Ac3d _

Hettie Rose

Yudha Prast

emil petrakiev

Jamie Bohanna

Felipe Mancheno

Adam Symonds

Christopher Acker

Nehroz NRH

Tara B

Ferran Salguero Mateu

Steven Cow-Meat

The book is structured as a series of loosely connected vignettes. Burroughs stated that the chapters are intended to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone.The vignettes are drawn from Burroughs' own experiences in these places and his addiction to drugs (heroin, morphine, and while in Tangier, majoun [a strong hashish confection] as well as a German opioid, brand name Eukodol, of which he wrote frequently).[source wiki}

A gargantuan, mind-altering comedy about the Pursuit of Happiness in America. Set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. It is an exuberant, uniquely American exploration of the passions that make us human—and one of those rare books that renew the idea of what a novel can do.

Winner of the National Book Award for FictionNominated for the National Book Critics Circle AwardAn American Library Association Notable BookJonathan Franzen's third novel, The Corrections, is a great work of art and a grandly entertaining overture to our new century: a bold, comic, tragic, deeply moving family drama that stretches from the Midwest at mid-century to Wall Street and Eastern Europe in the age of greed and globalism. Franzen brings an old-time America of freight trains and civic duty, of Cub Scouts and Christmas cookies and sexual inhibitions, into brilliant collision with the modern absurdities of brain science, home surveillance, hands-off parenting, do-it-yourself mental healthcare, and the anti-gravity New Economy. With The Corrections, Franzen emerges as one of our premier interpreters of American society and the American soul.Enid Lambert is terribly, terribly anxious. Although she would never admit it to her neighbors or her three grown children, her husband, Alfred, is losing his grip on reality. Maybe it's the medication that Alfred takes for his Parkinson's disease, or maybe it's his negative attitude, but he spends his days brooding in the basement and committing shadowy, unspeakable acts. More and more often, he doesn't seem to understand a word Enid says.Trouble is also brewing in the lives of Enid's children. Her older son, Gary, a banker in Philadelphia, has turned cruel and materialistic and is trying to force his parents out of their old house and into a tiny apartment. The middle child, Chip, has suddenly and for no good reason quit his exciting job as a professor at D------ College and moved to New York City, where he seems to be pursuing a "transgressive" lifestyle and writing some sort of screenplay. Meanwhile the baby of the family, Denise, has escaped her disastrous marriage only to pour her youth and beauty down the drain of an affair with a married man--or so Gary hints.Enid, who loves to have fun, can still look forward to a final family Christmas and to the ten-day Nordic Pleasurelines Luxury Fall Color Cruise that she and Alfred are about to embark on. But even these few remaining joys are threatened by her husband's growing confusion and unsteadiness. As Alfred enters his final decline, the Lamberts must face the failures, secrets, and long-buried hurts that haunt them as a family if they are to make the corrections that each desperately needs.

Suffused with rich satire, chaotic brilliance, verbal turbulence and wild humor, The Crying of Lot 49 opens as Oedipa Maas discovers that she has been made executrix of a former lover's estate. The performance of her duties sets her on a strange trail of detection, in which bizarre characters crowd in to help or confuse her. But gradually, death, drugs, madness and marriage combine to leave Oedipa in isolation on the threshold of revelation, awaiting the Crying of Lot 49.

Alternate cover for this ISBN can be found here"A green hunting cap squeezed the top of the fleshy balloon of a head. The green earflaps, full of large ears and uncut hair and the fine bristles that grew in the ears themselves, stuck out on either side like turn signals indicating two directions at once. Full, pursed lips protruded beneath the bushy black moustache and, at their corners, sank into little folds filled with disapproval and potato chip crumbs."Meet Ignatius J. Reilly, the hero of John Kennedy Toole's tragicomic tale, A Confederacy of Dunces. This 30-year-old medievalist lives at home with his mother in New Orleans, pens his magnum opus on Big Chief writing pads he keeps hidden under his bed, and relays to anyone who will listen the traumatic experience he once had on a Greyhound Scenicruiser bound for Baton Rouge. ("Speeding along in that bus was like hurtling into the abyss.") But Ignatius's quiet life of tyrannizing his mother and writing his endless comparative history screeches to a halt when he is almost arrested by the overeager Patrolman Mancuso--who mistakes him for a vagrant--and then involved in a car accident with his tipsy mother behind the wheel. One thing leads to another, and before he knows it, Ignatius is out pounding the pavement in search of a job.Over the next several hundred pages, our hero stumbles from one adventure to the next. His stint as a hotdog vendor is less than successful, and he soon turns his employers at the Levy Pants Company on their heads. Ignatius's path through the working world is populated by marvelous secondary characters: the stripper Darlene and her talented cockatoo; the septuagenarian secretary Miss Trixie, whose desperate attempts to retire are constantly, comically thwarted; gay blade Dorian Greene; sinister Miss Lee, proprietor of the Night of Joy nightclub; and Myrna Minkoff, the girl Ignatius loves to hate. The many subplots that weave through A Confederacy of Dunces are as complicated as anything you'll find in a Dickens novel, and just as beautifully tied together in the end. But it is Ignatius--selfish, domineering, and deluded, tragic and comic and larger than life--who carries the story. He is a modern-day Quixote beset by giants of the modern age. His fragility cracks the shell of comic bluster, revealing a deep streak of melancholy beneath the antic humor. John Kennedy Toole committed suicide in 1969 and never saw the publication of his novel. Ignatius Reilly is what he left behind, a fitting memorial to a talented and tormented life.

The wild, macabre tale of the twentieth century and of two men—one looking for something he has lost, the other with nothing much to lose—and "V.," the unknown woman of the title.

Composed in the last two years of Bolaño's life, 2666 has been greeted as his greatest achievement, surpassing even his previous work in its strangeness,beauty, and scope. Its throng of unforgettable characters include academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student caring for her widowed, mentally unstable father. Their lives intersect in the desert sprawl of Santa Teresa--a fictional Juárez--on the US-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared. Audacious, impassioned and profoundly inspired, 2666 is Roberto Bolaño’s masterwork.

Samson Young, first-person narrator of this Martin Amis novel, is a somewhat jaded, frequently sarcastic and acerbic 40-something intellectual literary writer from, not surprisingly, New York City. But his hard-edged Big Apple voice is absolutely pitch-perfect for the story he is telling, a story involving a host of memorable and very human characters, not to mention a couple of super-human characters: an Incredible Hulk-like toddler and one doozy of a MAN MAGNET, and, yes, indeed, that’s spelled with all capital letters. Meet the lady at the center of the novel’s vortex, Ms. Nicola Six – modern day Helen of Troy, X-rated femme fatale and manifestation of goddess Kali all rolled up into one – everything you always wanted and everything you never wanted, your most cherished dream and your most dreaded nightmare, complete with Eastern European accent, mysterious Middle Eastern origins, Ms. World face and figure, shiny dark hair and even shinier dark eyes. Oh, my goodness, what a gal.  London Fields is a loose, baggy monster if you are looking for a tight-knit murder mystery; but if you enjoy your novels with many characters finely portrayed in gritty, grimy detail along with generous portions of philosophical musing thrown in along the way, then you will enjoy taking your time with its 470 pages. Now, on one level, the men and women are stereotypes representing a particular social and cultural class, but on another level Amis fills out his characters with such vivid, visceral descriptions, their eccentricities, their passions, their intense emotions and desires, in a way, I almost had the feeling I was reading an epic with the streets of London standing in for the walls of Troy – modern city life as the ultimate human blood sport. One major character – Keith Talent, low-class grunge par excellence, a 29-year old addicted to liquor, pornography and sex, has made a life-long career out of cheating and steeling. Any time Keith opens his mouth we hear an open sewer of words – thick, coarse, vulgar and garbled. If there was ever an example of Wittgenstein’s “The limits of your language are the limits of your world.”, Keith is our man. From what I’ve said, you might think Keith would be totally despicable, a character incapable of our empathy, yet, through the magic of Amis’ fiction, we feel Keith’s pain. By way of example, here is a scene after Nicola, posing as a social worker, barged uninvited into his cramped, dirty, pint-sized home and accused Keith’s wife and Keith of being too poor and too ignorant to properly care for their baby girl. Shortly thereafter, Keith is at Nicola’s apartment and he looks at her and in his look he says: “Home was his secret. Nobody had ever been there before. Oh, there had been ingress: rentmen and census people, the police, and cheating electricians and would-be plumbers and so on as well as real social workers and probations officers – but nobody he knew. Not ever. Only the dog, and the woman, and the child: the insiders. They, too, were secrets. Home was his terrible secret. Home was his dirty little secret. And now the secret was out.”Words are exchanged. Keith tells Nicola repeatedly she “shouldn’t’ve fucking done it”. Nicola replies “You didn’t want me to know, did you, that you lived like a pig.”. Keith says, “That’s so . . . That’s so out of order.” We understand the humanness of Keith’s plight – no matter how crappy and filthy his living conditions, to have his private space violated and be called a pig by such a woman. Second major character – Guy Clinch, a wealthy, refined, well-educated gentleman with the heart of a love poet reminds me of the 1950-60s British actor Terry-Thomas. Here is Guy in Nicola’s apartment, letting her know how rude men can be about women and sex: “Guy got to his feet and came forward. In no uncertain terms, and with his mind half-remembering some analogous recital, some previous exercise in illusion-shattering (when? how long ago? what about?), he told her what Keith and his kind were really like, how they thought of women as chunks of meat, their dreams of violence and defilement.” Guy explaining the sexual dynamics of men and women to Nicola is like a university student explaining Machiavelli to Shakespeare’s Richard III. Talk about black humor. Among the many other characters, one of my personal favorites is Marmaduke, Guy Clinch’s son who needs an army of nannies to keep him from tearing the house apart and wreaking havoc on adults, especially his mother and most especially his father. When his wife Hope was pregnant, Guy was worried about protecting his son from the world; after colossal Marmaduke’s birth, he’s worried about protecting the world from his son. Here is a taste of what our first-person narrator Samson has to say about the child: “Turn your back for ten seconds and he’s in the fire or out the window or over in the corner, fucking a light socket (he’s the right height for that, with a little bend of the knees). His chaos is strongly sexual, no question. If you enter his nursery you’ll usually find him with both hands down the front of his diaper, or behind the reinforced bars of his playpen leering over a swimsuit ad in one of the magazines that some nanny has thrown in to him. He goes at that bottle like a top-dollar Vegas call-girl, like a grand-an-hour sex diva.” Lastly, a word about the novel’s structure: Samson Young is in the process of writing a novel about the very novel we hold in our hands, offering ongoing critique and color commentary on the art of his telling and the act of our reading. Metafiction, anyone? Nothing like heaping another layer (or two or three) on top of an already many-layered work of literary fiction.  

I have a passionate hatred for William Burroughs. I think even his fans have to concede that he's a degenerate piece of shit. I admit my prior experience with him consists of 5 pages of Naked Lunch and a couple biographies of various sorts, none of which fail to mention the pedophilia and him murdering his wife (I'm from Detroit, don't think for a second I buy his bullshit story), not that I'd hold that against him when rating this book.  I went into this book expecting it to be about heroin abuse and gay sex, you know some fun light reading, instead it turns about to be a sober, heartbreaking tale of profound universal human loneliness: "In deep sadness there is no place for sentimentality. It is as the mountains: a fact. There it is. When you realize it, you cannot complain."  The fact that this book is great somehow only makes me hate him more.  ---------------------------------------------------------------------Alright Burroughs, I don't like you and you don't like me, but I found this for .50 cents today so I'm giving you one more shot to redeem yourself . . . Don't Fuck This Up!

The Thief's Journal is perhaps Jean Genet's most authentically autobiographical novel, personifying his quest for spiritual glory through the pursuit of evil. Writing in the intensely lyrical prose style that is his trademark, the man, Jean Cocteau, dubbed France's "Black Prince of Letters" here reconstructs his early adult years - time he spent as a petty criminal and vagabond, traveling through Spain and Antwerp, occasionally border hopping across to the rest of Europe, always trying to stay one step ahead of the authorities.

Eccentric, adventurous Christina Goering Meets the anxious but equally enterprising Mrs. Copperfield at a party. Two serious ladies who want to live outside of themselves, they go in search of salvation: Mrs. Copperfield visits Panama with her husband, where she finds solace among the women who live and work in its brothels; while Miss Goering becomes involved with various men. At the end the two women meet again, each changed by her experience. Mysterious, profound, anarchic and very funny, 'Two Serious Ladies' is a daring, original work that defies analysis.

The star of Roberto Bolaño's hair-raising novel Distant Star is Alberto Ruiz-Tagle, an air force pilot who exploits the 1973 coup to launch his own version of the New Chilean Poetry, a multimedia enterprise involving sky-writing, poetry, torture, and photo exhibitions.For our unnamed narrator, who first encounters this "star" in a college poetry workshop, Ruiz-Tagle becomes the silent hand behind every evil act in the darkness of Pinochet's regime. The narrator, unable to stop himself, tries to track Ruiz-Tagle down, and sees signs of his activity over and over again. A corrosive, mocking humor sparkles within Bolaño's darkest visions of Chile under Pinochet. In Bolaño's world there's a big graveyard and there's a big graveyard laugh. (He once described his novel By Night in Chile as "a tale of terror, a situation comedy, and a combination pastoral-gothic novel.")Many Chilean authors have written about the "bloody events of the early Pinochet years, the abductions and murders," Richard Eder commented in the The New York Times: "None has done it in such a dark and glittering fashion as Roberto Bolaño."

Nazi Literature in the Americas was the first of Roberto Bolaño's books to reach a wide public. When it was published by Seix Barral in 1996, critics in Spain were quick to recognize the arrival of an important new talent. The book presents itself as a biographical dictionary of American writers who flirted with or espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. It is a tour de force of black humor and imaginary erudition.Nazi Literature in the Americas is composed of short biographies, including descriptions of the writers' works, plus an epilogue ("for Monsters"), which includes even briefer biographies of persons mentioned in passing. All of the writers are imaginary, although they are all carefully and credibly situated in real literary worlds. Ernesto Perez Mason, for example, in the sample included here, is an imaginary member of the real Oriacute;genes group in Cuba, and his farcical clashes with Joseacute; Lezama Lima recall stories about the spats between Lezama Lima and Virgilio Pintilde;era, as recounted in Guillermo Cabrera Infante's Mea Cuba. The origins of the imaginary writers are diverse. Authors from twelve different countries are included. The countries with the most representatives are Argentina and the United States.

The drug-induced utopias of four Coney Island people are shattered when their addictions run deep.

The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.

Tatya Kankanam is a 1980 Indian Telugu Movie directed by Kommineni. Produced by Narasimha Raju, Nagesh, Padmanabham, Gokina Ramarao. film Star cast Narasimha Raju, Prabha, Rohini, JV Somayajulu, Vankayala, Jayamalini in lead roles. t

Anonymous videotapes presage a musician's murder conviction, and a gangster's girlfriend leads a mechanic astray.

A New York City doctor embarks on a harrowing, night-long odyssey of sexual and moral discovery after his wife reveals a painful secret to him.

Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.

The spectre of a disfigured man haunts the children of the parents who murdered him, stalking and killing them in their dreams.

A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder.

A blade runner must pursue and terminate four replicants who stole a ship in space, and have returned to Earth to find their creator.

Laura Palmer's harrowing final days are chronicled one year after the murder of Teresa Banks, a resident of Twin Peaks' neighboring town.

While recovering in Venice, sickly composer Gustav von Aschenbach becomes dangerously fixated with teenager Tadzio.

In an industrial area, unstable Giuliana attempts to cope with life by starting an affair with a co-worker at the plant her husband manages.

Screenwriter Paul Javal's marriage to his wife Camille disintegrates during movie production as she spends time with the producer. Layered conflicts between art and business ensue.

A teenage boy is haunted in his dreams by deceased child murderer Freddy Krueger, who is out to possess him in order to continue his reign of terror in the real world.

A gay filmmaker becomes involved with an obsessive fan while still pining for his absent true love. Meanwhile, he shares a close but complex relationship with his trans sister, an actress.

Four college girls hold up a restaurant in order to fund their spring break vacation. While partying, drinking, and taking drugs, they are arrested, only to be bailed out by a drug and arms dealer.

In 1970, drug-fueled Los Angeles private investigator Larry "Doc" Sportello investigates the disappearance of a former girlfriend.

Malcolm Ingram introduces us to gay men who dig big dudes who are stockier and hairier than the airbrushed ideal served by up lifestyle magazines and underwear ads.

Burroughs: The Movie explores the life and times of controversial Naked Lunch author William S. Burroughs, with an intimacy never before seen and never repeated. The film charts the development of Burroughs' unique literary style and

A mockumentary on a group of typical office workers, where the workday consists of ego clashes, inappropriate behavior, and tedium.

A drama about one of New York's most prestigious ad agencies at the beginning of the 1960s, focusing on one of the firm's most mysterious but extremely talented ad executives, Donald Draper.

Privileged teens living on the Upper East Side of New York can hide no secret from the ruthless blogger who is always watching.

Three different but related families face trials and tribulations in their own uniquely comedic ways.

A father recounts to his children - through a series of flashbacks - the journey he and his four best friends took leading up to him meeting their mother.

The absurd antics of an Indiana town's public officials as they pursue sundry projects to make their city a better place.

RuPaul searches for America's next drag superstar.

A Congressman works with his equally conniving wife to exact revenge on the people who betrayed him.

Nine noble families fight for control over the lands of Westeros, while an ancient enemy returns after being dormant for millennia.

Created by music impresario Don Cornelius, Soul Train is an African-American focused music-dance television program that aired 35 years, primarily featuring performances by R&B, soul, funk, pop, and hip hop artists.

On the run from a drug deal gone bad, brilliant college dropout Mike Ross finds himself working with Harvey Specter, one of New York City's best lawyers.

Seasonal anthology series in which police investigations unearth the personal and professional secrets of those involved, both within and outside the law.

Broad City follows two women throughout their daily lives in New York City, making the smallest and mundane events hysterical and disturbing to watch all at the same time.

The experiences of three close friends living and loving in modern-day San Francisco.

An idiosyncratic FBI agent investigates the murder of a young woman in the even more idiosyncratic town of Twin Peaks.

music

movies

shows

books

authors

Active Tastebuds