Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans, comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.

There are some terrible reviews of SH5 floating around Goodreads, but one particularly awful sentiment is that Slaughterhouse-Five isn't anti-war.This is usually based on the following quote. "It had to be done," Rumfoord told Billy, speaking of the destruction of Dresden."I know," said Billy."That's war.""I know. I'm not complaining""It must have been hell on the ground.""It was," said Billy Pilgrim."Pity the men who had to do it.""I do.""You must have had mixed feelings, there on the ground.""It was all right," said Billy. "Everything is all right, and everybody has to do exactly what he does. I learned that on Tralfamadore."For context, Mr. Rumfoord is an old military historian described as "hateful and cruel" who wants to see weaklings like Billy exterminated.On Tralfamadore, Billy was introduced to the revelation that all things happen exactly as they do, and that they will always happen that way, and that they will never happen any other way. Meaning, time is all at once. The aliens, incidentally, admit to destroying the universe in a comical accident fated far into the future, and they're very sorry, but so it goes. &lt;- passive acceptanceThe entire story up to this point has been about Billy, buffeted like a powerless pathetic leaf in a storm, pushed this way and that by forces entirely outside his tiny purview. He lays catatonically in a hospital bed after the plane crash and the death of his wife, and all the time traveling back and forth from Dresden where toddlers and families and old grannies and anti-war civilians were burned alive in a carefully organized inferno (so it goes), and Billy is about ready to agree to absolutely anything. It can't be prevented. It can't be helped.You're powerless, after a while. What hope have we, or anyone caught in the middle of a war, or even the poor soldiers who are nothing but pawns and children (hence the children's crusade), to influence these gigantic, global events? Therefore, Billy agrees with the hateful, the cruel Mr. Rumfoord, who is revising his military history of WWII, having previously forgotten to mention the Dresden bombing. Women and children, not evaporated instantly, but melted slowly by chemicals and liquid flame, their leftovers, according to Billy, lying in the street like blackened logs, or in piles of families who died together in their little homes. Incidentally, how can anything be pro-war or anti-war? Because being anti-war is a bit like being anti-conflict, anti-death, and anti-suffering. Is there a book that's pro these things? Is there a book that touches on the subject of war and is not against it?We don't support wars, though we are sometimes forced to accept them. Anyone who thinks that the bombing of Dresden was necessary is delusional.It's like saying, "yo, look how they bombed these innocents - that shit was wrong! Let's go bomb some innocents, too."That's the sad truth of it.

Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering the cause of generation and life and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creature's hideousness. Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Frankenstein.Frankenstein, an instant bestseller and an important ancestor of both the horror and science fiction genres, not only tells a terrifying story, but also raises profound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? How far can we go in tampering with Nature? In our age, filled with news of organ donation genetic engineering, and bio-terrorism, these questions are more relevant than ever.

Librarian note: an alternate cover for this edition can be found here.In this brilliant work, the most influential philosopher since Sartre suggests that such vaunted reforms as the abolition of torture and the emergence of the modern penitentiary have merely shifted the focus of punishment from the prisoner’s body to his soul.

In her ground-breaking reporting from Iraq, Naomi Klein exposed how the trauma of invasion was being exploited to remake the country in the interest of foreign corporations. She called it "disaster capitalism." Covering Sri Lanka in the wake of the tsunami, and New Orleans post-Katrina, she witnessed something remarkably similar. People still reeling from catastrophe were being hit again, this time with economic "shock treatment" losing their land and homes to rapid-fire corporate makeovers. The Shock Doctrine retells the story of the most dominant ideology of our time, Milton Friedman's free market economic revolution. In contrast to the popular myth of this movement's peaceful global victory, Klein shows how it has exploited moments of shock and extreme violence in order to implement its economic policies in so many parts of the world from Latin America and Eastern Europe to South Africa, Russia, and Iraq. At the core of disaster capitalism is the use of cataclysmic events to advance radical privatization combined with the privatization of the disaster response itself. By capitalizing on crises, created by nature or war, Klein argues that the disaster capitalism complex now exists as a booming new economy, and is the violent culmination of a radical economic project that has been incubating for fifty years.

I really am glad I finally got around to reading this. The book examines the history of the feminist movement in the United States with an eye towards the ways in which the movement fell short on meeting the needs of women who had other marginalized identities. I personally knew some of this history but not all and as Davis mentions it's crucial to grapple with the historic actions of movements when trying to address why certain people choose not to engage in those movements. I also think most people don't have a good understanding of what intersectionality means necessarily and have a tendency to reduce it down to being about who is "more oppressed". I think the book could do a good job of helping one develop a more nuanced understanding of intersectionality as the ways in which different identities intersect to create differing needs and experiences, which need to be addressed individually. This was 4.5 stars for me and I would totally recommend it to others who want to learn more about feminism or those trying to cultivate a better political analysis around women's liberation and the way it intersects with other movements.

With her characteristic brilliance, grace and radical audacity, Angela Y. Davis has put the case for the latest abolition movement in American life: the abolition of the prison. As she quite correctly notes, American life is replete with abolition movements, and when they were engaged in these struggles, their chances of success seemed almost unthinkable. For generations of Americans, the abolition of slavery was sheerest illusion. Similarly,the entrenched system of racial segregation seemed to last forever, and generations lived in the midst of the practice, with few predicting its passage from custom. The brutal, exploitative (dare one say lucrative?) convict-lease system that succeeded formal slavery reaped millions to southern jurisdictions (and untold miseries for tens of thousands of men, and women). Few predicted its passing from the American penal landscape. Davis expertly argues how social movements transformed these social, political and cultural institutions, and made such practices untenable.In Are Prisons Obsolete?, Professor Davis seeks to illustrate that the time for the prison is approaching an end. She argues forthrightly for "decarceration", and argues for the transformation of the society as a whole.

"Jarvious Cotton's great-great-grandfather could not vote as a slave. His great-grandfather was beaten to death by the Klu Klux Klan for attempting to vote. His grandfather was prevented from voting by Klan intimidation; his father was barred by poll taxes and literacy tests. Today, Cotton cannot vote because he, like many black men in the United States, has been labeled a felon and is currently on parole."As the United States celebrates the nation's "triumph over race" with the election of Barack Obama, the majority of young black men in major American cities are locked behind bars or have been labeled felons for life. Although Jim Crow laws have been wiped off the books, an astounding percentage of the African American community remains trapped in a subordinate status--much like their grandparents before them.In this incisive critique, former litigator-turned-legal-scholar Michelle Alexander provocatively argues that we have not ended racial caste in America: we have simply redesigned it. Alexander shows that, by targeting black men and decimating communities of color, the U.S. criminal justice system functions as a contemporary system of racial control, even as it formally adheres to the principle of color blindness. The New Jim Crow challenges the civil rights community--and all of us--to place mass incarceration at the forefront of a new movement for racial justice in America.

nonfiction book about mass incarceration in the United States by Michelle Alexander

A collection of fifteen essays written between 1976 and 1984 gives clear voice to Audre Lorde's literary and philosophical personae. These essays explore and illuminate the roots of Lorde's intellectual development and her deep-seated and longstanding concerns about ways of increasing empowerment among minority women writers and the absolute necessity to explicate the concept of difference—difference according to sex, race, and economic status. The title Sister Outsider finds its source in her poetry collection The Black Unicorn (1978). These poems and the essays in Sister Outsider stress Lorde's oft-stated theme of continuity, particularly of the geographical and intellectual link between Dahomey, Africa, and her emerging self.

S. is a 2013 novel written by Doug Dorst and conceived by J. J. Abrams. The novel is unusual in its format, presented as a story within a story. It is composed of the novel Ship of Theseus (by a fictional author), hand-written notes filling the book's margins as a dialogue between two college students hoping to uncover the author's mysterious identity and the novel's secret, plus loose supplementary materials tucked in between pages.

Burton Rembrandt has the sort of perspective on life that is almost impossible for adults to understand: the perspective of an 8-year-old. And to Burt, his parents and teachers seem to be speaking a language he cannot understand. This is Burt's story as written in pencil on the walls of Quiet Room in the Children's Trust Residence Center, where he lands after expressing his ardent feelings for a classmate. It begins: When I was five I killed myself....In this rediscovered modern classic from "one of France's best-loved temporary writers" (Time), Howard Buten renders with astounding insight and wry language the tale of a troubled -- or perhaps just perfectly normal -- young boy testing the boundaries of love and life.

It begins with a boy. Theo Decker, a thirteen-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love-and at the center of a narrowing, ever more dangerous circle.The Goldfinch combines vivid characters, mesmerizing language, and suspense, while plumbing with a philosopher's calm the deepest mysteries of love, identity, and art. It is an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.

From Nobel Prize–winning author José Saramago, a magnificent, mesmerizing parable of lossA city is hit by an epidemic of "white blindness" that spares no one. Authorities confine the blind to an empty mental hospital, but there the criminal element holds everyone captive, stealing food rations and assaulting women. There is one eyewitness to this nightmare who guides her charges—among them a boy with no mother, a girl with dark glasses, a dog of tears—through the barren streets, and their procession becomes as uncanny as the surroundings are harrowing. As Blindness reclaims the age-old story of a plague, it evokes the vivid and trembling horrors of the twentieth century, leaving readers with a powerful vision of the human spirit that's bound both by weakness and exhilarating strength.

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep. J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. By all rights their paths should never cross, but Achilles takes the shamed prince as his friend, and as they grow into young men skilled in the arts of war and medicine their bond blossoms into something deeper - despite the displeasure of Achilles' mother Thetis, a cruel sea goddess. But then word comes that Helen of Sparta has been kidnapped. Torn between love and fear for his friend, Patroclus journeys with Achilles to Troy, little knowing that the years that follow will test everything they hold dear.Profoundly moving and breathtakingly original, this rendering of the epic Trojan War is a dazzling feat of the imagination, a devastating love story, and an almighty battle between gods and kings, peace and glory, immortal fame and the human heart.

Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now . . . Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.

When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.

Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last - inexorably - into evil.

'Between life and death there is a library, and within that library, the shelves go on forever. Every book provides a chance to try another life you could have lived. To see how things would be if you had made other choices... Would you have done anything different, if you had the chance to undo your regrets?' A dazzling novel about all the choices that go into a life well lived, from the internationally bestselling author of Reasons to Stay Alive and How To Stop Time.Somewhere out beyond the edge of the universe there is a library that contains an infinite number of books, each one the story of another reality. One tells the story of your life as it is, along with another book for the other life you could have lived if you had made a different choice at any point in your life. While we all wonder how our lives might have been, what if you had the chance to go to the library and see for yourself? Would any of these other lives truly be better?In The Midnight Library, Matt Haig's enchanting novel, Nora Seed finds herself faced with this decision. Faced with the possibility of changing her life for a new one, following a different career, undoing old breakups, realizing her dreams of becoming a glaciologist; she must search within herself as she travels through the Midnight Library to decide what is truly fulfilling in life, and what makes it worth living in the first place.

Play as an adorable, yet trouble-making turnip. Avoid paying taxes, solve plantastic puzzles, and take on massive beasts in a journey to tear down a corrupt veg...

Chicory: A Colorful Tale is an adventure video game by indie developer Greg Lobanov and published by Finji. It was released for Microsoft Windows, macOS, PlayStation 4, and PlayStation 5 in June 2021, for Nintendo Switch in December 2021, and for Xbox One and Xbox Series X and Series S in May 2023. The game features an anthropomorphic dog with a magical paintbrush, which is used to color the game world.

Inscryption is an inky black card-based odyssey that blends the deckbuilding roguelike, escape-room style puzzles, and psychological horror into a blood-laced s...

Welcome to UNDERTALE. In this RPG, you control a human who falls underground into the world of monsters. Now you must find your way out... or stay trapped forev...

Explore a huge open game world in classic action-adventure fashion! Prove your worth by fighting through monster-infested dungeons to save the Kingdom of Blosso...

Welcome to a new world of Danganronpa, and prepare yourself for the biggest, most exhilarating episode yet. Set in a psycho-cool environment, a new cast of 16 c...

Jabberwock Island was, at one time, a popular tourist haunt. This now populated island remains oddly pristine. You and your classmates at the elite Hope's Peak...

Wytchwood is an adventure video game developed by Alientrap and published by Whitethorn Games and Whisper Games for Nintendo Switch, PlayStation 4, PlayStation 5, Windows, Xbox One, and Xbox Series X/S. The game was released on December 9, 2021.

Potion Craft is an alchemist simulator where you physically interact with your tools and ingredients to brew potions. You're in full control of the whole shop:...

Stardew Valley is an RPG-style farming game. It's up to you to choose your path... Will you devote your time to raising crops and caring for animals? Will you s...

Inspired by tales of their grandfather's pioneering days, the protagonist decides to pack their bags and leave the hustle and bustle of big city life for the fr...

A family's serene beach vacation turns to chaos when their doppelgängers appear and begin to terrorize them.

Three girls are kidnapped by a man with a diagnosed 23 distinct personalities. They must try to escape before the apparent emergence of a frightful new 24th.

A young African-American visits his white girlfriend's parents for the weekend, where his simmering uneasiness about their reception of him eventually reaches a boiling point.

2017 horror film directed by Jordan Peele

After hearing a young boy's cry for help, a sister and brother venture into a vast field of tall grass in Kansas but soon discover there may be no way out...and that something evil lurks within.

2019 Canadian supernatural horror drama film written and directed by Vincenzo Natali

When an open-minded Jewish librarian and his son become victims of the Holocaust, he uses a perfect mixture of will, humor, and imagination to protect his son from the dangers around their camp.

1997 Italian film directed by and starring Roberto Benigni

An insurance salesman discovers his whole life is actually a reality TV show.

An adventurous 11-year-old girl finds another world that is a strangely idealized version of her frustrating home, but it has sinister secrets.

Jack Skellington, king of Halloween Town, discovers Christmas Town, but his attempts to bring Christmas to his home causes confusion.

1993 animated film directed by Henry Selick

An artificial man, who was incompletely constructed and has scissors for hands, leads a solitary life. Then one day, a suburban lady meets him and introduces him to her world.

1990 American fantasy romance film by Tim Burton

When a shy groom practices his wedding vows in the inadvertent presence of a deceased young woman, she rises from the grave assuming he has married her.

2005 British-American stop-motion-animated fantasy film

Former United Nations employee Gerry Lane traverses the world in a race against time to stop a zombie pandemic that is toppling armies and governments and threatens to destroy humanity itself.

2013 American film directed by Marc Forster

In 2035, a technophobic cop investigates a crime that may have been perpetrated by a robot, which leads to a larger threat to humanity.

2004 American science-fiction action film directed by Alex Proyas

Three groups of people intertwine and are left stranded in the streets on Purge Night, trying to survive the chaos and violence that occurs.

2014 American action-horror film directed by James DeMonaco

A new theme park, built on the original site of Jurassic Park, creates a genetically modified hybrid dinosaur, the Indominus Rex, which escapes containment and goes on a killing spree.

2015 American science fiction adventure film directed by Colin Trevorrow

Years after a plague kills most of humanity and transforms the rest into monsters, the sole survivor in New York City struggles valiantly to find a cure.

2007 American film directed by Francis Lawrence

Katniss Everdeen and Peeta Mellark become targets of the Capitol after their victory in the 74th Hunger Games sparks a rebellion in the Districts of Panem.

The line between justice and revenge blurs when a devastated family uses social media to track down the people who killed 24-year-old Crystal Theobald.

2021 documentary film directed by Fredrick Munk

Explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.

2020 American docudrama film directed by Jeff Orlowski

An exclusive behind the scenes look at the infamous unraveling of the Fyre music festival.

2019 American documentary film from Netflix

After having escaped the Maze, the Gladers now face a new set of challenges on the open roads of a desolate landscape filled with unimaginable obstacles.

2015 American dystopian science fiction film

Pepsi, Where's My Jet? is an American Netflix original docuseries directed by Andrew Renzi. Its story explores the Leonard v. Pepsico, Inc. court case. It premiered on Netflix on November 17, 2022.In the mid-1990s, PepsiCo aired a series of commercials aiming to promote their Pepsi products and associated point system. According to this system, purchasing Pepsi products allowed customers to collect points that could be used to claim prizes such as T-shirts or sunglasses. One commercial showed that, for seven million points, the prize was an AV-8 Harrier II jet. Its value at the time was estimated at US$32 million. While the commercial was tongue-in-cheek, it lacked a disclaimer indicating so. John Leonard, a 21-year-old business student in 1996, found that it was possible to purchase Pepsi Points for 10 cents each and calculated that seven million points cost US$700,000. Furthermore, the rules only required a minimum of 15 Pepsi Points worth of physical tags from Pepsi products beyond the purchased points. Leonard convinced five investors to help him buy the remaining points. One of these investors was Todd Hoffman. Leonard sent his points and a check to claim the jet. However, PepsiCo denied his request and argued that the commercial was a joke; they also pointed out that the jet was not an item offered in their catalog of products that can be obtained with Pepsi Points.

Survivors worldwide reveal the manipulation, abuse and emotional scars suffered at the hands of wealthy convicted pedophile Jeffrey Epstein. Their stories expose a sex trafficking ring of powerful enablers leading up to his 2019 arre

A Netflix Original Series documenting various stories about exposing the greed, corruption, and crime spreading through the global economy.

Series following an elite team of police forensic evidence investigation experts as they work their cases in Las Vegas.

In 1947, Mildred Ratched begins working as a nurse at a leading psychiatric hospital. But beneath her stylish exterior lurks a growing darkness.

A contemporary prequel to Psycho, giving a portrayal of how Norman Bates' psyche unravels through his teenage years, and how deeply intricate his relationship with his mother, Norma, truly is.

American drama thriller television series

Two brothers follow their father's footsteps as hunters, fighting evil supernatural beings of many kinds, including monsters, demons and gods that roam the earth.

Orphaned at the tender age of nine, prodigious introvert Beth Harmon discovers and masters the game of chess in 1960s USA. But child stardom comes at a price.

In the New York of the late 80s and early 90s, this is a story of ball culture and the gay and trans community, the raging AIDS crisis and capitalism.

American drama television series about New York City's drag ball culture during the 1980s and 1990s

A team of wildly talented high school girls soccer players who become the (un)lucky survivors of a plane crash deep in the Ontario wilderness.

Under the Banner of Heaven is an American true crime drama television miniseries created by Dustin Lance Black based on the nonfiction book of the same name by Jon Krakauer. It premiered on April 28, 2022, on Hulu. Andrew Garfield and Gil Birmingham star as two detectives investigating a brutal murder seemingly connected to Mormonism. The series, while reigniting controversy in the Mormon faith, received highly positive reviews.The faith of police detective Jeb Pyre is shaken when investigating the murder of a Latter-day Saint mother and her baby daughter that seems to involve the Church of Jesus Christ of Latter-day Saints (LDS Church).Initially intended to be adapted as a film beginning in 2011, it was announced in June 2021 that it would now be developed as a miniseries, with Dustin Lance Black retained as screenwriter and David Mackenzie serving as director. Andrew Garfield and Daisy Edgar-Jones were cast to star. The cast was rounded out in August, with Sam Worthington, Wyatt Russell, Denise Gough, Rory Culkin, and Gil Birmingham among the new additions.

Bad Vegan: Fame. Fraud. Fugitives. is a 2022 Netflix docuseries by director Chris Smith. It documents how vegan restaurateur Sarma Melngailis illegally transferred money to her husband so he could pay a deity to bestow immortality upon them.The series tells the story of Sarma Melngailis, former owner of the New York City vegan restaurant Pure Food and Wine. Sarma met and married conman Anthony Strangis (who called himself Shane Fox), and she alleged that he coerced her into stealing money from her own restaurant and later going on the run from authorities. The pair were ultimately charged with transferring over $1.6 million from the restaurant into their personal accounts.On review aggregator website Rotten Tomatoes, the limited series holds a 94% approval rating based on 17 critic reviews, with an average rating of 7.4/10. On Metacritic, the series has a score of 72 out of 100, based on 10 critics, indicating "generally favorable reviews".

Warren Steed Jeffs is an American religious leader and convicted child rapist. He is the president of the Fundamentalist Church of Jesus Christ of Latter-Day Saints, a polygamous denomination of the Latter Day Saint movement. In 2011, he was convicted of two felony counts of child sexual assault, for which he is serving a life sentence plus twenty years.

Follows Death Row inmates, who tell the story of how they ended up there.

A Cleveland grandfather is brought to trial in Israel, accused of being the infamous German death camp guard known as Ivan the Terrible.

Activist Abdur-Rahman Muhammad begins his own investigation into the perplexing details surrounding the assassination of civil rights leader Malcolm X.

A thorough examination of the infamous UFO cult through the eyes of its former members and loved ones. What started in 1975 with the disappearance of 20 people from a small town in Oregon, ended in 1997 with the largest suicide on US

When Osho, the world's most controversial guru, builds an Utopian city deep in the Oregon country, conflict with the locals escalates into a national scandal.

Filmed over a 10-year period, Steven Avery, a DNA exoneree who, while in the midst of exposing corruption in local law enforcement, finds himself the prime suspect in a grisly new crime.

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