Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

Twenty years ago, America Singer entered the Selection and won Prince Maxon’s heart. Now the time has come for Princess Eadlyn to hold a Selection of her own. Eadlyn doesn’t expect her Selection to be anything like her parents’ fairy-tale love story. But as the competition begins, she may discover that finding her own happily ever after isn’t as impossible as she always thought.

Feyre's survival rests upon her ability to hunt and kill – the forest where she lives is a cold, bleak place in the long winter months. So when she spots a deer in the forest being pursued by a wolf, she cannot resist fighting it for the flesh. But to do so, she must kill the predator and killing something so precious comes at a price ...Dragged to a magical kingdom for the murder of a faerie, Feyre discovers that her captor, his face obscured by a jewelled mask, is hiding far more than his piercing green eyes would suggest. Feyre's presence at the court is closely guarded, and as she begins to learn why, her feelings for him turn from hostility to passion and the faerie lands become an even more dangerous place. Feyre must fight to break an ancient curse, or she will lose him forever.

Celaena przeżyła już wiele: brutalne szkolenia, niewolę, turniej o pozycję Królewskiej Obrończyni…Aby uzyskać informacje – kluczowe w wojnie z okrutnym królem Adarlanu – Celaena Sardothien musi nauczyć się panować nad ogniem, który nosi w sobie. Podczas gdy codziennie ćwiczy pod czujnym okiem nieśmiertelnego Rowana, król wciela w życie kolejne z jego mrocznych planów. Jednak i na dworze władcy zawiązują się sojusze, mające na celu zakończenie jego panowania i przywrócenie magii na kontynencie. Celaena, nieświadoma tego, co się dzieje w Rifthold, ma jeden cel – dostać się do legendarnego Doranelle, którym rządzi Maeve, i uzyskać odpowiedzi na nurtujące ją pytania. Jak jej władca zdołał usunąć magię? Co zrobić, by ją przywrócić? Jednak opanowanie jej mocy to niejedyna rzecz, z którą będzie musiała się przedtem zmierzyć – król Adarlanu już o to zadbał. Czy dziewczynie uda się wyjść cało z koszmaru, jaki zgotował jej władca pozbawionego magii kontynentu? Co jeszcze planuje król? I jaki los czeka rebeliantów?

From the throne of glass rules a king with a fist of iron and a soul as black as pitch. Assassin Celaena Sardothien won a brutal contest to become his Champion. Yet Celaena is far from loyal to the crown. She hides her secret vigilantly; she knows that the man she serves is bent on evil.Keeping up the deadly charade becomes increasingly difficult when Celaena realizes she is not the only one seeking justice. As she tries to untangle the mysteries buried deep within the glass castle, her closest relationships suffer. It seems no one is above questioning her allegiances—not the Crown Prince Dorian; not Chaol, the Captain of the Guard; not even her best friend, Nehemia, a foreign princess with a rebel heart.Then one terrible night, the secrets they have all been keeping lead to an unspeakable tragedy. As Celaena's world shatters, she will be forced to give up the very thing most precious to her and decide once and for all where her true loyalties lie... and whom she is ultimately willing to fight for.

I read the six books (to date) in this series within a month and a half, around the winter holidays: Patricia Briggs's urban fantasy centered around coyote shapeshifter Mercy Thompson flipped my happy switch right away. Mercy shifts form at will--a gift from her dead Native American father--and tries to live a clean life working as sole mechanic at her garage. She specializes in Volkswagons (though her name gets punned on very little), lives with her Manx cat, Medea, and tries to pay her bills on time. Oh, and she was raised by werewolves, has her trailer just outside an Alpha werewolf's home, and counts a metalsmithing fae and a vampire among her closest friends, both of whom are old and dangerous.In Briggs's alternate world, the fae have been "outed" and get treated with suspicion by humans and other non-humans alike. Mercy's coyote self gives her access to the rest of the hidden realm, those who pass as humans to help preserve their own kind. Each book in the series deals with a particular element of the nonhuman realm; Moon Called centers on werewolves, namely, Mercy's intriguing neighbor and his pack. The others alternate focus among vampires and the fae, with werewolves always being involved, because Mercy is ever involved. Unwilling detective but tough, loving person that she is, Mercy entangles herself in the problems of her nearest and dearest, making her a threat--or a desirable acquisition--to powerful forces. The novels read like good mysteries, with the parameters of the problems mapped out well.In any fantasy story, whether it concerns the afterlife or fairies or another planet or talking animals, I ask myself, "Did it have to be X?" That is, did this story require talking fish or rabbits or wizards or aliens, or could the story have been told with regular old humans and not lost anything? Patricia Briggs answers that question for me beautifully: Her tales are purely supernatural, paranormal, otherworldly. The rules she writes are werewolf rules, vampire rules, fae rules...and coyote rules. And Briggs's coyote, Mercy Thompson, rules.

The Fellowship was scattered. Some were bracing hopelessly for war against the ancient evil of Sauron. Some were contending with the treachery of the wizard Saruman. Only Frodo and Sam were left to take the accursed Ring of Power to be destroyed in Mordor–the dark Kingdom where Sauron was supreme. Their guide was Gollum, deceitful and lust-filled, slave to the corruption of the Ring. Thus continues the magnificent, bestselling tale of adventure begun in The Fellowship of the Ring, which reaches its soul-stirring climax in The Return of the King.

An alternate cover edition can be found here.Many hundreds of years ago, the city of Ember was created by the Builders to contain everything needed for human survival. It worked…but now the storerooms are almost out of food, crops are blighted, corruption is spreading through the city and worst of all—the lights are failing. Soon Ember could be engulfed by darkness…But when two children, Lina and Doon, discover fragments of an ancient parchment, they begin to wonder if there could be a way out of Ember. Can they decipher the words from long ago and find a new future for everyone? Will the people of Ember listen to them?

Born in the town of Sighet, Transylvania, Elie Wiesel was a teenager when he and his family were taken from their home in 1944 to Auschwitz concentration camp, and then to Buchenwald. Night is the terrifying record of Elie Wiesel's memories of the death of his family, the death of his own innocence, and his despair as a deeply observant Jew confronting the absolute evil of man. This new translation by his wife and most frequent translator, Marion Wiesel, corrects important details and presents the most accurate rendering in English of Elie Wiesel's testimony to what happened in the camps and of his unforgettable message that this horror must simply never be allowed to happen again.

Joanne Rowling, also known by her pen name J. K. Rowling, is a British author and philanthropist. She wrote Harry Potter, a seven-volume children's fantasy series published from 1997 to 2007. The series has sold over 600 million copies, been translated into 84 languages, and spawned a global media franchise including films and video games. The Casual Vacancy (2012) was her first novel for adults. She writes Cormoran Strike, an ongoing crime fiction series, under the alias Robert Galbraith.

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

The Lightning Thief is a 2005 American fantasy-adventure novel based on Greek mythology, the first young adult novel written by Rick Riordan in the Percy Jackson & the Olympians series. It won the Adult Library Services Association Best Books for Young Adults, among other awards. The novel is followed by The Sea of Monsters and spawned two sequel series and the extended universe of the Camp Half-Blood Chronicles.

The war against Voldemort is not going well; even Muggle governments are noticing. Ron scans the obituary pages of the Daily Prophet, looking for familiar names. Dumbledore is absent from Hogwarts for long stretches of time, and the Order of the Phoenix has already suffered losses.And yet . . .As in all wars, life goes on. The Weasley twins expand their business. Sixth-year students learn to Apparate - and lose a few eyebrows in the process. Teenagers flirt and fight and fall in love. Classes are never straightforward, through Harry receives some extraordinary help from the mysterious Half-Blood Prince.So it's the home front that takes center stage in the multilayered sixth installment of the story of Harry Potter. Here at Hogwarts, Harry will search for the full and complete story of the boy who became Lord Voldemort - and thereby find what may be his only vulnerability.

Now available in a handsome paperback box set for the first time, these four paperback chapter books of "The Lion, the Witch and the Wardrobe" each have unique movie covers from the blockbuster Walt Disney Pictures and Walden Media film and black-and-white interior movie photographs. Each book tells the movie story of "The Lion, the Witch and the Wardrobe" from the perspective of one of the four Pevensie heroes: Peter, Susan, Edmund, and Lucy.

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001). Unforgettable!

For thirty-five girls, the Selection is the chance of a lifetime. The opportunity to escape the life laid out for them since birth. To be swept up in a world of glittering gowns and priceless jewels. To live in a palace and compete for the heart of gorgeous Prince Maxon.But for America Singer, being Selected is a nightmare. It means turning her back on her secret love with Aspen, who is a caste below her. Leaving her home to enter a fierce competition for a crown she doesn't want. Living in a palace that is constantly threatened by violent rebel attacks.Then America meets Prince Maxon. Gradually, she starts to question all the plans she's made for herself—and realizes that the life she's always dreamed of may not compare to a future she never imagined.

speculative fiction novel for young adults, 2012, first in the Selection series

The Selection began with thirty-five girls. Now with the group narrowed down to the six Elite, the competition to win Prince Maxon's heart is fiercer than ever—and America is still struggling to decide where her heart truly lies. Is it with Maxon, who could make her life a fairy tale? Or with her first love, Aspen?America is desperate for more time. But the rest of the Elite know exactly what they want—and America's chance to choose is about to slip away.

The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960. It went on to win the Pulitzer Prize in 1961 and was later made into an Academy Award-winning film, also a classic.Compassionate, dramatic, and deeply moving, To Kill A Mockingbird takes readers to the roots of human behavior - to innocence and experience, kindness and cruelty, love and hatred, humor and pathos. Now with over 18 million copies in print and translated into forty languages, this regional story by a young Alabama woman claims universal appeal. Harper Lee always considered her book to be a simple love story. Today it is regarded as a masterpiece of American literature.

The Queen has returned.Everyone Celaena Sardothien loves has been taken from her. But she’s at last returned to the empire—for vengeance, to rescue her once-glorious kingdom, and to confront the shadows of her past…She has embraced her identity as Aelin Galathynius, Queen of Terrasen. But before she can reclaim her throne, she must fight.She will fight for her cousin, a warrior prepared to die for her. She will fight for her friend, a young man trapped in an unspeakable prison. And she will fight for her people, enslaved to a brutal king and awaiting their lost queen’s triumphant return.The fourth volume in the New York Times bestselling series continues Celaena’s epic journey and builds to a passionate, agonizing crescendo that might just shatter her world.

Tally is about to turn sixteen, and she can't wait. In just a few weeks she'll have the operation that will turn her from a repellent ugly into a stunning pretty. And as a pretty, she'll be catapulted into a high-tech paradise where her only job is to have fun.But Tally's new friend Shay isn't sure she wants to become a pretty. When Shay runs away, Tally learns about a whole new side of the pretty world-- and it isn't very pretty. The authorities offer Tally a choice: find her friend and turn her in, or never turn pretty at all. Tally's choice will change her world forever...

The perfect gift for fans of The Hunger Games and Divergent, this boxed set of the paperback editions of James Dashner's New York Times bestselling series includes The Maze Runner, The Scorch Trials, and The Death Cure. The Maze Runner motion picture featuring the star of MTV's Teen Wolf, Dylan O'Brien; Kaya Scodelario; Aml Ameen; Will Poulter; and Thomas Brodie-Sangster, and hits theaters September 19, 2014 Also look for James Dashner's newest book The Eye of Minds, book one in the Mortality Doctrine series. If you ain't scared, you ain't human.  When Thomas wakes up in the lift, the only thing he can remember is his name. He's surrounded by strangers--boys whose memories are also gone. Nice to meet ya, shank. Welcome to the Glade.  Outside the towering stone walls that surround the Glade is a limitless, ever-changing maze. It's the only way out--and no one's ever made it through alive. Everything is going to change.  Then a girl arrives. The first girl ever. And the message she delivers is terrifying.  Remember. Survive. Run. Praise for the Maze Runner series:  A] mysterious survival saga that passionate fans describe as a fusion of Lord of the Flies, The Hunger Games, and Lost.--EW.com  Wonderful action writing--fast-paced...but smart and well observed.--Newsday  A] nail-biting must-read.--Seventeen.com  Breathless, cinematic action. --Publishers Weekly  Heart-pounding to the very last moment. --Kirkus Reviews  Exclamation-worthy. --Romantic Times  STAR] James Dashner's illuminating prequel The Kill Order] will thrill fans of this Maze Runner series] and prove just as exciting for readers new to the series. --Shelf Awareness, Starred

From the makers of the award-winning best-seller Harbor Master&reg; comes the most exhilarating running game on the App Store. Test your reflexes as you race do...

Elemental is an upcoming American computer-animated romantic comedy drama film produced by Pixar Animation Studios and distributed by Walt Disney Studios Motion Pictures. The film was directed by Peter Sohn from a screenplay by John Hoberg, Kat Likkel, and Brenda Hsueh, based on a story by Sohn, Hoberg, Likkel, and Hsueh, and produced by Denise Ream. It stars the voices of Leah Lewis, Mamoudou Athie, Ronnie del Carmen, Shila Ommi, Wendi McLendon-Covey, Catherine O'Hara, Mason Wertheimer, Joe Pera, and Matt Yang King. Set in a world inhabited by anthropomorphic elements of nature, the story follows fire element Ember Lumen (Lewis) and water element Wade Ripple (Athie), who meet and fall in love after Wade is summoned by a plumbing accident at a convenience store owned by Ember's bigoted father Bernie (Carmen). While they cannot touch each other, Ember and Wade discover how much they actually have in common.

In a world where monster wrestling is a global sport and monsters are superstar athletes, teenage Winnie seeks to follow in her father's footsteps by coaching a loveable underdog monster into a champion.

A college graduate goes to work as a nanny for a rich New York family. Ensconced in their home, she has to juggle their dysfunction, a new romance, and the spoiled brat in her charge.

2007 US romantic comedy movie directed by Shari Springer Berman and Robert Pulcini

When two kids find and play a magical board game, they release a man trapped in it for decades - and a host of dangers that can only be stopped by finishing the game.

A Princess for Christmas, billed in the UK as A Christmas Princess: Sometimes Dreams Come True (previously known as the Canadian title Christmas at Castlebury Hall and A Princess for Castlebury) is a 2011 American made-for-television comedy-drama film directed by Michael Damian and starring Roger Moore, Katie McGrath, Sam Heughan, Charlotte Salt, Leilah de Meza, and Travis Turner. The film premiered December 3, 2011 on Hallmark Channel.Beautiful Jules Daly is an antique store worker in Buffalo, New York who becomes the legal guardian of her niece Maddie and nephew Milo after the loss of her sister and brother-in-law. Maddie is a fun-loving girl and Milo is a rebel and troublemaking teenager. After Jules gets fired by Arthur due to financial problems and the children's babysitter Mrs. Kelly quits following Maddie's pranks, Jules reprimands Maddie for driving the nanny away and grounds Milo for sneaking out, shoplifting a game, and decapitating Maddie's doll to keep her quiet. In addition, Milo doesn't want to go get a Christmas tree with Jules due to the fact that Christmas reminds him of his parents' death.

This is a list of television films produced for the cable networks Hallmark Channel (HC) and Hallmark Movies & Mysteries (HMM). Such films are currently called Hallmark Channel Original Movies and Hallmark Movies and Mysteries.The Hallmark Channel was officially launched in August 2001, with its sister channel Hallmark Movies & Mysteries (originally Hallmark Movie Channel) launched in January 2004. In addition to stand-alone original films, both channels broadcast a number of original film series, including Garage Sale Mystery, Jesse Stone, Signed, Sealed, Delivered, the Aurora Teagarden Mysteries and The Good Witch, as well having produced mystery-themed wheel series.The Hallmark Channel achieved its highest-ever broadcast premiere ratings with the 2014 original movie Christmas Under Wraps, starring Candace Cameron Bure, which was watched by 5.8 million viewers. Both networks receive their highest ratings during their "Countdown to Christmas" period, with a succession of festive original films being broadcast from late October to late December.

The Christmas Train is a fiction novel written by David Baldacci. The book was initially published on October 17, 2003 by Grand Central Publishing. The book was adapted into a TV movie by the same name and released on the Hallmark Channel for the 2017 Christmas season.

Superman's dog team up with a flying cat to stop crime while Superman is on vacation.

Briggs who, alongside his companion Lulu, a Belgian Malinois haul ass down the Pacific Coast in time to catch their best friend's and handler's funeral. One of them has a week to live, the other lives like every day is his last.

film directed by Reid Carolin and Channing Tatum

The magically long-haired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.

2010 computer-animated musical fantasy-comedy film by Disney

A realtor and his wife and children are summoned to a mansion, which they soon discover is haunted, and while they attempt to escape, he learns an important lesson about the family he has neglected.

Readers across the world are in love with author Sally Carmichael's series of romance novels that chronicle the epic love story between a human girl and a merman. But no one knows that Sally Carmichael is really Simon Hayes, a bitter

The most unlikely pairing of teen-age girls end up bonding to form the pop group Drama Drama, and make a stand against bullying in their high school.

Life for a single mom in Los Angeles takes an unexpected turn when she allows three young guys to move in with her.

2017 romantic comedy film directed by Hallie Meyers-Shyer

A rookie officer is teamed with a hardened pro at the California Highway Patrol, though the newbie soon learns his partner is really an undercover Fed investigating a heist that may involve some crooked cops.

Buster Moon and his friends must persuade reclusive rock star Clay Calloway to join them for the opening of a new show.

2021 animated film directed by Garth Jennings

Biochemist Michael Morbius tries to cure himself of a rare blood disease, but he inadvertently infects himself with a form of vampirism instead.

The story is a prequel to the games, starring Holland as a younger Drake, showing us details of how he came to meet and befriend Sully.

Sebastian Pigott is a Canadian singer and actor. He was a contestant on the sixth season of Canadian Idol, in 2008. He has guest-starred on numerous television series, including Murdoch Mysteries and Revenge.

Music superstars Kat Valdez and Bastian are getting married before a global audience of fans. But when Kat learns, seconds before her vows, that Bastian has been unfaithful, she decides to marry Charlie, a stranger in the crowd, inst

Amber Patrice Riley (born February 15, 1986) is an American actress, singer-songwriter, and philanthropist, best known for her portrayal of Mercedes Jones on the Fox television series Glee. She is also known for winning season 17 of Dancing with the Stars.Amber Riley was born in Los Angeles, California, the daughter of Tiny (née Hightower) and Elwin Riley. Riley auditioned for American Idol when she was 17 years old, during the show's second season, but was turned down by the producers. She graduated from La Mirada High School in La Mirada, California in 2004.In 2008, Riley was cast in the role of Mercedes Jones on the comedy-drama television series Glee, and appeared as a main cast member for its first four seasons. She was demoted to a recurring guest star status starting with the fifth season. She performed numerous solos on the show, including "Respect", "Bust Your Windows", "Hate on Me", "And I Am Telling You I'm Not Going", "Beautiful", "Bridge over Troubled Water", "I Look to You", "Hell to the No", "Ain't No Way", "Try a Little Tenderness", "Spotlight", "All I Want for Christmas Is You" and, three days after Whitney Houston's death, performed a tribute version of "I Will Always Love You". She also played Dr. Frank-N-Furter in the episode "The Rocky Horror Glee Show", singing the lead on the song "Sweet Transvestite" to generally positive reviews from critics. For her role as Mercedes Jones, she won a Screen Actors Guild Award and received nominations for an NAACP Image Award and a Teen Choice Award.

Pitch Perfect is a 2012 American musical comedy film directed by Jason Moore and written by Kay Cannon. It features an ensemble cast, including Anna Kendrick, Skylar Astin, Rebel Wilson, Anna Camp, Brittany Snow, Hana Mae Lee, Alexis Knapp, Ester Dean, Kelley Jakle, Shelley Regner, Wanetah Walmsley, Adam DeVine, Ben Platt, Utkarsh Ambudkar, John Michael Higgins, and Elizabeth Banks. The plot follows Barden University's all-girl acappella group, The Barden Bellas, as they compete against another acappella group from their college to win Nationals. The film is loosely adapted from Mickey Rapkin's non-fiction book, titled Pitch Perfect: The Quest for Collegiate a Cappella Glory. Filming concluded in December 2011, in Baton Rouge, Louisiana.

Miley Ray Cyrus is an American singer, songwriter, and actress. Her music spans across varied styles and genres, including pop, country, rock, hip hop, R&B, and experimental music.

Beauty and the Beast is a traditional fairy tale.
Beauty and the Beast may also refer to:

The Phantom of the Operais a musical with music by Andrew Lloyd Webber and lyrics by Charles Hart. Richard Stilgoe and Lloyd Webber wrote the musical's book together. Stilgoe also provided additional lyrics. Based on the French novel of the same name by Gaston Leroux, its central plot revolves around a beautiful soprano, Christine Daaé, who becomes the obsession of a mysterious, disfigured musical genius living in the subterranean labyrinth beneath the Paris Opéra House.The musical opened in London's West End at Her Majesty's Theatre in 1986, and on Broadway in 1988. It won the 1986 Olivier Award and the 1988 Tony Award for Best Musical, and Michael Crawford (in the title role) won the Olivier and Tony Awards for Best Actor in a Musical. It is the longest running show in Broadway history by a wide margin, and celebrated its 10,000th Broadway performance on 11 February 2012, the first production ever to do so. It is the second longest-running West End musical, afterLes Misérables, and the third longest-running West End show overall, afterThe Mousetrap.

Les Misérables (; French pronunciation: ​[le mizeʁabl(ə)]), colloquially known as Les Mis or Les Miz (), is a sung-through musical adaptation of Victor Hugo's 1862 novel of the same name, by Claude-Michel Schönberg (music), Alain Boublil and Jean-Marc Natel (original French lyrics), and Herbert Kretzmer (English lyrics). The original French musical premiered in Paris in 1980 with direction by Robert Hossein. Its English-language adaptation by producer Cameron Mackintosh has been running in London since October 1985, making it the longest-running musical in the West End and the second longest-running musical in the world after the original Off-Broadway run of The Fantasticks.Set in early 19th-century France, Les Misérables is the story of Jean Valjean, a French peasant, and his desire for redemption, after serving nineteen years in jail for stealing a loaf of bread for his sister's starving child. Valjean decides to break his parole and start his life anew after a bishop inspires him by a tremendous act of mercy, but he is being tracked down by a police inspector named Javert. Along the way, Valjean and a slew of characters are swept into a revolutionary period in France, where a group of young idealists attempt to overthrow the government at a street barricade in Paris.

American singer, songwriter, actress, and record producer

House (also called House, M.D.) is an American medical drama television series that originally ran on the Fox network for eight seasons, from November 16, 2004, to May 21, 2012. The series' main character is Dr. Gregory House (Hugh Laurie), an unconventional, misanthropic medical genius who, despite his dependence on pain medication, leads a team of diagnosticians at the fictional Princeton–Plainsboro Teaching Hospital (PPTH) in New Jersey. The series' premise originated with Paul Attanasio, while David Shore, who is credited as creator, was primarily responsible for the conception of the title character.The series' executive producers included Shore, Attanasio, Attanasio's business partner Katie Jacobs, and film director Bryan Singer. It was filmed largely in a neighborhood and business district in Los Angeles County's Westside called Century City. The show received high critical acclaim, and was consistently one of the highest rated series in the United States.

Starting over isn't easy, especially for John Nolan who, after a life-altering incident, is pursuing his dream of joining the LAPD. As their oldest rookie, he's met with skepticism from those who see him as just a walking midlife cri

Three sisters discover their destiny, to battle against the forces of evil, using their witchcraft. They are the Charmed Ones.

American supernatural drama / fantasy television series (1998–2006)

An F.B.I. agent is forced to work with an institutionalized scientist and his son in order to rationalize a brewing storm of unexplained phenomena.

American science fiction television series

A modern take on the cases of Sherlock Holmes, with the detective now living in New York City.

A young woman, destined to slay vampires, demons and other infernal creatures, deals with her life fighting evil, with the help of her friends.

1997 American supernatural drama TV series

A crew of high-tech crooks attempt to steal from wealthy criminals and corrupt businessmen.

A group of ambitious law students and their brilliant criminal defense professor become involved in a twisted murder plot that promises to change the course of their lives.

2014 American legal drama television series

A famous "psychic" outs himself as a fake, and starts working as a consultant for the California Bureau of Investigation so he can find "Red John", the madman who killed his wife and daughter.

American crime television series (2008-2015)

After a serial killer imitates the plots of his novels, successful mystery novelist Richard "Rick" Castle receives permission from the Mayor of New York City to tag along with an NYPD homicide investigation team for research purposes

American police procedural comedy-drama television series (2009-2016)

Fresh out of the farm, Annie Walker must adapt to the challenging life of a CIA operative under the guidance of her handler, Auggie. But soon she realizes her recruit might have to do with her last boyfriend rather than her talent.

Aladdin and the King of Thieves is a 1996 American direct-to-video animated musical fantasy adventure film produced by Walt Disney Television Animation. It is the second sequel to the 1992 film Aladdin, and serves as the final chapter and installment of the Arabian Nights-inspired Disney franchise beginning with the first film, and continuing with its first direct-to-video sequel The Return of Jafar and the animated television series.

Procedural drama about the inner workings of the New York office of the FBI, bringing to bear all the Bureau's skills, intellect and mind-blowing technology to keep New York and the country safe.

2018 American crime drama television series

Follows a locally born and bred S.W.A.T. sergeant and his team of highly-trained men and women as they solve crimes in Los Angeles.

American crime drama television series (2017)

An FBI agent and his new partner, a CIA operative, embark on missions to save the world, but have to put up with each other first.

2019 action comedy-drama television series

Set in a high fantasy world where magic exists, but only some can access it, a woman named Moiraine crosses paths with five young men and women. This sparks a dangerous, world-spanning journey. Based on the book series by Robert Jord

TV show based on the action-comedy 'Rush Hour' films about an L.A. cop who teams up with a detective from Hong Kong.

American police comedy TV series based on the film franchise of the same name.

Explores the high-pressure experiences of the first responders who are thrust into the most frightening, shocking and heart-stopping situations.

American procedural drama television series

FBI agent Will Keaton enlists the most notorious traitor in American history to help catch a spy.

Young Angus "Mac" MacGyver works for a clandestine organization within the U.S. government, relying on his unconventional problem-solving skills to save lives.

TheBibliobibuli

Turkish and his close friend/accomplice Tommy get pulled into the world of match fixing by the notorious Brick Top. Things get complicated when the bo

Michael Jennings is a reverse engineer and what he does is technical jobs for certain companies and as soon as he is done, his memory of the work he h

2003 science fiction film directed by John Woo

Robert Clayton Dean (Will Smith) is a mild-mannered lawyer who works in Washington, D.C. He is on the trail of a kingpin named Paulie Pintero (Tom Siz

In the midst of an elaborate conspiracy, an expert negotiator is driven to the edge when he's framed for the murder of his partner, as well as embezzl

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The powerful superhero John Hancock has become a joke because of his alcoholism and clumsiness. He has also become the most hated man in Los Angeles. 

In a castle high on top of a hill lives an inventor's greatest creation - Edward, a near-complete person. The creator died before he could finish Edwa

In the Victorian London, the barber Benjamin Barker is married to the gorgeous Lucy and they have a lovely child, Johanna. The beauty of Lucy attracts

Four hundred years in the future, set in the year 2415, Æon Flux is a mysterious assassin. Four centuries after a virus nearly annihilated the human r

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