Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

The Running Man is set within a dystopian future in which the poor are seen more by the government as worrisome rodents than actual human beings. The protagonist of The Running Man, Ben Richards, is quick to realize this as he watches his daughter, Cathy, grow more sick by the day and tread closer and closer to death. Desperate for money to pay Cathy’s medical bills, Ben enlists himself in a true reality style game show where the objective is to merely stay alive.

Stephen King returns to the characters and territory of one of his most popular novels ever, The Shining, in this instantly riveting novel about the now middle-aged Dan Torrance (the boy protagonist of The Shining) and the very special 12-year-old girl he must save from a tribe of murderous paranormals.On highways across America, a tribe of people called The True Knot travel in search of sustenance. They look harmless - mostly old, lots of polyester, and married to their RVs. But as Dan Torrance knows, and spunky 12-year-old Abra Stone learns, The True Knot are quasi-immortal, living off the "steam" that children with the "shining" produce when they are slowly tortured to death.Haunted by the inhabitants of the Overlook Hotel where he spent one horrific childhood year, Dan has been drifting for decades, desperate to shed his father's legacy of despair, alcoholism, and violence. Finally, he settles in a New Hampshire town, an AA community that sustains him, and a job at a nursing home where his remnant "shining" power provides the crucial final comfort to the dying. Aided by a prescient cat, he becomes "Doctor Sleep."Then Dan meets the evanescent Abra Stone, and it is her spectacular gift, the brightest shining ever seen, that reignites Dan's own demons and summons him to a battle for Abra's soul and survival. This is an epic war between good and evil, a gory, glorious story that will thrill the millions of hyper-devoted fans of The Shining and wildly satisfy anyone new to the territory of this icon in the King canon.

Thad Beaumont would like to say he is innocent. He'd like to say he has nothing to do with the series of monstrous murders that keep coming closer to his home. But how can Thad disown the ultimate embodiment of evil that goes by the name he gave it-and signs its crimes with Thad's bloody fingerprints?________________________Alternate cover editions:New English Library, 1990New English Library Early Export Edition, 1990

Ralph Roberts has a problem: he isn't sleeping so well these days. In fact, he's hardly sleeping at all. Each morning, the news conveyed by the bedside clock is a little worse: 3:15...3:02...2:45...2:15. The books call it "premature waking"; Ralph, who is still learning to be a widower, calls it a season in hell. He's begun to notice a strangeness in his familiar surroundings, to experience visual phenomena that he can't quite believe are hallucinations. Soon, Ralph thinks, he won't be sleeping at all, and what then?A problem, yes - though perhaps not so uncommon, you might say. But Ralph has lived his entire life in Derry, Maine, and Derry isn't like other places, as millions of Stephen King readers will gladly testify. They remember It, also set in Derry, and know there's a mean streak running through this small New England city; underneath its ordinary surface awesome and terrifying forces are at work. The dying, natural and otherwise, has been going on in Derry for a long, long time. Now Ralph is part of it. So are his friends. And so are the strangers they encounter.You, Gentle Reader, may never sleep again.Welcome to Insomnia.Also see: Alternate Cover Editions for this ISBN [ACE] \
  ACE #1\


It's a hot, lazy day, perfect for a cookout, until you see those strange dark clouds. Suddenly a violent storm sweeps across the lake and ends as abruptly and unexpectedly as it had begun. Then comes the mist...creeping slowly, inexorably into town, where it settles and waits, trapping you in the supermarket with dozens of others, cut off from your families and the world. The mist is alive, seething with unearthly sounds and movements. What unleashed this terror? Was it the Arrowhead Project---the top secret government operation that everyone has noticed but no one quite understands? And what happens when the provisions have run out and you're forced to make your escape, edging blindly through the dim light?

I've re-read Gerald's Game several times since its 1992 publication, and have just finished listening to it as an audiobook. Here's what I know for sure: 1) this story has lost none of its power over me, despite the fact I know everything that's going to happen (quite an impressive feat for a largely plot-driven suspense piece) 2) it is without question, one of King's most underrated, overlooked novels. As of this writing its Goodreads rating is 3.26. Keeping it company in the basement is the much maligned Tommyknockers (incidentally another favorite of mine) and From a Buick 8 (also 3.26 but as this is my least favorite King novel I tend to agree with that number).3) finally, if you aren't already a raving fan of this book I'm not going to change your mind. That's fair. We can't all love the same thing, especially when it comes to books. What I hope I can do is capture just a smidge (like lightning in a bottle) the reasons why -- if you haven't yet -- you must give this book a chance. For a lot of Constant Readers, Gerald's Game will always be linked to its sister novel -- Dolores Claiborne -- as both books were released the same year and King meant them to be companion novels to one another. Their narratives are cleverly linked by a solar eclipse. As a literary device it is an interesting one, but for me it isn't what makes these novels so special or spectacular. In fact, you could remove that connection and neither novel would suffer from its absence. No, what makes each novel memorable is the writing, the characterization and most of all, King's sheer balls to the wall commitment to the delivery of the story and its outcome. As companion novels, there are some notable similarities; namely, the exploration of female abuse at the hands of male aggressors. There are painful descriptions of domestic battery and sexual molestation. King bravely (and quite successfully I would argue) enters the terrain of victim humiliation, degradation, and the lingering psychological effects such acts guarantee. In many ways, these are King's most feminist novels and I don't think it a coincidence that Gerald's Game is dedicated to his wife Tabitha and her five sisters.Yet for me, this isn't what defines Gerald's Game which I would argue has much more in common with Misery, King's Bachman novel The Long Walk, and his short story "Survivor Type". I say this because in all of these what King is really doing is looking at the human body under brutalizing physical duress... at the body in extremis and what humans are genetically hardwired to do to survive and go on living another day. Excruciating physical peril undeniably comes with a psychological component and no one writes that better than King using his own heady and addictive brew of storytelling. Jessie Burlingame -- our "damsel" in distress -- is facing certain death. She is trapped, chained in handcuffs to the bed she shares with her husband Gerald in their summer house on the lake. But it's not summer. It's fall, and the lake is empty. Everyone has gone home. There is no one to hear her scream or beg for release. One of the reasons I love Gerald's Game so much is the "solve the puzzle" locked room mystery of it. It's like one of those brain teasers (you know the one about the melted icicle?) In this case, you have one woman handcuffed to a bed. How do you get her out of them (playing fair, no tricks, no deus ex machina). How will she suffer? What demands will be placed on her body, on her mind? This is where King shines. (view spoiler)[One of my favorite scenes from the entire novel is Jessie's quest for the glass of water resting on the bed's headboard. It is agonizing suspense I almost couldn't stand it. Sheer mastery of the craft I tell you. It would have had Hitchcock foaming at the mouth to film it. (hide spoiler)]

Master storyteller Stephen King presents the classic #1 national bestseller of the ultimate vehicle of terror!“This is the story of a lover’s triangle…It was bad from the start. And it got worse in a hurry.” It’s love at first sight for high school student Arnie Cunningham when he and his best friend Dennis Guilder spot the dilapidated 1958 red-and-white Plymouth Fury for sale—dubbed “Christine” by its original cantankerous owner—rusting away on a front lawn of their suburban Pennsylvania neighborhood. Dennis knows that Arnie’s never had much luck in the looks or popularity department, or really taken an interest in owning a car . . . but Christine quickly changes all that. Arnie suddenly has the newfound confidence to stick up for himself, going as far as dating the most beautiful girl at Libertyville High—transfer student Leigh Cabot—even as a mysteriously restored Christine systematically and terrifyingly consumes every aspect of Arnie’s life. Dennis and Leigh soon realize that they must uncover the awful truth behind a car with a horrifying and murderous history. Hell hath no fury like a woman scorned, and heaven help anyone who gets in Christine’s way…

If this book does not make you feel physical pain, I don't know what will.This isn't a book about killer clowns or haunted hotels. It's not a Hunger Games type of book, despite the "game show" element of the Long Walk, nor is it a world attached to any tower, Dark or not. This book is in-your-face and physical, while simultaneously never losing that dreamy, philosophic quality of existenstial fiction. The premise of the book is very simple: Every year, 100 boys enter a contest called the Long Walk, and the winner gets all his heart desires. Each contestant has to maintain a pace of 4 miles per hour or more, or else he gets a warning. If the boy who gets the warning can keep walking 4 miles per hour or faster for the next hour, the warning is revoked. However, if the boy collects three warnings, the next time he slows down, he's shot in the head and out of the game.I love this book, but it's really hard to communicate what I think it's trying to relate. As I'm writing this review, I'm desperately trying to organize my jumbled thoughts. The best I could do is to divide the book into two sections that broadly describe which parts of this book stood out to me the most: The Deeper Meaning (as I see it) &amp; How it's Done and The People.\
  The Deeper Meaning (as I see it) &amp; How It's Done\
The physical aspect of the journey immediately comes to the spotlight. You think you can outwalk 99 boys? Well, despite the 100% chance of someone actually doing it, you're 99% going to be the one to die either from exhaustion or carelessness. The story's downward spiral from the optimism of the first 10 hours to the torturous hell that is the last 10 hours is slow, relentless, and ultimately certain. Some of the boys' death were incredibly cringe worthy, not because their death was bizarre or fantastic, but because it's so damn relatable. I can't relate to a woman running away from her ghost-possessed husband as much as I can imagine my legs giving out after hours of walking in my own blood and pus. But what's extraordinary about this novel is despite its physicality and its real grit, it's very spiritual and contemplative. Ultimately, this book questions what it means to live through the eyes of one boy (and 99 others) who are walking right into the arms of death. As the boys break down physically, their minds deconstruct past the point of madness until they become lifeless, soulless automatons. I think it's at this point, when the boys are broken beyond exhaustion, that King really questions the value of life in the midst of such suffering, and how we push beyond sanity to sustain life. King doesn't point at authority or paternal figures to place blame on how extraordinary and torturous this desire to live can be. It's the walker who chooses to go on the Long Walk that, in the end, leads to death, no matter what we do. And life isn't nice. It won't slow down for you. Got blisters on your feet? Tough. Can't climb that hill after walking +24 hours? You'd better. Got to take a shit? If it takes longer than three warnings, you're going to die with your pants around your ankles. It seems, in this light, that life is much crueler than death. \
  The People\
Ah, the other great part about this book--and what makes this book so amazing! Unlike many of King's works, this book is not atmospheric. With the exception of comments about the weather and the terrain (obvious factors to consider when walking quite literally until death), the entire narrative is solely focused on the Long Walk itself and the people who are a part of it. I was hesitant to shelf this book under "dystopian" because I don't really know if it's a dystopia. All I know is that the Major, whoever he is, seems to be in charge (how much, I don't know) and the Long Walk is something celebrated by everyone who doesn't partake in it. All we get to know is Garraty, the main character in the story, and the other boys he meets in the Long Walk. None of these characters are forgettable. Garraty, McVries, and even Barkovitch are some of the most developed, fleshed out characters that I've had the pleasure of reading. The boys' interactions, teetering between the desire for the other to die and genuine camaraderie, were incredibly complex and touching. Whenever I read about a gunshot, I desperately hoped that it wasn't one of the boys that I knew because they were so real and likeable. Amid the hardship and torture, something about this book was very sincere, and despite what King may have intended, characters like McVries and Garraty made the journey extraordinarily...enjoyable, if not more emotionally painful. This book is something that will always remain in my mind. Not only was the writing engaging and visceral, but it struck a chord deep within me. Some people may not enjoy the book. It's raw, painful, and depressing. But on the other hand, it challenges, breaks, and strips bare the human soul, and ultimately the sympathy such an act invokes is an intense experience.5.0 stars and highly recommended!

1979 novel by Stephen King (under pseudonym Richard Bachman)

Literary critics can moan all they want about Stephen King's "penny dreadful" oeuvre, but his mastery at the craft of storytelling is indisputable. King writes his novels like a seduction, the story unfolding delicately and deliberately. As any Stephen King fan knows, his coy expository chapters often take up the first hundred pages or more. In Cell, however, the reader is brutally dragged into the main action--unspeakable, senseless violence--within the first seven pages. Cell is by far King's most brutal, transgressive work to date.Many have compared Cell to his earlier epic, The Stand. On the surface, the novels are quite similar: an apocolyptic event threatens the very existence of the human race as a band of survivors struggle to come to terms with the carnage and avert further catastrophe. Cell, however, is the far more mature novel of the pair. The Stand was, in many ways, a novel by an idealistic youth, whereas Cell is filled with the trenchant and world-weary observations of an adult. The subtext is laden with so much chillingly apt futurist rhetoric that it is as though the author had Marshall McLuhan whispering plot devices and metaphors into his ear as he labored over his typewriter. King manages to explore several of the major sociocultural conflicts of our time, most persuasively the end of the era of individualism and the rise of collectivism, here symptomatic of heavy reliance on technology. Whereas many dystopian novels are almost comically blunt when expounding upon the dangers of collectivism, King's horrific plot and action give his metaphors a sort of subtlety that renders his subtext much more graceful and easier to stomach than the work of Ayn Rand.As the epigraphs indicate, it is also a meditation on the intrinsic violence of the human race. King clearly feels as though the world is out of control and wants to find out why. His preferred genre, horror, is an excellent one with which to consider the depravaties of modern life. The Stand was a novel that, if not upbeat, was at least optimistic--a reflection of the times in which it was written. There was also violence, but it had its own biblical logic, if violence can ever be called logical. In Cell, the violence is senseless, oppressive, and omnipresent. There seems to be little promise for a better world... at least not one inhabited by human beings.Many reviewers took issue with the unresolved ending. Considering the subtext of the novel, however, the reader will find that the ending's abruptness actually informs the sense that Cell, besides being an excellent horror yarn, is a meticulously painted portrait of the horrors of global culture. The many crises of our time are still developing and mutating. The end is not yet, it seems, in sight.

so i DID like this, and i don’t really have anything cool or fun to say about it for a review. but i just realized that i forgot to mention the boob euphemism of choice for this book was JAHOOBIES. i just wanted you all to know that....ok bye4/12

Leland Gaunt opens a new shop in Castle Rock called Needful Things. Anyone who enters his store finds the object of his or her lifelong dreams and desires: a prized baseball card, a healing amulet. In addition to a token payment, Gaunt requests that each person perform a little "deed," usually a seemingly innocent prank played on someone else from town. These practical jokes cascade out of control and soon the entire town is doing battle with itself. Only Sheriff Alan Pangborn suspects that Gaunt is behind the population's increasingly violent behavior.

On an entirely normal, beautiful fall day in Chester’s Mill, Maine, the town is inexplicably and suddenly sealed off from the rest of the world by an invisible force field. Planes crash into it and fall from the sky in flaming wreckage, a gardener’s hand is severed as “the dome” comes down on it, people running errands in the neighboring town are divided from their families, and cars explode on impact. No one can fathom what this barrier is, where it came from, and when—or if—it will go away.Dale Barbara, Iraq vet and now a short-order cook, finds himself teamed with a few intrepid citizens—town newspaper owner Julia Shumway, a physician’s assistant at the hospital, a selectwoman, and three brave kids. Against them stands Big Jim Rennie, a politician who will stop at nothing—even murder—to hold the reins of power, and his son, who is keeping a horrible secret in a dark pantry. But their main adversary is the Dome itself. Because time isn’t just short. It’s running out.source: stephenking.com

Beginning with a short story appearing in The Magazine of Fantasy and Science Fiction in 1978, the publication of Stephen King's epic work of fantasy -- what he considers to be a single long novel and his magnum opus -- has spanned a quarter of a century.Set in a world of extraordinary circumstances, filled with stunning visual imagery and unforgettable characters, The Dark Tower series is King's most visionary feat of storytelling, a magical mix of science fiction, fantasy, and horror that may well be his crowning achievement.Book IIn The Gunslinger (originally published in 1982), King introduces his most enigmatic hero, Roland Deschain of Gilead, the Last Gunslinger. He is a haunting, solitary figure at first, on a mysterious quest through a desolate world that eerily mirrors our own. Pursuing the man in black, an evil being who can bring the dead back to life, Roland is a good man who seems to leave nothing but death in his wake.This new edition of The Gunslinger has been revised and expanded throughout by King, with new story material, in addition to a new introduction and foreword.

'Misery' is a gruesome story of torture with blood, guts, and a psychopath. It's a well told tale, the characters are well developed and the fact that there are only two of them never gets boring. It's a real page turner, in fact I finished it tonight after getting off the subway on the platform before I walked home. But, this book is more than just a thriller, just like King is more than just a pulp writer.I read an article by the ever optimistic and cheerful Harold Bloom in college about how dismayed he was that young people like Stephen King so much. All the literature crtics I've read hate King and it seems like it's just because people actually enjoy reading his work. Yeah, Bloom, I said 'work' just like I would about Tolstoy's 'work' because Stephen King as damned hard worker. Think of all the books he's churned out over the last few decades. I'd like to see Harold Bloom show enough imagination to write fiction instead of just criticizing it all the time.I'm actually new to Stephen King's fiction. I've read a few of the essays and articles he's written and a really great graduation speech he gave at UMaine awhile ago in which he extolled the virtues of our mutual home state, but this is only my 3rd novel by him. I like this guy, and I know why too. It's not just because he makes me scream and I have a hard time putting his books down, it's because King loves writing. He has a real and self-aware relationship with what it means to be a writer. He knows he's not Tolstoy or Faulkner, he doesn't try to write that way. He knows how to tell a good god damned story and he has a passion for it. I appreciate his self awareness as a writer and the fact that he ackowledges how difficult the whole process is while not making us feel like he's somehow superior because he's figured out how to do it.In 'Misery' it's almost like we get to watch King write this story. He doesn't just set us up for a crazy story and watch us discover things about his characters, it feels like he actually comes with us and makes the discoveries at the same time we do. That's what makes a good storyteller. And I don't give a damn if Bloom likes him or not.

The road in front of Dr. Louis Creed's rural Maine home frequently claims the lives of neighborhood pets. Louis has recently moved from Chicago to Ludlow with his wife Rachel, their children and pet cat. Near their house, local children have created a cemetery for the dogs and cats killed by the steady stream of transports on the busy highway. Deeper in the woods lies another graveyard, an ancient Indian burial ground whose sinister properties Louis discovers when the family cat is killed.source: stephenking.com

A modern classic, Carrie introduced a distinctive new voice in American fiction -- Stephen King. The story of misunderstood high school girl Carrie White, her extraordinary telekinetic powers, and her violent rampage of revenge, remains one of the most barrier-breaking and shocking novels of all time.Make a date with terror and live the nightmare that is...Carrie--back cover

This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death. And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides -- or are chosen.

Welcome to Derry, Maine ...It’s a small city, a place as hauntingly familiar as your own hometown. Only in Derry the haunting is real ...They were seven teenagers when they first stumbled upon the horror. Now they are grown-up men and women who have gone out into the big world to gain success and happiness. But none of them can withstand the force that has drawn them back to Derry to face the nightmare without an end, and the evil without a name.

Jack Torrance's new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he'll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote...and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.

In 2006-2007 a group of investors bet against the US mortgage market. In their research, they discover how flawed and corrupt the market is.

2015 American biographical comedy-drama film directed by Adam McKay

A police officer is brought out of suspended animation in prison to pursue an old ultra-violent nemesis who is loose in a non-violent future society.

1993 dystopian science fiction action comedy movie directed by Marco Brambilla

A sole survivor tells of the twisty events leading up to a horrific gun battle on a boat, which began when five criminals met at a seemingly random police lineup.

1995 German-American neo-noir crime thriller film directed by Bryan Singer

Based on the true story of the Black September aftermath, about the five men chosen to eliminate the ones responsible for that fateful day.

2005 historical film directed by Steven Spielberg

The Avengers and their allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.

2018 superhero film produced by Marvel Studios

Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, Thao Lor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.

The story of a team of female African-American mathematicians who served a vital role in NASA during the early years of the U.S. space program.

New Orleans single dad and cop Wes Block (Clint Eastwood) goes after a serial rapist-killer, but when he gets too close to the target, the hunter suddenly becomes the hunted.

1984 film by Clint Eastwood, Richard Tuggle

Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.

1996 film directed by Ethan and Joel Coen

A marksman living in exile is coaxed back into action after learning of a plot to kill the President. After being double crossed for the attempt and on the run, he sets out for the real killer and the truth.

When Louis Bloom, a con man desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story.

An insurance salesman discovers his whole life is actually a reality TV show.

When a simple jewelry heist goes horribly wrong, the surviving criminals begin to suspect that one of them is a police informant.

In Gotham City, mentally troubled comedian Arthur Fleck is disregarded and mistreated by society. He then embarks on a downward spiral of revolution and bloody crime. This path brings him face-to-face with his alter-ego: the Joker.

Two imprisoned men bond over a number of years, finding solace and eventual redemption through acts of common decency.

1994 American drama film directed by Frank Darabont

Fact-based drama set during the 1967 Detroit riots in which a group of rogue police officers respond to a complaint with retribution rather than justice on their minds.

The early years of James Logan, featuring his rivalry with his brother Victor Creed, his service in the special forces team Weapon X, and his experimentation into the metal-lined mutant Wolverine.

Jason Bourne dodges a ruthless C.I.A. official and his Agents from a new assassination program while searching for the origins of his life as a trained killer.

2007 action film directed by Paul Greengrass

In 1980 Miami, a determined Cuban immigrant takes over a drug cartel and succumbs to greed.

1983 crime drama film directed by Brian De Palma

After awakening from a four-year coma, a former assassin wreaks vengeance on the team of assassins who betrayed her.

movies

books

Active tastebuds