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Told in Kvothe's own voice, this is the tale of the magically gifted young man who grows to be the most notorious wizard his world has ever seen. The intimate narrative of his childhood in a troupe of traveling players, his years spent as a near-feral orphan in a crime-ridden city, his daringly brazen yet successful bid to enter a legendary school of magic, and his life as a fugitive after the murder of a king form a gripping coming-of-age story unrivaled in recent literature. A high-action story written with a poet's hand, The Name of the Wind is a masterpiece that will transport readers into the body and mind of a wizard.

I can't remember being this violently conflicted about a book in quite some time. There are some areas where it's just so well done, with the author absolutely nailing it, and then others where I found myself grinding my teeth in frustration. I'm going to abandon my usual practice of writing short, pithy reviews and just drunkenly ramble on a few things here. (Still no spoilers, though.) That OK with y'all?Language. About two and a half chapters into this book, I found myself asking, "Why does this feel like a kids' fantasy book?" It wasn't the subject material or the plot, both of which are much more sophisticated than Harry Potter and his ilk. While I would feel perfectly comfortable having a 12-year old read this PG13-violent and utterly asexual book, I don't feel as though it's necessarily written for tweens. Finally it occurred to me: it's the language. This book is one of the most simply written books I've ever read, using only the most basic vocabulary. That isn't a bad thing, as I'd rather read something direct and simple than something flowery and overwritten, but Sanderson's language is so simple here that it's almost as if he's drawing with the Crayola 16-set when other authors have the big 64. (One notable exception: having apparently become recently enamored of the word, he uses maladroitly at least three times. Maybe he was jamming some Weezer while he wrote.) I haven't read any of his other works (yet; Mistborn #2 is on deck), but I have to assume this simplicity is by conscious choice, and it's an interesting choice at that. I'm just not sure yet how I feel about it.One language choice that I am sure how I feel about is Sanderson's decision to have his characters speak good old American English. The narration is similarly plainspoken, with a fair amount of American slang thrown in, rather than the twee, faux-Elizabethan style of a lot of fantasy authors. I like the approach. One of the most time-honored fantasy tropes is having all the characters thee and thou each other, with a few ne'er did yon stars of Yomama glimmer so resplendently, my suzerain for good measure. And I can handle that stuff, having been weaned on Tolkien and everything that came after, but I found Sanderson's decision to move away from that convention refreshing. I interpreted it as Sanderson saying, "The unspoken assumption here is that this book has been translated from whatever languages they speak on this made-up world, so why translate it to anything other than what is most understandable and comfortable for you to read? To couch this story in funky language is to insult your imagination by implying that you need that in order to realize you're reading a fantasy novel."Setting and Plot. The setting is a typical high fantasy world - feudal-style nobility and peasantry; shadowy, powerful priesthood; mysterious evil lord, etc. - with some odd, almost steampunk flourishes thrown in. There are wristwatches. Men's formal wear is described as something more like Victorian coat and tails than medieval garb. Magic in this world is fueled by elemental and alloyed metals, which are described rather exactly, using percentages. It's a unique and interesting blend.The basic plot is about as stock as it gets. If you're familiar with the Star Wars films, the Harry Potter or Percy Jackson books, Eragon, the Dragonriders of Pern trilogy, Dune, Ender's Game, or any one of about a million other works, please play Mad Libs with me:Dear [kid with weird name], I know you are only a [farmer / orphan / urchin / child of a minor noble], and this will be hard for you to accept, but you [have Great Powers / are the Chosen One / insert name of funky power here]. You are the only one who can [save the world / save the universe / defeat the Empire / restore order to the Force / kill the Big Boss]. Luckily, even though you just learned your destiny fifteen minutes ago, you will make up for lost time by quickly becoming better than anyone in the history of ever at [Quidditch / dragon riding / sandworm riding / Allomancy]. Any questions?Needless to say, the book's plot could have been a ticket to Hack City, but it really isn't. Vin's growth and development are handled well.Exposition. This is a fantasy book for the video game generation. By that, I mean that the book follows the general path of a first person RPG:1) Introduction to the world and the main characters2) A few early levels whose only apparent purpose is to teach the player how to use the buttons3) Quests of increasing difficulty, with progressive reveals of the Big Plot4) Fight with the Main Boss, including the inevitable twist5) Denouement and teaser for the next installment.Not that that's a bad thing! But I was really surprised at the way Allomancy (the main "magic" in this world) was laid out. In the two towering fantasy/sci-fi works of the 20th century, The Lord of the Rings and Dune, the supernatural elements of the story operated behind a sort of curtain or screen. The One Ring in LotR and the spice Melange in Dune both held great, mysterious powers, but the specific effects and extent of those powers were seen only in fits and flashes, and never understood completely by the characters or the reader. In contrast, fairly early in this book, Kelsier takes Vin on a practice run where he explains how her powers work and what their advantages and limitations are, using plain language and real-world physics, and lets her fly and mess around and just generally exult in her magic. It left me, the reader, as well as Vin the character, feeling that even if we didn't understand this magic perfectly right now, we might at some point in the future, which was a very different feel.OK, after enough rambling about things I feel ambivalently about, let's wrap up with one big win and one big fail:WIN: Brandon Sanderson can write the hell out of an action scene. (And since the final quarter of this book is pretty much all action, playing directly into Sanderson's strengths, it kicks all kinds of ass.) The fights in this book are gut-wrenching without being overly gory, and the chases and sneaks are heart-stopping as well. Perfect combination of pace and detail. Amazing. Possibly the best I've ever read from an author in this genre, and if he's able to do that so effortlessly, so early in his career, it gives me hope that he can fix...FAIL: ...the dialogue. In spite of being favorably disposed due to the use of informal American English, I eventually found the dialogue here really clunky. Everyone is too wordy. Everyone says one sentence too many. Over and over again, I found myself going, "Real people don't talk like this" and especially, "Real people who are supposed to be close friends don't talk anything like this to each other." Seriously, think of how you talk to your best friends in private, then compare it to this book. In addition, there was always that odd feeling of unneeded exposition, as if the characters were talking half to each other and half to the reader. It was unfortunate, especially in contrast to how slick and fast-moving and just plain awesome a lot of the other writing was.All in all, this was a fun, kinetic read...with a few holes in it. It builds, it explodes, and the ending is really good. If half-stars were allowed, this would have been a 3 1/2. Good stuff.Also, here are my (spoiler-free, suitable as previews) reviews of the second and third books in the series, if you enjoyed this one!

4.5/5 starsA colorful, vibrant, and highly character-driven standalone fantasy.If you haven’t seen the tenth-anniversary leatherbound edition of Warbreaker, I suggest you take a look now by clicking here: https://www.brandonsanderson.com/the-...No, I don’t have one; I simply can’t afford it. However, staring at how gorgeous it is, it certainly solidified my decision to reread Warbreaker; this time with the annotated edition which I haven’t done before, and I will recommend reading this edition only if you’ve read the book before. It’s terrifying how fast time flies; I can’t believe that it has been three years since I first read this book. Warbreaker was the first book by Brandon Sanderson that I read after I finished his brilliant Mistborn trilogy. Back then, I didn’t even realize how important this standalone would become in the overarching magnitude of Sanderson’s Cosmere universe. Having read all of Sanderson’s Cosmere books and going back to this made me realize how much Sanderson has improved as an author, and how beneficial it would be to read Warbreaker first before you dive into The Stormlight Archives. Seriously, do it.Picture: Siri and God King by Dan dos SantosTaking place in the world of Nalthis, Warbreaker is a standalone novel within Sanderson’s Cosmere universe, since its publication and for many more years to come, it will remain standalone. The story in Warbreaker follows the tale of two sisters princesses from Idris: Siri and Vivenna. Idris is on the brink of war with Hallandren, and to prevent war from happening, the king of Idris decides to send Vivenna—who has practiced and learned the culture and religion in Hallandran for years—to marry the God King. The king couldn’t go through with it at the last minute, and send his other daughter—Siri—to marry the God-King instead. Other than Siri, Vivenna, and Susebron, we also follow two other main characters, the reluctant god of bravery Lightsong the Bold, and a mysterious swordsman with a sentient sword, Vasher and Nightblood.Picture: Vasher and Vivenna by Dan dos SantosSanderson takes his time here. Warbreaker is mostly paced like the second book of Mistborn trilogy, The Well of Ascension. It’s slow-paced, and I thank Sanderson for it. Sanderson slowly and gradually builds up the tension of the storyline while making sure each main characters receive proper development and distinctive voices first. Contrast and differences in perspectives are a very huge driving factor of the story here. Sanderson himself has mentioned that Warbreaker is a book with many tone; this is also what made Warbreaker so good to read. An event, even when they’re witnessed together, can be perceived very differently depending on where you stand; everyone justifies their actions through the belief that they’re truly doing what’s best for themselves and society. The clash of opinions and beliefs the kind of theme constantly explored in this book, and it also made the characters more colorful in personality.\
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    “Every man is a hero of his own story.” \
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I have always loved Sanderson’s characterizations, and Warbreaker contained, in my opinion, some of his most distinctive characters so far. Siri, Vivenna, Lightsong, Vasher, Nightblood, Susebron, and Denth respectively differ in key personality, and I enjoyed reading their progression immensely. Almost all of the chemistry between the characters in this novel comes in two; Siri with Susebron, Vivenna with Denth or Vasher, Lightsong with Blushweaver or Larimar, and Vasher with Nightblood. The development and the interactions of these characters made the book for me; they felt so natural. The romance development between Siri and God-King, in particular, was endearing and it felt very genuine. Warbreaker is a very heavily character-driven book, which luckily is my favorite type of narrative to read, and these characters have so much to love and for me to feel invested in. I honestly wish the sequel would be published already because I want to know more about them. Picture: Blushweaver and Lightsong by Miranda MeeksAlso, I would like to give a suggestion. If you haven’t read any of Sanderson’s book in his Cosmere universe, Warbreaker would be a great book for you to start your adventure. I usually recommend readers to start with Mistborn trilogy, but if you find the idea of going through a 1500+ pages long series daunting, Warbreaker should be a safer choice. I don’t think you should worry too much about it though, Sanderson has one of the most accessible prose in the genre, and he knows how to write impactful scenes without relying on “beautiful” writing style. His prose allows him to tell a high fantasy story that’s accessible to many readers around the world, and I believe this is one of the many reasons why his books are so damn successful. The internal thoughts of characters were always well-delivered; the dialogues and banter were incredibly entertaining and fun to read. More than any other book in the Cosmere universe, Warbreaker is most likely the one that relies on banter and dialogues the most. Pretty much every appearance that involved Lightsong was utterly delightful to read.\
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    “I swear, my dear. Sometimes our conversations remind me of a broken sword."She raised an eyebrow."Sharp as hell," Lightsong said, "but lacking a point.”\
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Excluding the vivid and cinematic quality that came from the writing, one of the most important aspects and enhancement that came from Sanderson’s accessible prose would be the ease delivery of the staple hard magic system that’s clearly in play here. Designing an intricate and unique magic system is one of Sanderson’s main talents as an author and storyteller. I won’t even bother to explain to you the in-depths complexity of the magic system in Warbreaker that is called Awakening. The basic explanation for how it works is that Awakeners are capable of combining colors, BioChromatic Breath, and a Command to animate an object. This, however, doesn’t begin to touch the surface of the complexity and intricacies of the magic system. Sanderson ramp up the intensity of the story progressively, eventually leading it all towards the staple “Brandon Avalanche” conclusion in the final ten percent of the book.Picture: Vasher and Nightblood by Micah EpsteinI loved Warbreaker, not a surprise there. I would devour its sequel—currently Nightblood is the title—immediately when it’s out. From what I’ve gathered in the most recent State of Sanderson in 2019, there’s a good chance that we won’t see any continuation to this novel until—at least—2025, that’s sixteen years since Warbreaker was first published; it sounds ridiculously long but that’s just how things work in Sanderson’s multi-volume Cosmere universe. Not only Warbreaker is a wonderful standalone, but it’s also filled with well-realized characters that made the multitude of story elements such as mystery, politics, actions, romance, and intricate magic systems worked. Color me impressed once again, Sanderson. Your book left me breathless on my first read, and it continues to be breathtaking on reread. Yes, I'll let myself out now.You can order the book from: Book Depository (Free shipping)You can find this and the rest of my reviews at Novel Notions

Vin, the street urchin who has grown into the most powerful Mistborn in the land, and Elend Venture, the idealistic young nobleman who loves her, must build a healthy new society in the ashes of an empire. Three separate armies attack. As the siege tightens, an ancient legend seems to offer a glimmer of hope. But even if it really exists, no one knows where to find the Well of Ascension or what manner of power it bestows.

Deep below the University, there is a dark place. Few people know of it: a broken web of ancient passageways and abandoned rooms. A young woman lives there, tucked among the sprawling tunnels of the Underthing, snug in the heart of this forgotten place.Her name is Auri, and she is full of mysteries.The Slow Regard of Silent Things is a brief, bittersweet glimpse of Auri’s life, a small adventure all her own. At once joyous and haunting, this story offers a chance to see the world through Auri’s eyes. And it gives the reader a chance to learn things that only Auri knows...In this book, Patrick Rothfuss brings us into the world of one of The Kingkiller Chronicle’s most enigmatic characters. Full of secrets and mysteries, The Slow Regard of Silent Things is the story of a broken girl trying to live in a broken world.AUTHOR’S FOREWORD You might not want to buy this book.I know, that’s not the sort of thing an author is supposed to say. The marketing people aren’t going to like this. My editor is going to have a fit. But I’d rather be honest with you right out of the gate.First, if you haven’t read my other books, you don’t want to start here.My first two books are The Name of the Wind and The Wise Man’s Fear. If you’re curious to try my writing, start there. They’re the best introduction to my world. This book deals with Auri, one of the characters from that series. Without the context of those books, you’re probably going to feel pretty lost.Second, even if you have read my other books, I think it’s only fair to warn you that this is a bit of a strange story. I don’t go in for spoilers, but suffice to say that this one is ... different. It doesn’t do a lot of the things a classic story is supposed to do. And if you’re looking for a continuation of Kvothe’s storyline, you’re not going to find it here.On the other hand, if you’d like to learn more about Auri, this story has a lot to offer. If you love words and mysteries and secrets. If you’re curious about the Underthing and alchemy. If you want to know more about the hidden turnings of my world...Well, then this book might be for you.

From #1 New York Times bestselling author Brandon Sanderson, Words of Radiance, Book Two of the Stormlight Archive, continues the immersive fantasy epic that The Way of Kings began.Expected by his enemies to die the miserable death of a military slave, Kaladin survived to be given command of the royal bodyguards, a controversial first for a low-status "darkeyes." Now he must protect the king and Dalinar from every common peril as well as the distinctly uncommon threat of the Assassin, all while secretly struggling to master remarkable new powers that are somehow linked to his honorspren, Syl.The Assassin, Szeth, is active again, murdering rulers all over the world of Roshar, using his baffling powers to thwart every bodyguard and elude all pursuers. Among his prime targets is Highprince Dalinar, widely considered the power behind the Alethi throne. His leading role in the war would seem reason enough, but the Assassin's master has much deeper motives.Brilliant but troubled Shallan strives along a parallel path. Despite being broken in ways she refuses to acknowledge, she bears a terrible burden: to somehow prevent the return of the legendary Voidbringers and the civilization-ending Desolation that will follow. The secrets she needs can be found at the Shattered Plains, but just arriving there proves more difficult than she could have imagined.Meanwhile, at the heart of the Shattered Plains, the Parshendi are making an epochal decision. Hard pressed by years of Alethi attacks, their numbers ever shrinking, they are convinced by their war leader, Eshonai, to risk everything on a desperate gamble with the very supernatural forces they once fled. The possible consequences for Parshendi and humans alike, indeed, for Roshar itself, are as dangerous as they are incalculable.

Shadows of Self shows Mistborn’s society evolving as technology and magic mix, the economy grows, democracy contends with corruption, and religion becomes a growing cultural force, with four faiths competing for converts.This bustling, optimistic, but still shaky society now faces its first instance of terrorism, crimes intended to stir up labor strife and religious conflict. Wax and Wayne, assisted by the lovely, brilliant Marasi, must unravel the conspiracy before civil strife stops Scadrial’s progress in its tracks.Shadows of Self will give fans of The Alloy of Law everything they’ve been hoping for and, this being a Brandon Sanderson book, more, much more.

Three hundred years after the events of the Mistborn trilogy, Scadrial is now on the verge of modernity, with railroads to supplement the canals, electric lighting in the streets and the homes of the wealthy, and the first steel-framed skyscrapers racing for the clouds.Kelsier, Vin, Elend, Sazed, Spook, and the rest are now part of history—or religion. Yet even as science and technology are reaching new heights, the old magics of Allomancy and Feruchemy continue to play a role in this reborn world. Out in the frontier lands known as the Roughs, they are crucial tools for the brave men and women attempting to establish order and justice.One such is Waxillium Ladrian, a rare Twinborn who can Push on metals with his Allomancy and use Feruchemy to become lighter or heavier at will. After twenty years in the Roughs, Wax has been forced by family tragedy to return to the metropolis of Elendel. Now he must reluctantly put away his guns and assume the duties and dignity incumbent upon the head of a noble house. Or so he thinks, until he learns the hard way that the mansions and elegant tree-lined streets of the city can be even more dangerous than the dusty plains of the Roughs.

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Ed, Edd n Eddy's Big Picture Show is an animated road comedy film that serves as the series finale for the animated series Ed, Edd n Eddy. It was produced by a.k.a. Cartoon and premiered on Cartoon Network on November 8, 2009. Series creator Danny Antonucci directed the film and co-wrote it with Jono Howard, Mike Kubat, Rachel Connor and Stacy Warnick. Big Picture Show centers on an adventure that the adolescent Eddy takes his friends Ed and Edd on to find his older brother after their most recent money-making scheme leaves their cul-de-sac in a state of devastation that harms its other participants.Antonucci and a.k.a. Cartoon spent two years working on the film before it was finished in 2008. To focus more on this, he shortened the show's sixth season to two episode segments after getting approval from Cartoon Network to work on a movie. Its title characters are respectively voiced by Matt Hill, Sam Vincent and Tony Sampson while David Paul Grove, Kathleen Barr, Erin Fitzgerald, Peter Kelamis, Janyse Jaud and Keenan Christenson play their neighbors. Terry Klassen, the film's voice director, was cast as Eddy's Brother while Patric Caird composed its score. Ed, Edd n Eddy's Big Picture Show had high ratings for Cartoon Network, posting double and triple digit ratings delivery gains. It has been praised as a strong conclusion for Ed, Edd n Eddy.

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Jiminy Cricket hosts two Disney animated shorts: "Bongo," about a circus bear escaping to the wild, and "Mickey and the Beanstalk," a take on the famous fairy tale.

New circumstances forces Lilo and her alien friends to part ways while Gantu and Dr. Van Hamsterviel create the Stitch clone, Leroy, in order to capture all of the experiments and take over the galaxy.

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