Elena Rainn

Kyrsten Iris

Fede Bonino

_ eshago@uw.edu

Watashi Wa Jigabudesu

Roman Bryzhatiy

Karl Halmos-Westram

Ljsly Bernard

Ruby Brown

Dimitri Nuri

Tim M

George Balaskas

Clicca qui per l'edizione "Storie senza tempo".Orphaned as a child, Jane has felt an outcast her whole young life. Her courage is tested once again when she arrives at Thornfield Hall, where she has been hired by the brooding, proud Edward Rochester to care for his ward Adèle. Jane finds herself drawn to his troubled yet kind spirit. She falls in love. Hard. But there is a terrifying secret inside the gloomy, forbidding Thornfield Hall. Is Rochester hiding from Jane? Will Jane be left heartbroken and exiled once again?

Written in his distinctively dazzling manner, Oscar Wilde’s story of a fashionable young man who sells his soul for eternal youth and beauty is the author’s most popular work. The tale of Dorian Gray’s moral disintegration caused a scandal when it ﬁrst appeared in 1890, but though Wilde was attacked for the novel’s corrupting inﬂuence, he responded that there is, in fact, “a terrible moral in Dorian Gray.” Just a few years later, the book and the aesthetic/moral dilemma it presented became issues in the trials occasioned by Wilde’s homosexual liaisons, which resulted in his imprisonment. Of Dorian Gray’s relationship to autobiography, Wilde noted in a letter, “Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be—in other ages, perhaps.

Scottish-born American naturalist and author (1838-1914)

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

Alternate cover edition of ISBN 0553213695 / 9780553213690"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With it's startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

Strange Case of Dr Jekyll and Mr Hyde is the original title of a novella written by the famous Scottish author Robert Louis Stevenson that was first published in 1886. The work is commonly known today as The Strange Case of Dr Jekyll and Mr Hyde, Dr Jekyll and Mr Hyde, or simply Jekyll &amp; Hyde. It is about a London lawyer named John Gabriel Utterson who investigates strange occurrences between his old friend, Dr Henry Jekyll, and the evil Edward Hyde.

April, 1984. Winston Smith, thinks a thought, starts a diary, and falls in love. But Big Brother is watching him, and the door to Room 101 can swing open in the blink of an eye. Its ideas have become our ideas, and Orwell’s fiction is often said to be our reality. The definitive book of the 20th century is re-examined in a radical new adaptation exploring why Orwell’s vision of the future is as relevant as ever."This is a staging that reconsiders a classic with such steely power that it chills brain, blood and bone." - The Times"[A] pitilessly brilliant retelling." - Guardian"This risk-taking adaptation of George Orwell's masterpiece is doubleplusgood." - Telegraph"A theatrical tour de force that has the destructive power of an earthquake." - The Stage"Skilfully brought to life.... This is a very neat theatrical telling of the classic dystopian parable which is more a study of internal tension and tiny acts of defiance as it is a political drama... a work of extraordinary quality and intensity." - IndependentEric Arthur Blair (25 June 1903 – 21 January 1950), better known by his pen name George Orwell, was an English novelist and journalist, whose most famous works include the novella Animal Farm, and the classic dystopia 1984.Duncan Macmillan is an award-winning writer and director. Plays include: Lungs (Paines Plough/Sheffield Crucible and Studio Theatre Washington D.C.), Platform (Old Vic Tunnels), Monster (Royal Exchange/Manchester International Festival), The Most Humane Way to Kill A Lobster (Theatre 503), I Wish To Apologise For My Part In The Apocalypse, So Say All of Us and Family Tree (all BBC Radio 4).Robert Icke was artistic director of the Arden Theatre Company in Stockton-on-Tees from 2003–7 and of the Swan Theatre Company in Cambridge from 2005–8, where he was awarded the Susie Gautier-Smith Prize for his contribution to theatre.

Osamu Dazai's No Longer Human, this leading postwar Japanese writer's second novel, tells the poignant and fascinating story of a young man who is caught between the breakup of the traditions of a northern Japanese aristocratic family and the impact of Western ideas. In consequence, he feels himself "disqualified from being human" (a literal translation of the Japanese title).Donald Keene, who translated this and Dazai's first novel, The Setting Sun, has said of the author's work: "His world … suggests Chekhov or possibly postwar France, … but there is a Japanese sensibility in the choice and presentation of the material. A Dazai novel is at once immediately intelligible in Western terms and quite unlike any Western book." His writing is in some ways reminiscent of Rimbaud, while he himself has often been called a forerunner of Yukio Mishima.Cover painting by Noe Nojechowiz, from the collection of John and Barbara Duncan; design by Gertrude Huston

The giant robot has already been built!! And now it was jus waiting for the great awakening... While `Friend` has never been identified as of yet, days pass by moment to moment, counting down to December 31st, 2000... the day when earth sees it''s end. The only ones to save the world are the so-called `nine friends` who''ve written `The Book Of Prophecy` during their childhoods. Will humans ever able to enter a new world save and sound!?

حتی نمی‌دونم از کجا باید شروع کنم راجع به این کتاب بنویسم. اول بگم که حتی نمی‌دونم به کدوم ادیشنِ کتاب باید امتیاز بدم. من مخلوطی از پنج ادیشن مختلف را خوندم: ای‌بوکِ ترجمه‌ از روسی به انگلیسی کنستانس گارنت، بعد آدیوبوک همین ترجمه با چاپی متفاوت، بعد چند فصلی آن وسط را از روی ترجمه روسی به فارسی مهری آهی خوندم، بعد از اون نسخه چاپی انگلیسی ترجمه پوی‌یر و والاخانسکی را خواندم، (خواندن این‌ها، حدود نصف بیشتر کتاب، نزدیک دو هفته وقت گرفت) و در نهایت نصفِ دوم کتاب را ظرف دو ساعت و نیم از روی ترجمه‌ی انگلیسی به فارسیِ احد عقیلیان، چاپ نشر مرکز خوندم. می‌دونم کار مسخره‌ای کردم، ولی به هرحال پیش اومد. از میان همه این ها ترجمه احد عقیلیان را خیلی دوست داشتم و سریع خوندم (طبعا چون به زبان مادریم بود)، ولی نثر و نوشتار ترجمه انگلیسی را بیشتر دوست داشتم (با این‌که کند پیش می‌رفت) و از بین اون‌ها هم ترجمه گارنت رو ترجیح دادم. ملموس‌تر بود. حالا برم سراغ خود کتاب. اولاً من اصلا کی باشم که بخوام به داستایفسکی نقد وارد کنم؟ اصلا از این مسئله که به کتاب پنج ندادم و چهار دادم خجالت می‌کشم. ولی چیکار کنم که لذتِ خوندنش برام پنج ستاره‌ی کامل نبود. خیلی سر خوندنش زجر کشیدم و بارها حوصله‌ام سر رفت و بار ها  چند صفحه رو روزنامه‌وار خوندم که به جاهای هیجان‌انگیز تر برسم. مدام منتظر بودم داستان طی یک سیر صعودی هیجان‌انگیز تر بشه؛ ولی نشد، و جذابیتش صرفا طی یک سیر سینوسی بالا پایین می‌رفت. شاید اشکال از منه که توی داستان همش به دنبال «کشش» و جذابیت می‌گردم. واقعا این ایراد بهم وارده. توی گودریدز چرخیدم و چندین و چند تا ریویو از این کتاب خوندم که همه بدون استثنا به نبوغ نویسنده و به شاهکار بودن این کتاب اشاره کردن. و بعد نشستم فکر کردم ببینم چرا من اونقدر حظ اعلا از این کتاب نبردم؟ انقدر من خنگم؟ و بی‌سواد؟ یعنی کتاب رو به طور کلی دوست داشتم، ولی واقعیت اینه که اون‌جوری که همه می‌گن به نظرم نبود! خیلی خوندم که می‌گن کتاب ما رو به اعماق تیره و تاریک ذهن راسکلنیکف می‌بره، ولی من رو که نبرد! درست، به افکارش برد، ولی جوری نبود که من کاملا مجذوب و غرق افکارش بشم. داستان برای من توی فضای بیرون می‌گذشت تا تو سرِ راسکلنیکف. شخصیت‌ها دیالوگ‌های طولانی می‌گفتن و من همش منتظر بودم راسکلنیکف تنها شه و به فکر فرو بره و من توی تار و پود افکارش گیر بیفتم و باز هم این طور نشد. نمی‌دونم. کمی از خودم ناامیدم که نتونستم اونجوری از کتاب لذت ببرم که ظاهرا هزاران نفر برده‌ن. حالا راجع به قسمت هایی که دوست داشتم:  قسمت‌های موش و گربه بازیِ بازرس پارفیری با راسکلنیکف حقیقتاً جزو جذاب‌ترین قسمت‌های داستان بودن. از بودن شخصیت‌های زن قوی و خوبی مثل دونیا و سونیا هم لذت بردم. از کل پروسه‌ی قتل، فرار کردنش از محل، خوابی که دید و صحنه‌ی مراسم ختم مارملادف هم لذت بردم. صرفا به طور کلی می‌تونم بگم اگه از حوصله سر رفتن های در طولِ خوندن بگذریم، از کل کتاب و فضاش و دیلماهاش لذت بردم. *اسپویلر در ادامه* اما بیشترین چیزی که نظرم رو نسبت به کتاب مثبت کرد، پایان بندیِ خوب و امیدوارانه و قشنگش بود. من همش انتظار داشتم راسکلنیکف رو بکشن. وقتی نکشتنش انتظار داشتم تو زندان دیوانه شه یا خودکشی کنه. ولی اون عشق و امیدی که ته داستان داشت، اون اطمینانی که داشت که این هفت سال می‌گذره و زندگیِ جدیدی بعدش شروع می‌شه، این که سونیا رو دوست داره و به امیدش زندگی می‌کنه، این که هنوز یه شانس دوباره، یه فرصتی وجود داره و زندگی به تهش نرسیده، این‌ها خیلی زیبا بود و باعث شد واقعا داستان رو دوست داشته باشم. الان به نظر خودم خیلی ریویوی سطحی ای نوشتم و حس می‌کنم اصلا عمق کتاب رو نفهمیدم. ولی چیکار می‌شه کرد دیگه!

When Kris Kelvin arrives at the planet Solaris to study the ocean that covers its surface he is forced to confront a painful, hitherto unconscious memory embodied in the physical likeness of a long-dead lover. Others suffer from the same affliction and speculation rises among scientists that the Solaris ocean may be a massive brain that creates incarnate memories, but its purpose in doing so remains a mystery . . .Solaris raises a question that has been at the heart of human experience and literature for centuries: can we truly understand the universe around us without first understanding what lies within?

Loosely based on Homer's "Odyssey," the movie deals with the picaresque adventures of Ulysses Everett McGill and his companions Delmar and Pete in 1930s Mississipi. Sprung from a chain gang and trying to reach Everett's home to recover the buried loot of a bank heist they are confronted by a series of strange characters--among them sirens, a cyclops, bank robber George "Baby Face" Nelson (very annoyed by that nickname), a campaigning governor and his opponent, a KKK lynch mob, and a blind prophet who warns the trio that "the treasure you seek shall not be the treasure you find."

"Memories" is made up of three separate science-fiction stories. In the first, "Magnetic Rose," four space travelers are drawn into an abandoned spaceship that contains a world created by one woman's memories. In "Stink Bomb," a young lab assistant accidentally transforms himself into a human biological weapon set on a direct course for Tôkyô. The final episode, "Cannon Fodder," depicts a day in the life of a city whose entire purpose is the firing of cannons at an unseen enemy.

1995 Japanese animated science fiction anthology film

Czech Karel Kopfrkingl enjoys his job at a crematorium in the late 1930s. He likes reading the Tibetan book of the dead, and espouses the view that cremation relieves earthly suffering. At a reception, he meets Reineke, with whom he fought for Austria in the first World War. Reineke convinces Kopfrkingl to emphasize his supposedly German heritage, including sending his timid son to the German school. Reineke then suggests that Kopfrkingl's half-Jewish wife is holding back his advancement in his job.

Mima leaves the idol group CHAM, in order to pursue her dream as an actress. Mima climbs up the rocky road to success by performing as rape victims and posing nude for magazines, but is haunted by her reflections of the past.

A thief awakens Valerie, just 13, taking earrings left to her by her mother. By morning, the earrings have been returned, Valerie's first period has begun, and a troupe and a missionary have arrived in her 19th century town. The thief is Orick; he reports to a cloaked constable who may also be the missionary. Attention to sexuality is everywhere: Valerie's grandmother's puritanical nature, the missionary's sermon to the town's virgins, the parish priest's attempt to seduce Valerie, and lusty adults at play. Valerie's nascent sexuality puts her in great danger. Can she navigate the passage from innocence to experience, a route teaming with vampires, a murderer, and an obscure family tree?

Noriko is 27 years old and is still living with her father Somiya, a widower. Noriko just recovered from an illness she developed in the war, and now the important question pops up: when will Noriko start thinking about marriage? Everybody who is important in her life tries to talk her into it: her father, her aunt, a girlfriend. But Noriko doesn't want to get married, she seems extremely happy with her life. She wants to stay with her father to take care of him. After all, she knows best of his manners and peculiarities. But Noriko's aunt doesn't want to give up. She arranges a partner for her and thinks of a plan that will convince Noriko her father can be left alone.

Made for cable television remake of the 1957 classic about twelve jurors quick to condemn a Latino youth on trial for murdering his father before reviewing the evidence. Juror #8 holds out with a verdict of not guilty, thus setting the stage for arguments and reasons why or why not the boy may be guilty.

Animal activists invade a laboratory with the intention of releasing chimpanzees that are undergoing experimentation, infected by a virus -a virus that causes rage. The naive activists ignore the pleas of a scientist to keep the cages locked, with disastrous results. Twenty-eight days later, our protagonist, Jim, wakes up from a coma, alone, in an abandoned hospital. He begins to seek out anyone else to find London is deserted, apparently without a living soul. After finding a church, which had become inhabited by zombie like humans intent on his demise, he runs for his life. Selena and Mark rescue him from the horde and bring him up to date on the mass carnage and horror as all of London tore itself apart. This is a tale of survival and ultimately, heroics, with nice subtext about mankind's savage nature.

Jonathan Harker is sent away to Count Dracula's castle to sell him a house in Wismar where Jonathan lives. But Count Dracula is a vampire, an undead ghoul living off of men's blood. Inspired by a photograph of Lucy Harker, Jonathan's wife, Dracula moves to Wismar, bringing with him death and plague... An unusually contemplative version of Dracula, in which the vampire bears the curse of not being able to get old and die.

Following a truck hijack in New York, five criminals are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze?

Grey's a stay-at-home mechanic, whose wife is Asha. One day, Grey asks Asha to help him return a car to his client. Whilst Grey and Asha's self-driving car malfunctions, it crashes. Grey watches helplessly as Asha bleeds to death next to him. Grey returns home - a widowed quadriplegic, under the care of his mother. His wife's death and the inability of police to identify their attackers cause him to sink into a depression. After a suicide attempt, he's offered to have high tech chip implanted - enabling him to walk. Though initially hesitant, he's persuaded to have the surgery.

Jacob Singer is trying to make sense of his fractured life and memories. Plagued by hallucinations, flashbacks, and conspiracies, he struggles down a path to enlightenment from these manic strains. With nothing but support from friends and loved ones will he be able to push through the haze of his PTSD.

In an adaptation of Patricia Highsmith's seminal novel The Price of Salt, CAROL follows two women from very different backgrounds who find themselves in an unexpected love affair in 1950s New York. As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change. A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens. While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) begins to question her competence as a mother as her involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) come to light.

During a secretive business trip away, Mark learns that his wife Anna is growing restless in what he believed was their happy marriage. Upon his return home, he learns from her that she wants a divorce. They both go through a series of different emotions related to their situation, Mark's which is generally obsessive about learning why Anna, who he still loves, wants the divorce, and Anna's which is generally increasingly histrionic in getting away from Mark. Caught in the middle is their infant son Bob, who Mark uses as a gage to Anna's mental state. Anna states that her want for the divorce is not because of another man, but Mark finds out that Anna has a lover named Heinrich. In the meantime, Mark also meets Bob's teacher Helen, who looks exactly like Anna, but is her polar opposite in temperament. Starting a relationship with Helen lessens his obsession with Anna. But as Mark and Anna's encounters together reach more emotional and violent levels, Mark, with help of a private investigative firm, learns that Anna's love life is not all that it appears. Anna's true obsession has a somewhat gruesome process and nothing will stop her from reaching her end goal.

French film (dir. Andrzej Żuławski; 1981)

The classic novel by Victor Hugo returns to the world of Japanese anime in Nippon Animation's 52-episode adaptation "Les Misérables: Shoujo Cosette". The plot shifts its focus to include the story of Cosette, the illegitimate daughter of Fantine, from her early days with the Thénardiers while her mother works in another town. At the same time, the enigmatic Monsieur Madeleine, who is secretly the ex-convict Jean Valjean, is trying to live an honest life as the beneficent mayor of the same town Fantine works in. Both Valjean and Cosette's lives drastically change as the Thénardiers show their true colors and Inspector Javert arrives in town, posing a potential threat to Madeleine's freedom. This adaptation follows Hugo's story with relative faithfulness, given its young audience, limited running time and moments of artistic license.

2007 Japanese TV series, based on the novel Les Misérables

Shuchiin Academy is home to students from Japan's most successful and wealthy families, as well the nation's most brilliant young scholars. Among them, the Student Council President, Miyuki Shirogane, and the Student Council Vice President, Kaguya Shinomiya, are the best of the best. They would be perfect together, if not for their shared pride and narcissism. Two geniuses develop over the top and clever schemes to try and get the other to confess their love first, because to them, love is war, and the first to confess their feelings loses.

The 16-year-old Izumi Shinichi lives with his mother and father in a quiet neighborhood in Tokyo. One night, worm-like aliens called Parasytes invade Earth, taking over the brains of human hosts by entering through their ears or noses. One Parasyte attempts to crawl into Shinichi's ear while he sleeps, but fails since he is wearing headphones, and enters his body by burrowing into his arm instead, taking over his right hand and is named Migi. Because Shinichi was able to prevent Migi from traveling further up into his brain, both beings retain their separate intellect and personality. As the duo encounter other Parasytes, they capitalize on their strange situation and gradually form a strong bond, working together to survive. This gives them an edge in battling other Parasytes, who frequently attack the pair upon realization that Shinichi's human brain is still intact. Shinichi feels compelled to fight other Parasytes, who devour humans as food, while enlisting Migi's help.

Nakajima Atsushi was kicked out of his orphanage, and now he has no place to go and no food. While he is standing by a river, on the brink of starvation, he rescues a man whimsically attempting suicide. That man is Dazai Osamu, and he and his partner Kunikida are members of a very special detective agency. They have supernatural powers and deal with cases that are too dangerous for the police or the military. They're tracking down a tiger that has appeared in the area recently, around the time Atsushi came to the area. The tiger seems to have a connection to Atsushi, and by the time the case is solved, it is clear that Atsushi's future will involve much more of Dazai and the rest of the detectives.

The story follows Kaizaki Arata, a 27-year-old jobless man, who fails at every job interview he had after quitting his last company. His life changes after he met Yoake Ryou of the ReLife Research Institute, who offered him a drug that can change his appearance to 17-years-old and to become a subject in an experiment for one year. Thus, he begins his life as a high school student once more.

In a world of superhuman beings, Saitama is a unique hero, he can defeat enemies with a single punch. But being just one hero in a world filled with them, his life is empty and hollow: he gets no respect from anyone, he displays a laidback attitude to everything and for the most part, he finds his overall hero life pointless... and worst of all, he lost his hair due to intense training. These are the adventures of an ordinary yet extraordinary hero.

In 2012, the world allegedly comes to an end at the hands of a human-made virus, ravaging the global populace and leaving only children untouched. It is at this time that vampires emerge from the recesses of the earth, likely followed by age-old horrors of the dark thought only to be myth. The vampires sweep the earth and claim it in a single violent stroke, subjugating the remnants of humanity and leading them beneath the surface to safety. This "protection" comes at the price of donating blood to their captors. At the age of twelve, Yuichiro and his friend and fellow orphan Mikaela plotted to escape along with the children in Hyakuya Orphanage. However, this resulted in their deaths and Mikaela sacrifices himself in order for Yuichiro to escape and be saved by members of the Moon Demon Company, an extermination unit of the Japanese Imperial Demon Army. Four years later, Yuichiro dedicates his life to destroy vampires and seek revenge against them for murdering his "family".

One day, Naho Takamiya receives a letter written to herself from ten years in the future. As Naho reads on, the letter recites the exact events of the day, including the transfer of a new student into her class named Kakeru Naruse. The Naho from ten years later repeatedly states that she has many regrets, and she wants to fix these by making sure the Naho from the past can make the right decisions, especially regarding Kakeru. What's more shocking is that she discovers that ten years later, Kakeru will no longer be with them. Future Naho asks her to watch over him closely.

A minor god seeking to gain widespread worship teams up with a human girl he saved to gain fame, recognition and at least one shrine dedicated to him.

Free! revolves around members of a high school boy's swimming team. Four boys-Haruka, Makoto, Nagisa and Rin-all participated in a swimming tournament shortly before graduating elementary school and later parted ways. Years later, they reunite when Rin challenges Haruka to a race and wins. Nagisa decides to get Haruka and Makoto back swimming together and add a new recruit named Rei to form the Iwatobi High School Swimming Club.

Humans are nearly exterminated by giant creatures called Titans. Titans are typically several stories tall, seem to have no intelligence, devour human beings and, worst of all, seem to do it for the pleasure rather than as a food source. A small percentage of humanity survived by walling themselves in a land protected by extremely high walls, even taller than the biggest of titans. Flash forward to the present, and mankind has not seen a titan in over 100 years. One day, 10 year old Eren and his foster sister Mikasa witness something horrific as the city walls are destroyed by a colossal titan that appears out of thin air. As the smaller titans flood the city, the two kids watch in horror as their mother is eaten alive. Eren vows that he will murder every single titan and take revenge for all of mankind.

Twenty-six years ago, in a third-year classroom of a middle school, there was a student named Misaki. As an honors student who was also good at sports, the charming boy was popular with his classmates. When he suddenly died, his classmates decided to carry on as if he was still alive until graduation. Then, in the spring of 1998, a boy named Sakakibara Kouichi transfers to that classroom, and he grows suspicious of the fearful atmosphere in that classroom. In particular, there is a beautiful, aloof girl named Mei Misaki who wears an eye-patch and is always alone drawing pictures.

One night, 14-year-old Madoka Kaname has a terrible nightmare - against the backdrop of a devastated city, she witnesses a girl fight a losing battle against a dreadful being lingering above, while a cat-like magical creature tells Madoka the only way to change that tragic outcome is for her to make a contract with him and become a magical girl. The next day, the teen's dream seemingly becomes reality as the girl she saw in her dream - Homura - arrives at Mitakihara Middle School as a transfer student, mysteriously warning Madoka to stay just the way she is. But when later on she and her best friend Sayaka encounter the same cat-like magical creature from her dream - who introduces himself as Kyubey - the pair discovers that magical girls are real, and what's more, they can choose to become one. All they must do is sign a contract with Kyubey and agree to take on the duty to fight abstract beings called 'witches' that spread despair to the human world, and in return, each one of them will be granted any single wish they desire. However, as Homura's omen suggests, there might be far more to becoming a magical girl than Madoka and Sayaka realize.

Gosick is set in the fictional European country of Sauville in the 1920s. Kazuya Kujo is a transfer student to St. Marguerite Academy, a place where myths and superstitions are abundant. While there he chances upon Victorique, a mysterious, yet highly intelligent girl who spends her days in the seclusion of the library reading its entire content or solving mysteries that the local detectives can't solve.

Sotobamura is a small village with around 1300 residents; so small the village isn't even connected to a single highway. An isolated village in which old customs, such as the burial of the dead, are still practiced. One day, the bodies of three people are found dead. Although Ozaki Toshio, the village's lone doctor, feels uncertain, he treats the deaths as a normal occurrence. However, in the days following, the villagers start to die one after the other.

Naruto Uzumaki wants to be the best ninja in the land. He's done well so far, but with the looming danger posed by the mysterious Akatsuki organization, Naruto knows he must train harder than ever and leaves his village for intense exercises that will push him to his limits.

Mononoke follows a wandering, nameless character known only as the "Medicine Seller". The series is composed out of 5 story arcs, each featuring the medicine seller as he tries to solve the mystery behind the existence of various Mononoke, evil spirits that still linger in the human world. He combats them using his vast knowledge of the supernatural, but a Mononoke can only be slain after he uncovers its form (Katachi), the truth behind its appearance (Makoto) and the reason for its unusual behavior (Kotowari).

University students Kohta and Yuka (Kohta's cousin) save a Diclonius girl called "Lucy" when they see her naked in a beach. In fact "Lucy" is a serial killer who is being searched by the government but they are not aware of who "Lucy" really is because her personality is split.

Higurashi no Naku Koro ni is a story of many chapters. It's about the town of Hinamizawa, and the people who live there, Rena Ryugu, Mion Sonozaki, Satoko Hojo, and Rika Furude, as well as friends, relatives, and visitors dealing with Lord Oyashiro's curse. Every year on the night of Watanagashi, people mysteriously disappear and are murdered which is rumored to be a curse, though it has yet to be proven. However, certain people don't believe it, especially with the odd behaviors of some of of the residents of Hinamizawa. This story is explained in many Question and Answer chapters.

Rebellious teens fight in armed combat against one dispassionate girl's supernatural powers in an afterlife high school.

A. B.

Undeniably innovative & influential jazz musicians who are under-appreciated by all but the truest of jazz fans

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Alex Elias

They are neither plants nor animals. They differ from other forms of life such as the micro-organisms and the fungi. Instead they resemble the primeval body of life and are generally known as "Mushi". Their existence and appearance are unknown to many and only a limited number of humans are aware of them. Ginko is a "Mushi-shi" who travels around to investigate and find out more about the "Mushi". In the process, he also lends a helping hand to people who face problems with supernatural occurrences which may be related to the "Mushi".

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