Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

On the day that Hurricane Katrina hits New Orleans, elderly Daisy Williams (nee Fuller) is on her deathbed in a New Orleans hospital. At her side is her adult daughter, Caroline. Daisy asks Caroline to read to her aloud the diary of Daisy's lifelong friend, Benjamin Button. Benjamin's diary recounts his entire extraordinary life, the primary unusual aspect of which was his aging backwards, being diagnosed with several aging diseases at birth and thus given little chance of survival, but who does survive and gets younger with time. Abandoned by his biological father, Thomas Button, after Benjamin's biological mother died in childbirth, Benjamin was raised by Queenie, a black woman and caregiver at a seniors home. Daisy's grandmother was a resident at that home, which is where she first met Benjamin. Although separated through the years, Daisy and Benjamin remain in contact throughout their lives, reconnecting in their forties when in age they finally match up. Some of the revelations in Benjamin's diary are difficult for Caroline to read, especially as it relates to the time past this reconnection between Benjamin and Daisy, when Daisy gets older and Benjamin grows younger into his childhood years.

Benjamin Barry is an advertising executive competing with two female co-workers for a major campaign for a diamond merchant. He cuts a deal with his competitors that the account is his if he can make a woman of their choice fall in love with him in 10 days. In comes Andie Anderson who, in turn, is writing a story on how to lose a guy in 10 days as a bet with her boss to be allowed to write more substantial stories. With a hidden agenda in each camp, will either party be able to complete their mission?

Pivoting around the eternal game of love, the suave matchmaker and New York City's finest date-doctor, Alex "Hitch" Hitchens, can guarantee that any man can get the girl of his dreams if he overcomes his fears and follows his infallible advice. However, when the timid accountant, Albert Brennaman, enlists his help to catch the attention of the rich and beautiful heiress, Allegra Cole, Hitch will unexpectedly discover his perfect match: the inquisitive gossip columnist, Sara Melas. Now, the self-assured charmer finds himself in need of his services to save his relationship. But, can the silver-tongued expert of romance survive the delicate complications of love?

Approaching age sixty, Daphne Wilder divorced when she was young, has not dated since, and has raised on her own and has fostered a close, loving relationship with her three daughters, Maggie, Mae and Milly, she now assisting Milly in her successful catering business. Daphne was mother of the bride for a first time at Maggie's wedding, and a second time at Mae's wedding, but she fears there won't be a third and final time for a Milly wedding in insecure Milly attracting only who seem to be the wrong men. Not wanting Milly to turn into another "alone" version of herself at age sixty, Daphne, without telling any of her daughters let alone Milly, decides to take matters into her own hands by placing a personal ad for a potential mate for Milly. Scheduling all seventeen interviews in succession at a restaurant, Daphne finds the ad has attracted one "loser" after another, until she reaches number seventeen, Jason, an architect who is handsome and seems smart, well-bred, successful and forward thinking about his life. The two arrange for Jason to meet Milly by "accident". What Daphne does not anticipate is that there ends up being a number eighteen, Johnny, who witnessed the interviews from the sidelines as the guitarist performing at the restaurant, and while Johnny did approach Daphne in his interest in meeting Milly from what he heard of the interviews, she immediately dismissed him solely because he is a musician and thus irresponsible by nature, much like her ex-husband. In their accidental meetings, Milly embarks on a relationship with both Jason and Johnny concurrently, and upon learning about Johnny in the picture, Daphne starts pushing Jason as the favored one to Milly. Beyond Milly, Jason and Johnny's own thoughts about their two relationships, the two men who know nothing about the other being in Milly's life, a question becomes how Milly eventually learning about the ad, an inevitability, will factor into what happens, not only about Milly's love life but her relationship with her mother. In helping Milly with her love life and only fostered by watching old

In London, Iris Simpkins writes a wedding column in a newspaper and nurtures an unrequited love for her colleague Jasper Bloom. Near Christmas, she is informed that Jasper is engaged to marry another colleague, and her life turns upside down. In Los Angeles, the movie-trailers maker Amanda Woods has just split with her unfaithful boyfriend Ethan and wants to forget him. Through a house exchange website, Amanda impulsively swaps her mansion for Iris' cottage in Surrey for the holidays. While in Surrey, Amanda meets Iris' brother and book editor Graham and they fall in love with each other. Meanwhile, Iris meets her new next door neighbor the ninety year old screenplay writer Arthur, who helps her retrieve her self-esteem, and the film composer Miles, with whom she falls in love.

New York City. Melvin Udall, a cranky, bigoted, obsessive-compulsive writer, finds his life turned upside down when neighboring gay artist Simon is hospitalized and his dog is entrusted to Melvin. In addition, Carol, the only waitress who will tolerate him, must leave work to care for her sick son, making it impossible for Melvin to eat breakfast.

A group of thieves steal a rare gem, but in the process, two of the men double cross the leader of the thieving group, Patrick, and take off with the precious stone. Ten years later, prominent psychiatrist Nathan Conrad is invited to examine a disturbed young woman named Elisabeth. Patrick immediately kidnaps Nathan's daughter, forcing Nathan to attempt to get Elisabeth to reveal a secret number which will ultimately lead Patrick to the whereabouts of the precious gem that has eluded him.

Due to a shuttle's unfortunate demise in outer space, NASA becomes aware of a doomsday asteroid that is on a collision course with Earth. It seems that the only way to knock it off course is to drill into its surface and detonate a nuclear weapon. But as NASA's under-funded yet resourceful team train the world's best drillers for the job, the social order of the world begins to break down as the information reaches the public and hysteria results. As high-ranking officials play politics with the effort, the drilling team all faces deep personal issues which may jeopardize humanity's last chance...

1998 science fiction film directed by Michael Bay

Stanley Goodspeed, who lives in Washington, D.C., is a biochemist who works for the F.B.I. Soon after his fiancée Carla Pestalozzi announces that she is pregnant, Stanley gets a call from F.B.I. Director James Womack. Womack tells Stanley that San Francisco's Alcatraz Island has been taken hostage, along with eighty-one tourists, by Marine General Francis Xavier Hummel who, for years, has been protesting the government's refusal to pay benefits to families of war veterans who died during covert military operations. The death of his wife Barbara on March 9, 1995 drove General Hummel over the edge, and now he's holding hostages in order to get his point across. Stanley is needed because General Hummel has stolen some VX gas warheads and has announced that he will launch them onto San Francisco unless his demands are met. Stanley knows how to disarm the bombs, but he needs someone who knows Alcatraz well enough to get him inside. That man is former British Intelligence Agent John Patrick Mason, who has been in prison for the past thirty years without a trial because he was accused of stealing the private files of

Sean Archer, a very tough, rugged FBI Agent, is still grieving for his dead son Michael. Archer believes that his son's killer is his sworn enemy and a very powerful criminal, Castor Troy. One day, Archer has finally cornered Castor, however, their fight has knocked out Troy cold. As Archer finally breathes easy over the capture of his enemy, he finds out that Troy has planted a bomb that will destroy the entire city of Los Angeles and all of its inhabitants. Unfortunately the only other person who knows its location is Castor's brother Pollux, and he refuses to talk. The solution, a special operation doctor that can cut off people's faces, and can place a person's face onto another person. Archer undergoes one of those surgeries to talk to Pollux. However, Castor Troy somehow regains consciousness and now wants revenge on Archer for taking his face. Not only is Troy ruining Archer's mission, but his personal life as well. Archer must stop Troy again. This time, it's personal.

In this sequel to "Father of the Bride", George Banks must accept the reality of what his daughter's ascension from daughter to wife, and now, to mother means when placed into perspective against his own stage of life. As the comfortable family unit starts to unravel in his mind, a rapid progression into mid-life crisis is in his future. His journey to regain his youth acts as a catalyst for a kind of "rebirth" of his attitude on life when he and his wife, Nina, find how their lives are about to change as well.

The three best of the disbanded Musketeers - Athos (Kiefer Sutherland), Porthos (Oliver Platt), and Aramis (Charlie Sheen) - join a young hotheaded would-be-Musketeer, D'Artagnan (Chris O'Donnell), to stop Cardinal Richelieu's (Tim Curry's) evil plot: to form an alliance with enemy England by way of the mysterious Countess D'Winter (Rebecca De Mornay). Rochefort (Michael Wincott), the Cardinal's right-hand man, announces the official disbanding of the King's Musketeers. Three, however, refuse to throw down their swords - Athos, the fighter and drinker, Porthos, the pirate and lover, and Aramis, the priest and poet. Arriving in Paris to join the Musketeers, D'Artagnan uncovers the Cardinal's plans, and the four set out on a mission to protect King Louis (Hugh O'Conor) and France.

While she was growing up, Sabrina Fairchild spent more time perched in a tree watching the Larrabee family than she ever did on solid ground. As the chauffeur's daughter on their lavish Long Island estate, Sabrina was invisible behind the branches, but she knew them all below - There is Maude Larrabee, the modern matriarch of the Larrabee Corporation; Linus Larrabee, the serious older son who expanded a successful family business into the world's largest communications company; and David, the handsome, fun-loving Larrabee, who was the center of Sabrina's world until she was shipped off to Paris. After two years on the staff of Vogue magazine, Sabrina has returned to the Larrabee estate but now she has blossomed into a beautiful and sophisticated woman. And she's standing in the way of a billion dollar deal.

In New York City, American Brontë Parrish and Frenchman Georges Fauré enter into a marriage of convenience, not even meeting until the day of the civil marriage ceremony, introduced by their mutual friend Anton who arranged the union. Brontë and Georges don't expect to see each other again until they have each gotten what they wanted out of the marriage and are filing for divorce. Aspiring composer Georges has been in the States for five months, has long overstayed his tourist visa, and wants to be a permanent resident to get his green card, and marrying an American will solve that issue. Brontë, a horticulturist, needs to be married to obtain her dream apartment, which contains a geenhouse with a collection of exotic but currently-neglected plans, plus an expansive patio where she can grow plants for her research. Their plans are thrown for a loop when representatives from immigration services make a surprise visit to Brontë's new apartment--supposedly her and Georges' new apartment--in a clampdown on such marriages of convenience which constitute fraud. Brontë's lawyer advises that Georges should move into the apartment until their final hearing with immigration services, during which time they must get to know each other to convince immigration services that their marriage is not just one of convenience. Spending time together might be difficult for both but especially for Brontë as they try to hide their marriage from her friends and family, including her parents with their own idiosyncrasies and her current boyfriend Phil with whom she works. This means keeping them away from the apartment, as the building managers know her only as Mrs. Fauré and not Miss Parrish. But the biggest issue might be overcoming their fundamental differences as humans. They might find that the ultimate end prize is not what would happen after a successful meeting with the immigration representatives.

Jake and Brian are friends. They are Jewish and Catholic respectively. They would grow up and become a rabbi and priest. Anna, whom they knew when they were younger, comes back to town a stunning woman. Jake is up to be the head of his synagogue but he is not married which doesn't make his appointment any easier. Jake finds himself attracted to Anna but because she's not Jewish, he can't marry her as it would make his appointment less likely. Brian also finds himself attracted to Anna, but the priesthood doesn't allow that. Their friendship is strained when each learns of the other's feelings for her.

In New York, the simple and naive just-graduated in journalism Andrea Sachs is hired to work as the second assistant of the powerful and sophisticated Miranda Priestly, the ruthless and merciless executive of the Runway fashion magazine. Andrea dreams to become a journalist and faces the opportunity as a temporary professional challenge. The first assistant Emily advises Andrea about the behavior and preferences of their cruel boss, and the stylist Nigel helps Andrea to dress more adequately for the environment. Andrea changes her attitude and behavior, affecting her private life and the relationship with her boyfriend Nate, her family and friends. In the end, Andrea learns that life is made of choices.

Bridget Jones (Renée Zellweger) is an average woman struggling against her age, her weight, her job, her lack of a man, and her many imperfections. As a New Year's Resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.

Cheery Alex Fletcher lives comfortably in Manhattan off the residuals from his 80's pop success and reprising his hits at school reunions, theme parks, and state fairs. But those gigs are declining, so he jumps at the chance to write a song and record it with reigning teen idol Cora Corman. Trouble is, he's good at melodies but needs a lyricist and has less than a week to finish. Enter Sophie Fisher, subbing for a friend who waters Alex's plants; she's a pretty good poet, quick witted, and could do it, if she'd agree. But there's some sort of shadow over her head that Alex may not be able to charm his way past. And what if they do get a song written, what then?

Against the backdrop of aged has-been rock star Billy Mack's (Bill Nighy's) Christmas themed comeback cover of "Love Is All Around", which he knows is crap and makes no bones about it, much to his manager Joe's (Gregor Fisher's) chagrin as he promotes the record, several interrelated stories about romantic love and the obstacles to happiness through love for Londoners are presented in the five weeks preceding Christmas. Daniel's (Liam Neeson's) wife has just died, leaving him to take care of his adolescent stepson Sam (Thomas Brodie-Sangster) by himself. Daniel is uncertain how to deal with Sam and his problems without his wife present, especially in light of a potential budding romance within their household. Juliet (Keira Knightley) and Peter (Chiwetel Ejiofor) have just gotten married. They believe that Peter's best friend and best man Mark (Andrew Lincoln) hates Juliet, but won't say so to his or her face. Others looking at the situation from the outside believe Mark is jealous of Juliet, as he is in love with Peter. Jamie (Colin Firth), a writer, is taking a writing retreat by himself in rural France following catching his latest girlfriend (Sienna Guillory) in an indiscretion. Jamie ends up spending much time in France with Aurelia (Lúcia Moniz), the Portuguese woman hired as the housekeeper. The question becomes not only if they can communicate their day-to-day needs with each other as she speaks no English, he speaks no Portuguese, and neither speaks French very well, but communicate what seems to be their increasing mutual attraction to each other. Sarah (Laura Linney) has been in love with her co-worker Karl (Rodrigo Santoro) for the two years they have worked together, this attraction about which everyone in their workplace knows. Sarah has to decide if she can be forward enough to express this love directly to Karl, especially in light of what has been her personal priority of dealing with a family issue. Harry (Alan Rickman) and Karen (Dame Emma Thompson) have been in a stable long term marriage. His new assistant Mia (Heike Makatsch) drops hints to him that she would like them to be romantically involved. Harry has to decide whether to fall to the temptation, especially considering being married to a perceptive wife. Single and relatively young David (Hugh Grant) is the newly elected Prime Minister. At 10 Downing Street, he is attracted to one of the new household servants, Natalie (Martine McCutcheon), but isn't sure what to do about it seeing as to their respective positions, the probable public scrutiny, and an incident involving the visiting U.S. President (Billy Bob Thornton). Socially unaware Colin Frissell (Kris Marshall) believes that the lack of romantic love in his life is all the fault of standoffish British women. As such, he decides to take decisive albeit somewhat unusual geographic action. And John (Martin Freeman) and Judy (Joanna Page) are movie body doubles. They can communicate with each other straightforwardly while they are simulating sex filming a movie, but they may not be able to translate the feelings behind that simulation in real-life to each other.

During World War II, the death camp at Treblinka had an escape, causing the Commandant at a similar camp in Sobibor to vow that his camp would never experience the same thing. But those who were its captives, the Jewish laborers who had been spared from the ovens, knew they were on borrowed time. That their only hope was to escape. The only question - how to do it. This movie is based on a factual account of what happened at Sobibor.

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