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A Japanese pacifist, unable to face the dire consequences of conscientious objection, is transformed by his attempts to compromise with the demands of war-time Japan.

A poor village under attack by bandits recruits seven unemployed samurai to help them defend themselves.

1954 Japanese film directed by Akira Kurosawa

As a conscript in war-time Japan's military, a pacifist struggles to maintain his determination to keep his ideals.

The rape of a bride and the murder of her samurai husband are recalled from the perspectives of a bandit, the bride, the samurai's ghost and a woodcutter.

A nurse is put in charge of a mute actress and finds that their personae are melding together.

When a ronin requesting seppuku at a feudal lord's palace is told of the brutal suicide of another ronin who previously visited, he reveals how their pasts are intertwined - and in doing so challenges the clan's integrity.

A model discovers a retired judge is keen on invading people's privacy.

Two neighbors form a strong bond after both suspect extramarital activities of their spouses. However, they agree to keep their bond platonic so as not to commit similar wrongs.

Rashōmon (羅生門, litt. La Porte Rashō) est un film japonais réalisé par Akira Kurosawa en 1950, d'après deux nouvelles de Ryūnosuke Akutagawa (nouvelles Rashômon et Dans le fourré, cette dernière est inspirée de The Moonlit Road, une nouvelle écrite par Ambrose Bierce ). Il a donné son nom à l'effet Rashōmon qui désigne le fait que plusieurs personnes décrivent différemment le même événement.Dans le Japon de la fin Heian (794-1185), quatre personnes présentent des versions très différentes d'un même crime. Un bûcheron ayant découvert un corps, un procès est ouvert. La première version du crime apparaît dans la bouche du bandit qui avoue être l'auteur du meurtre, puis on découvre celle de l'épouse qui dit avoir tué son mari, puis celle du défunt samouraï qui, par la bouche de la medium raconte s’être suicidé. La quatrième version correspond à celle du bûcheron qui, revenant sur sa déclaration, annonce avoir été témoin de la scène.

Two melancholy Hong Kong policemen fall in love: one with a mysterious female underworld figure, the other with a beautiful and ethereal waitress at a late-night restaurant he frequents.

1994 Hong Kong film directed by Wong Kar-Wai

An executive of a shoe company becomes a victim of extortion when his chauffeur's son is kidnapped and held for ransom.

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