Jordan

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Husain Kothari

FRNK

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Abdul Hasib

Loughlin Sullivan

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Blake Molmen

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Forty-nine year old Bobby Bowfinger is the owner/president of a Hollywood-based production company, Bowfinger International Pictures. The company has yet to produce a film, Bobby's personal net worth is virtually zero, and the company only has $2,184 to its name, $1 invested into it personally by Bobby every week since he first decided he wanted to make a movie when he was a child. Bobby believes his fortunes will change when his accountant Afrim changes hats and writes a science-fiction alien invasion screenplay that Bobby thinks all studios will clamor for and has Oscar written all over it. He has a small stable of followers who support his vision in being part of this movie, which eventually includes Daisy as the lead actress, she a stereotypical small town girl looking to make it big in Hollywood. Having just arrived in town, she does not know her way around the Hollywood system,... except on her proverbial back. Bobby is not averse to telling bald-faced lies in his singular focus in getting the picture made and distributed all on this $2,184 as a starting point. It is using several of those lies that he is able to get a verbal confirmation from big studio executive Jerry Renfro to distribute the movie *if* it stars Kit Ramsey, arguably the biggest action star in the world. Using similar lies, Bobby, however, is unable to convince Kit to star in the movie. Kit, who has a weakness for the Laker Girls, is a self-absorbed and paranoid movie star whose life and thus career is largely directed behind the scenes by Terry Stricter, the head of a new age religion called MindHead. Bobby comes up with a scheme that he believes will get around Kit not agreeing to star: film Kit without him knowing that he is being filmed. The only person who knows of the scheme is Dave, Bobby's lowest of low level inside man turned cinematographer who has unofficial (i.e. technically stolen and thus free) access to studio camera equipment and general knowledge of Kit's general day-to-day movements through the studio system. Bobby is able to convince all the other actors that Kit's acting process involves him not interacting with them outside of filming the specific scenes he has with them. Part of Bobby's scheme involves using Kit's general paranoia that aliens truly are invading the planet to get his gut reactions to what is happening within the context of the script. But Bobby knows he has to get Kit to scream the closing lines of the movie "gotcha suckas" for the movie to be a success. Complications ensue when another of the the actors, Carol, tries to go against Bobby's policy of not making contact with Kit outside of filming, and when Bobby is required to hire a production assistant cum stunt double cum acting double, whose job in part is to stand-in for the requisite Kit Ramsey naked ass shot. Through it all, Bobby will know if he has made it in Hollywood if he gets a specific sign specifically from the heavens in the form of FedEx.

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Newton Davis builds his dream house and presents it to Becky with a proposal of marriage. She turns him down. He leaves the house, still with a ribbon around it and returns to the city, smitten with Becky. He meets Gwen, who has an interesting relationship with the truth. He spends the night with her, but leaves while she is sleeping. She takes his description of the house, searches it out, and moves in. The residents of Newton's hometown become curious and Gwen invents a marriage, a courtship, and and an entire history. Newton's parents meet Gwen and are immediately taken with her. By the time Newton finds out, the whole town thinks he's married, and Becky tells him that Gwen has made her see him in a whole new light. Gwen and Newton agree that she can pretend to be his wife and get free rent while Newton works on Becky until they can announce a divorce. The trouble is that nobody in the town wants them to separate and they keep trying to help them reconcile.

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J.C. Wiatt is a successful New York business woman known around town as the "tiger lady." She gets news of an inheritance from a relative from another country and off the bat she suspects it's money. Well it's not money, it's a baby girl. At first she doesn't accept until the lady that gives the baby to her has to catch her flight. J.C. is now stuck with an annoying baby girl. Her boyfriend doesn't like the idea of a baby living with them and he leaves her. J.C. has enough of it and takes her to meet a family ready to adopt her. She leaves but hears the baby cry while walking away and has to go back. The baby is too attached to her now and won't let her go. Later, her baby gets into mischief which causes her to get fired. Now, she sets her eyes on an old two story cottage in Vermont to get out of the New York life. When she arrives, the house needs more help than originally thought. She gets bored one snowy day and decides to make apple sauce. Her baby loves it and she decides to sell it. Pretty soon everyone wants some of the baby apple sauce. J.C. hits it big and falls in love with a local veterinarian. Was this fate or destiny?

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Julia Child and Julie Powell - both of whom wrote memoirs - find their lives intertwined. Though separated by time and space, both women are at loose ends... until they discover that with the right combination of passion, fearlessness and butter, anything is possible.

Harvard educated lawyer Lucy Kelson, following in the footsteps of her lawyer parents, uses her career for social activism. She hides any sense of femininity behind her work. George Wade is the suave public face of the Manhattan-based Wade Corporation, a development firm that Lucy routinely opposes and whose true head is George's profit-oriented brother, Howard Wade. George, who has a reputation as a lady's man, has had as his legal counsel a series of beautiful female lawyers with questionable credentials, they who have more primarily acted as his casual sex partners. Needing a real lawyer, he offers Lucy the job of his legal counsel on a chance meeting. Despite warnings from her parents in working for the "enemy", Lucy, who has no intention of being the latest in his bed partners, accepts the job as she feels she can do more good from the inside, and as George, as part of the job offer, promises not to demolish a community center in a heritage building as part of a development project near her childhood Coney Island home where her parents still live. Although Lucy is able to effect the type of change she wanted from this position, she finds she cannot deal with George's expectations of her, namely being his primary confidante and advisor at all hours of the day and night, mostly about issues she considers frivolous. As such, she gives him two weeks notice, although she promises to help George find her replacement. As Lucy begins to review resumes, George himself unilaterally decides to hire June Carver, a fellow Harvardite, but who seems to have her sights set on George as both a boss and personal partner. As June begins to replace Lucy in seemingly all aspects of George's life, Lucy begins to realize that she herself has fallen for George. However, Lucy's feelings for George and her attempts to re-ingratiate herself into George's life are placed into jeopardy when she learns of a Wade Corporation decision against her basic sensibilities.

Undercover F.B.I. Agent Gracie Hart shows no signs of having any femininity in her demeanor or appearance. Generally a bright and capable Agent, she is in trouble at work when she makes an error in judgment in a case which results in a near disaster. As such, one of her by-the-books colleagues, Eric Matthews, who has never shown any inclination of thinking outside the box, is assigned to lead the high profile case of a terrorist coined The Citizen instead of her, while she is facing possible disciplinary action. Gracie pieces together the evidence to determine that The Citizen's next target will be the Miss United States beauty pageant. The pageant represents everything that Gracie abhors. Despite Gracie's mannish demeanor, Eric, with no other undercover female Agent remotely fitting the demographic, assigns her to go undercover as a pageant contestant to see if she can flush out The Citizen, who is perhaps one of the other contestants. Although the pageant administration, led by former winner Cathy Morningside and long time host Stan Fields, provide the F.B.I. with access to the pageant, Cathy in particular is less than thrilled to have a non-credible Gracie posing as a contestant, which she feels will ruin the pageant. The F.B.I. enlist the assistance of former pageant contestant coach Victor Melling, who is facing his own disgrace associated with the pageant, to do the nearly impossible task of transforming Gracie, not only into a woman, but a credible beauty pageant contestant. As Gracie proceeds in the transformation, she gets to know the other contestants, not only as potential criminals, but also as real people. She also discovers that another sinister element is present at the pageant. She will do whatever it takes to quash that element and protect her new friends, namely the other innocent contestants. But now displaying some femininity, Gracie begins to have more womanly feelings, and in turn, attracts the attention of men, one in particular about whom she is happy.

2000 comedy film directed by Donald Petrie

While she was growing up, Sabrina Fairchild spent more time perched in a tree watching the Larrabee family than she ever did on solid ground. As the chauffeur's daughter on their lavish Long Island estate, Sabrina was invisible behind the branches, but she knew them all below - There is Maude Larrabee, the modern matriarch of the Larrabee Corporation; Linus Larrabee, the serious older son who expanded a successful family business into the world's largest communications company; and David, the handsome, fun-loving Larrabee, who was the center of Sabrina's world until she was shipped off to Paris. After two years on the staff of Vogue magazine, Sabrina has returned to the Larrabee estate but now she has blossomed into a beautiful and sophisticated woman. And she's standing in the way of a billion dollar deal.

Girly


Juggling career and family can be a lot. Tom and Kate Baker, the proud parents of not one but 12 children, have chosen family over career aspirations. However, their lives suddenly change when small-town coach Tom is offered his dream job, and Kate's book has been accepted for publication. Now, with Kate promoting her book, it is up to Tom to look after the children, take care of the house, and handle a new job. Can Tom bring order out of chaos?

In this remake of the Spencer Tracy classic, George and Nina Banks are the parents of young soon-to-be-wed Annie. George is a nervous father unready to face the fact that his little girl is now a woman. The preparations for the extravagant wedding provide additional comic moments.

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Meet Roy and Frank, a couple of professional small-time con artists. What Roy, a veteran of the grift, and Frank, his ambitious protégé, are swindling these days are "water filtration systems," bargain-basement water filters bought by unsuspecting people who pay ten times their value in order to win bogus prizes like cars, jewelry and overseas vacations--which they never collect. These scams net the flim-flam men a few hundred here, another thousand there, which eventually adds up to a lucrative partnership. Roy's private life, however, is not so successful. An obsessive-compulsive agoraphobe with no personal relationships to call his own, Roy is barely hanging on to his wits, and when his idiosyncrasies begin to threaten his criminal productivity he's forced to seek the help of a psychoanalyst just to keep him in working order. While Roy is looking for a quick fix, his therapy begets more than he bargained for: the revelation that he has a teenage daughter--a child whose existence he suspected but never dared confirm. What's more troubling, 14-year-old Angela wants to meet the father she never knew. At first, Angela's appearance disrupts her neurotic father's carefully ordered routine. Soon, however, with his own unique spin on parenthood, Roy begins to enjoy a relationship he never dreamed of having with his daughter. But while he develops paternal feelings for the 14-year-old, she's developing a fascination with Daddy's questionable career.

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