Vastralaya

Evan Shively (Perseus271)

Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

A preeminent scientist - and the world's most prominent atheist - asserts the irrationality of belief in God, and the grievous harm religion has inflicted on society, from the Crusades to 9/11.With rigor and wit, Dawkins examines God in all his forms, from the sex-obsessed tyrant of the Old Testament, to the more benign (but still illogical) Celestial Watchmaker favored by some Enlightenment thinkers. He eviscerates the major arguments for religion, and demonstrates the supreme improbability of a supreme being. He shows how religion fuels war, foments bigotry, and abuses children, buttressing his points with historical and contemporary evidence.The God Delusion makes a compelling case that belief in God is not just wrong, but potentially deadly. It also offers exhilarating insight into the advantages of atheism to the individual and society, not the least of which is a clearer, truer appreciation of the universe's wonders than any faith could ever muster.

Rarely am I left speechless, I usually have plenty to say, but as I reflected on this novel, I realized there would be no surefire way to describe this book. It is a complete conundrum. Readers will either love or hate this book, I don’t think it there is much of a middle road with this one. It will speak to those with similar personal experiences. I enjoyed the format. It gives the reader snapshots of Dex and Em’s life, like flipping through a stack of polaroids, just a flash of what was going on at a particular time. Picking the same day established a sequence and highlighted that life and circumstances can change so quickly at times, or not change at all as was in Em’s case when two days start exactly the same. I think this was an intelligent way to approach a story that spans 20 years. We don’t really need a full depiction of every single event in their lives to have a sense of what they are going through. Characterization was excellent. Dex and Em quickly became real in my mind, as if I was peeking into the lives of a couple of friends, or reading their journal pages. I too quickly began to know what Emma would or would not like just as Dex did. The characters were genuine. Some reviews say that they were stereotypical…but I find that some people latch onto stereotypes, it helps them define themselves. I feel this is what Emma was doing in her youth with her political stances and thus why they are not as important as she grows older. So are they really stereotypical characters? Or are they just portraying their ideal personas as so many people do?I find that comparisons to When Harry met Sally fall short. I understand the reasons for the comparisons in that they are both about friends that seem to circle back every few years and make sarcastic quips to one another. But I feel like it ends there. To me, this is more of a modernized Wuthering Heights. The author’s ability to write from a woman’s POV is refreshing. I am hesitant when I read something written by a man, trying to sound like a woman. I generally feel like it’s not authentic,like there is something off. Not with this book. Em thought the way I would think, said things that I would say. In the end, this novel deeply affected me. I have not read something that has touched me this much in some time. It spoke to me completely as I was tortured by my own Dex in my youth and early adulthood. The emotions are portrayed as they should be; the frustration, the yearning are, from my perspective, completely legitimate. I found myself feeling like I was reading bits and pieces of my own story. I had knots in my stomach through most of the book and after finishing this at 1 am this morning, I could do nothing but stare at the ceiling and walls, absorbing what I had read, tearing it apart mentally, and extracting lessons from it to be applied in life. That, for me, is the mark of a wonderful novel, reading that reaches into your soul and touches your heart, writing that moves you to feel. 

In America, it is soccer. But in Great Britain, it is the real football. No pads, no prayers, no prisoners. And that's before the players even take the field.Nick Hornby has been a football fan since the moment he was conceived. Call it predestiny. Or call it preschool. Fever Pitch is his tribute to a lifelong obsession. Part autobiography, part comedy, part incisive analysis of insanity, Hornby's award-winning memoir captures the fever pitch of fandom — its agony and ecstasy, its community, its defining role in thousands of young mens' coming-of-age stories. Fever Pitch is one for the home team. But above all, it is one for everyone who knows what it really means to have a losing season.

Seven elderly Britons, for a variety of reasons, respond to an online ad and travel to Jaipur, India, where they find run-down hotel with a young, exuberant, and optimistic host. Evelyn Greenslade (Dame Judi Dench), newly widowed, wants a low-cost experience, Graham Dashwood (Tom Wilkinson) seeks a long-ago love, Douglas Ainslie (Bill Nighy) and Jean Ainslie (Dame Penelope Wilton) have lost their pension in a family investment, Muriel Donnelly (Dame Maggie Smith) needs cheap hip surgery, Madge Hardcastle (Celia Imrie) seeks a rich husband, and Norman Cousins (Ronald Pickup) is chasing women. India affects each in different ways, enchanting Douglas and Evelyn while driving Jean deeper into bitterness. Their host, young Sonny (Dev Patel), has dreams but little cash or skill; he also has a girlfriend whom his mother dismisses. Stories cross and discoveries await each one.

Carl Casper is an acclaimed chef with a family life that seems as decaying as his artistic freedom. Those frustrations boil over into a raucous viral-videoed public confrontation against a restaurant critic who panned his cooking of food that his boss ordered him to make against his instincts. Now with his career ruined, Carl's ex-wife offers an unorthodox solution in Miami: refit an old food truck to offer quality cooking on his own terms. Now with his young son, Percy, and old colleague, Martin, helping, Carl takes a working trip across America with that truck to rediscover his gastronomic passion. With Percy's tech savvy and Martin's enthusiasm, Carl finds that he is creating a traveling sensation on the way home. In doing so, Carl discovers he is serving up more than simply food, but also a deeper connection with his life and his family that is truly delicious in its own way.

Professional photographer L.B. "Jeff" Jefferies breaks his leg while getting an action shot at an auto race. Confined to his New York apartment, he spends his time looking out of the rear window observing the neighbors. He begins to suspect that a man across the courtyard may have murdered his wife. Jeff enlists the help of his high society fashion-consultant girlfriend Lisa Fremont and his visiting nurse Stella to investigate.

Benjamin Braddock returns home to California after successfully completing college. He gets a hero's welcome from his parents but Ben isn't quite sure what to do with the rest of his life. He is soon seduced by Mrs. Robinson, the wife of his father's partner, who methodically pursues the inexperienced young man. Soon, they are meeting regularly in hotel rooms. Warned by her to stay away from her daughter Elaine, his father goads him into taking her out on a date. He finds he quite likes Elaine but when she learns he's been having an affair with her own mother, she'll have nothing to do with him. He's smitten however and pursues her.

A group of reporters are trying to decipher the last word ever spoken by Charles Foster Kane, the millionaire newspaper tycoon: "Rosebud." The film begins with a news reel detailing Kane's life for the masses, and then from there, viewers are shown flashbacks from Kane's life. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the top of the world.

1941 American drama film directed by Orson Welles

A Melbourne family is very happy living where they do, near the Melbourne airport (according to Jane Kennedy, it's "practically their back yard"). However, they are forced to leave their beloved home, by the Government and airport authorities. 'The Castle' is the story of how they fight to remain in their house, taking their case as far as the High Court.

In the decaying steel mill town of Sheffield in Northern England, friends Gaz and Dave, both now unemployed and on the dole after the closure of most of the town's steel mills, steal scrap metal from the closed mills to supplement their meager income, often with Gaz's twelve year old son, Nathan, on the days Gaz has custody. Still, Gaz is behind in child support payments to his ex-wife, Mandy. When Mandy threatens to sue for full custody in that Gaz can't support Nathan in any way, Gaz, seeing the long line up of women clamoring to get in to see a touring Chippendales styled dance troupe, thinks he can solve his financial and thus custody problems by forming his own male exotic dance troupe with some of his fellow un- or underemployed ex-mill workers. In addition to Dave, he has in mind middle-aged Gerald, their former foreman who has not told his spending-happy wife Linda that he has been unemployed for six months, and Lomper, a mild-mannered security guard who they just met in the act of him trying to commit suicide in his depression. The obvious problem is that with the exception of Gerald who knows how to ballroom dance, they are not generally stripper material, either in looks, skill or temperament, with especially slightly overweight Dave having body image issues, he believing his wife, Jean, having a wandering eye because of what he considers his unappealing looks. In an open casting among those at the employment office, they are able to recruit further misfits Horse, an older man who does know the contemporary dances of his era, and younger Guy, who can't dance and can't sing but loves

High school student Ferris Bueller wants a day off from school and he's developed an incredibly sophisticated plan to pull it off. He talks his friend Cameron into taking his father's prized Ferrari and with his girlfriend Sloane head into Chicago for the day. While they are taking in what the city has to offer school principal Ed Rooney is convinced that Ferris is, not for the first time, playing hooky for the day and is hell bent to catch him out. Ferris has anticipated that, much to Rooney's chagrin.

English recording artist; singer-songwriter, musician

The series follows the life of anti-social, pain killer addict, witty and arrogant medical doctor Gregory House (Hugh Laurie) with only half a muscle in his right leg. He and his team of medical doctors try to cure complex and rare diseases from very ill ordinary people in the United States of America.

Andy Millman (Ricky Gervais) is an actor with ambition and a script. Reduced to working as an extra with a useless agent, Andy's attempts to boost his career invariably end in failure and embarrassment.

Presidential advisers get their personal lives hopelessly tangled up with professional duties as they try to conduct the business of running a country. Fictional Democratic President Josiah "Jed" Bartlet suffers no fools, and that policy alienates many. He and his dedicated staffers struggle to balance the needs of the country with the political realities of Washington, D.C., working through two presidential terms that include countless scandals, threats and political scuffles, as well as the race to succeed Bartlet as the leader of the free world.

American political drama series created by Aaron Sorkin for NBC (1999-2006)

Set in the corridors of power and spin, the Minister for Social Affairs is continually harassed by Number 10's policy enforcer and dependent on his not-so-reliable team of civil servants.

After being involved in a car accident in 2006, DCI Sam Tyler wakes up to find himself in 1973.

He's got it all: a loving wife, good friends, a successful career, a great home...what could possibly go wrong for Larry David? Seinfeld co-creator Larry David stars as himself in this hilarious, off-kilter comedy series that presents an unflinching, self-deprecating depiction of his life.

DCI Gene Hunt is back, but he's no longer the self-styled "Sheriff of Manchester." Flanked by his faithful sidekicks, Ray Carling and Chris Skelton, and drawn by the action and intrigue of the London Met, Gene's turned his attentions to taking on the "southern nancy" criminal scum. However, Gene did not expect to be thrown together with a sexy, intelligent DI Alex Drake. Single mother to daughter Molly, Alex has rapidly risen through the ranks of the Met and, in the modern world of 2008, skillfully uses psychological profiling to capture suspects. When Alex and her daughter are kidnapped, she makes a daring attempt at escape, resulting in a horrific incident. Alex suddenly finds herself in 1981, interacting with familiar characters, not just from her own lifetime, but also from the detailed reports logged by none other than Sam Tyler, which Alex previously spent months poring over. Alex is ripped from her current world of sexual equality and respect in 2008, and finds herself opposite an arrogant DCI, in a two-tone, "New Romantic" '80s London with a soundtrack of Adam Ant, Roxy Music, and the Human League ringing in her ears. Alex finds that some of Gene's team has dispersed, yet others, loyal as ever, are still in tow. Now a technological whiz kid in the squad's surveillance team, DC Chris Skelton has clearly moved with the times, along with a tight-permed DS Ray Carling, who's keen to experience London's nightlife. Frustrated by each other's stubbornness, the friction between Alex and Gene heats up. However, as the two titans collide, it becomes apparent that there is more than just a professional tension emerging.

Rick Spleen is a world-weary comedian who ends up doing far too many corporate jobs to pay the bills.

Irish comedian Graham Norton hosts his very own chat show, which includes chatting to A-list celebrities, the very famous Red Chair game, live music, lots of jokes and fun from Graham and the celebrities themselves.

The winner of 6 Emmy Awards including Outstanding Drama Series, Homeland is an edge-of-your-seat sensation. Marine Sergeant Nicholas Brody is both a decorated hero and a serious threat. CIA officer Carrie Mathison is tops in her field despite being bipolar. The delicate dance these two complex characters perform, built on lies, suspicion, and desire, is at the heart of this gripping, emotional thriller in which nothing short of the fate of our nation is at stake.

American political thriller television series

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