Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

Through surprisingly good storytelling, David “Don’t Call Me Doctor” Landers takes us on a captivating spiritual adventure as he walks us through his personal evolution from dedicated Christian to devout atheist. But much more than autobiography, his story is woven with provocative psychological and philosophical commentary, including input from the likes of Lucretius, Freud, and the metal band Napalm Death. A rare style of intellectual but conversational and poignant but humorous makes for a highly accessible and enjoyable read.  As the spiritual account winds down, the book transitions into a more rational exploration of the problems associated with religion—and even with spirituality in general. Everyone from outspoken atheists to moderate believers will be engaged, as David is able to critically evaluate spirituality without the hostility so common among modern atheist writers.  At the book’s climax, David develops the popular atheist conversation a little deeper by courageously exploring the implications of nihilism: If our deepest fears about the nature of reality were to be true, could we go on? By the end of Optimistic Nihilism, we begin to suspect that we could—and even wonder if a relatively nihilistic perspective paradoxically makes life more precious than any other scheme. A critical must-read for all students of spirituality, psychology, and humanity.

Day Bang is a 201-page book that teaches you how to pick up women during the day, primarily in a coffee shop, clothing store, bookstore, grocery store, subway, or on the street. It contains 51 openers, 23 long dialogue examples with commentary, and dozens of additional lines that teach by example.Day Bang includes...-The optimal day game mindset that leads to the most amount of success-An easy mental trick to prevent your brain from going into a flight-or-fight response when it's time to approach a woman you're attracted to-A detailed breakdown of how to use the "elderly opener," an easy style of approach that reliably starts conversations with women-2 ways to tell if a girl will be receptive to your approach-How to avoid the dreaded "interview vibe"-10 common mistakes guys make that hurt their chances of getting a numberDay Bang shares tons of tips and real examples on having successful conversations. It teaches you...-How to use my bait system to get the girl engaged and interested in you-How to segue out of the initial opening topic into a more personal chat where you'll get to know the girl on a deeper level-How to take the interesting things you've done (your accomplishments, hobbies, and experiences) and morph them into bait hooks that gets the girl intrigued enough to want to go out with you-My "Galnuc" method to seamlessly get a girl's number-An easy hack at the end of your interactions that will reduce the chance of a flake and prime the girl for going out with you-Ways to open up a conversation on a girl who isn't giving you much to work withDay Bang goes into painstaking detail on how to approach women in a variety of common environments...-How to open a girl in coffee shops when she has a book, laptop, mp3 player, cell phone, research paper, crossword or Sudoku puzzle, or nothing at all-Two methods for approaching a girl on the street, depending on if she's moving or not, with a diagram to explain all the approach variations-How to approach in a retail store or mall environment, with openers to use on customers or sales clerks-How to approach in bookstores, with specific tips on how to customize your approaches in the cafe, magazine section, or general book aisles-How to meet women in public transportation, on both the bus and subway-How to meet women in grocery stores-How to approach girls in secondary venues like a beach, casino, concert, gym, hair salon, handicraft fair, museum, art show, park, public square, or wine festivalDozens of additional topics are logically organized into 12 chapters...-Preparation. How to reduce your approach anxiety-Opening. How to deliver your opener in a way that doesn't scare women away-Rambling. How to have conversations that make women interested in you-Closing. How to get a number in a way that reduces the chance she'll flake-The Coffee Shop. How to pick up in coffee shops and cafes-The Street. How to pick up outdoors-The Clothing Shop. How to pick up in retail shops, malls, and big box stores-The Bookstore. How to pick up in bookstores-Public Transportation. How to pick up in the bus, subway, or long distance transportation-The Grocery Store. How to pick up in grocery stores-Other Venues. How to pick up just about anywhere else women can be found-Putting It All Together. How to maximize your day game potentialThe lessons taught in this 75,000 word, no-fluff textbook will help you meet women during the day. If you need tips on what to do after getting her number, consult my other book Bang, which contains an A-to-Z banging strategy. Day Bang focuses exclusively on daytime approaching.

“The world is my idea:” And so with these words Schopenhauer begins his magnum opus with one of the most provocative opening lines in all of literature. He continues, “a truth which holds good for every thing that lives and knows,… [Man] knows not a sun, and not an earth, but only an eye that sees a sun, a hand that feels an earth; that the world which surrounds him exists only as idea–that is, only in relation to something else, the one who conceives the idea, which is himself.”The whole of Schopenhauer’s philosophy is contained in these lines. The book that follows works to undo the assumptions the reader brings to them–primarily those surrounding “himself”. Read:“We never know it [the subject], but wherever anything is known, it is the knower.”“however immeasurable and massive this world may be, its existence hangs nonetheless by a single thread: that is, the actual consciousness in which it exists.”“The world’s existence is irrevocably subject to this condition, and this brands it, in spite of all empirical reality, with the stamp of ideality and therefore of mere phenomenal appearance. As a result, the world must be recognized, at least from this aspect, as akin to dreaming,”“inference from sensation to its cause which, as I have repeatedly pointed out, lies at the foundation of all sense perception, is certainly sufficient to signal for us the empirical presence in space and time of an empirical object, and is therefore quite enough for the practical purposes of life; but it is by no means sufficient to afford us any conclusion as to the existence and real nature, or rather as to the intelligible substratum, of the phenomena which in this way arise for us.”Just as I’ve already suggested, so Schopenhauer himself reiterates throughout: “There is, indeed, just one thought which forms the content of this whole work.” And indeed this is just as much the case as it is the crux. The very pervasive difficulty is in trying to understand something that is impossible to understand from the way we are conditioned to know the world–which is under the forms of time and space. For Schopenhauer’s will lies outside of time and space, outside of cause and effect, outside of change and fate–all of which is mostly impossibly for us to completely comprehend.Hence accusations of contradictions. But of course Schopenhauer presupposes such, and, just as he, through this work, fixates his reader in an exercise of understanding something that is near-impossible to understand, he also reconciles not only his own seeming contradictions but more ubiquitous ones such as that between fate and free-will. And this–you may have guessed–he does by incessantly hashing out the relationship between will and idea. In a very generalized nutshell such reconciliations are an insistence that certain dualisms are the same thing looked at from different perspectives. –The will is infinite, timeless, spaceless, absolute, free. It is the eternal all-knowing knower.–Idea, being the manifestation of the will, is also infinite and yet exists only temporally, spacially; it exists only in condition, and is completely fated. Inside of it, each of us is only the will itself inside of time and space–i.e. the will seeing itself from a limited perspective, which, for being limited, draws it/us into the delusion of individuation or plurality.“in the case of such beings as have knowledge,…the individual is the support of the knowing subject, and the knowing subject is the support of the world.”The mystery in this equation can be somewhat lightened by ruminating on the concept of infinity or as Schopenhauer puts it:“life has infinite time and infinite space to erase the distinction between the possible and the actual,”Likewise, Schopenhauer’s uncanny sensitivity allows him to shed light on the foundations of human error:“It is an error great as it is common that the most frequent, most universal and simplest phenomena are those that we best understand;”He very elegantly and succinctly sums up man’s tragic penchant to assume and forget:“Men quietly resign themselves to starting from mere qualitates occultae which they had given up trying to elucidate because they intended to build on them, not excavate beneath them.”In all my limited investigation, I’ve never found a more compelling account of the cosmos. I sympathize with Borges’ regret and joy in the fact that he wouldn’t ever write an account of his worldview because Schopenhauer had already done it for him. Although it should be said that the fact that much of what Schopenhauer himself said had long existed in eastern metaphysics–primarily Buddhist and Hinduist–didn’t suffice to prevent him from writing his. And so we are the benefactors of this stubbornness. For, a large part of the thrill is to have both the rigor of a western style delineation and the–at least partial–validation that is the historic force of an ancient spiritual practice. This is not to say that the equating of any kind of western philosophy with an eastern spiritual tradition–or vice versa–proves its truth, but for those who recognize for themselves an experiential, non-dogmatic truth in one or another, it is rather exhilarating to jump over onto a parallel wire and see this truth from a different and uniquely established perspective.“If we lose ourselves in contemplation of the infinite greatness of the universe in space and time, meditate on the the millennia of years that have passed and are yet to come, or if the night-sky actually brings before our eyes countless worlds, and so forces upon our consciousness the immensity of the universe, we feel ourselves reduced to nothing; as individuals, as bodies vitalised, as transient phenomena of will, we feel ourselves like drops in the ocean, dwindle and disperse into the void. But against this spectre of our own futility, against such mendacious impossibility, there rises up at once the immediate consciousness that all these worlds exist only in our ideation, only as modifications of the eternal subject of pure knowing, which we find ourselves to be as soon as we forget our individuality, and which is the necessary support of all worlds and all eras, and the condition of their existence. The vastness of the world which previously troubled us, now rests in us; our dependence on it is cancelled by its dependence on us.”A brief note on this particular book (Everyman): - It’s abridged. I never thought I’d read an abridged book much less defend one. Now that I’ve done the former–having been tricked in part by the fact that its abridgement goes slyly unmentioned on any part of the book’s exterior–I will do the latter. According to the editor, the hundreds of pages of lanced-off prose is mostly “digressions in which Schopenhauer excoriates his philosophical opponents.” Though I’m one who finds these excoriations highly entertaining, I count myself fortunate in being tricked into imbibing this more concentrated version in my major introduction to Schopenhauer’s own words. Tangents and references to unfamiliar thought, however entertaining, would have only weakened the understanding I ultimately gained. - Translation. You’ll notice other Schopenhauer books titled, The World as Will and Representation, and The World as Will and Presentation, and perhaps wonder whether he is making some rather fine distinction each by writing an entire separate book. Worry not (Or should I say, ‘worry’?); these are merely translations of the same. I don’t necessarily have a pony in this race, yet–I plan to read them all–but I’ll say that the translator makes some very strong and salient points for the case of ‘idea’, most notably the hard-to-argue-with point that Schopenhauer himself, when translating Kant into English, used ‘idea’ for the German Vorstellung.

A new, comprehensive English anthologyWhat is the meaning of life? How should I live? Is there any purpose to the universe? Generations have turned to the great German philosopher Arthur Schopenhauer for answers to such essential questions of existence. His influence has extended not only to later philosophers—Nietzsche, Freud, and Wittgenstein among them—but also to musicians, artists, and important novelists such as Tolstoy, Thomas Mann, and Proust.The Essential Schopenhauer, the most comprehensive English anthology now available of this seminal thinker’s writings, will open English readers to Schopenhauer’s profound ideas. Selected by Wolfgang Schirmacher, president of the International Schopenhauer Association, The Essential Schopenhauer is an invaluable and accessible introduction to Schopenhauer’s powerful body of work."Schopenhauer's beautiful, exceptionally dark philosophy liberates us from the intolerable burden placed upon us by our contemporary optimism. The Essential Schopenhauer is a book to turn to when all others have failed." - Alain de Botton, bestselling author of The Consolations of Philosophy

Arthur Schopenhauer (1788-1860) was a German philosopher best known for his work The World as Will and Representation. He responded to and expanded upon Immanuel Kant's philosophy concerning the way in which we experience the world. His critique of Kant, his creative solutions to the problems of human experience and his explication of the limits of human knowledge are among his most important achievements. His metaphysical theory is the foundation of his influential writings on psychology, aesthetics, ethics, and politics which influenced Friedrich Nietzsche, Wagner, Ludwig Wittgenstein, Sigmund Freud and others. He said he was influenced by the Upanishads, Immanuel Kant, and Plato. References to Eastern philosophy and religion appear frequently in his writing. He appreciated the teachings of the Buddha and even called himself a Buddhaist. He said that his philosophy could not have been conceived before these teachings were available. He called himself a Kantian. He formulated a pessimistic philosophy that gained importance and support after the failure of the German and Austrian revolutions of 1848.

2015 Reprint of 1951 Edition. Full facsimile of the original edition. Not reproduced with Optical Recognition Software. One of the founders of existentialism, the eminent philosopher Karl Jaspers here presents for the general reader an introduction to philosophy. In doing so, he also offers a lucid summary of his own philosophical thought. In Jaspers' view, the source of philosophy is to be found "in wonder, in doubt, in a sense of forsakenness," and the philosophical quest is a process of continual change and self-discovery.

This is the only complete English translation of one of the most significant and fascinating works of the great philosopher Arthur Schopenhauer (1788-1860). The Parerga (Volume 1) are six long essays; the Paralipomena (Volume 2) are shorter writings arranged under thirty-one differentsubject-headings. These works won widespread attention with their publication in 1851, helping to secure lasting international fame for Schopenhauer. Indeed, their intellectual vigor, literary power, and rich diversity are still extraordinary even today.

To the mentality that assumes, more or less consciously, that we must of necessity find a solution to every problem, belongs the argument based on the disastrous consequences of a thing. Take any book of apologetics-that is to say, of theological advocacy-and you will see how many times you will meet with this phrase-"the disastrous consequences of this doctrine." Now the disastrous consequences of a doctrine prove at most that the doctrine is disastrous, but not that it is false, for there is no proof that the true is necessarily that which suits us best. -from "The Rationalist Dissolution" This is the masterpiece of Miguel de Unamuno, a member of the group of Spanish intellectuals and philosophers known as the "Generation of '98," and a writer whose work dramatically influenced a wide range of 20th-century literature. His down-to-earth demeanor and no-nonsense outlook makes this 1921 book a favorite of intellectuals to this day, a practical, sensible discussion of the war between faith and reason that consumed the twentieth century and continues to rage in the twenty-first century. de Unamuno's philosophy is not the stuff of a rarefied realm but an integral part of fleshly, sensual life, metaphysics that speaks to daily living and the real world. Spanish philosopher MIGUEL DE UNAMUNO (1864-1936) was a prolific writer of essays, novels, poetry, and the stage plays. His books include Peace in War (1895), The Life of Don Quixote and Sancho (1905), and Abel Sanchez (1917)."

"I am neither a theologian, nor a scholar learned in the history of religions, nor an anthropologist. Psychology is the only branch of learning in which I am particularly versed. To the psychologist the religious propensities of man must be at least as interesting as any other of the facts pertaining to his mental constitution. It would seem, therefore, as a psychologist, the natural thing for me would be to invite you to a descriptive survey of those religious propensities."  When William James went to the University of Edinburgh in 1901 to deliver a series of lectures on "natural religion," he defined religion as "the feelings, acts, and experiences of individual men in their solitude, so far as they apprehend themselves to stand in relation to whatever they may consider the divine." Considering religion, then, not as it is defined by--or takes place in--the churches, but as it is felt in everyday life, he undertook a project that, upon completion, stands not only as one of the most important texts on psychology ever written, not only as a vitally serious contemplation of spirituality, but for many critics one of the best works of nonfiction written in the 20th century. Reading The Varieties of Religious Experience, it is easy to see why. Applying his analytic clarity to religious accounts from a variety of sources, James elaborates a pluralistic framework in which "the divine can mean no single quality, it must mean a group of qualities, by being champions of which in alternation, different men may all find worthy missions." It's an intellectual call for serious religious tolerance--indeed, respect--the vitality of which has not diminished through the subsequent decades.

I first started reading this book because I want answers to the existential angst that plagues me and others aware of the implications of post-modern ideas. I don’t mean to say that I wanted an alternative to post-modernism; I don’t believe that is any more realistic than saying that I want an alternative to turning 32, for that’s just wishful thinking. I’m not a post-modernist, for I am not merely a product of my culture, but I am influenced by my culture. If I’m being honest with myself, there is simply no escaping thinking in part like a post-modernist, for I am steeped in a post-modern era of thought and practice. It doesn’t help to revert to modernist ‘fact-finding’ when immersed in a society that is exploring the cognitive foundation of what we call objective reality—but people attempt this regressive tactic nonetheless because it’s a familiar place. But the past is dead and done; it is worn into a deep rut, and a new path must be found. We must confess, though disheartened, that facts don’t find nearly as much as they don’t find. Enter post-modernism.Tillich starts by differentiating between fear and anxiety. Fear is a manifestation of universal, existential anxiety; and as a leaf and not a root, fear can be more directly dealt with than anxiety. The individual fears are embodiments that can be avoided, resisted, opposed and even eliminated—while the root of fear—anxiety—is really the ever-present awareness of non-being that constantly hovers. This anxiety cannot be removed, and is a necessary part of self-preservation (“self-affirmation”) which adds to one’s valuation of life. This principle of ineradicable anxiety is one of most difficult parts of this book to make peace with (didn’t I start reading to do exactly that…decrease anxiety?). But Tillich reveals that just as torture can be accepted at the hand of a trusted physician, so existential anxiety can be courageously endured because of a deeper realization that affirms one’s sense of purpose and identity. This truth is revealed in the last quarter of the book.There are three basic forms of anxiety: anxiety about death (“non-being”—which ultimately subsumes the other two), anxiety about meaninglessness (an empty life), and condemnation (guilt about a wrong life). One can deal practically with fears, but anxiety (no matter which sort) must ultimately be accepted into one’s ultimate sense of self-worth and one’s right to BE (again, “self-affirmation). This is what the author refers to as ‘taking it [fears, doubts, anxiety] into oneself’. In spite of anxiety, one can still do what must be done, and can remain confident that God is still holding them. This is the confidence of Being—COURAGE—that gives one the strength to stare down non-being in its many forms.This courage, however, does not always come easy, nor or is always immediately apparent when it does arrive. Courage can be partly obstructed by one’s lack of realization that confidence in one’s own being can take place only as an ancillary to the deeper confidence in what Tillich calls “being-itself”, viz. God. Pre-mature courage often evidences itself as ‘courage to be as a part’ [collectivism], or ‘courage to be as oneself’ [individualistic existentialism]; the former missing out on a belief in self, the later missing out on a belief in the world.I can certainly say that I comprehend our existential predicament a bit more clearly after reading this book. Never have I read a work that so faithfully scrutinized our ontology as if it were under a microscope, but did not abandon the soul under the microscope to wriggle and die. In the words of the psychologist Carl Jung, our author has stood and stared into face of the monster of the maternal abyss, and has not been mesmerized by its power, but has overcome. This understanding of the source of our anxiety and fear can help bring a renewed determination to renew the fight, and to be hopeful and courageous even when all hope seems lost. It brings new meaning to the idea that while one is alive, there is still confidence to believe that one is ‘meant’ to be alive. In the words of Robert Browning, “This world’s no blot for us nor blank; it means intensely, and means good. And to find its meaning is my meat and drink.”

"I saw the word Solipsist while reading the dictionary in 1993. I was livingin NYC at the time and the word defined how the city made me feel. I workedon this book in several cities all over the world until 1996. The writing isobsessive and claustrophobic. To be solipsistic is to totally realize the egoand the nightmare of utter self-possession. I went for it and it swallowed mewhole." --Henry Rollins

Loneliness, boredom, emptiness: These are the complaints that Rollo May encountered over and over from his patients. In response, he probes the hidden layers of personality to reveal the core of man's integration--a basic and inborn sense of value. Man's Search for Himself is an illuminating view of our predicament in an age of overwhelming anxieties and gives guidance on how to choose, judge, and act during such times.

The great insights of the Stoics are spread over a wide range of ancient sources. This book brings them all together for the first time. It systematically presents what the various Stoic philosophers said on every important topic, accompanied by an eloquent commentary that is clear and concise. The result is a set of philosophy lessons for everyone - the most valuable wisdom of ages past made available for our times, and for all time.

Each of us has the capacity to spot opportunities, invent products, and build businesses—even $100 million businesses.How do some people turn ideas into enterprises that endure? Why do some people succeed when so many others fail? The Creator’s Code unlocks the six essential skills that turn small notions into big companies. This landmark book is based on 200 interviews with today’s leading entrepreneurs including the founders of LinkedIn, Chipotle, eBay, Under Armour, Tesla Motors, SpaceX, Spanx, Airbnb, PayPal, Jetblue, Gilt Groupe, Theranos, and Dropbox. Over the course of five years, Amy Wilkinson conducted rigorous interviews and analyzed research across many different fields. From the creators of the companies ranging from Yelp to Chobani to Zipcar, she found that entrepreneurial success works in much the same way. Creators are not born with an innate ability to conceive and build $100 million enterprises. They work at it. They all share fundamental skills that can be learned, practiced, and passed on.The Creator’s Code reveals six skills that make creators of all kinds of endeavors breakthrough. These skills aren’t rare gifts or slim chance talents. Entrepreneurship, Wilkinson demonstrates, is accessible to everyone. The book’s insights provide core guidance for success in the new world of work.

This collection of eleven essays originally appeared in France thirty years ago and created a literary whirlwind on the Left Bank. Cioran writes incisively about Western civilizations, the writer, the novel, mystics, apostles, and philosophers."A sort of final philosopher of the Western world. His statements have the compression of poetry and the audacity of cosmic clowning."—Washington Post"An intellectual bombshell that blasts away at all kinds of cant, sham and conventionality. . . . [Cioran's] language is so erotic, his handling of words so seductive, that the act of reading becomes an encounter in the erogenous zone."—Jonah Raskin, L.A. Weekly

This book contains the astronomical and mathematical proof of a polar reversal of Earth caused by solar flares. This happens every 11,500 - 12,000 years. It also contains what to expect and how to survive. Of course, what to expect is only an educated guess studying the geological record. If The Creator so wills it, then I will perish. However, my husband and I are taking step to survive. It's really a choice of do you want to survive and rough it out for the next couple thousand years, or will you just accept it, and go up with the deluge. We're young, so we choose the first option. The proof is there, and I have no time to debate it. If you are with us, lets get going, if not, I'll enjoy your company for the remaining years.

A leading German metaphysician of the 19th century, Arthur Schopenhauer (1788–1860) exerted an influence far beyond the hermetic world of philosophy, with adherents ranging from Richard Wagner and Friedrich Nietzsche to Leo Tolstoy and Thomas Mann. Among Schopenhauer's chief contributions to the field of philosophy are his rejection of the idealism of his contemporaries and his embrace of a practical variety of materialism. He jettisons the traditional philosophic jargon for a brisk, compelling style that employs direct terms to express the metaphysics of the will.In The Wisdom of Life, an essay from Schopenhauer's final work, Parerga und Paralipomena (1851), the philosopher favors individual strength of will and independent, reasoned deliberation over the tendency to act on irrational impulses. He examines the ways in which life can be arranged to derive the highest degree of pleasure and success, presents guidelines to achieving this full and rich manner of living, and advises that even a life well lived must always aspire to grander heights. Abounding in subjects of enduring relevance, Schopenhauer's highly readable work appears here in an excellent translation.

Neil Strauss became famous to millions around the world as the author of The Game, a funny and slyly instructive account of how he transformed himself from a scrawny, insecure nerd into the ultra-confident, ultra-successful “pickup artist” known as Style. The book jump-started the international “seduction community,” and made Strauss a household name—revered or notorious—among single men and women alike.But the experience of writing The Game also transformed Strauss into a man who could have what every man wants: the ability to date or have casual sex with almost every woman he met. The results were heady, to be sure. But they also conditioned him to view the world as a kind of constant parade of women, sex, and opportunity—with intimacy and long-term commitment taking a back seat. That is, until he met the woman who forced him to choose between herself and the parade. The choice was not only difficult, it was wrenching. It forced him deep into his past, to confront not only the moral dimensions of his pickup lifestyle, but also a wrenching mystery in his childhood that shaped the man that he became. It sent him into extremes of behavior that exposed just how conflicted his life had become. And it made him question everything he knew about himself, and about the way men and women live with and without each other.He would never be the same again.Searingly honest, compulsively readable, this book may have the same effect on you.

Hidden somewhere, in nearly every major city in the world, is an underground seduction lair. And in these lairs, men trade the most devastatingly effective techniques ever invented to charm women. This is not fiction. These men really exist. They live together in houses known as Projects. And Neil Strauss, the bestselling author, spent two years living among them, using the pseudonym Style to protect his real-life identity. The result is one of the most explosive and controversial books of the year -- guaranteed to change the lives of men and transform the way women understand the opposite sex forever.On his journey from AFC (average frustrated chump) to PUA (pick-up artist) to PUG (pick-up guru), Strauss not only shares scores of original seduction techniques but also has unforgettable encounters with the likes of Tom Cruise, Britney Spears, Paris Hilton, Heidi Fleiss, and Courtney Love. And then things really start to get strange -- and passions lead to betrayals lead to violence. The Game is the story of one man's transformation from frog to prince -- to prisoner in the most unforgettable book of the year.

Three separate but parallel stories of the U.S mortgage housing crisis of 2005 are told. Michael Burry, an eccentric ex-physician turned one-eyed Scion Capital hedge fund manager, has traded traditional office attire for shorts, bare feet and a Supercuts haircut. He believes that the US housing market is built on a bubble that will burst within the next few years. Autonomy within the company allows Burry to do largely as he pleases, so Burry proceeds to bet against the housing market with the banks, who are more than happy to accept his proposal for something that has never happened in American history. The banks believe that Burry is a crackpot and therefore are confident in that they will win the deal. Jared Vennett with Deutschebank gets wind of what Burry is doing and, as an investor believes he too can cash in on Burry's beliefs. An errant telephone call to FrontPoint Partners gets this information into the hands of Mark Baum, an idealist who is fed up with the corruption in the financial industry. Baum and his associates, who work at an arms length under Morgan Stanley, decide to join forces with Vennett despite not totally trusting him. In addition to Burry's information, they further believe that most of the mortgages are overrated by the bond agencies, with the banks collating all the sub-prime mortgages under AAA packages. Charlie Geller and Jamie Shipley, who are minor players in a $30 million start-up garage company called Brownfield, get a hold of Vennett's prospectus on the matter. Wanting in on the action but not having the official clout to play, they decide to call an old "friend", retired investment banker Ben Rickert, to help out. All three of these groups work on the premise that the banks are stupid and don't know what's going on, while for them to win, the general economy has to lose, which means the suffering of the general investor who trusts the financial institutions. That latter aspect may not sit well with Baum. Some of these assumptions may be incorrect and may be far more manipulative than they could have ever imagined, which in turn may throw curves into the process.

In 1930s Italy, a carefree Jewish waiter named Guido starts a fairy tale life by courting and marrying a lovely woman from a nearby city. Guido and his wife have a son and live happily together until the occupation of Italy by German forces. In an attempt to hold his family together and help his son survive the horrors of a Jewish Concentration Camp, Guido imagines that the Holocaust is a game and that the grand prize for winning is a tank.

On the day that Hurricane Katrina hits New Orleans, elderly Daisy Williams (nee Fuller) is on her deathbed in a New Orleans hospital. At her side is her adult daughter, Caroline. Daisy asks Caroline to read to her aloud the diary of Daisy's lifelong friend, Benjamin Button. Benjamin's diary recounts his entire extraordinary life, the primary unusual aspect of which was his aging backwards, being diagnosed with several aging diseases at birth and thus given little chance of survival, but who does survive and gets younger with time. Abandoned by his biological father, Thomas Button, after Benjamin's biological mother died in childbirth, Benjamin was raised by Queenie, a black woman and caregiver at a seniors home. Daisy's grandmother was a resident at that home, which is where she first met Benjamin. Although separated through the years, Daisy and Benjamin remain in contact throughout their lives, reconnecting in their forties when in age they finally match up. Some of the revelations in Benjamin's diary are difficult for Caroline to read, especially as it relates to the time past this reconnection between Benjamin and Daisy, when Daisy gets older and Benjamin grows younger into his childhood years.

84 years later, a 100 year-old woman named Rose DeWitt Bukater tells the story to her granddaughter Lizzy Calvert, Brock Lovett, Lewis Bodine, Bobby Buell and Anatoly Mikailavich on the Keldysh about her life set in April 10th 1912, on a ship called Titanic when young Rose boards the departing ship with the upper-class passengers and her mother, Ruth DeWitt Bukater, and her fiancé, Caledon Hockley. Meanwhile, a drifter and artist named Jack Dawson and his best friend Fabrizio De Rossi win third-class tickets to the ship in a game. And she explains the whole story from departure until the death of Titanic on its first and last voyage April 15th, 1912 at 2:20 in the morning.

McMurphy has a criminal past and has once again gotten himself into trouble and is sentenced by the court. To escape labor duties in prison, McMurphy pleads insanity and is sent to a ward for the mentally unstable. Once here, McMurphy both endures and stands witness to the abuse and degradation of the oppressive Nurse Ratched, who gains superiority and power through the flaws of the other inmates. McMurphy and the other inmates band together to make a rebellious stance against the atrocious Nurse.

After his death sometime in his 43rd year, suburbanite Lester Burnham tells of the last few weeks of his life, during which he had no idea of his imminent passing. He is a husband to real estate agent Carolyn Burnham and father to high school student Jane Burnham. Although Lester and Carolyn once loved each other, they now merely tolerate each other. Typical wallflower Jane also hates both her parents; the three suffer individually in silence in their home life. Jane tries to steer clear of both her parents. Carolyn, relatively new to the real estate business, wants to create the persona of success to further her career, aspiring to the professional life of Buddy Kane, the king of the real estate business in their neighborhood. Lester merely walks mindlessly through life, including at his job in advertising. His company is downsizing, and he, like all the other employees, has to justify his position to the newly hired efficiency expert to keep his job. Things change for Lester when he falls in love at first sight with Jane's more experienced classmate, Angela Hayes. Both Janie and Angela can see Lester's sexual infatuation with Angela, who courts such attention from any man as a sign that she is model material, she having once appeared in Seventeen and is a career to which she aspires. Lester's infatuation with Angela gives him a reenergized view on life, where he openly doesn't care anymore what anyone thinks about what he does, anyone except Angela. This infatuation coincides with the Fittses moving in next door: homophobic disciplinarian US Marine Colonel Frank Fitts who rules the house with a military fist (that fist being both figurative and literal), his semi-comatose wife Barbara Fitts, and their bright and quietly subversive 18-year-old son Ricky Fitts, who openly abides by his father's rules while behind the scenes lives by his own quite different perspective. Much like Lester's infatuation, Ricky immediately becomes infatuated with Jane; he considers girls like Angela as ordinary. The entry of Angela and the Fittses into the Burnhams' lives ultimately leads to each of the players confronting what is truly in his or her heart.

Years after Adonis Creed made a name for himself under Rocky Balboa's mentorship, the young boxer becomes the Heavyweight Champion of the World. While life is good with that victory and his marriage to Bianca, trouble comes to Philadelphia when Ivan Drago, the Russian boxer who killed Adonis' father, Apollo, arrives with his son, Viktor, to challenge Adonis. Against Rocky's advice, Adonis accepts the challenge without his mentor's participation and pays the price in a punishing bout he wins only by a technicality. Now injured and demoralized, Adonis cannot bring himself to back into the game, leaving his spirit and title in jeopardy. Together, Adonis' family and Rocky must find a way to rekindle Adonis' fighting spirit to face the future in whatever choice he makes. Meanwhile, the Drago family have its own troubles trying to regain the respect in their homeland that they lost at Rocky's hands as they wonder whether is it truly worth it.

Following a truck hijack in New York, five criminals are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze?

PREDESTINATION chronicles the life of a Temporal Agent sent on an intricate series of time-travel journeys designed to ensure the continuation of his law enforcement career for all eternity. Now, on his final assignment, the Agent must pursue the one criminal that has eluded him throughout time.

2014 film directed by Michael and Peter Spierig

When Cam Brady (D-NC), a four-term Congressman, becomes a liability, the Motch brothers (think Koch brothers) recruit Marty Huggins, the son of a Republican heavy hitter, to run against him and be their vehicle to establish factories in the district that will import cheap Chinese labor. Trouble is, Marty is a lightweight, so his makeover falls to consultant Tim Wattley. The race tightens as Cam constantly shoots himself in the foot, while the prospect of winning also changes Marty and his family's dynamics. Meanwhile, Cam plays dirty, and Marty cottons on to the Moches' grand plan. What options do the rich have to get their way?

While exploring uncharted wilderness in 1823, legendary frontiersman Hugh Glass sustains injuries from a brutal bear attack. When his hunting team leaves him for dead, Glass must utilize his survival skills to find a way back home while avoiding natives on their own hunt. Grief-stricken and fueled by vengeance, Glass treks through the wintry terrain to track down John Fitzgerald, the former confidant who betrayed and abandoned him.

2015 film directed by Alejandro González Iñárritu

Walt Kowalski (Clint Eastwood) is a widower who holds onto his prejudices despite the changes in his Michigan neighborhood and the world around him. Kowalski is a grumpy, tough-minded, unhappy old man who can't get along with either his kids or his neighbors. He is a Korean War veteran whose prize possession is a 1972 Gran Torino he keeps in mint condition. When his neighbor Thao Lor (Bee Vang), a young Hmong teenager under pressure from his gang member cousin, tries to steal his Gran Torino, Kowalski sets out to reform the youth. Drawn against his will into the life of Thao's family, Kowalski is soon taking steps to protect them from the gangs that infest their neighborhood.

CALL ME BY YOUR NAME, the new film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman. It's the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17-year-old young man, spends his days in his family's 17th-century villa transcribing and playing classical music, reading, and flirting with his friend Marzia (Esther Garrel). Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows with natural delights. While Elio's sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver (Armie Hammer), a 24-year-old American college graduate student working on his doctorate, arrives as the annual summer intern tasked with helping Elio's father. Amid the sun-drenched splendor of the setting, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever.

In this adaptation of the autobiography "The Pianist: The Extraordinary True Story of One Man's Survival in Warsaw, 1939-1945,"

From the heights of notoriety to the depths of depravity, John Forbes Nash, Jr. experienced it all. A mathematical genius, he made an astonishing discovery early in his career and stood on the brink of international acclaim. But the handsome and arrogant Nash soon found himself on a painful and harrowing journey of self-discovery. After many years of struggle, he eventually triumphed over his tragedy, and finally - late in life - received the Nobel Prize.

Kirk is an average Joe who works as a TSA agent at the Pittsburgh airport with his friends. The status quo of his fairly monotonous life ends when he meets Molly, a smart, kind and gorgeous blonde. Because she's way out of his league (she's a hard 10 and he is but a 5), Kirk knows there's no way on earth she's ever going to fall for him. Or is there...?

Five childhood friends have always dreamed of being roommates. When the opportunity arises for them to move in together, Julia, Vadim, Nestor, and Timothée jump at the chance, especially when Samuel offers to pay half the rent. Hardly have they moved in when Samuel suddenly winds up penniless. He decides not to tell the others and instead starts selling weed to pay his share. But not everyone is cut out to be a dealer, and when the going gets tough, Samuel has no choice but to turn to the only family he has left: his friends.

Michèle seems indestructible. Head of a successful video game company, she brings the same ruthless attitude to her love life as to business. Being attacked in her home by an unknown assailant changes Michèle's life forever. When she resolutely tracks the man down, they are both drawn into a curious and thrilling game-a game that may, at any moment, spiral out of control.

Dounia, a teenager living in the slums and her friend Maimouna start working for Rebecca, a successful drug dealer in order to escape their poverty. Her meeting with Djigui, a sexy dancer, makes things complicated, but leaving Rebecca is not easy..

Louis jokes about fatherhood, success, and flying first class at the Beacon Theatre in New York.

German composer, organist, harpsichordist, violist, and violinist

Italian composer and violinist (1678-1741)

An innovative look at the life of fictional Mafia Capo Tony Soprano, this serial is presented largely first person, but additional perspective is conveyed by the intimate conversations Tony has with his psychotherapist. We see Tony at work, at home, and in therapy. Moments of black comedy intersperse this aggressive, adult drama, with adult language, and extreme violence.

The series follows the life of anti-social, pain killer addict, witty and arrogant medical doctor Gregory House (Hugh Laurie) with only half a muscle in his right leg. He and his team of medical doctors try to cure complex and rare diseases from very ill ordinary people in the United States of America.

The body of a young girl (Laura Palmer) is washed up on a beach near the small Washington state town of Twin Peaks. FBI Special Agent Dale Cooper is called in to investigate her strange demise only to uncover a web of mystery that ultimately leads him deep into the heart of the surrounding woodland and his very own soul.

American drama television series from 1990–1991

Follows 40-year-old Liza (Foster), a suddenly single mother who tries to get back into the working world, only to find out it's nearly impossible to start at the bottom at her age. When a chance encounter with a 20-something guy at a bar convinces her she looks younger than she is, Liza tries to pass herself off as 26 -- with the help of a makeover, courtesy of her best friend Maggie (Mazar). Armed with new confidence, she lands a job as an assistant to the temperamental Diana (Shor) and teams up with her new co-worker and fellow 20-something Kelsey (Duff) to make it in the career of her dreams.

Hank Hill, a propane gas salesman in the fictional town of Arlen, Texas, is often besieged by the idiosyncrasies of society, but finds some serenity in his home life with his wife, substitute Spanish teacher Peggy, his awkward son Bobby, and his live-in niece-in-law Luanne Platter. Adding flavor were Hank's friends, divorcé military barber Bill Dauterive, paranoid Dale Gribble (with an obsession with government conspiracy theories), and gibberish-spouting Boomhauer.

Richard "Rick" Castle is a millionaire playboy who recently killed off his main character when a serial killer starts killing people like he does in his books. He teams up with New York police detective Kate Beckett to solve the case. He finds inspiration in Detective Beckett and starts shadowing her for his next book.

American police procedural comedy-drama television series (2009-2016)

Set in the 1980s, this series dramatizes the personal computing boom through the eyes of a visionary, an engineer and a prodigy whose innovations directly confront the corporate behemoths of the time. Their personal and professional partnership will be challenged by greed and ego while charting the changing culture in Texas' Silicon Prairie.

A former lawyer attends a community college when it is discovered he faked his Bachelor's degree. In an attempt to get with a student in his Spanish class, he forms a Spanish study group. To his surprise, more people attend the study group and the group of misfits form an unlikely community.

American comedy television series created by Dan Harmon

A sexy, suspense-driven legal thriller about a group of ambitious law students and their brilliant, mysterious criminal defense professor. They become entangled in a murder plot that will shake the entire university and change the course of their lives.

2014 American legal drama television series

Riley is a single mother living in a small Texas town and leading a shocking double life. Her secret would send shockwaves through the community and possibly land her in jail if it was ever exposed. Riley's taken a job at a seemingly traditional day spa, but soon realizes that the parlor offers a little more than just massage therapy. It's not the happy ending she was expecting but it does open her eyes to a world she's never seen before.

Nathan, Kelly, Simon, Alisha and Curtis were expecting their community service to be boring. However after a freak thunderstorm they discover that it is anything but dull. Bestowed with strange powers, the five very different teens realize they have a lot more to worry about than just picking up litter, especially as they discover that they are not the only ones who have been given strange powers. Secrets will be revealed, feelings brought to the surface and relationships formed and broken. But hey, its only 12 weeks of community service; what's the worst that could happen?

Patrick Jane is a crime consultant with the California Bureau of Investigation. He has a particular gift for astute observation and reading people, honed through years of being a faux psychic. His gift makes him brilliant at solving murders, which is why the CBI have him around. However, his motive for taking on the role is purely one of revenge: find and kill the man who killed his wife and daughter - Red John.

American crime television series (2008-2015)

Ben becomes a surprise dad to a baby girl when she's left on his doorstep by an ex-girlfriend. Ben decides to raise the baby with the help of his mother, his brother Danny, his friend Tucker and Riley the girl who is harboring a secret crush on him.

Love, Victor follows Victor, a new student at Creekwood High School on his own journey of self-discovery, facing challenges at home, adjusting to a new city, and struggling with his sexual orientation. When it all seems too much, he reaches out to Simon to help him navigate the ups and downs of high school.

American romantic comedy television series

Organised crime clans fight wars and make fleeting alliances in the dynamic and ever-shifting underworld of the poverty-stricken Naples, Italy. Gennaro, the son and heir of the Savastano clan, and Ciro Di Marzio, one of this clan's officers, have great ambition to advance to ever-greater heights. The path ahead is bloody and cruel, and their families will be put at risk.

Nick Sax awakes on a hospital gurney. He's a hit man who used to be a cop; it's all part of the job. What's troubling Sax isn't his serious injury, but the seriously perky flying blue horse that claims it is the imaginary friend of someone who is in serious trouble. The horse's name? Happy, of course. Adapted from a Grant Morrison story.

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Made of Honor revolves around Tom and Hannah, who have been platonic friends for 10 years. He's a serial dater, while she wants marriage but hasn't fo

Two things about Jane: she never says no to her friends (she's been a bridesmaid 27 times and selflessly plans friends' weddings), and she's in love w

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