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Galápagos is the eleventh novel written by American author Kurt Vonnegut. The novel questions the merit of the human brain from an evolutionary perspective. The title is both a reference to the islands on which part of the story plays out, and a tribute to Charles Darwin on whose theory Vonnegut relies to reach his own conclusions. It was first published in 1985 by Delacorte Press.Galápagos is the story of a small band of mismatched humans who are shipwrecked on the fictional island of Santa Rosalia in the Galápagos Islands after a global financial crisis cripples the world's economy. Shortly thereafter, a disease renders all humans on Earth infertile, with the exception of the people on Santa Rosalia, making them the last specimens of humankind. Over the next million years, their descendants, the only fertile humans left on the planet, eventually evolve into a furry species resembling sea lions: though possibly still able to walk upright (it is not explicitly mentioned, but it is stated that they occasionally catch land animals), they have a snout with teeth adapted for catching fish, a streamlined skull and flipper-like hands with rudimentary fingers (described as "nubbins").

Set on the French Riviera in the late 1920s, Tender Is the Night is the tragic romance of the young actress Rosemary Hoyt and the stylish American couple Dick and Nicole Diver. A brilliant young psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth goads him into a lifestyle not his own, and whose growing strength highlights Dick's harrowing demise. A profound study of the romantic concept of character, Tender Is the Night is lyrical, expansive, and hauntingly evocative.

Deadeye Dick is a novel by Kurt Vonnegut originally published in 1982.The novel's main character, Rudy Waltz, nicknamed Deadeye Dick, commits accidental manslaughter as a child (he carelessly shoots a gun out of a window and fatally strikes a pregnant woman) and lives his whole life feeling guilty and seeking forgiveness for it. He was so traumatized by the events directly after the woman's death that he lives life as an asexual "neuter," neither homosexual nor heterosexual. He tells the story of his life as a middle-aged expatriate hotel manager in Haiti, which symbolizes New York City, until the end, when the stream of time of the story catches up with him. At this point, he confronts an event that has been suggested and referred to throughout the novel. The generic Midwestern town of Midland City, Ohio (also the setting of Breakfast of Champions) in which Rudy was raised is virtually destroyed by a neutron bomb, all the people in the town dying. At the ending of the book, it appears that Rudy, while he may not have fully come to terms with his actions, has at least come to live with them.

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

Humbert Humbert - scholar, aesthete and romantic - has fallen completely and utterly in love with Lolita Haze, his landlady's gum-snapping, silky skinned twelve-year-old daughter. Reluctantly agreeing to marry Mrs Haze just to be close to Lolita, Humbert suffers greatly in the pursuit of romance; but when Lo herself starts looking for attention elsewhere, he will carry her off on a desperate cross-country misadventure, all in the name of Love. Hilarious, flamboyant, heart-breaking and full of ingenious word play, Lolita is an immaculate, unforgettable masterpiece of obsession, delusion and lust.

Alternate Cover Edition ISBN: 0743273567 (ISBN13: 9780743273565)The Great Gatsby, F. Scott Fitzgerald's third book, stands as the supreme achievement of his career. This exemplary novel of the Jazz Age has been acclaimed by generations of readers. The story is of the fabulously wealthy Jay Gatsby and his new love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s.The Great Gatsby is one of the great classics of twentieth-century literature.(back cover)

Mother Night is a novel by American author Kurt Vonnegut, first published in February 1962. The title of the book is taken from Goethe's Faust.The novel takes the form of the fictional memoirs of Howard W. Campbell Jr., an American, who moved to Germany in 1923 at age 11, and later became a well-known playwright and Nazi propagandist. The story of the novel is narrated (through the use of metafiction) by Campbell himself, writing his memoirs while awaiting trial for war crimes in an Israeli prison. Howard W. Campbell also appears briefly in Vonnegut's later novel Slaughterhouse-Five.The novel is framed as the memoir of Howard W. Campbell, Jr. He is writing it while imprisoned and waiting for his war crimes trial for his actions as a Nazi propagandist. Campbell, an American who moved to Germany with his parents at age 11, recounts his childhood as the Nazi Party is consolidating its power. Instead of leaving the country with his parents, Campbell continues his career as a playwright, his only social contacts being Nazis. Being of sufficiently ″Aryan″ heritage, Campbell becomes a member of the party in name only. He is politically apathetic, caring only for his art and his wife Helga, who is also the starring actress in all of his plays.

A mysterious stranger and his retinue have astonished the locals of Stalin’s Moscow with the magic show to end all magic shows and have quite literally set the town alight. But what’s the real purpose behind their visit?

A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.

A husband-and-wife team play detective, but not in the traditional sense. Instead, the happy duo helps others solve their existential issues, the kind that keep you up at night, wondering what it all means.

The eccentric members of a dysfunctional family reluctantly gather under the same roof for various reasons.

Jeff "The Dude" Lebowski, mistaken for a millionaire of the same name, seeks restitution for his ruined rug and enlists his bowling buddies to help get it.

A teenager finds his dreams of becoming a basketball star threatened after he free falls into the harrowing world of drug addiction.

Obsessed with vengeance, a man sets out to find out why he was kidnapped and locked into solitary confinement for twenty years without reason.

A teenage boy and his family including his dying leukemic father and the effects of the high cost treatment of his disease on other family members.

A young Jewish American man endeavors to find the woman who saved his grandfather during World War II in a Ukrainian village, that was ultimately razed by the Nazis, with the help of an eccentric local.

2005 biographical drama film directed by Liev Schreiber

Two rival motorcycle gangs terrorize a small town after one of their leaders is thrown in jail.

1953 outlaw biker film directed by László Benedek

Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.

A group of professional bank robbers start to feel the heat from police when they unknowingly leave a clue at their latest heist.

An FBI undercover agent infiltrates the mob and finds himself identifying more with the mafia life, at the expense of his regular one.

A group of college-age buddies struggle with their imminent passage into adulthood in 1959 Baltimore.

1982 American comedy-drama film directed by Barry Levinson

In the near future, a charismatic leader summons the street gangs of New York City in a bid to take it over. When he is killed, The Warriors are falsely blamed and now must fight their way home while every other gang is hunting them 

Sophie is the survivor of Nazi concentration camps, who has found a reason to live with Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust.

The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job - showing a beautiful and eccentric heiress the time of her life wi

2008 American caper comedy film by Rian Johnson

While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.

In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.

In New York in 1928, a struggling playwright is forced to cast a mobster's talentless girlfriend in his latest drama in order to get it produced.

A year after their father's funeral, three brothers travel across India by train in an attempt to bond with each other.

St. Paul and The Broken Bones is an American eight-piece soul band based in Birmingham, Alabama, United States, that formed in 2012. The band is composed of Paul Janeway (vocals), Browan Lollar (guitar), Jesse Phillips (bass), Kevin Leon (drums), Al Gamble (keys), Allen Branstetter (trumpet), Amari Ansari (saxophone), and Chad Fisher (trombone). They have released three albums and two EPs while touring internationally.Vocalist Paul Janeway and bassist Jesse Phillips met in the mid-2000s while playing in Birmingham as part of the alternative soul outfit The Secret Dangers. In 2012, Jesse and Paul met back in Ol' Elegante Studios in Birmingham to start a new project. Janeway says of the project with Phillips, "It was going to be our last hurrah" before focusing on other careers, "but then something just clicked and we walked out of there with something." As the two began working around Janeway's voice, they realized they were forming a soul outfit. As the project progressed, the pair brought in Browan Lollar, formerly of The 400 Unit, Andrew Lee, Ben Griner, and Allen Branstetter. Here, they recorded their first EP, Greetings from St. Paul and The Broken Bones before ever playing a live show.

Seth Troxler is an American DJ, producer from Lake Orion, Michigan. His DJ work focuses on house and techno, while he has produced on the Wolf + Lamb, Crosstown Rebels and Circus Company labels, collaborating with artists Art Department, Deetron, Tiefschwarz, Matthew Dear and Subb-an.
Troxler draws upon the musical heritage of Detroit and Chicago and his influences include Richie Hawtin and Moodymann. He is one of the founders of the record label Visionquest, as well as head of labels Tuskegee, Soft Touch and Play It, Say It. He also owns a restaurant in East London called Smokey Tails.
Troxler was born in Kalamazoo, Michigan. His parents split up when he was two years old and his step-father hosted a local radio show in his home town. As a boy, Troxler used to listen to his step-father's radio show in the studio. Such early exposure to early house music and hip hop paved the way for Troxler to begin his career as a DJ.

American musician, composer, songwriter and producer

Nicolas Jaar (born January 10, 1990) is a Chilean-American composer and recording artist based in New York. Among his notable works are the albums Space Is Only Noise (2011), Pomegranates (2015) and Sirens (2016). He is known in the club world for his various dance 12" EPs he put out from 2008 to 2011. Since his first album, he has embarked on more explorative directions, performing a five-hour improvisational concert at PS1 and releasing a large volume of experimental recordings through his label, Other People, including works by like-minded artists Lydia Lunch, William Basinski, and Lucretia Dalt. In 2015 he scored Jacques Audiard's Dheepan (winner of the Palme d'Or at Cannes 2015).

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