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An acclaimed bestseller and international sensation, Patrick Suskind's classic novel provokes a terrifying examination of what happens when one man's indulgence in his greatest passion—his sense of smell—leads to murder.In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift—an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

"It took me a long time and most of the world to learn what I know about love and fate and the choices we make, but the heart of it came to me in an instant, while I was chained to a wall and being tortured."So begins this epic, mesmerizing first novel set in the underworld of contemporary Bombay. Shantaram is narrated by Lin, an escaped convict with a false passport who flees maximum security prison in Australia for the teeming streets of a city where he can disappear.Accompanied by his guide and faithful friend, Prabaker, the two enter Bombay's hidden society of beggars and gangsters, prostitutes and holy men, soldiers and actors, and Indians and exiles from other countries, who seek in this remarkable place what they cannot find elsewhere.As a hunted man without a home, family, or identity, Lin searches for love and meaning while running a clinic in one of the city's poorest slums, and serving his apprenticeship in the dark arts of the Bombay mafia. The search leads him to war, prison torture, murder, and a series of enigmatic and bloody betrayals. The keys to unlock the mysteries and intrigues that bind Lin are held by two people. The first is Khader Khan: mafia godfather, criminal-philosopher-saint, and mentor to Lin in the underworld of the Golden City. The second is Karla: elusive, dangerous, and beautiful, whose passions are driven by secrets that torment her and yet give her a terrible power.Burning slums and five-star hotels, romantic love and prison agonies, criminal wars and Bollywood films, spiritual gurus and mujaheddin guerrillas – this huge novel has the world of human experience in its reach, and a passionate love for India at its heart. Based on the life of the author, it is by any measure the debut of an extraordinary voice in literature.

The unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father’s servant, The Kite Runner is a beautifully crafted novel set in a country that is in the process of being destroyed. It is about the power of reading, the price of betrayal, and the possibility of redemption; and an exploration of the power of fathers over sons—their love, their sacrifices, their lies.A sweeping story of family, love, and friendship told against the devastating backdrop of the history of Afghanistan over the last thirty years, The Kite Runner is an unusual and powerful novel that has become a beloved, one-of-a-kind classic.--khaledhosseini.com

OPERATION DOOMSDAY ... ACTIVE ... Commander Robert Bellamy of US Naval Intelligence is dispatched on a top secret mission. A weather balloon carrying sensitive military information has crashed in Switzerland. Bellamy must locate the ten witnesses to the incident so that they can be sworn to secrecy. But as he conducts his search Bellamy begins to suspect that he, too, is being hunted, by an unknown lethal force, that what he was told about the balloon was only one part of an almost unbelievable happening... From Washington to Zurich, Rome and Paris, the story unfolds to reveal Bellamy's past: why the women he loves the most cannot return his love, why his friends become his deadly enemies, and why the world must never learn the incredible secret hidden on the Swiss Alps... 

1900 BC. In what modern Indians mistakenly call the Indus Valley Civilisation. The inhabitants of that period called it the land of Meluha a near perfect empire created many centuries earlier by Lord Ram, one of the greatest monarchs that ever lived. This once proud empire and its Suryavanshi rulers face severe perils as its primary river, the revered Saraswati, is slowly drying to extinction. They also face devastating terrorist attacks from the east, the land of the Chandravanshis. To make matters worse, the Chandravanshis appear to have allied with the Nagas, an ostracised and sinister race of deformed humans with astonishing martial skills!The only hope for the Suryavanshis is an ancient legend: When evil reaches epic proportions, when all seems lost, when it appears that your enemies have triumphed, a hero will emerge.Is the rough-hewn Tibetan immigrant Shiva, really that hero? And does he want to be that hero at all? Drawn suddenly to his destiny, by duty as well as by love, will Shiva lead the Suryavanshi vengeance and destroy evil?

Vikram Seth's novel is, at its core, a love story: Lata and her mother, Mrs. Rupa Mehra, are both trying to find—through love or through exacting maternal appraisal—a suitable boy for Lata to marry. Set in the early 1950s, in an India newly independent and struggling through a time of crisis, A Suitable Boy takes us into the richly imagined world of four large extended families and spins a compulsively readable tale of their lives and loves. A sweeping panoramic portrait of a complex, multiethnic society in flux, A Suitable Boy remains the story of ordinary people caught up in a web of love and ambition, humor and sadness, prejudice and reconciliation, the most delicate social etiquette and the most appalling violence.

It is not so much that The Life of Pi, is particularly moving (although it is). It isn’t even so much that it is written with language that is both delicate and sturdy all at once (which it is, as well). And it’s certainly not that Yann Martel’s vision filled passages are so precise that you begin to feel the salt water on your skin (even though they are). It is that, like Bohjalian and Byatt and all of the great Houdini’s of the literary world, in the last few moments of your journey – after you’ve felt the emotions, endured the moments of heartache, yearned for the resolution of the characters’ struggle – that you realize the book is not what you thought it was. The story transforms, instantly, and forever.And in those last few chapters, you suddenly realize that the moral has changed as well.You feel Martel’s words lingering, suggesting, and you find yourself wondering whether you are his atheist who takes the deathbed leap of faith – hoping for white light and love? Or the agnostic who , in trying to stay true to his reasonable self, explains the mysteries of life and death in only scientific terms, lacking imagination to the end, and, essentially, missing the better story?There is no use in trying to provide a brief synopsis for this ravishing tale of a young boy from India left adrift in the Pacific in a lifeboat with a tiger who used to reside in his father’s zoo in Pondicherry. There is no use because once you finish the book you might decide that this was not, indeed, what the book was about at all. There is no use because, depending on your philosophical bent, the book will mean something very different to your best friend than it will to you. There is no use because it is nearly impossible to describe what makes this book so grand.Read this book. Not because it is an exceptional piece of literary talent. It is, of course. But there are many good authors and many good books. While uncommon, they are not endangered. Read this book because in recent memory - aside from Jose Saramago’s arresting Blindness – there have been no stories which make such grand statements with such few elements. As Pi says in his story “Life on a lifeboat isn’t much of a life. It is like an end game in chess, a game with few pieces. The elements couldn’t be more simple, nor the stakes higher.” It is the same with Martel’s undulating fable of a book about a boy in a boat with a tiger. A simple story with potentially life altering consequences for it’s readers. As Martel writes, "The world isn't just the way it is. It is how we understand it, no? And in understanding something, we bring something to it, no?" Like Schroedinger's cat in the box, the way this book is understood, the way it is perceived affects what it is. There has been some talk that this book will make it’s readers believe in god. I think it’s a question of perspective. To behold this gem of a novel as an adventure of man against the elements (the “dry, yeastless factuality” of what actually happened) is certainly one way to go about it. But to understand this piece to be something indescribable, something godlike, is by far the greater leap of faith.Oh, but worth the leap, if the reader is like that atheist, willing to see the better story.	

Gifted artist? Standout student? All his teachers are sure certain that Evan Galloway can be the graduate who brings glory to small, ordinary St. Sebastian's School. As for Evan, however, he can't be bothered anymore. Since the shock of his young father's suicide last spring, Evan no longer cares about the future. In fact, he believes that he spent the first fifteen years of his life living a lie. Despite his mother's encouragement and the steadfast companionship of his best friend, Alexis, Evan is mired in rage and bitterness. Good memories seem ludicrous when the present holds no hope. Then Evan's grandmother hands him the key--literally, a key--to a locked trunk that his father hid when he was the same age as Evan is now. Digging into the trunk and the small-town secrets it uncovers, Evan can begin to face who his father really was, and why even the love of his son could not save him.In a voice that resonates with the authenticity of grief, Steven Parlato tells a different kind of coming-of-age story, about a boy thrust into adulthood too soon, through the corridor of shame, disbelief, and finally...compassion.

Introducing a major literary talent, The White Tiger offers a story of coruscating wit, blistering suspense, and questionable morality, told by the most volatile, captivating, and utterly inimitable narrator that this millennium has yet seen. Balram Halwai is a complicated man. Servant. Philosopher. Entrepreneur. Murderer. Over the course of seven nights, by the scattered light of a preposterous chandelier, Balram tells us the terrible and transfixing story of how he came to be a success in life—having nothing but his own wits to help him along. Born in the dark heart of India, Balram gets a break when he is hired as a driver for his village's wealthiest man, two house Pomeranians (Puddles and Cuddles), and the rich man's (very unlucky) son. From behind the wheel of their Honda City car, Balram's new world is a revelation. While his peers flip through the pages of Murder Weekly ("Love -- Rape -- Revenge!"), barter for girls, drink liquor (Thunderbolt), and perpetuate the Great Rooster Coop of Indian society, Balram watches his employers bribe foreign ministers for tax breaks, barter for girls, drink liquor (single-malt whiskey), and play their own role in the Rooster Coop. Balram learns how to siphon gas, deal with corrupt mechanics, and refill and resell Johnnie Walker Black Label bottles (all but one). He also finds a way out of the Coop that no one else inside it can perceive. Balram's eyes penetrate India as few outsiders can: the cockroaches and the call centers; the prostitutes and the worshippers; the ancient and Internet cultures; the water buffalo and, trapped in so many kinds of cages that escape is (almost) impossible, the white tiger. And with a charisma as undeniable as it is unexpected, Balram teaches us that religion doesn't create virtue, and money doesn't solve every problem -- but decency can still be found in a corrupt world, and you can get what you want out of life if you eavesdrop on the right conversations. The White Tiger recalls The Death of Vishnu and Bangkok 8 in ambition, scope, and narrative genius, with a mischief and personality all its own. Amoral, irreverent, deeply endearing, and utterly contemporary, this novel is an international publishing sensation —and a startling, provocative debut.

Publicist Stuart Shepard finds himself trapped in a phone booth, pinned down by an extortionist's sniper rifle. Unable to leave or receive outside help, Stuart's negotiation with the caller leads to a jaw-dropping climax.

In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.

Jason Bourne dodges a ruthless C.I.A. official and his Agents from a new assassination program while searching for the origins of his life as a trained killer.

2007 action film directed by Paul Greengrass

A brilliant young CIA trainee is asked by his mentor to help find a mole in the Agency.

Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry along with a treasure trove of dirty secrets.

James Bond descends into mystery as he tries to stop a mysterious organisation from eliminating a country's most valuable resource.

The Illusionist (French: L'Illusionniste) is a 2010 animated film directed by Sylvain Chomet. The film is based on an unproduced script written by French mime, director and actor Jacques Tati in 1956. Controversy surrounds Tati's motivation for the script, which was written as a personal letter to his estranged eldest daughter, Helga Marie-Jeanne Schiel, in collaboration with his long-term writing partner Henri Marquet, between writing for the films Mon Oncle and Play Time.The main character is an elderly version of Tati, with hints of his character Monsieur Hulot. The plot revolves around a struggling illusionist who visits an isolated community and meets a young lady who is convinced that he is a real magician. Chomet relocated the film, originally intended by Tati to be set in Czechoslovakia, to Scotland in the late 1950s. According to the director, "It's not a romance, it's more the relationship between a dad and a daughter." Sony's US press kit declares that the "script for The Illusionist was originally written by French comedy genius and cinema legend Jacques Tati as a love letter from a father to his daughter, but never produced". The film received acclaim from critics, and was nominated for the Academy Award for Best Animated Feature, losing to Pixar's Toy Story 3.

Ryan Bingham enjoys living out of a suitcase for his job, travelling around the country firing people, but finds that lifestyle threatened by the presence of a potential love interest, and a new hire presenting a new business model.

2009 comedy-drama film adaptation of the Kirn novel starring George Clooney directed by Jason Reitman

A CIA agent on the ground in Jordan hunts down a powerful terrorist leader while being caught between the unclear intentions of his American supervisors and Jordan Intelligence.

In a future where a special police unit is able to arrest murderers before they commit their crimes, an officer from that unit is himself accused of a future murder.

2002 American science fiction film directed by Steven Spielberg

A CIA agent goes on the run after a defector accuses her of being a Russian spy.

2010 American action film directed by Phillip Noyce

Barely 21 yet, Frank is a skilled forger who has passed as a doctor, lawyer and pilot. FBI agent Carl becomes obsessed with tracking down the con man, who only revels in the pursuit.

During the Iraq War, a Sergeant recently assigned to an army bomb squad is put at odds with his squad mates due to his maverick way of handling his work.

2008 American war film directed by Kathryn Bigelow

The story of King George VI, his impromptu ascension to the throne of the British Empire in 1936, and the speech therapist who helped the unsure monarch overcome his stammer.

The affair between a politician and a contemporary dancer is affected by mysterious forces keeping the lovers apart.

2011 romantic science fiction movie directed by George Nolfi

After a tragic accident, two stage magicians engage in a battle to create the ultimate illusion while sacrificing everything they have to outwit each other.

2006 British-American mystery thriller film directed by Christopher Nolan

As Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, he is sued by the twins who claimed he stole their idea, and by the co-founder who was later squeezed out of the business.

A soldier wakes up in someone else's body and discovers he's part of an experimental government program to find the bomber of a commuter train within 8 minutes.

In 1954, a U.S. Marshal investigates the disappearance of a murderer who escaped from a hospital for the criminally insane.

2010 American film directed by Martin Scorsese

A thief who steals corporate secrets through the use of dream-sharing technology is given the inverse task of planting an idea into the mind of a C.E.O.

2010 science fiction film directed by Christopher Nolan

Raghupathi Dwarakanath Dixit (born 11 November 1974) is an Indian singer-composer, producer, and film score composer who is the frontman for the Raghu Dixit Project, a multilingual folk music band.
Dixit's music is an amalgamation of Indian ethnic music and styles from different parts of the world. His songs include "Mysore se aayi," "Mumbai," "Antaragni," "Hey Bhagwan," "Har Saans Mein," "Gudugudiya," and "Khidki." Dixit has produced music for contemporary dance and theatre productions including the Indian contemporary dance group Nritarutya, of which, his wife, Mayuri Upadhya, is the artistic director.Dixit's self-titled debut album was launched by the music director duo Vishal-Shekhar on their new independent record label Vishal & Shekhar Music which collaborated with Counter Culture Records for this release. Raghu Dixit was the first artist on this new label. The album was also released on world music label Wrasse Records and Sony/ATV on 20 September 2010. The album reached #1 on the iTunes World Music charts in the UK. The title music for the show Splitsvilla was also composed and sung by Raghu Dixit. In the season one finale of The Dewarists, the Raghu Dixit Project collaborated with songwriter Rewben Mashangva on the song "Masti Ki Basti".

Three generations of the Diwan clan live as an extended family in an ancestral bungalow in the Mumbai suburbs. The serial takes the viewer through their various ups and downs as their never-say-die attitude helps them overcome siblin

The show revolves around the lives of the members of an Uber Wealthy - High Society Gujarati family of Cuffe Parade - South Bombay, whose daughter-in-law is from a middle class Delhi background.

Jaspal Bhatti's satirical take on the common societal problems in India.

The zany adventures of a suburban family, their next-door neighbors, and an innovative robot designed to look like a human child.

Based on the works of R.K. Narayan, Malgudi Days chronicles the lives of people living in the fictitious town of Malgudi.

Coke Studio is a Pakistani music television series which features live studio music performances by various artists, started in June 2008, originating from the Brazilian show, Estúdio Coca-Cola. The show is produced by Coca-Cola Comp

The Dewaristsis a musical television series on MTV India The series is part music documentary and part travelogue. The show casts musicians from various parts of the world, collaborating to create original music while travelling across India. The first season featured total ten episodes. It featured musicians Imogen Heap, Vishal-Shekhar, Zeb and Haniya, Shantanu Moitra, Swanand Kirkire, Indian Ocean, Mohit Chauhan, Parikrama, Agnee, Shilpa Rao, Shri, Monica Dogra, Rajasthan Roots, Papon, Rabbi Shergill, Shubha Mudgal, Swarathma, MIDIval Punditz, Humble the Poet, Karsh Kale, Baiju Dharmajan, Njeralathu Harigovindan, Raghu Dixit and Rewben Mashangva.The first season was directed by Vishwesh Krishnamoorthy, ad-filmmaker and frontman of Mumbai Hardcore band, Scribe. The first five episodes also involved UK filmmakers Fred and Nick. The show is hosted by actor-singer Monica Dogra. The Theme music of The Dewarists was given by Raghu Dixit.

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