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An approved textbook at Hogwarts School of Witchcraft and Wizardry since publication, Newt Scamander's masterpiece has entertained wizarding families through the generations. Fantastic Beasts and Where to Find Them is an indispensable introduction to the magical beasts of the Wizarding World. Scamander's years of travel and research have created a tome of unparalleled importance. Some of the beasts will be familiar to readers of the Harry Potter books - the Hippogriff, the Basilisk, the Hungarian Horntail ... Others will surprise even the most ardent amateur Magizoologist. This is an essential companion to the Harry Potter stories, and includes a new foreword from J.K. Rowling (writing as Newt Scamander) and six new beasts!

Harriet Vanger, a scion of one of Sweden’s wealthiest families disappeared over forty years ago. All these years later, her aged uncle continues to seek the truth. He hires Mikael Blomkvist, a crusading journalist recently trapped by a libel conviction, to investigate. He is aided by the pierced and tattooed punk prodigy Lisbeth Salander. Together they tap into a vein of unfathomable iniquity and astonishing corruption.An international publishing sensation, Stieg Larsson’s The Girl with the Dragon Tattoo combines murder mystery, family saga, love story, and financial intrigue into one satisfyingly complex and entertainingly atmospheric novel.Alternate Cover Edition ISBN 0307269752 (ISBN13: 9780307269751)

Melanie Stryder refuses to fade away. The earth has been invaded by a species that take over the minds of human hosts while leaving their bodies intact. Wanderer, the invading "soul" who has been given Melanie's body, didn't expect to find its former tenant refusing to relinquish possession of her mind.As Melanie fills Wanderer's thoughts with visions of Jared, a human who still lives in hiding, Wanderer begins to yearn for a man she's never met. Reluctant allies, Wanderer and Melanie set off to search for the man they both love.Also see: Alternate Cover Editions for this ISBN [ACE]  \
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SPARKS ARE IGNITING.FLAMES ARE SPREADING.AND THE CAPITAL WANTS REVENGE.Against all odds, Katniss Everdeen has survived the Hunger Games. She and fellow District 12 tribute Peeta Mellark are miraculously still alive. Katniss should be relieved, happy even. Yet nothing is the way Katniss wishes it to be. Gale holds her at an icy distance. Peeta has turned his back on her completely. And there are whispers of a rebellion against the Capitol - a rebellion that Katniss and Peeta may have helped create.Much to her shock, Katniss has fueled an unrest that she's afraid she cannot stop. And what scares her even more is that she's not entirely convinced she should try. As time draws near for Katniss and Peeta to visit the districts on the Capitol's cruel Victory Tour, the stakes are higher than ever. If they can't prove, without a shadow of a doubt, that they are lost in their love for each other, the consequences will be horrifying. Katniss is about to be tested as never before.

You can find an alternative cover edition for this ISBN here and here.A rich selection of background and source materials is provided in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

Terry Pratchett's profoundly irreverent novels are consistent number one bestseller in England, where they have catapulted him into the highest echelons of parody next to Mark Twain, Kurt Vonnegut, Douglas Adams, and Carl Hiaasen.In this Discworld installment, Death comes to Mort with an offer he can't refuse -- especially since being, well, dead isn't compulsory. As Death's apprentice, he'll have free board and lodging, use of the company horse, and he won't need time off for family funerals. The position is everything Mort thought he'd ever wanted, until he discovers that this perfect job can be a killer on his love life.

April, 1984. Winston Smith, thinks a thought, starts a diary, and falls in love. But Big Brother is watching him, and the door to Room 101 can swing open in the blink of an eye. Its ideas have become our ideas, and Orwell’s fiction is often said to be our reality. The definitive book of the 20th century is re-examined in a radical new adaptation exploring why Orwell’s vision of the future is as relevant as ever."This is a staging that reconsiders a classic with such steely power that it chills brain, blood and bone." - The Times"[A] pitilessly brilliant retelling." - Guardian"This risk-taking adaptation of George Orwell's masterpiece is doubleplusgood." - Telegraph"A theatrical tour de force that has the destructive power of an earthquake." - The Stage"Skilfully brought to life.... This is a very neat theatrical telling of the classic dystopian parable which is more a study of internal tension and tiny acts of defiance as it is a political drama... a work of extraordinary quality and intensity." - IndependentEric Arthur Blair (25 June 1903 – 21 January 1950), better known by his pen name George Orwell, was an English novelist and journalist, whose most famous works include the novella Animal Farm, and the classic dystopia 1984.Duncan Macmillan is an award-winning writer and director. Plays include: Lungs (Paines Plough/Sheffield Crucible and Studio Theatre Washington D.C.), Platform (Old Vic Tunnels), Monster (Royal Exchange/Manchester International Festival), The Most Humane Way to Kill A Lobster (Theatre 503), I Wish To Apologise For My Part In The Apocalypse, So Say All of Us and Family Tree (all BBC Radio 4).Robert Icke was artistic director of the Arden Theatre Company in Stockton-on-Tees from 2003–7 and of the Swan Theatre Company in Cambridge from 2005–8, where he was awarded the Susie Gautier-Smith Prize for his contribution to theatre.

A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece.A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.(front flap)

The three laws of Robotics:1) A robot may not injure a human being or, through inaction, allow a human being to come to harm.2) A robot must obey orders given to it by human beings except where such orders would conflict with the First Law.3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.With these three, simple directives, Isaac Asimov changed our perception of robots forever when he formulated the laws governing their behavior. In I, Robot, Asimov chronicles the development of the robot through a series of interlinked stories: from its primitive origins in the present to its ultimate perfection in the not-so-distant future--a future in which humanity itself may be rendered obsolete.Here are stories of robots gone mad, of mind-read robots, and robots with a sense of humor. Of robot politicians, and robots who secretly run the world--all told with the dramatic blend of science fact and science fiction that has become Asimov's trademark.

WINNING MEANS FAME AND FORTUNE.LOSING MEANS CERTAIN DEATH.THE HUNGER GAMES HAVE BEGUN. . . .In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and once girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV.Sixteen-year-old Katniss Everdeen regards it as a death sentence when she steps forward to take her sister's place in the Games. But Katniss has been close to dead before—and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weight survival against humanity and life against love.

Journeys to the end of the world, fantastic creatures, and epic battles between good and evil—what more could any reader ask for in one book? The book that has it all is The Lion, the Witch and the Wardrobe, written in 1949 by Clive Staples Lewis. But Lewis did not stop there. Six more books followed, and together they became known as The Chronicles of Narnia.For the past fifty years, The Chronicles of Narnia have transcended the fantasy genre to become part of the canon of classic literature. Each of the seven books is a masterpiece, drawing the reader into a land where magic meets reality, and the result is a fictional world whose scope has fascinated generations.This edition presents all seven books—unabridged—in one impressive volume. The books are presented here in chronlogical order, each chapter graced with an illustration by the original artist, Pauline Baynes. Deceptively simple and direct, The Chronicles of Narnia continue to captivate fans with adventures, characters, and truths that speak to readers of all ages, even fifty years after they were first published.

The Tales of Beedle the Bard contains five richly diverse fairy tales, each with its own magical character, that will variously bring delight, laughter and the thrill of mortal peril.Additional notes for each story penned by Professor Albus Dumbledore will be enjoyed by Muggles and wizards alike, as the Professor muses on the morals illuminated by the tales, and reveals snippets of information about life at Hogwarts.A uniquely magical volume, with illustrations by the author, J. K. Rowling, that will be treasured for years to come.

IN THE YEAR 2044, reality is an ugly place. The only time teenage Wade Watts really feels alive is when he's jacked into the virtual utopia known as the OASIS. Wade's devoted his life to studying the puzzles hidden within this world's digital confines, puzzles that are based on their creator's obsession with the pop culture of decades past and that promise massive power and fortune to whoever can unlock them. But when Wade stumbles upon the first clue, he finds himself beset by players willing to kill to take this ultimate prize. The race is on, and if Wade's going to survive, he'll have to win—and confront the real world he's always been so desperate to escape.

I had removed this review, which violates Article 2 of the Terms of Use:You agree not to post User Content that: (i) may create a risk of harm, loss, physical or mental injury, emotional distress, death, disability, disfigurement, or physical or mental illness to you, to any other person, or to any animal.Looking at the comment thread, it is abundantly clear that the review not only may, but indeed has caused emotional distress to several Potter fans. I would like to offer my apologies to these unfortunate people, who had every right to expect better service from Goodreads. But, despite the above, I have decided on mature consideration that I will attempt an experiment: I am reinstating the original review, hiding the dangerous and inflammatory content inside a spoiler tag. If you are a person easily offended by negative comments about Harry Potter and still decide to click it, then you have only yourself to blame. You have been warned.(view spoiler)[I got into an argument the other day with an articulate 17 year old Harry Potter fan - let's call him D - who wanted to know why I was being so nasty in my review of Deathly Hallows. What was wrong with it? I offered various structural criticisms: the ending is abrupt and unconvincing, the subplot with the Horcruxes has not been adequately foreshadowed in the earlier volumes, and the book as a whole is overlong and boring. D expressed surprise that I could call Deathly Hallows boring, when I'd given five stars to Madame Bovary and Animal Farm, both of which he considered far duller. The discussion continued for some time. In the end, I said I would write a review summarising my objections to the series as a whole. Here it is.As I said to D, it's not the books or the author. The early Potter books are cute and entertaining, and J.K. Rowling seems like a nice person - if someone's going to scoop the literary Powerball jackpot, why not her? What I very strongly object to is the way the books have been marketed. About 10 years ago, it seems to me, some clever people figured out a new marketing strategy, which they first applied to Potter; when that came to an end, the same methods were used for Twilight. Both series have enjoyed a level of success which is utterly disproportionate to their quality, and which is also unprecedented in literary history. Twilight clearly follows Potter; I've had several discussions about what preceded Potter, and the answer, everyone seems to agree, is that there was no earlier success story of this kind. Before Potter, there was no YA series of dubious merit that absolutely everyone read. I think it's uncontroversial that Potter, in terms of literary quality, is better than Twilight, but Twilight has been even more successful. At one point, the four volumes occupied the top four spots in the New York Times bestseller list. On Goodreads, nearly half of the top 50 reviews are of Twilight books. This is an absurd and unnatural state of affairs. Even though Twilight may not be quite as bad as is sometimes made out - I'm one of many people who have tried to defend it - there's no way it deserves this level of attention.So why is everyone reading it, and why, before that, was everyone reading Potter? As I said, I think it's primarily about the marketing, though I wish I was more sure about the details. Here, at any rate, are some thoughts. First, the publishers are aggressively using economies of scale and deals with third parties. They print very large numbers of copies, and they work together with movie studios, game companies and merchandisers to cross-promote them. I think it's particularly important that a large proportion of the books are sold, not at bookstores, but at normal supermarkets. It's well known that the cover price is usually marked down to the point where the supermarket is not in fact making any profit; they have discovered that they can successfully treat it as a loss leader. This is causing great pain to independent bookstores. Some of them, I have read, have adopted the desperate expedient of buying copies at supermarkets and then reselling them. Second, let's look at the content and style. Even though Potter and Twilight are fairly different in some ways, they also have many strong similarities. Above all, they are extremely easy to read, at every level. The vocabulary is unchallenging; the sentences are short and simple; most characters are one-dimensional stereotypes; the story is uncomplicatedly plot-driven; there are few references to other works of literature. You can read these books if you're tired, if you're sleepy, if you have poor reading skills, if you've never read anything else. They consequently have a very large potential audience.Third, they describe a comforting, emasculated world in which most of the things that make our own world so difficult and unpleasant have been removed. Most strikingly, there is no sex; in Harry Potter, which is supposed to be about fairly normal teens, no one masturbates, no girls get pregnant, none of them are labelled sluts because they've had sex with more than one boy (sometimes one is enough, for that matter), no one gets their heart broken and drops out of school or starts taking drugs as a result, no one is stuck in a dead-end relationship that they wish they could escape from, but can't. The worst thing that happens in either series is the sequence in New Moon where Edward temporarily leaves Bella. Meyer notoriously doesn't describe Bella's feelings at all, but just leaves several pages blank. Once, in fact not so long ago, most adults would have been embarrassed to be seen reading YA literature of this kind; to start with, the comforting word "YA" hadn't been invented yet, and they would have been reading children's books. Somehow, there's been a shift in standards. You look around you on a bus to see what people are reading, and you can be pretty sure you'll see at least a couple of people over 20 engrossed in Potter or Twilight. It's odd that this has happened, and I wish I understood why.In conclusion, I couldn't help being struck by the two books D chose to contrast against Potter. D, Madame Bovary is going to outlast both of these authors because Emma is a real person who experiences the crazy and contradictory emotions that real people experience when they are very unhappy, and as a result she behaves in a crazy and contradictory way; also, Flaubert, unlike Rowling and Meyer, took a great deal of trouble over his prose, and created some of the most beautiful and ironic passages in world literature. There aren't many books I'd call masterpieces, but this is one of them. And finally, Animal Farm is indeed an allegory of the Russian Revolution. More importantly, though, it's about how smart, unscrupulous people manipulate trusting, weak people. Tens of millions of people are reading Potter and Twilight, not because the books are well-written or interesting, but because the readers have been manipulated into buying them by the Napoleons and Squealers of this world. That's what I'm objecting to. Think about it for a moment. (hide spoiler)]

* The Hitchhiker's Guide to the Galaxy* The Restaurant at the End of the Universe* Life, the Universe and Everything* So Long, and Thanks for all the Fish* Mostly HarmlessSuppose a good friend calmly told you over a round of drinks that the world was about to end? And suppose your friend went on to confess that he wasn't from around here at all, but rather from a small planet near Betelgeuse? And what if the world really did come to an end, but instead of being blown away, you found yourself hitching a ride on a spaceship with your buddy as a travelling companion?It happens to Arthur Dent.An ordinary guy from a small town in England, Arthur is one lucky sonofagun: his alien friend, Ford Prefect, is in fact a roving researcher for the universally bestselling Hitchhiker's Guide to the Galaxy ... and expert at seeing the cosmos on 30 Altairian dollars a day. Ford lives by the Guide's seminal bit of advice: Don't Panic. Which comes in handy when their first ride--on the very same vessel that demolished Earth to make way for a hyperspacial freeway--ends disastrously (they are booted out of an airlock). with 30 seconds of air in their lungs and the odd of being picked up by another ship 2^276,709 to 1 against, the pair are scooped up by the only ship in the universe powered by the Infinite Improbability Drive.But this (and the idea that Bogart movies and McDonald's hamburgers now exist only in his mind) is just the beginning of the weird things Arthur will have to get used to. For, on his travels, he'll encounter Zaphod Beeblebrox, the two-headed, three-armed ex-President of the Galaxy; Trillian, a sexy spacecadet he once tried to pick up at a cocktail party, now Zaphod's girlfriend; Marvin, a chronically depressed robot; and Slartibartfast, the award-winning engineer who built the Earth and travels in a spaceship disguised as a bistro.Arthur's crazed wanderings will take him from the restaurant at the end of the Universe (where the main dish of the day introduces itself and the floor show is doomsday), to the planet Krikkit (locked in Slo-Time to punish its inhabitants for trying to end the Universe), to Earth (huh? wait! wasn't it destroyed?!) to the very offices of The Hitchhiker's Guide itself as he and his friends quest for the answer to the Question of Life, the Universe and Everything ... and search for a really good cup of tea.Ready or not, Arthur Dent is in for one hell of a ride!

Alternate Cover Edition ISBN 0618260269 (copyright page ISBN is 0618346252 - different from back cover)One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkeness bind themIn ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, The Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell into the hands of Bilbo Baggins, as told in The Hobbit.In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose.--back cover

Set in the far future amidst a sprawling feudal interstellar empire where planetary dynasties are controlled by noble houses that owe an allegiance to the imperial House Corrino, Dune tells the story of young Paul Atreides (the heir apparent to Duke Leto Atreides and heir of House Atreides) as he and his family accept control of the desert planet Arrakis, the only source of the 'spice' melange, the most important and valuable substance in the cosmos. The story explores the complex, multi-layered interactions of politics, religion, ecology, technology, and human emotion as the forces of the empire confront each other for control of Arrakis.Published in 1965, it won the Hugo Award in 1966 and the inaugural Nebula Award for Best Novel. Dune is frequently cited as the world's best-selling sf novel.

About three things I was absolutely positive.First, Edward was a vampire.Second, there was a part of him—and I didn't know how dominant that part might be—that thirsted for my blood.And third, I was unconditionally and irrevocably in love with him.Deeply seductive and extraordinarily suspenseful, Twilight is a love story with bite.

There is a door at the end of a silent corridor. And it’s haunting Harry Pottter’s dreams. Why else would he be waking in the middle of the night, screaming in terror?Harry has a lot on his mind for this, his fifth year at Hogwarts: a Defense Against the Dark Arts teacher with a personality like poisoned honey; a big surprise on the Gryffindor Quidditch team; and the looming terror of the Ordinary Wizarding Level exams. But all these things pale next to the growing threat of He-Who-Must-Not-Be-Named - a threat that neither the magical government nor the authorities at Hogwarts can stop.As the grasp of darkness tightens, Harry must discover the true depth and strength of his friends, the importance of boundless loyalty, and the shocking price of unbearable sacrifice.His fate depends on them all.

For many months now, our team at BioWare has been hard at work updating the textures, shaders, models, effects and technical features of three enormous games. O...

The next generation of survival horror rises in the form of Resident Evil Village, the eighth major entry in the Resident Evil series. With ultra-realistic grap...

Cry of Fear is a psychological single-player and co-op horror game set in a deserted town filled with horrific creatures and nightmarish delusions. You play as...

Telltale's award-winning and chart-dominating The Walking Dead series returns with its third season "A New Frontier". Continuing the emotionally powerful st...

In Pathologic, you'll follow three outsiders who arrive in a contaminated town. Each party member--a highly educated bachelor, a farsighted Ripper, and an eccen...

After years on the road facing threats both living and dead, a secluded school might finally be Clementine’s chance for a home. But protecting it will mean sa...

Pathologic 2 is an Open World Survival Horror game where you fight against a devastating plague. As the only sane medic around, save the town before it's fully...

Criminal Origins allows players to experience a heightened level of psychological tension as they use their instincts, forensic tools, and melee comb...

[Xbox Live Arcade] Grand Theft Auto IV's second downloadable episode, The Ballad of Gay Tony injects Liberty City with an overdose of guns, glitz, and grime. A...

a dark force that has been feeding on the desperation of Fabletown’s see...

Call of Cthulhu -- Dark Corners of the Earth is a first-person horror game that combines intense action and adventure elements. You will draw upon your skills i...

From the Trade Federation's "negotiations" with Obi-Wan Kenobi and Qui-Gon Jinn in The Phantom Menace to the space battle above Endor in Return of the Jedi, The...

"Bendy and the Ink Machine™" is the first person puzzle action horror game that will forever ruin your childhood love of cartoons....

Tell Me Why is the latest narrative adventure game from DONTNOD Entertainment, the studio behind the beloved franchise, Life Is Strange. In this intimate thrill...

Episodes from Liberty City is a stand-alone game featuring The Lost and Damned and The Ballad of Gay Tony episodes on one disc....

The Wolf Among Us is a 5-episode series from the creators of The Walking Dead. Based on Fables (DC Comics/Vertigo), an award-winning comic book series, it is an...

In Quantum Conundrum, players take on the role of a 12-year old nephew to the eccentric Professor Fitz Quadwrangle (Professor Q). Upon entering the Professor&iu...

In Destiny 2, the last safe city on Earth has fallen and lays in ruins, occupied by a powerful new enemy and his elite army, the Red Legion. Every player create...

The Forgotten City is a mystery adventure game of exploration and deduction. Travel 2,000 years into the past and relive the final days of a cursed Roman city,...

A film editor gets embroiled in a string of murders.

A TV program selects people at random to kill one another for fame and their freedom.

Searching for a missing student, two private investigators break into his house and find collection of VHS tapes. Viewing the horrific contents of each cassette, they realize there may be dark motives behind the student's disappearan

Skinamarink is a 2022 Canadian experimental horror film written and directed by Kyle Edward Ball in his feature directorial debut. The film follows two children who wake up during the night to discover that they cannot find their father, and that the windows, doors, and other objects in their house are disappearing.

Ghostwatch is a British reality–horror/pseudo-documentary television film, first broadcast on BBC1 on Halloween night, 1992. Written by Stephen Volk, and directed by Lesley Manning, the drama was produced for the BBC anthology series Screen One by Richard Broke, Ruth Baumgarten and Derek Nelson.Despite having been recorded weeks in advance, the narrative was presented as live television. During and following its first and only UK television broadcast, the show attracted a considerable furor, resulting in an estimated 1,000,000 phone call enquiries to the BBC switchboard on the night of broadcast, comprising a mixture of complaints and praise for the programme's unique presentation.

Kids all over America want Silver Shamrock masks for Halloween. Doctor Daniel Challis seeks to uncover a plot by Silver Shamrock owner Conal Cochran.

1982 horror film directed by Tommy Lee Wallace

A teenage girl and her younger brother must survive a wild 24 hours during which a mass hysteria of unknown origin causes parents to turn violently on their own kids.

Burt has a cleaning company and hires four women to clean an isolated house. They find an old book, a dagger and a soul shred and when one of them, Megan, reads an incantation, she unleashes an evil beast in our world.

Still a stranger to her own body, a high school student discovers she has a physical advantage when she becomes the object of male violence.

Two demon brothers face off against a nun and a pair of goth teens.

A documentary about conspiracy theories takes a horrific turn after the filmmakers uncover an ancient and dangerous secret society.

Presented in a surreal, gory and entirely visual manner, Begotten tells of the death of religion, the abuse of nature by Man and a nihilistic outlook on what life ultimately is.

A suspense horror film set in a small coastal town where, after a series of gory murders commited by mobs of townspeople against visiting tourists, the corpses begin to come back to life.

A group of old war veterans put their lives on the line to defend a young woman taking shelter in their local VFW post, who's running from a deranged drug dealer and his relentless army of drug addled punks.

A new street drug that sends its users across time and dimensions has one drawback: some people return no longer human. Can two college drop-outs save humanity from this silent, otherworldly invasion?

A social misfit uses his only friends, his pet rats, to exact revenge on his tormentors.

A troubled college freshman, Luke, suffers a violent family trauma. He then resurrects his charismatic childhood imaginary friend Daniel to help him cope, not realizing how dangerous Daniel is.

2019 film directed by Adam Egypt Mortimer

Mrs. Van Houten has shown signs of losing touch with reality, and her husband discusses possible treatment with Dr. Caligari, who says Mrs. Van Houten has a disease of the libido. The staff want Dr. Caligari removed from their facili

In a world of fake castles and anthropomorphic rodents, an epic battle begins when an unemployed father's sanity is challenged by a chance encounter with two underage girls on holiday.

9th-graders Kazuo (boy) and Kazumi (girl) take a tumble at a temple in a small seacoast town in Japan. Through supernatural intervention, their minds and bodies are switched, and the result is a touching and hilarious coming-of-age c

Robert Pickering "Bo" Burnham is an American comedian, musician, actor, and filmmaker. His work combines elements of filmmaking with comedy genres such as music, sketch, and stand-up, often with a dramatic or tragic twist.

Welcome to Night Vale is a podcast presented as a radio show for the fictional town of Night Vale, reporting on the strange events that occur within it. The series was created in 2012 by Joseph Fink and Jeffrey Cranor. Published by Night Vale Presents since March 15, 2015, the podcast was previously published by Commonplace Books. Cecil Gershwin Palmer—the host, main character, and narrator—is voiced by Cecil Baldwin, while secondary characters are sometimes voiced by guest stars—such as Dylan Marron, who voices Carlos. The podcast typically airs on the first and fifteenth of every month, and consists of "news, announcements and advertisements" from the desert town, located "somewhere in the Southwestern United States." In an interview with NPR, Joseph Fink said that he "came up with this idea of a town in that desert where all conspiracy theories were real, and we would just go from there with that understood."

American indie pop musician and songwriter

František Fuka (pronounced [ˈfraɲcɪʃɛk ˈfuka]) (October 9, 1968 in Prague) is a Czech computer programmer and musician. He currently works as a film translator, preparing English-language movies for Czech release. He is known also as a film critic, publicist and commentator.František Fuka is one of the pioneers of blogging in the Czech Republic. His website FFFilm gradually became one of the important sources among Czech film sites. The newspaper Lidové noviny ranked him among the top six influential personalities of the Czech internet in 2004.František Fuka is member of one of the oldest running Czech radio podcast Odvážné palce.Fuka has developed several video games for the Sinclair ZX Spectrum with the Czechoslovakian programming group Golden Triangle. As a member of the group, he was introduced in 2016 to Czech video game Hall of Fame. Fuka has also been noted as an influence on other Slovak game developers.

Don't Hug Me I'm Scared (often abbreviated as DHMIS) is a British surrealist musical comedy horror web and television series created by Becky Sloan, Joe Pelling, and Baker Terry. The series consists of a short six-episode web series that was released from 29 July 2011 to 19 June 2016 on YouTube, and a television series in 2022 on All 4 and Channel 4. The series incorporates puppetry, live action, stop motion, traditional animation, flash animation, clay animation, and computer animation.In the series, each episode starts like a typical children's series, consisting of anthropomorphic puppets akin to those featured in Sesame Street and other popular children's television programmes. The series parodies and satirises these TV programmes by contrasting its childlike, colourful environment and its inhabitants against disturbing themes; each episode features a surreal plot twist in the climax, including psychedelic content and imagery involving graphic violence, dark humour, existentialism, and psychological horror.

British comedian Richard Ayoade and a celebrity guest, usually from the comedy world, spend 48 hours in a popular city to discover the must see tourist attractions.

Kinga Forrester continues the B-movie watching experiments of her father and grandmother on a new test subject aboard the Satellite Of Love.

Armed with tech gear, awesome ideas, and an unfailing sense of humor, Talking Tom and Friends are on a mission to make their dreams come true. Although things never entirely turn out the way they plan, this incredible group is destin

A forty-six-year-old ex-drug addict returns to high school as a freshman.

A man's camping trip with his wife and friends spirals out of control. A U.S. adaptation of the British series, 'Camping'.

A pair of recent community college graduates look to become entrepreneurs in Chicago's South Side.

Norm Henderson is an ex-hockey player who was banned from hockey for life for gambling and tax evasion. Now he must do five years of community service as a social worker, or go to prison. His co-workers are a collection of burn-outs,

The series stars the Freemakers, a family of scavengers who build and sell starships from the scoured debris of space battles strewn throughout the galaxy. When their youngest discovers a natural connection with the Force through an 

Simon's cat follows the silent-movie-like adventures of a cat and his owner and lots of others.

In the not too distant future, a former videogame programmer and mad scientist Dr. Poque grows weary of the world's games. Shunned from society, he invents the most powerful videogame console ever created- The Mega64; A machine power

Best friends and collaborators for over 20 years, Michael Ian Black and Michael Showalter finally have their own TV show. There's just one problem: they are their own worst enemies.

For a tiny cottage in a tiny town, this place sure will see lots of baggage. Each episode, new guests will bring their own special brand of crazy to this new TBS comedy from My Name Is Earl (2005) Creator Greg Garcia.

Adam Buxton + Joe Cornish write, film, act in, edit and host their own home-made TV show which parodies contemporary popular culture.

A revival of the classic satire show using puppets that are caricatures of major public figures.

In this web series the Screen Junkies crew picks out everything that is wrong with a movie and then makes an "honest trailer".

online vlog, magazine and YouTube channel focused on films and television

Two dysfunctional friends, Red and Blue, make up for what they lack in smarts and sex appeal with a really long string of bad decisions.

This upcoming Cartoon Network series centers around Lion-O and his wacky misadventures, as he tries to defeat the evil Mumm-Ra.

Mockumentary focusing on real-life comedy couple Jon Richardson and Lucy Beaumont, who play aptly fictionalised versions of themselves, their home and work lives, and relationships with their Hebden Bridge neighbours and celebrity fr

Roger Black is an American insult comedian, actor, voice actor, animator, writer and producer known for his character Yucko the Clown.Yucko first became a guest on The Howard Stern Show by carrying a Howard Stern sign onto the field during a major league baseball game. At the height of the D.C. Sniper attacks in 2002 Roger dressed as Yucko The Clown carried a target as he pumped gas at various gas stations around the D.C area. He later became a regular guest, appearing in the studio and eventually competing and becoming a finalist in the Get John's Job contest.He is also known for starring in The DAMN! Show along with fellow writer Waco O'Guin and the MTV2 series Stankervision, which included sketches from The DAMN! Show and ran for one season of eight episodes.

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