Sarah

Shaidrian Rios

Jimmy Beans

Julie Wynne - videos

Kapuster

angel smith

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

Edgar Colt

Vitor Miguel

Jorge Luis Borges has been called the greatest Spanish-language writer of our century. Now for the first time in English, all of Borges' dazzling fictions are gathered into a single volume, brilliantly translated by Andrew Hurley. From his 1935 debut with The Universal History of Iniquity, through his immensely influential collections Ficciones and The Aleph, these enigmatic, elaborate, imaginative inventions display Borges' talent for turning fiction on its head by playing with form and genre and toying with language. Together these incomparable works comprise the perfect one-volume compendium for all those who have long loved Borges, and a superb introduction to the master's work for those who have yet to discover this singular genius.

In "Equus," which took critics and public alike by storm and has gone on to become a modern classic, Peter Shaffer depicts the story of a deranged youth who blinds six horses with a spike. Through a psychiatrist's analysis of the events, Shaffer creates a chilling portrait of how materialism and convenience have killed our capacity for worship and passion and, consequently, our capacity for pain. Rarely has a playwrite created an atmosphere and situation that so harshly pinpoint the spiritual and mental decay of modern man.

In this sequel to The History of Sexuality, Volume I: An Introduction, the brilliantly original French thinker who died in 1984 gives an analysis of how the ancient Greeks perceived sexuality. Throughout The Uses of Pleasure Foucault analyzes an irresistible array of ancient Greek texts on eroticism as he tries to answer basic questions: How in the West did sexual experience become a moral issue? And why were other appetites of the body, such as hunger, and collective concerns, such as civic duty, not subjected to the numberless rules and regulations and judgments that have defined, if not confined, sexual behavior?

To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the sole ambition of bringing his "art" to new heights. Tortured by his own perverse desires, and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his "art" to limits even Compton hadn't previously imagined. Together, Compton and Byrne set their sights on an exquisite young Vietnamese-American runaway, Tran, whom they deem to be the perfect victim.Swiftly moving from the grimy streets of London's Piccadilly Circus to the decadence of the New Orleans French Quarter, and punctuated by rants from radio talk show host Lush Rimbaud, a.k.a. Luke Ransom, Tran's ex-lover, who is dying of AIDS and who intends to wreak ultimate havoc before leaving this world, Exquisite Corpse unfolds into a labyrinth of murder and love. Ultimately all four characters converge on a singular bloody night after which their lives will be irrevocably changed — or terminated.Poppy Z. Brite dissects the landscape of torture and invites us into the mind of a killer. Exquisite Corpse confirms Brite as a writer who defies categorization. It is a novel for those who dare trespass where the sacred and profane become one.

Librarian note: an alternate cover for this edition can be found here.Michel Foucault examines the archeology of madness in the West from 1500 to 1800 – from the late Middle Ages, when insanity was still considered part of everyday life and fools and lunatics walked the streets freely, to the time when such people began to be considered a threat, asylums were first built, and walls were erected between the “insane” and the rest of humanity.

This is a perfect example of the kind of writing characterised by Clive James as prose that ‘scorns the earth for fear of a puncture’. Foucault may be able to think – it's not easy to tell – but he certainly can't write.Everywhere there is an apparent desire to render a simple thought impenetrable. When he wants to suggest that the modern world has imposed on us a great variety in the ways we talk about sex, he must refer to ‘a regulated and polymorphous incitement to discourse’. When he advances the theory that the nineteenth century focused less on marriage than on other sexual practices, he talks about ‘a centrifugal movement with respect to heterosexual monogamy’. When there is only one of something he calls it ‘markedly unitary’.It almost becomes funny, except that it tells us something about how loosely his ideas are rooted in reality. Some people seem to think that complex prose must conceal a profundity of thought, but good readers and writers know that the reverse is usually the case. A thought which is impenetrable is not easily rebutted, and so it may only seem correct by default.For example, Foucault has the following idea: that talking more about sex is really an attempt to get rid of any sexual activity that isn't focused on having children. It wouldn't be hard to pick holes in that argument, partly because it uses terms we all immediately understand and which we can very quickly relate to reality. But Foucault puts the theory like this:For was this transformation of sex into discourse not governed by the endeavour to expel from reality the forms of sexuality that were not amenable to the strict economy of reproduction [...]?And you'll see from the square brackets that I've left half the sentence out! Here the argument is harder to refute, not because it's any stronger, but because it takes some effort to work out what the fucking hell the man is talking about.Where he cannot think of a roundabout way of saying something, Foucault instead opts for words which might at least slow his readers down a bit, like erethism. And if no suitably obscure word is at hand, he simply makes one up, so we get a lot of these ugly formations which the postmodernists seem to love, such as discursivity, genitality, or pedagogization.Here I should point out that from what I can tell, all of this complexity exists in the original French, and is not simply a fault in the translator (Robert Hurley, in my edition). In fact sometimes Rob helps us out a bit, such as when he translates the typical Foucaultism étatisation as the more helpful phrase ‘unrestricted state control’. But there's only so much he can do. If he'd put all of Foucault's prose into natural English the book would be a quarter of the size.On the few occasions when Foucault does deign to explain himself, he only makes matters worse. After several pages in which he makes much confusing use of the word ‘power’, he finally defines this vague term as the multiplicity of force relations immanent in the sphere in which they operate and which constitute their own organization; as the process which, through ceaseless struggles and confrontations, transforms, strengthens, or reverses them; as the support which these force relations find in one another, thus forming a chain or a system, or on the contrary, the disjunctions and contradictions which isolate them from one another; and lastly, as the strategies in which they take effect, whose general design or institutional crystallization is embodied in the state apparatus, in the formulation of the law, in the various social hegemonies.My point is not that Foucault makes the reader do unnecessary work, although that's certainly an inexcusable flaw in anyone who wants their view to be taken seriously: a reader should be working to engage with an argument, not having to rewrite the whole damn thing in his head as he goes along. No, my point is that Foucault not only confuses the reader, he confuses himself. Having decided, as a mathematician decides that x equals four, that ‘power’ equals a whole range of ‘force relations’, he then combines it with other comparably dense terms and juggles them around and puts them together until you have to at least suspect that the underlying reality has been lost to Foucault as well as to us.Evidence of his own confusion therefore seems built into the texture of his sentences. He calls the family unit, for instance, ‘a complicated network, saturated with multiple, fragmentary, and mobile sexualities’. The idea of multiple sexualities is fairly clear: an assertion that, for example, homosexuality and paedophilia play their part in family life along with heterosexuality. He offers no evidence for it, but at least it is a proposition we can examine. But what about fragmentary sexualities? What on earth is a fragmentary sexuality? Perhaps one which is in some way both hetero and homo? How does a fragmentary sexuality manifest itself in terms of behaviour or desire? There are no answers. And then we also have the ‘mobile sexualities’, which sounds like some kind of wonderful bus service but which presumably we are meant to understand as sexual feelings that keep changing. To deal with any one of these ideas is problematic. To deal simultaneously with all three, and then to imagine such concepts ‘saturating’ a ‘network’, is just not a serious argument – it's a huge act of intellectual masturbation.Anyone can play this game. The opposing view to Foucault's is the traditional idea that the Victorians were frightened and offended by their sexual feelings, and that consequently their society worked to repress sex. But if we wanted to protect the argument from attack we could easily rephrase it and say that the dominant narrative of Victorian social constructs was characterised by a repressive power projection whose motus was the twin stimuli of (psycho)logical terror and physiological disgust. This is harder to argue against, because it has less meaning. Similarly many of Foucault's arguments are, to paraphrase Wolfgang Pauli, so badly expressed that not only are they not right, they're not even wrong.

Woman or man? This internationally acclaimed novel looks at the world through the eyes of Jess Goldberg, a masculine girl growing up in the "Ozzie and Harriet" McCarthy era and coming out as a young butch lesbian in the pre-Stonewall gay drag bars of a blue-collar town. Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

I'd read bits and pieces of this book over the last 12 months in order to get references for essays. Having those snippets of Rogers' thoughts was useful, but I felt a duty to read from cover-to-cover the foundational work of the person-centred approach if I was serious in training to be a counsellor. So, during the summer break, that's what I've done and found it definitely worthwhile.It took me a while to get through, not because I found it difficult or boring, but because it was thought-provoking and challenging. Many times I've had to put the book down to work through a chain of thought, to reflect upon my own values and ways of being (forgive the in-reference). If I had some of the bricks for an edifice of a person-centred way of being, I think this provides the mortar. Now all I need to do is build something!

In a distant future where sentient humanoid robots pass for human, someone or some thing is out to destroy the seven great robots of the world. Europol’s top detective Gesicht is assigned to investigate these mysterious robot serial murders—the only catch is that he himself is one of the seven targets. Atom, a boy robot whose sophisticated AI programming seamlessly blurs the distinction between man and machine, starts his own investigation into the serial murders of the great robots of the world. When he discovers that the killer’s motives may be connected with the geopolitical events of the recent past, he realizes that the case is far larger than anyone could have ever imagined.Contains Chapters 8 to 15.

Takao Kasuga is a bookworm. And his favorite book right now is Baudelaire's Flowers of Evil. While the young man may often be seen lost in thought as he rabidly consumes page after page, Takao is not much of a student. Actually when we are first introduced to the middle school teen, we find him sneaking some reading as he receives and F on a recent language exam. Nakagawa is known as the class bully. When she is not receiving zeros she is usually muttering profanities to those around her. While she doesn't care for books or their readers, she does have a thing for troublemakers. Takao may not be one, but having read over his shoulder a few times, she knows he is not very innocent. If anything he is bored and aware of it. Together, by chance, they shake up their entire rural community as Takao tries to break out of his shell in a random moment of passion and affection...not directed towards Nakamura. And contrary to Takao's predictions, the girl he was falling for, Nanako Saeki, responds by eventually accepting the bibliophile for who he is. Or at least, who she thinks he is. And therein lies the conflict. Takao is not a hero. He is not troublemaker, either. He is a regular teen who through equal moments of cowardice and chivalry takes a long step towards adulthood as he desperately tries to cover up a dark secret. Takao Kusuga has stolen an item precious to someone he is attracted to, and if he doesn't form a "contract" with his new best friend, she is going to tell.

El ritmo no decae. Asano no se acomoda, ahonda o gira bruscamente. Si ya era complicada la visión de este microuniverso alucinógeno lleno de niños de extrarradio, la cosa se complica cuando añades adolescentes a la ecuación. La violencia doméstica acampa a sus anchas y contextualiza las historias personales de los personajes. Niños buscando redención entre clase y clase de un colegio de primaria.Sigo insistiendo en el estilo artístico de Asano. No concibo cómo mezcla tres estratos -la belleza, la fealdad y lo caricaturesco- dentro de la misma viñeta. Y cómo define a sus personajes en función del trazo que les aplica.Aún queda mucho Punpun, pero no sé por qué derroteros tirará la historia. Estoy intrigado.

A charming love story about two young women who together discover that their dreams of a heart-pounding romance can indeed come true!Yuu has always loved shoujo manga and fantasizes about the day that she too will get a love confession that will send her heart a-flutter. Yet when a male classmate confesses his feelings for her ... she feels nothing. Disappointed and confused, Yuu enters high school still unsure how to respond. That s when Yuu sees the beautiful student council president Nanami turn down a suitor with such maturity and finesse that Yuu is inspired to ask her for advice. But when the next person to confess to Yuu is the alluring Nanami herself, has Yuu's shoujo romance finally begun?

One of the most important exponents of Situationist ideas presents an impassioned critique of modern capitalism in this cornerstone of modern radical thought. Published in early 1968, it both kindled and colored the May 1968 upheavals in France, which captured the attention of the world. Naming and defining the alienating features of everyday life in consumer society: survival rather than living in full, the call to sacrifice, the cultivation of false needs, the dictatorship of the commodity, subjection to social roles, and the replacement of God by the economy, the book argues that the countervailing impulses that exist within deep alienation - creativity, spontaneity, poetry present an authentic alternative to nilhilistic consumerism. This carefully edited new translation marks the first North American publication of this important work and includes a new preface by the author.

From the Eisner-nominated, best-selling author of Goodnight Punpun and solanin, a dark look at what happens when living the life of your dreams becomes your downfall.Selling copies is the only thing that matters.So what if your first series just ended and you have no idea how to start the next one, your marriage is breaking up, your pure love of manga has been destroyed by the cruel reality of the industry and nothing seems to fill the sucking void inside you…Find the secret combo for a new hit manga series and everything will be okay.Right?

Longing for Something BiggerFrom the Eisner Award-nominated Inio Asano, creator of Solanin and Nijigahara Holograph, comes one of his most challenging works yet; an intense teen romance set in what may at first glance be one of the sleepiest places in Japan. When Koume and Keisuke's relationship begins to take shape, it is apparent that they are both searching for something. Maybe Keisuke wants something more than a kiss from the fair Koume. Maybe Koume is looking for someone better than Misaki, the local playboy. But what they find in each other over the course of a summer might be far greater than anything they were expecting. Their lives are going to change. And this will all transpire before high school exams!

Kanae gère un établissement de bains publics avec son mari Satoru. Tous deux sont aidés dans leur tâche par la tante de Kanae. Lorsque Satoru disparaît mystérieusement, les rumeurs vont bon train : accident, fuite, liaison secrète… Beaucoup jugent la jeune femme, trop autoritaire, trop indépendante. Dans l’impossibilité de continuer à assumer la gestion de l’établissement sans son mari, Kanae accueille un jeune homme, M. Hori, envoyé par le syndicat des bains publics pour l’aider.

Set in London, Paris, and Munich in the 1940s and 1950s, Exquisite Corpse is, like Irwin’s cult classic, The Arabian Nightmare, a novel about the strange and ever-morphing powers of the imagination. At once a love story, a mystery, and an investigation into the ideas of absurdist art, "Irwin's novel about English surrealism is funny and profound and hugely satisfying" (A. S. Byatt, Sunday Times)

Patrick Bateman is twenty-six and he works on Wall Street, he is handsome, sophisticated, charming and intelligent. He is also a psychopath. Taking us to head-on collision with America's greatest dream—and its worst nightmare—American Psycho is bleak, bitter, black comedy about a world we all recognise but do not wish to confront.

Devotion is a first-person atmospheric horror game depicting the life of a family shadowed by religious belief. Explore a 1980s Taiwan apartment complex lost in...

Hollow Knight is a 2D action-adventure game with an emphasis on traditional 2D animation and skillful gameplay. Journey to Hallownest, a vast and ancient underg...

Dark Souls DLC Artorias of the Abyss provides you access to new maps and environments, boss characters, enemies and non-playable characters, weapons and armor,...

The Witcher combines spectacular and visually stunning action with deep and intriguing storyline. The game is set in a world created by best-selling Polish auth...

Cyberpunk Bartender Action is a booze em' up about waifus, technology, and post-dystopia life....

Hunted and alone, a boy finds himself drawn into the center of a dark project. The second game from Limbo developer Playdead....

A real-time strategy game set in World War II, Company of Heroes brings to life, in full cinematic detail, the greatest war mankind has ever known. Company of H...

You awaken, alone, on a strange island full of puzzles that challenge and surprise you. You can't remember who you are, and you don't remember how you came to b...

Real astrology at your fingertips, brought to you by Astrolabe, designers of software for professional astrologers since 1979!...

Explore a strange world full of colorful friends and foes. When the time comes, the path you’ve chosen will determine your fate... and perhaps the fate of ot...

Raccoon City has been completely overrun by mutant beasts and bloodthirsty zombies. You are a member of S.T.A.R.S.--a rescue squad sent into the community to in...

Combat Evolved.&quot; Halo 3 will pick up...

Honest Hearts takes you on an expedition to the unspoiled wilderness of Utah's Zion National Park. Things go horribly wrong when your caravan is ambushed by a t...

In Nazi-Fascist Northern Italy in 1943-44, four senior members of government, aided by henchmen and Nazi soldiers, kidnap a group of young men and women. They hold them for 120 days, subjecting them to all manner of torture, perversion, and degradation.

Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828, barely able to talk or walk, and bearing a strange note; he later explained that he had been held captive in a dungeon of some sort for his entire life that he could remember, and only recently was he released, for reasons unknown. His benefactor attempts to integrate him into society, with intriguing results.

This is a jolly coming-of-age story about a 14-year-old boy named Laurent Chevalier who is growing up in bourgeois surroundings in Dijon, France. This is France in the mid-1950s rather than America in the 1990s. Thus, Laurent is unharmed by events which would irreparably shatter the self-esteem of a modern American adolescent: he gets drunk, he smokes, he has sex, he is smothered by his mother, he is ignored by his father, a priest makes a pass at him, he gets rheumatoid fever, etc. There's enough scandalous behavior in this film to make 100 made-for-TV movies, and yet this is a very happy and oddly innocent tale.

A docudrama that centers on amateur grizzly bear expert Timothy Treadwell. He periodically journeyed to Alaska to study and live with the bears. He was killed, along with his girlfriend, Amie Huguenard, by a rogue bear in October 2003. The films explores Treadwell's compassionate life as he found solace among these endangered animals.

2005 documentary film directed by Werner Herzog

A documentary which challenges former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers.

2012 Danish documentary film directed by Joshua Oppenheimer

Part three of a trilogy. After the Japanese defeat to the Russians in the last episode, Kaji, the Japanese soldier and humanistic protagonist, leads the last remaining men through Manchuria. Intent on returning to his dear wife and his old life, Kaji faces great odds in a variety of different harrowing circumstances as he and his fellow men sneak behind enemy lines. Ultimately, he finds himself in the exact opposite position he held in the first episode: Then a labor manager, Kaji is now a prisoner of war, forced to work for the Russians, who do not seem to hold to the Communist ideals in which Kaji himself had put his faith.

Kaji is sent to the Japanese army labeled Red and is mistreated by the vets. Along his assignment, Kaji witnesses cruelties in the army; he revolts against the abusive treatment spent to the recruit Obara that commits suicide; he also sees his friend Shinjô Ittôhei defecting to the Russian border; and he ends in the front to fight a lost battle against the Russian tanks division.

In the World War II, the pacifist and humanist Japanese Kaji accepts to travel with his wife Michiko to the tiny Manchurian village Loh Hu Liong to work as supervisor in an iron ore mine to avoid to be summoned to the military service. Kaji works with Okishima (Sô Yamamura) and he implements a better treatment to the laborers and improves the mine production. When the feared Kempetai (The "Military Police Corps", the military police arm of the Imperial Japanese Army from 1881 to 1945) brings six hundred Chinese POWs to the mine, Kaji negotiates with their leaders expecting them to control their comrades. However the methods of Kaji upset the corrupt system in the site, and the foreman Furuya (Kôji Mitsui) plots a scheme to use the naive Chen (Akira Ishihama) to turn off the electrical power of the barbwire fences to allow the prisoners to escape. When seven prisoners are falsely accused of an attempt of fleeing, a cruel Kempetai sergeant uses his sword to behead the prisoners. When Kaji protests, the POWs react sparing the lives of four prisoners but Kaji is arrested and tortured. When he is released, he is summoned to join the army and accused of being Red.

In this English-language remake of a deconstruction in the way violence is portrayed in the media, a family settles into its vacation home, which happens to be the next stop for a pair of young, articulate, white-gloved serial killers on an excursion through the neighborhood.

The plot takes place at the beginning of the 20th century, in a reality where alchemy is real, extremely developed and respected. The plot features brothers Edward and Alphonse Elric who, after attempting the forbidden technique of human transmutation, suffer the consequences. Alphonse loses his entire body while Edward loses his left leg. Edward then sacrifices his right arm to save his brother's soul by attaching it to a metal suit of armor. Edward is then given mechanical prosthetics known as "automail" in place of his missing arm and leg. Upon acceptance into the State Alchemists, he is given the nickname "Fullmetal Alchemist", all while searching with Alphonse for the legendary philosopher's stone, that will repair their bodies.

A priest, a woodcutter and another man are taking refuge from a rainstorm in the shell of a former gatehouse called Rashômon. The priest and the woodcutter are recounting the story of a murdered samurai whose body the woodcutter discovered three days earlier in a forest grove. Both were summoned to testify at the murder trial, the priest who ran into the samurai and his wife traveling through the forest just before the murder occurred. Three other people who testified at the trial are supposedly the only direct witnesses: a notorious bandit named Tajômaru, who allegedly murdered the samurai and raped his wife; the white veil cloaked wife of the samurai; and the samurai himself who testifies through the use of a medium. The three tell a similarly structured story - that Tajômaru kidnapped and bound the samurai so that he could rape the wife - but which ultimately contradict each other, the motivations and the actual killing being what differ. The woodcutter reveals at Rashômon that he knows more than he let on at the trial, thus bringing into question his own actions. But another discovery at Rashômon and the resulting actions from the discovery bring back into focus the woodcutter's own humanity or lack thereof.

High school student Hitomi Kanzaki, depressed and despondent, wishes to disappear from her world. Her wishes are heard in the alternate world of Gaea where a battle for absolute control is raging! Magically, Hitomi is suddenly transported to this other world and is bestowed with the power to decide its ultimate fate!

In 1959/1960 Rome, Marcello Rubini (Marcello Mastroianni) is a writer and journalist, the worst kind of journalist--a tabloid journalist. His job is to try to catch celebrities in compromising or embarrassing situations. He tends to get quite close to his subjects--especially when they're beautiful women. Two such subjects are local heiress Maddalena (Anouk Aimee), and Swedish superstar-actress Sylvia (Anita Ekberg), with both of whom he has affairs despite being engaged to Emma (Yvonne Furneaux), a clingy, insecure, nagging, melodramatic woman. Despite his extravagant, pleasure-filled lifestyle, he is wondering if maybe a simpler life wouldn't be better.

Wong Chi-ming, a cold-blooded Hong-Kong-based assassin, has decided that he wants out. One last job stands in the way of a new life; however, Wong is unaware that his female partner-in-crime is utterly infatuated with him. Then, Wong has a late-night encounter with seductive Blondie in a fast-food restaurant, only to spark his obsessed partner's jealousy. Elsewhere in the city, mute Ho Chi-mo, who has recently escaped from prison, uses unorthodox ways to eke out an existence. During one of his nightly escapades, Ho crosses paths with Charlie, who enlists his help to find her ex-boyfriend's new lover. But, can there be redemption for the fallen angels?

The French naval ship, Le Vengeur, based out of Marseille, has just docked in Brest for an extended stay. The ship's captain, Lieutenant Seblon, can see the passion in his men, which can as easily manifest itself in violence as it can in sex. Seblon has in part become an officer to remain at arms length from his men, one of them, Querelle, with who he is secretly in love. Querelle goes to La Feria, a bar and makeshift whorehouse owned and operated by husband and wife Nono and Lysiane, one of the whores. La Feria is infamous and notorious as anyone wanting sex with Lysiane must first roll the dice with Nono, Nono winning meaning that he will get to sodomize the loser instead. At La Feria, Querelle is surprised to see his brother, Robert, who is Lysiane's current on-going sexual partner, and who did not have to go through the roll of the dice with Nono is his special position with Lysiane. That passion in Querelle extends to his brother, the two who share more than just a family resemblance. Outwardly, Querelle goes to La Feria as a place to sell opium. However, the opium may only be a pretense as Querelle is trying to discover who he is as a man. Everyone in this collective is also on a similar sense of discovery, some who may be more aware and open about their own thoughts about the lines between sex, desire and love, those who are not as open possibly feeling shame which leads to ways to deal with that shame. Including those already mentioned, this collective includes a local stone mason named Gilles who purports to desire Paulette, a young man named Roger, Paulette's brother, with who there is unspoken sexual tension with Gilles, and Mario who, at least in appearance, "polices" the activities at La Feria.

Gerd Wiesler is an officer with the Stasi, the East German secret police. The film begins in 1984 when Wiesler attends a play written by Georg Dreyman, who is considered by many to be the ultimate example of the loyal citizen. Wiesler has a gut feeling that Dreyman can't be as ideal as he seems, and believes surveillance is called for. The Minister of Culture agrees but only later does Wiesler learn that the Minister sees Dreyman as a rival and lusts after his partner Christa-Maria. The more time he spends listening in on them, the more he comes to care about them. The once rigid Stasi officer begins to intervene in their lives, in a positive way, protecting them whenever possible. Eventually, Wiesler's activities catch up to him and while there is no proof of wrongdoing, he finds himself in menial jobs - until the unbelievable happens.

2006 German film by Florian Henckel von Donnersmarck

American singer, record producer and comedian

In the year Cosmic Era (CE) 71, a war between the Earth Alliance and ZAFT (Zodiac Alliance of Freedom Treaty) breaks out. The Earth Alliance catches up in technology after ZAFT has a head start building giant man-piloted robots called mobile suits. Immediately, four of the Earth Alliance's five new mobile suits called Gundams are stolen by ZAFT, with the remaining Gundam falling on the hands of a young Earth Alliance pilot.

Two brothers lose their mother to an incurable disease. With the power of "alchemy", they use taboo knowledge to resurrect her. The process fails, and as a toll for using this type of alchemy, the older brother, Edward Elric loses his left leg while the younger brother, Alphonse Elric loses his entire body. To save his brother, Edward sacrifices his right arm and is able to affix his brother's soul to a suit of armor. With the help of a family friend, Edward receives metal limbs - "automail" - to replace his lost ones. With that, Edward vows to search for the Philosopher's Stone to return the brothers to their original bodies, even if it means becoming a "State Alchemist", one who uses his/her alchemy for the military.

The Elric brothers' mother is dead and their father has long since abandoned them. Deciding to perform a forbidden human transmutation to bring their mother back, they end up losing their bodies. Now Edward must join the military in order to gain certain alchemical privileges, with his one goal being to restore his brother to his original state. But with war on the horizon it's only a matter of time before they are both forced to question their morals and ultimately decide the value of human life.

2003 anime series directed by Seiji Mizushima

Hitomi is a girl with psychic abilities who gets transported to the magical world of Gaea. She and her friends find themselves under attack from the evil Zaibach empire, and the Guymelf Escaflowne provides the key to it all.

The series is made up of three stories: "Yotsuya Ghost Story", an adaptation of the classic Japanese ghost story; "Goddess of the Dark Tower", and Goblin Cat.

Kou Ichinomiya is a perfect man with a perfect life: he is handsome, smart, self-sufficient, and the young heir to a grand corporation. One day, he falls into the Arakawa River and nearly drowns, but is saved by a young girl named Nino, who lives in a community under a nearby bridge on the Arakawa. It's the Ichinomiya tradition to never be indebted to anyone and settle all accounts, and now Kou owes Nino a life debt. Her request is that he becomes her lover and lives with her. And so Kou begins a new life as a member of the village under the bridge - a village, he discovers, full of self-deluded and eccentric people. There's the musician who wears a star mask, a male war veteran dressed as a nun and his femme-fatale rival who runs a farm, a hairdresser samurai and many others, all led by a man in a green costume. Still, as time passes Kou begins to truly feel at home at the Arakawa under the bridge.

A cop with a skeleton head towards evil around the world

In the late twentieth century, the Secret Security Force was formed to stop the actions of the communist terrorist group known as the Red May. Angel, a beautiful, yet cold woman, has recently joined the small anti-terrorist group. But her first mission will be a true test of skill, for members of the Red May are being found dead, murdered by gruesome methods. Who is causing these murders? And why?

The Japanese government was rescued from the brink of financial collapse by the Sovereign Wealth Fund. For its citizens, however, life has not improved, and unemployment, crime, suicide, and despair are rampant. Kimimaro, raised by his maternal grandmother after the disappearance of his father and the death of his mother, is a scholarship student whose only dream is to avoid all this and live a stable life. One day, however, he meets a man who offers him a large sum of money if he'll agree to pay it back. From then on his fate is radically altered as he's drawn into a mysterious realm known as "The Financial District."

In the year 2039, mankind has found a pure, clean, and infinetly recyclable power source known as the Shizuma Drive. It has served its purpose well, until now. Big Fire, a power-mad underworld organization, has found a way of making all Shizuma Drives inoperable. Luckily, a branch of InterPol, known as the Experts of Justice, have discovered this scheme. Now only Daisaku Kusama, a young Expert member, must control Giant Robo to battle the evils of Big Fire.

The story of a young boy who (along with all his friends) idolizes the pilots of the giant military robots. When he finds a soldier and his robot hidden in the forest, the boy quickly agrees to help this new friend, not knowing the soldier is an enemy spy. As the war between the two nations grows in intensity, the boy comes to learn that the war is not as simple as it seems, and that good and evil are not what everyone says they are.

The Social Welfare agency, a government sponsored corporation is in the business for saving orphaned or abandoned children who are terminally ill or injured beyond the point of saving. Using cybernetic implants, the Agency uses a process called 'conditioning' to turn orphaned children into emotionless killing machines with hardly any memories, no human comfort and worst of all, no free will. The girls who make up the assassination unit within the Social Welfare agency are Henrietta, Triela, Claes, Rico and Angelica, all whom have shady backgrounds which led to their involvement with the agency. Each girl is skilled in martial arts, weapons and tactics, demolitions, foreign languages, espionage and counter-terrorism, skills that are necessary when dealing with terrorism, illegal arms deals or even crime organizations who have a serious stranglehold on the country of Europe. But while these girls are the perfect weapons against these types of everyday problems, they must constantly do their best to hold on to what little pieces of their humanity they have left, as they are being forced to commit cold-blooded murder, sometimes even killing innocent people who get in the way. Jose, Henrietta's handler doesn't like the way she and the other girls are being treated as tools for massacre and it pains him everyday to see Henrietta and her friends having to go through this type of life. But if Henrietta and the others want to live to see tomorrow, they have to play the guinea pigs and earn their keep, by getting their hands dirty for the Social Welfare agency, who is responsible for giving them their second chance at life. Because if they don't play by the agency's rules...they will die.

Set in an Asiatic, war-torn world where certain people can "bend" one of the four classical elements water, earth, fire, or air. Aang is the "Avatar", the only one capable of bending all the elements and is destined to bring peace to the world from the Fire Nation. With his new companions Katara and Sokka, Aang sets out to master the elements while pursued by the exiled Fire Nation prince Zuko, who seeks to regain his honor by capturing the Avatar.

American live-action adventure fantasy streaming television series

The series focuses on the aftermath of the events of Steven Universe, where humans and Gems coexist in harmony after the end of the war between the Crystal Gems and Homeworld.

An innovative look at the life of fictional Mafia Capo Tony Soprano, this serial is presented largely first person, but additional perspective is conveyed by the intimate conversations Tony has with his psychotherapist. We see Tony at work, at home, and in therapy. Moments of black comedy intersperse this aggressive, adult drama, with adult language, and extreme violence.

In the distant future, mankind has used up all of its fossil fuels, forcing them to turn to Solar Power as an alternate energy source. As a result, this causes a rift to form between richer and poorer nations, eventually leading to war. In the midst of this conflict, a mysterious military group known as "Celestial Being" aims to use force to bring peace to the world, by using special humanoid weapons known as Gundams.

It is the year Future Century 60 and most of humanity has migrated to orbiting space colonies, leaving behind the polluted Earth. To prevent war, the colonies came up with the tournament known as the Gundam Fight. Every country builds a Gundam and sends it to Earth. These Gundams fight each other, using the entire planet as the ring, for eleven months until the finals begin in the country that won the last Gundam Fight. Whichever country is ultimately victorious will control the entire world for four years. This year, Neo Japan has sent Domon Kasshu with the Shining Gundam in hopes of winning the 13th Gundam Fight. However, Domon, and his assistant, Rain Mikamura, have more to worry about than winning the Gundam Fight. They have a concurrent mission, to confront and destroy the stolen Devil Gundam...

The tale of a small, isolated island community whose existing divisions are amplified by the return of a disgraced young man and the arrival of a charismatic priest. When Father Paul's appearance on Crockett Island coincides with unexplained and seemingly miraculous events, a renewed religious fervor takes hold of the community - but do these miracles come at a price?

The body of a young girl (Laura Palmer) is washed up on a beach near the small Washington state town of Twin Peaks. FBI Special Agent Dale Cooper is called in to investigate her strange demise only to uncover a web of mystery that ultimately leads him deep into the heart of the surrounding woodland and his very own soul.

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