sagain. It’s time to toss the dice.

2010 novel by Robert Jordan and Brandon Sanderson

A Memory of Light is the 14th and final book of the fantasy series The Wheel of Time, written by American authors Robert Jordan and Brandon Sanderson, and published by Tor books. Originally expected to have been published around March 2012, the book was delayed several times, and the hardcover edition was eventually released on January 8, 2013. The book reached No. 1 on several bestsellers lists.The title A Memory of Light was previously intended to apply to a book containing the material in what are now books 12, 13 and 14. The original book was incomplete at the time of Jordan's death on September 16, 2007, from cardiac amyloidosis; his widow Harriet McDougal and publisher Tom Doherty chose to publish the book posthumously. Tor Books announced that Brandon Sanderson had been chosen to finish writing the book.

Raised from birth in the orphanage at St. Cloud's, Maine, Homer Wells has become the protege of Dr. Wilbur Larch, its physician and director. There Dr. Larch cares for the troubled mothers who seek his help, either by delivering and taking in their unwanted babies or by performing illegal abortions. Meticulously trained by Dr. Larch, Homer assists in the former, but draws the line at the latter. Then a young man brings his beautiful fiancee to Dr. Larch for an abortion, and everything about the couple beckons Homer to the wide world outside the orphanage ...

Eleven-year-old Owen Meany, playing in a Little League baseball game in Gravesend, New Hampshire, hits a foul ball and kills his best friend's mother. Owen doesn't believe in accidents; he believes he is God's instrument. What happens to Owen after that 1953 foul is both extraordinary and terrifying. At moments a comic, self-deluded victim, but in the end the principal, tragic actor in a divine plan, Owen Meany is the most heartbreaking hero John Irving has yet created.

This is the life and times of T. S. Garp, the bastard son of Jenny Fields—a feminist leader ahead of her times. This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes—even of sexual assassinations. It is a novel rich with "lunacy and sorrow"; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries—with more than ten million copies in print—this novel provides almost cheerful, even hilarious evidence of its famous last line: "In the world according to Garp, we are all terminal cases."

The Way of Kings is an epic fantasy novel written by American author Brandon Sanderson and the first book in The Stormlight Archive series. The novel was published on August 31, 2010, by Tor Books. The Way of Kings consists of one prelude, one prologue, 75 chapters, an epilogue and 9 interludes. It was followed by Words of Radiance in 2014, Oathbringer in 2017 and Rhythm of War in 2020. A leatherbound edition was released in 2021.

Elantris was the capital of Arelon: gigantic, beautiful, literally radiant, filled with benevolent beings who used their powerful magical abilities for the benefit of all. Yet each of these demigods was once an ordinary person until touched by the mysterious transforming power of the Shaod. Ten years ago, without warning, the magic failed. Elantrians became wizened, leper-like, powerless creatures, and Elantris itself dark, filthy, and crumbling.Arelon's new capital, Kae, crouches in the shadow of Elantris. Princess Sarene of Teod arrives for a marriage of state with Crown Prince Raoden, hoping -- based on their correspondence -- to also find love. She finds instead that Raoden has died and she is considered his widow. Both Teod and Arelon are under threat as the last remaining holdouts against the imperial ambitions of the ruthless religious fanatics of Fjordell. So Sarene decides to use her new status to counter the machinations of Hrathen, a Fjordell high priest who has come to Kae to convert Arelon and claim it for his emperor and his god.But neither Sarene nor Hrathen suspect the truth about Prince Raoden. Stricken by the same curse that ruined Elantris, Raoden was secretly exiled by his father to the dark city. His struggle to help the wretches trapped there begins a series of events that will bring hope to Arelon, and perhaps reveal the secret of Elantris itself.A rare epic fantasy that doesn't recycle the classics and that is a complete and satisfying story in one volume, Elantris is fleet and fun, full of surprises and characters to care about. It's also the wonderful debut of a welcome new star in the constellation of fantasy.

4.5/5 starsA colorful, vibrant, and highly character-driven standalone fantasy.If you haven’t seen the tenth-anniversary leatherbound edition of Warbreaker, I suggest you take a look now by clicking here: https://www.brandonsanderson.com/the-...No, I don’t have one; I simply can’t afford it. However, staring at how gorgeous it is, it certainly solidified my decision to reread Warbreaker; this time with the annotated edition which I haven’t done before, and I will recommend reading this edition only if you’ve read the book before. It’s terrifying how fast time flies; I can’t believe that it has been three years since I first read this book. Warbreaker was the first book by Brandon Sanderson that I read after I finished his brilliant Mistborn trilogy. Back then, I didn’t even realize how important this standalone would become in the overarching magnitude of Sanderson’s Cosmere universe. Having read all of Sanderson’s Cosmere books and going back to this made me realize how much Sanderson has improved as an author, and how beneficial it would be to read Warbreaker first before you dive into The Stormlight Archives. Seriously, do it.Picture: Siri and God King by Dan dos SantosTaking place in the world of Nalthis, Warbreaker is a standalone novel within Sanderson’s Cosmere universe, since its publication and for many more years to come, it will remain standalone. The story in Warbreaker follows the tale of two sisters princesses from Idris: Siri and Vivenna. Idris is on the brink of war with Hallandren, and to prevent war from happening, the king of Idris decides to send Vivenna—who has practiced and learned the culture and religion in Hallandran for years—to marry the God King. The king couldn’t go through with it at the last minute, and send his other daughter—Siri—to marry the God-King instead. Other than Siri, Vivenna, and Susebron, we also follow two other main characters, the reluctant god of bravery Lightsong the Bold, and a mysterious swordsman with a sentient sword, Vasher and Nightblood.Picture: Vasher and Vivenna by Dan dos SantosSanderson takes his time here. Warbreaker is mostly paced like the second book of Mistborn trilogy, The Well of Ascension. It’s slow-paced, and I thank Sanderson for it. Sanderson slowly and gradually builds up the tension of the storyline while making sure each main characters receive proper development and distinctive voices first. Contrast and differences in perspectives are a very huge driving factor of the story here. Sanderson himself has mentioned that Warbreaker is a book with many tone; this is also what made Warbreaker so good to read. An event, even when they’re witnessed together, can be perceived very differently depending on where you stand; everyone justifies their actions through the belief that they’re truly doing what’s best for themselves and society. The clash of opinions and beliefs the kind of theme constantly explored in this book, and it also made the characters more colorful in personality.\
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    “Every man is a hero of his own story.” \
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I have always loved Sanderson’s characterizations, and Warbreaker contained, in my opinion, some of his most distinctive characters so far. Siri, Vivenna, Lightsong, Vasher, Nightblood, Susebron, and Denth respectively differ in key personality, and I enjoyed reading their progression immensely. Almost all of the chemistry between the characters in this novel comes in two; Siri with Susebron, Vivenna with Denth or Vasher, Lightsong with Blushweaver or Larimar, and Vasher with Nightblood. The development and the interactions of these characters made the book for me; they felt so natural. The romance development between Siri and God-King, in particular, was endearing and it felt very genuine. Warbreaker is a very heavily character-driven book, which luckily is my favorite type of narrative to read, and these characters have so much to love and for me to feel invested in. I honestly wish the sequel would be published already because I want to know more about them. Picture: Blushweaver and Lightsong by Miranda MeeksAlso, I would like to give a suggestion. If you haven’t read any of Sanderson’s book in his Cosmere universe, Warbreaker would be a great book for you to start your adventure. I usually recommend readers to start with Mistborn trilogy, but if you find the idea of going through a 1500+ pages long series daunting, Warbreaker should be a safer choice. I don’t think you should worry too much about it though, Sanderson has one of the most accessible prose in the genre, and he knows how to write impactful scenes without relying on “beautiful” writing style. His prose allows him to tell a high fantasy story that’s accessible to many readers around the world, and I believe this is one of the many reasons why his books are so damn successful. The internal thoughts of characters were always well-delivered; the dialogues and banter were incredibly entertaining and fun to read. More than any other book in the Cosmere universe, Warbreaker is most likely the one that relies on banter and dialogues the most. Pretty much every appearance that involved Lightsong was utterly delightful to read.\
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    “I swear, my dear. Sometimes our conversations remind me of a broken sword."She raised an eyebrow."Sharp as hell," Lightsong said, "but lacking a point.”\
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Excluding the vivid and cinematic quality that came from the writing, one of the most important aspects and enhancement that came from Sanderson’s accessible prose would be the ease delivery of the staple hard magic system that’s clearly in play here. Designing an intricate and unique magic system is one of Sanderson’s main talents as an author and storyteller. I won’t even bother to explain to you the in-depths complexity of the magic system in Warbreaker that is called Awakening. The basic explanation for how it works is that Awakeners are capable of combining colors, BioChromatic Breath, and a Command to animate an object. This, however, doesn’t begin to touch the surface of the complexity and intricacies of the magic system. Sanderson ramp up the intensity of the story progressively, eventually leading it all towards the staple “Brandon Avalanche” conclusion in the final ten percent of the book.Picture: Vasher and Nightblood by Micah EpsteinI loved Warbreaker, not a surprise there. I would devour its sequel—currently Nightblood is the title—immediately when it’s out. From what I’ve gathered in the most recent State of Sanderson in 2019, there’s a good chance that we won’t see any continuation to this novel until—at least—2025, that’s sixteen years since Warbreaker was first published; it sounds ridiculously long but that’s just how things work in Sanderson’s multi-volume Cosmere universe. Not only Warbreaker is a wonderful standalone, but it’s also filled with well-realized characters that made the multitude of story elements such as mystery, politics, actions, romance, and intricate magic systems worked. Color me impressed once again, Sanderson. Your book left me breathless on my first read, and it continues to be breathtaking on reread. Yes, I'll let myself out now.You can order the book from: Book Depository (Free shipping)You can find this and the rest of my reviews at Novel Notions

Jonathan Stroud simply is not a fan of innocent protagonists as pure as the newly driven snow. He has little patience for innocents as main characters. No time for guys like Harry Potter or Frodo, who find themselves thrust into dangerous situations that were not of their own making. Give Stroud a nicely corrupt kid or a wildly headstrong hero any day of the week. Having burst upon the juvenile writing scene with his breathtaking Bartimaeus trilogy, Stroud now scales himself back a little with a slightly more conservative fantasy going by the name Heroes of the Valley. Masquerading as yet another boy-shepherd-learns-how-the-world-really-works tale, Stroud's newest book may seem to tread a well worn path but in fact it has all the zip, panache, and intelligence you would expect of the man who made footnotes a literary technique (outside of Pale Fire and Jonathan Strange, of course . . .). It has a slow start, but stick with Heroes of the Valley and you will discover a smart bit of storytelling that knows how to suck in its readership.Halli has grown up hearing the stories. How the heroes of the Houses in the valley drove back the horrible monstrous Trows and that's why no one can ever leave the valley again. Halli yearns for those old days, when violence and fighting could solve problems, particularly since in this current world Halli stands out. He is rough and short and ugly and prone to getting into trouble. Pranks come to him easily, but when a particularly keen one leads to the death of someone he loves, Halli vows to avenge the murder. Yet the boy has no idea what lies in store for him, or just how important it will be to remember those old stories and find out the truth (and lies) behind them.Trying to compare Heroes to other children's books isn't difficult, but I did find that it broke certain rules. Like Taran from the Prydain Chronicles), Halli yearns for battle and glory. As such, the first half of this book takes on a distinctly Don Quixote flavor, with Halli in both the role as the deluded would-be knight and his much put upon squire. Halli meets odd characters, goes against all rhyme, reason, and sense and then only finds himself facing the truth about the world around him when given exactly the thing he has been searching for. This is a quest novel where the quest keeps changing. If it reminded me of anything it was of the smart fantasy writing of Nancy Farmer in her The Sea of Trolls. But it's hard to find anyone to compare to the hero in this book.Generally as heroes go, usually they can at least fight a little bit. But Halli, aside from being one of the uglier bandy-legged protagonists out there, is both short and incapable of fighting someone. To his credit, he's pretty good at escaping from death (though in truth a lot of that is probably due to the fact that swords pass a fair foot above his head half the time). But how many books have you read where the hero's short legs prevented him from making a clean escape time and time again? It's kind of novel, really.And now let's talk about female characters a bit, shall we? For all that Stroud likes his boys flawed and wretched, he does a darn good girl. This may not sound too remarkable. Many a fantasy writer for kids knows how to write strong women characters. But I would go so far as to say that male fantasy writers for kids almost always make those same girls humorless. Not always (a tip of the hat to Neil Gaiman here) but more often than I would like. Not Stroud, though. No sir, when you first meet Aud she is falling out of trees, laughing, and mocking Halli in a truly humorous fashion when his ridiculousness comes to be too much. Aud is the daughter of one of the lords from another House. She has all the spunk and verve you would expect, but that's not extraordinary. I was far more interested in how funny she could be. It's a trait that serves her well in the tale.There is an interesting lack of religion or spirituality to this book's world, which is probably a necessity for many a children's author (Fly by Night aside). It also makes one of the book's central themes stand out without raising too much controversy. I doubt very much that you will hear that a parent has attempted to ban Heroes of the Valley because the story argues vehemently against a blind allegiance to past beliefs and ideas. The slow reveal of the truth behind the stories Halli has loved for so long grows more delicious as the tale carries on. There is much to be said here about cultural traditions and a society that fails to question its own rules from time to time. Consider Halli the Harry Beaton of his own private Brigadoon.The writing itself proves to be similar to the Bartimaeus books, even if the story is so vastly different. Stroud excels at ending a chapter on a tense note. There's a wonderful moment when Halli leaves a sick man's bedside, convinced that the fellow (who wants to kill him) is helpless. Then, in the dimming light, all Halli hears is the sound of a mattress that has just had a weight removed from it. Coo. Aside from basic competencies in producing a strong plot, metaphor, storyline, and smattering of character development, Stroud is also keen in including small amusing asides. At one point Aud and Halli are discussing various Heroes from he past and she makes a reference to how one of them came home with some outlaws' heads in a little string bag. Halli says, "A little string bag? . . . Sounds a bit girly. Who did that? Arne?" Aud replies, "No, no, I think it was Gest, or one of the other rubbish ones." I don't know why but I love that little throwaway scene. These two characters are in the midst of a serious conversation and Stroud has the wherewithal to include a dash of humor. It's a pretty British move, and more than welcome considering the circumstances.I run a homeschooler bookgroup, and my kids recently complained to me about fantasy novels that are parts of a series. For once they wanted to read something that could stand on its own. Now insofar as I can tell, Heroes of the Valley isn't slapping large signs that say "VOLUME ONE" all over its covers. And when you read the book it certainly remains self-contained, without any difficulty. But that ending . . . oh, don't worry. No spoiler alerts here. I won't say a thing except that it certainly wouldn't be impossible if Stroud felt inclined to go about making a sequel or two in his spare time. There certainly is more story to tell, and I for one would be first in line to buy if he felt inclined to carry on.I was a little perturbed to find that one of the book's major villains takes his leave of this earth off-screen, so to speak. Seemed a bit unsporting of Stroud. And there is also the little matter of the book's beginning being so slow. My advice is to encourage child readers to strive ever on. In fact, by the end of the story you will find yourself hard pressed to pry the title from well-clenched hands. I came within an inch of missing my subway stop the other day because I had had the misfortune to be reading Chapter 26 at the wrong time. All that aside, this is a fine frisky novel. A book that comes to a full boil about 3/4ths of the way in and is worth the wait. If you have ever wanted a fantasy for kids that shows a character learning and growing, this is one of the best examples I've found to date. Worth the reading. Extremely enjoyable.Ages 10 and up.

The Bartimaeus Sequence is a series of children's novels of alternate history, fantasy and magic. It was written by British writer Jonathan Stroud and consists of a trilogy published from 2003 to 2005 and a prequel novel published in 2010. The eponymous character, Bartimaeus, is a five-thousand-year-old boisterous djinni. The story follows the career of a teenage magician Nathaniel and Bartimaeus, whom he has summoned and nominally controls, through the alternative history of the peak of London's domination as a magical oligarchy.The series is set in London during the early 2000s in a parallel universe where trained people can summon demons to do their bidding. Throughout history, various individuals and empires have harnessed these magical forces to obtain great power in the world. The most recent nation to do this is the British empire (which London is of course the capital of) that has dominated Europe since the mid 19th century and continues to do so at the time of the story. The UK is a magical oligarchy where a ruling elite of magicians hold almost all the political, economic and cultural power.

Nathaniel is a boy magician-in-training, sold to the government by his birth parents at the age of five and sent to live as an apprentice to a master. Powerful magicians rule Britain, and its empire, and Nathaniel is told his is the "ultimate sacrifice" for a "noble destiny." If leaving his parents and erasing his past life isn't tough enough, Nathaniel's master, Arthur Underwood, is a cold, condescending, and cruel middle-ranking magician in the Ministry of Internal Affairs. The boy's only saving grace is the master's wife, Martha Underwood, who shows him genuine affection that he rewards with fierce devotion. Nathaniel gets along tolerably well over the years in the Underwood household until the summer before his eleventh birthday. Everything changes when he is publicly humiliated by the ruthless magician Simon Lovelace and betrayed by his cowardly master who does not defend him.Nathaniel vows revenge. In a Faustian fever, he devours magical texts and hones his magic skills, all the while trying to appear subservient to his master. When he musters the strength to summon the 5,000-year-old djinni Bartimaeus to avenge Lovelace by stealing the powerful Amulet of Samarkand, the boy magician plunges into a situation more dangerous and deadly than anything he could ever imagine.

Nathaniel 17 treats Bartimaeus worse than ever. The long-suffering djinni is weak from too much time in this world, near the end of his patience. Rebel Kitty 18 hides, stealthily finishing her research on magic, demons, and Bartimaeus. She has a daring plan that she hopes will break the endless cycle of conflict between djinn and humans. But will anyone listen to what she has to say? Together the trio face treacherous magicians, a complex conspiracy, and a rebellious faction of demons. To survive, they must test the limits of this world and question the deepest parts of themselves.

At only fourteen, Nathaniel is a rising star: a young magician who is quickly climbing the ranks of the government. There is seemingly nothing he cannot handle, until he is asked to deal with the growing Resistance movement, which is disrupting London life with its thefts and raids. It’s no easy task: the ringleader Kitty and her friends remain elusive, and Nathaniel’s job-and perhaps his life-are soon at risk. As the pressure mounts, he is distracted by a new series of terrifying attacks in the capital. But is it the Resistance again, or something more dangerous still? To uncover the perpetrators, Nathanial must take desperate measures: a journey to the enemy city of Prague and-worse-summoning once again the troublesome, enigmatic, and quick – witted djinni Bartimaeus. A thrilling sequel to the best-selling Amulet of Samarkand, The Golem’s Eye is a roller-coaster ride of magic, adventure, and political skullduggery, in which the fates of Nathaniel, Bartimaeus, and Kitty explosively collide.

We have all been lied to—a great and sinister conspiracy exists to keep us from uncovering the truth about our past. Have you ever wondered how Victorians like Jules Verne and H.G. Wells dreamed up all that fantastic futuristic fiction? Did it ever occur to you that it might have been based upon fact? That War of The Worlds was a true account of real events? That Captain Nemo’s Nautilus even now lies rusting at the bottom of the North Sea? And what about the other stuff? Did you know, for instance, that Jack the Ripper was a terminator robot sent from the future? In this book, learn how a cabal of Victorian Witches from the Chiswick Townswomen’s Guild, working with advanced Babbage super computers, rewrote 19th-century history, and how a 21st-century boy called Billy Starling uncovered the truth about everything.

The last volume of the fabulously popular A Series of Unfortunate Events series, in which the history of the Baudelaire orphans is brought to its end.You are presumably looking at the back of this book, or the end of the end. The end of the end is the best place to begin the end, because if you read the end from the beginning of the beginning of the end to the end of the end of the end, you will arrive at the end of the end of your rope. This book is the last in A Series of Unfortunate Events, and even if you braved the previous twelve volumes, you probably can't stand such unpleasantries as a fearsome storm, a suspicious beverage, a herd of wild sheep, an enormous bird cage, and a truly haunting secret about the Baudelaire parents. It has been my solemn occupation to complete the history of the Baudelaire orphans, and at last I am finished. You likely have some other occupation, so if I were you I would drop this book at once, so the end does not finish you. With all due respect, Lemony Snicket

\
  Dear Reader,\
If this is the first book you found while searching for a book to read next, then the first thing you should know is that this next-to-last book is what you should put down first. Sadly, this book presents the next-to-last chronicle of the lives of the Baudelaire orphans, and it is next-to-first in its supply of misery, despair, and unpleasantness.Probably the next-to-last thing you would like to read about are a harpoon gun, a rooftop sunbathing alon, two mysterious initials, three unidentified triplets, a notorious villain, and an unsavory curry.Next-to-last things are the first thing to be avoided, and so allow me to recommend that you put this next-to-last book down first, and find something else to read next at last, such a s the next-to-last book in another chronicle, or a chronicle containing other next-to-last things, so that this next-to-last book does not become the last book you will read.\
  With all due respect,\
Lemony Snicket

Twister is a game of physical skill produced by Milton Bradley Company and Winning Moves Games USA. It is played on a large plastic mat that is spread on the floor or ground. The mat has four rows of six large colored circles on it with a different color in each row: red, yellow, green and blue. A spinner tells players where they have to place their hand or foot. The game promotes itself as "the game that ties you up in knots".

Dungeons & Dragons (commonly abbreviated as D&D or DnD) is a fantasy tabletop role-playing game (RPG) originally designed by Gary Gygax and Dave Arneson. It was first published in 1974 by Tactical Studies Rules, Inc. (TSR). It has been published by Wizards of the Coast (now a subsidiary of Hasbro) since 1997. The game was derived from miniature wargames, with a variation of the 1971 game Chainmail serving as the initial rule system. D&D's publication is commonly recognized as the beginning of modern role-playing games and the role-playing game industry.D&D departs from traditional wargaming by allowing each player to create their own character to play instead of a military formation. These characters embark upon imaginary adventures within a fantasy setting. A Dungeon Master (DM) serves as the game's referee and storyteller, while maintaining the setting in which the adventures occur, and playing the role of the inhabitants of the game world. The characters form a party and they interact with the setting's inhabitants and each other. Together they solve dilemmas, engage in battles, explore, and gather treasure and knowledge. In the process, the characters earn experience points (XP) in order to rise in levels, and become increasingly powerful over a series of separate gaming sessions.

Lords of Waterdeep is a German-style board game designed by Peter Lee and Rodney Thompson and published by Wizards of the Coast in 2012. The game is set in Waterdeep, a fictional city in the Forgotten Realms campaign setting for the Dungeons & Dragons role-playing game. Players take the role of masked rulers of Waterdeep, deploying agents and hiring adventurers to complete quests and increase their influence over the city.In 2013, Wizards of the Coast released the only expansion to date called Scoundrels of Skullport and an iOS version of the base game in collaboration with Playdek.Lords of Waterdeep is a strategy board game for 2-5 players (up to 6 players with the expansion). Each player takes on the role of one of the masked Lords of Waterdeep: the secret rulers of the city, vying for the control of its treasures and resources. The players use their agents to recruit adventurers to complete a number of quests, which earn rewards (usually victory points and other rewards) and increases that lord's influence over the city. The various adventurer resources, represented as orange, black, purple, and white cubes, are based on the four classic D&D character classes: fighters, rogues, mages, and clerics, respectively. There are also five different types of quests, each typically favoring one type of adventurer; they are Warfare, Skullduggery, Arcana, Piety, and Commerce, which has a focus on the in-game currency.

Acquire Corp. (株式会社アクワイア, Kabushikigaisha Akuwaia) is a video game developer based in Japan, mainly known for their Tenchu and Way of the Samurai series.

Pente is a strategy board game for two or more players, created in 1977 by Gary Gabrel, a dishwasher at Hideaway Pizza, in Stillwater, Oklahoma. Customers played Pente at Hideaway Pizza on checkerboard tablecloths while waiting for their orders to arrive. Thirty years later, patrons are still playing Pente at Hideaway Pizza, although now with roll-up Pente boards. Pente is based on the Japanese game ninuki-renju, a variant of renju or gomoku that is played on a Go board of 19x19 intersections with white and black stones. Like ninuki-renju, Pente allow captures, but Pente added a new opening rule. In the nineteenth century, gomoku was introduced to Britain where it was known as "Go Bang." (borrowed from Japanese "goban" 碁盤 meaning "go board")

Aaron Dontez Yates (born November 8, 1971), better known as Tech N9ne (pronounced "Tech Nine"), is an American rapper, songwriter, record producer, actor, and entrepreneur. In 1999, he and business partner Travis O'Guin founded the record label Strange Music. He has sold over two million albums and has had his music featured in film, television, and video games. In 2009, he won the Left Field Woodie award at the mtvU Woodie Awards.His stage name originated from the TEC-9 semi-automatic handgun, a name given to him by rapper Black Walt due to his fast-rhyming Chopper style. Yates later applied a deeper meaning to the name, claiming that it stands for the complete technique of rhyme, with "tech" meaning technique and "nine" representing the number of completion.

This is a list of products produced by the Milton Bradley Company.

You're Bluffing is a card game with a dedicated deck, designed for 3 to 5 players. Its original German name is Kuhhandel; in other languages it is titled Pague Para Ver!, Boursicocotte, Koehandel and Lehmänkaupat.The illustrations were drawn by English artist and musician Trevor Dunton.

BoardGameGeek is a website that was founded in January 2000 by Scott Alden and Derk Solko as a resource for board gaming hobbyists. The database holds reviews, articles, session reports, images, videos, and files for over 84,000 different games and expansions, and over 23,000 game designers. BoardGameGeek includes German-style board games, wargames, card games and other tabletop games, as well as public-domain card games like Spades. The site also features bulletin boards, a marketplace, several online boardgames, and a gamer database to help gamers find each other in the same location. BoardGameGeek was the recipient of the 2010 Diana Jones Award, which recognized it as "a resource without peer for board and card gamers, the recognized authority of this online community."

TheSpiel des Jahres(German:[ˈʃpiːl dəs ˈjaːʁəs],Game of the Year) is an award for board and card games, created in 1978 with the stated purpose of rewarding excellence in game design, and promoting top-quality games in the German market. It is thought that the existence and popularity of the award is one of the major drivers of the quality of games coming out of Germany. A Spiel des Jahres nomination can increase the typical sales of a game from 500–3000 copies to around 10,000; and the winner can usually expect to sell 300,000 to 500,000 copies.The award is given by a jury of German-speaking board game critics (from Germany, Austria, Switzerland), who review games released in Germany in the preceding twelve months. The games considered for the award are family-style games. War games, role-playing games, collectible card games, and other complicated, highly competitive, or hobbyist games are outside the scope of the award. Since 1989, there has been a separate award for children's games.

Mysterium is a first person dungeon crawl game developed by Maxis and published by Asmik Ace Entertainment in February 1991 for the Nintendo Game Boy.The four reviewers for Electronic Gaming Monthly offered mixed opinions on the game.

The OFFICIAL digital adaptation of the best-selling board game Splendor. The goal of the game is to build the most impressive jewel trade and become the best-kn...

Forbidden Island is a cooperative board game developed by Matt Leacock and published by Gamewright Games in 2010. Two to four players take the roles of different adventurers, moving around a mysterious island, looking for hidden treasures as the island sinks around them. All players win if they find all the hidden treasures and they all make it back to the helicopter and fly away, and they all lose if they cannot.Players take on the role of adventurers trying to retrieve treasures from a rapidly sinking island. They must retrieve four treasures: (The Earth Stone, the Crystal of Fire, the Statue of the Wind, and the Ocean Chalice) and return to the helicopter landing pad ("Fools Landing") before the waters rise covering the entire island.

Stone Ageis designer board game designed by Michael Tummelhofer and published by Hans im Glück in 2008. It is a development game with a Stone Age theme that involves taking control of a tribe to collect resources and build a village that has the most powerful chief.Players collect wood, break stone and wash their gold from the river. They trade freely, expand their village and so achieve new levels of civilization. With a balance of luck and planning, the players compete for food in this prehistoric time.

Many games contain time travel elements. This list includes computer and video games, board games, pen and paper role-playing games and play by mail games which strongly feature time travel.
Time travel has been used and explored by both film, literature, and video games. Unlike films and literature, video games allow the player to interact directly, opening up different forms of gameplay. Time travel as a plot device has been employed in video games since early arcade games. The manipulation of time as an aspect of gameplay entered the mainstream following the release of Prince of Persia: The Sands of Time in 2003, though earlier titles such as 2000's The Legend of Zelda: Majora's Mask have employed it.

A Mahjong video game is a video game that is based on one of the many ways to play mahjong. The majority of mahjong video games are developed and released in Japan and use the rules for Japanese Mahjong, although several have also been made for American Mahjong and several Chinese versions of mahjong. Many mahjong video games, especially among those released in Western territories, do not depict the actual game of mahjong but rather mahjong solitaire.

Pax Imperia: Eminent Domain is a real-time strategy computer game. The game emphasizes empire building and customization. Instead of using a single large map as do most of the current real-time strategy games, Pax Imperia revolves around star systems connected by wormholes or jump points, which connect a system of star systems in a large web. The game allowed for the player to customise the species that they were to play to a high degree. Players could focus on construction, reproduction, research, espionage, or the acquisition of money. Players could select special qualities, such as having psychic powers or an aquatic physiology, and could tailor their species to be better at peaceful colonisation or conquest.

Lionel Trains: On Track is a video game released for the Nintendo DS on December 6, 2006, licensed by Lionel Corporation. The gameplay is very similar to Sid Meier's Railroad Tycoon series of computer games. In the game, you are the head of an unspecified railroad, and your objective is to connect different cities together through rail, using the funds you start off with, and later earn. There are several separate modes of gameplay, with varying objectives.

Codenames is a 2015 card game for 4–8 players designed by Vlaada Chvátil and published by Czech Games Edition. Two teams compete by each having a "spymaster" give one-word clues that can point to multiple words on the board. The other players on the team attempt to guess their team's words while avoiding the words of the other team. In a variant with 2–3 players, one spymaster gives clues to the other player or players.In 2016, Codenames won the Spiel des Jahres award for the best board game of the year.Codenames is a game of guessing which codenames (i.e., words) in a set are related to a hint-word given by another player.Players split into two teams: red and blue. One player of each team is selected as the team's spymaster; the others are field operatives.

Game of the Year (abbreviated GotY) is a title awarded by various magazines, websites, and shows to a deserving game. Many publications award a single "Game of the Year" to a single title that they feel represents the pinnacle of gaming achievement that year.Organizations and publications who award board Game of the Years include:The winners of the Games (magazine) Game of the Year are chosen by Games editors:The BoardGameGeek Golden Geek Award was originally presented at the BGG.CON event in November, but is currently announced annually in March. The winners of the Golden Geek are selected by the nomination and voting of the user community of BoardGameGeek.com website.

When two kids find and play a magical board game, they release a man trapped in it for decades - and a host of dangers that can only be stopped by finishing the game.

A sole survivor tells of the twisty events leading up to a horrific gun battle on a boat, which began when five criminals met at a seemingly random police lineup.

1995 German-American neo-noir crime thriller film directed by Bryan Singer

In the future, a sadistic gang leader is imprisoned and volunteers for a conduct-aversion experiment, but it doesn't go as planned.

1971 dystopian crime film directed by Stanley Kubrick

Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, Thao Lor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.

Memento is a 2000 American neo-noir psychological thriller film written and directed by Christopher Nolan, based on the 2001 short story "Memento Mori" by Jonathan Nolan. Guy Pearce stars as Leonard Shelby, a man who suffers from anterograde amnesia, resulting in short-term memory loss and the inability to form new memories. He searches for the people who attacked him, raped and killed his wife, using an elaborate system of Polaroid photographs, handwritten notes, and tattoos to track information he won't remember. Carrie-Anne Moss and Joe Pantoliano co-stars in the film.The film's non-linear narrative is presented as two different sequences of scenes interspersed during the film: a series in black-and-white that is shown chronologically, and a series of color sequences shown in reverse order (simulating for the audience the mental state of the protagonist). The two sequences meet at the end of the film, producing one complete and cohesive narrative.

After John Nash, a brilliant but asocial mathematician, accepts secret work in cryptography, his life takes a turn for the nightmarish.

When Stan Marsh and his friends go see an R-rated movie, they start cursing and their parents think that Canada is to blame.

1999 animated film directed by Trey Parker

This film adaptation of a Roald Dahl work tells the story of Matilda Wormwood, a gifted girl forced to put up with a crude, distant father and mother.

1996 American fantasy film by Danny DeVito

Snow White's mother, the Queen dies when she is born. Her father, the King, remarries a beautiful but vain lady. The new Queen has a magic mirror that she asks every day, who is the fairest one of all? When it answers Snow White, the

1955 German film directed by Erich Kobler

Five friends go for a break at a remote cabin, where they get more than they bargained for, discovering the truth behind the cabin in the woods.

Two detectives, a rookie and a veteran, hunt a serial killer who uses the seven deadly sins as his motives.

1995 neo-noir crime thriller film by David Fincher

A small group of survivors are left behind after millions of people suddenly vanish and the world is plunged into chaos and destruction.

A family living on a farm finds mysterious crop circles in their fields which suggests something more frightening to come.

Hayley's a smart, charming teenage girl. Jeff's a handsome, smooth fashion photographer. An Internet chat, a coffee shop meet-up, an impromptu fashion shoot back at Jeff's place. Jeff thinks it's his lucky night. He's in for a surpri

In a parallel universe, young Lyra Belacqua journeys to the far North to save her best friend and other kidnapped children from terrible experiments by a mysterious organization.

Interviews with scientists and authors, animated bits, and a storyline involving a deaf photographer are used in this docudrama to illustrate the link between quantum mechanics, neurobiology, human consciousness and day-to-day realit

In German-occupied Poland during World War II, industrialist Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazis.

The lives of guards on Death Row are affected by one of their charges: a black man accused of child murder and rape, yet who has a mysterious gift.

1999 American drama film directed by Frank Darabont

Fictional account of French artist Henri de Toulouse-Lautrec.

singer and songwriter from the United States

Robert Pickering "Bo" Burnham is an American comedian, musician, actor, and filmmaker. His work combines elements of filmmaking with comedy genres such as music, sketch, and stand-up, often with a dramatic or tragic twist.

A young woman, destined to slay vampires, demons and other infernal creatures, deals with her life fighting evil, with the help of her friends.

1997 American supernatural drama TV series

An exploration of our discovery of the laws of nature and coordinates in space and time.

2014 American science documentary television series presented by Neil deGrasse Tyson

Adventure Time is an American fantasy animated television series created by Pendleton Ward for Cartoon Network and distributed by Warner Bros. Domestic Television. The series follows the adventures of a boy named Finn (Jeremy Shada) and his best friend and adoptive brother Jake (John DiMaggio)—a dog with the magical power to change size and shape at will. Finn and Jake live in the post-apocalyptic Land of Ooo, where they interact with Princess Bubblegum (Hynden Walch), the Ice King (Tom Kenny), Marceline (Olivia Olson), BMO (Niki Yang), and others. The series is based on a 2007 short film that aired on Nicktoons. After the short became a viral hit on the Internet, Nickelodeon's executives passed on its option before Cartoon Network commissioned a full-length series from Fred Seibert and Ward, which was previewed on March 11, 2010. The same year, the series premiered on Cartoon Network on April 5, and ended its eight-year run on September 3, 2018.

A high school chemistry teacher diagnosed with inoperable lung cancer turns to manufacturing and selling methamphetamine in order to secure his family's future.

A Young Doctor's Notebook (Russian: «Записки юного врача» Zapiski yonogo vracha, literally, "A Young Doctor's Notes"), also known as A Country Doctor's Notebook, is a short story collection by the Russian writer Mikhail Bulgakov. The stories were written in the 1920s and inspired by Bulgakov's experiences as a newly graduated young doctor in 1916-18, practicing in a small village hospital in Smolensk Governorate in revolutionary Russia. The stories initially appeared in Russian medical journals of the period and were later compiled by scholars into book form. The first English translation was done by Michael Glenny and was published by Harvill Press in 1975. A more recent translation (2011) has been done by Hugh Aplin under the Oneworld Classics imprint. The title of the Aplin translation is A Young Doctor's Notebook. The French translation was done by Paul Lequesne in 1994.

When an old enemy, the Cylons, resurface and obliterate the 12 colonies, the crew of the aged Galactica protect a small civilian fleet - the last of humanity - as they journey toward the fabled 13th colony, Earth.

An anthology series exploring a twisted, high-tech multiverse where humanity's greatest innovations and darkest instincts collide.

BoJack Horseman was the star of the hit television show "Horsin' Around" in the '80s and '90s, but now he's washed up, living in Hollywood, complaining about everything, and wearing colorful sweaters.

An animated series that follows the exploits of a super scientist and his not-so-bright grandson.

A futuristic laboratory has erased the identities of lost young people, and now imprints them with the temporary identities they need to fulfill assignments for clients.

Philip J. Fry, a pizza delivery boy, is accidentally frozen in 1999 and thawed out on New Year's Eve 2999.

American animated sitcom for the Fox Broadcasting Company and Comedy Central

Secrets are just part of daily life in the small Pennsylvania town of Hemlock Grove, where the darkest evils hide in plain sight.

2013 American horror thriller television series

A mockumentary on a group of typical office workers, where the workday consists of ego clashes, inappropriate behavior, and tedium.

Daniel Tosh provides humorous commentary on content from the Internet.

A detective investigates a mysterious motel room, which acts as a portal to an alternate universe.

An anthology series centering on different characters and locations, including a house with a murderous past, an insane asylum, a witch coven, a freak show circus, a haunted hotel, a possessed farmhouse, a cult, the apocalypse, and a

American anthology horror television series

The comedic misadventures of Roy, Moss and their grifting supervisor Jen, a rag-tag team of IT support workers at a large corporation headed by a hotheaded yuppie.

A sketch-comedy series that parodies life in Portland, Oregon.

NTSF:SD:SUV:: (National Terrorism Strike Force: San Diego: Sport Utility Vehicle::) is an American television comedy that parodies the police procedural and action film genres. The series starred Paul Scheer, June Diane Raphael, Brandon Johnson, Kate Mulgrew, Rebecca Romijn, Martin Starr, Karen Gillan, Rob Riggle, Peter Serafinowicz and Matt Bush. NTSF:SD:SUV:: aired three seasons on Adult Swim from July 22, 2011 to December 13, 2013. A number of special episodes were included within the broadcast of the series. In a 2014 interview, Scheer stated that the show is on an indefinite hiatus, with no immediate plans for a return.Created by comedian Paul Scheer, NTSF:SD:SUV:: (National Terrorism Strike Force: San Diego: Sport Utility Vehicle::) was first featured in a set of mock promotional television advertisements shot as a backdoor pilot and aired during season one broadcasts of Childrens Hospital on Adult Swim. The mock promos starred Scheer as agent Trent Hauser, along with June Diane Raphael, Brandon Johnson, and Rob Riggle. From the mock promos, the program was ordered to series with a 12-episode season, adding Kate Mulgrew, Rebecca Romijn, and Martin Starr to the cast. NTSF:SD:SUV:: premiered on July 21, 2011. The series has aired three seasons, with the third concluding in 2013. In a 2014 interview, Scheer stated that the show is on an indefinite hiatus, with no immediate plans for a return.

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