Vastralaya

Evan Shively (Perseus271)

Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Harry Potter's life is miserable. His parents are dead and he's stuck with his heartless relatives, who force him to live in a tiny closet under the stairs. But his fortune changes when he receives a letter that tells him the truth about himself: he's a wizard. A mysterious visitor rescues him from his relatives and takes him to his new home, Hogwarts School of Witchcraft and Wizardry.After a lifetime of bottling up his magical powers, Harry finally feels like a normal kid. But even within the Wizarding community, he is special. He is the boy who lived: the only person to have ever survived a killing curse inflicted by the evil Lord Voldemort, who launched a brutal takeover of the Wizarding world, only to vanish after failing to kill Harry.Though Harry's first year at Hogwarts is the best of his life, not everything is perfect. There is a dangerous secret object hidden within the castle walls, and Harry believes it's his responsibility to prevent it from falling into evil hands. But doing so will bring him into contact with forces more terrifying than he ever could have imagined.Full of sympathetic characters, wildly imaginative situations, and countless exciting details, the first installment in the series assembles an unforgettable magical world and sets the stage for many high-stakes adventures to come.

That's what Macy has to look forward to while her boyfriend, Jason, is away at Brain Camp. Days will be spent at a boring job in the library, evenings will be filled with vocabulary drills for the SATs, and spare time will be passed with her mother, the two of them sharing a silent grief at the traumatic loss of Macy's father.But sometimes, unexpected things can happen—things such as the catering job at Wish, with its fun-loving, chaotic crew. Or her sister's project of renovating the neglected beach house, awakening long-buried memories. Things such as meeting Wes, a boy with a past, a taste for Truth-telling, and an amazing artistic talent, the kind of boy who could turn any girl's world upside down. As Macy ventures out of her shell, she begins to question her sheltered life.

The story of a mentally disabled man whose experimental quest for intelligence mirrors that of Algernon, an extraordinary lab mouse. In diary entries, Charlie tells how a brain operation increases his IQ and changes his life. As the experimental procedure takes effect, Charlie's intelligence expands until it surpasses that of the doctors who engineered his metamorphosis. The experiment seems to be a scientific breakthrough of paramount importance--until Algernon begins his sudden, unexpected deterioration. Will the same happen to Charlie?

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

What happens when the most beautiful girl in the world marries the handsomest prince of all time and he turns out to be...well...a lot less than the man of her dreams?As a boy, William Goldman claims, he loved to hear his father read the S. Morgenstern classic, The Princess Bride. But as a grown-up he discovered that the boring parts were left out of good old Dad's recitation, and only the "good parts" reached his ears.Now Goldman does Dad one better. He's reconstructed the "Good Parts Version" to delight wise kids and wide-eyed grownups everywhere.What's it about? Fencing. Fighting. True Love. Strong Hate. Harsh Revenge. A Few Giants. Lots of Bad Men. Lots of Good Men. Five or Six Beautiful Women. Beasties Monstrous and Gentle. Some Swell Escapes and Captures. Death, Lies, Truth, Miracles, and a Little Sex.In short, it's about everything.

***I have added an update to this review, please scroll to the bottom to view!Honestly, I didn't know what I was getting into when I plucked this book from the Kobo Store. I was bored last night, waiting for my sister so we can fire up our little New Year's Eve party, and decided to flip through a short book on my phone. I was feeling like a contemporary so looked up the genre and got a bunch of hits. There was no synopsis' on the kobo site, so I picked this book because the cover reminded me of My Sister's Keeper and the name sounded mysterious. Wow. This book is so Strong. It has so much love, so much hate. Wow.here we have a book about a girl who has her whole life together: Student Body President, A+ average student, a dedicated boyfriend, a mother who is down her throat to get her to apply to only the best universities out there.... What more could she want? She asks herself that when she first glances at a new student, Cece, from her locker mirror.I don't think I've felt a love so.. raw. so real inside my gut. This isn't just a love story, nor a 'coming out' story. It's a story about finding yourself when you weren't even looking. That life can take you by surprise even in the most unexpected moments. I've read some books that have made me feel this way, but god. It was so real. The author really dives you into Holland's shoes. She lets you feel the confusion battling with the love. The denial yet the pure desire. I really liked Holland. She wasn't one of those crazy denial freaks. She denied it for a little bit internally, but still let the desire consume her mind. it was a constant battle; a real one. I liked that no one had to tell Holland to come out. Or notice it on her, or her confusion and help her through it. She didn't even label herself, she didn't fricken care. She was falling for that chick who ate donuts by her locker early in the morning, and jammed out to the Dixie Chicks right across from her every day. I liked that. She wasn't coming out as a lesbian, but she was discovering a love. It made all the difference.At one point when she admits that she loves Cece, she stops for a second and thinks what? I'm... gay? Like she had no clue that falling in love with Cece officially made her a lesbian. What a beautiful story. I felt every single emotion in my gut. It was almost unbearable.The fact that Cece didn't come on to Holland, or push her into admitting she's gay and falling for her, and that Holland went to Cece all on her own... it was moving.I think the best way to describe it is personal. It was so damn personal. You WERE Holland in between those pages. No one else. You weren't on that sofa with your family and the TV or the radio weren't on, everything else was gone when you were inside Holland's head and heart.The most empowering part, after going through half the book and being embraced with Holland's emotions the whole time, that moment when she took the final step and finally, wholeheartedly admitted to herself and to Cece the truth, when she told Cece she wanted to kiss her, it felt like bombs going off in my stomach. because you could read the beginning over and over, and know the truth, but Holland never put it out there. She never once said inside her head Okay I'm gay and I'm in love with Cece. I want her now. No. Not once. It was only after that need took a hold of her and she kissed Cece, that's when it all came together.It's hard to explain without experiencing it, so here's what I mean:\
  Swimming. Up, down, counting strokes. one, two, three, four. breathe in, breathe out. Her.Everything was her. The light, the dark, the day, the night. Her. Her.She was my first thought in the morning, my last thought at night. She'd taken possession of my soul. She was inside of me, consuming me, compelling me to--what?Drown it out. Fight the force. You can do it Holland, you're strong. Resist. You can beat the forces of nature. You have to.Swim. Stroke. Count. Count.Can't. Can't. Can't.[60 sum pages later]Then it happened. that electric current surged between us, through me, and tugged at my core. The pull was so fierce, I couldn't fight it. Didn't want to. She was close, so close, her head right next to mine. I could hear her breathing, feel her heart beating. The outside air was cold, but that's not what was making me tremble."Cece." My voice sounded raw, whispery."Hmm?"I turned to face her, jamming my shoulder into the brick. "I want--" I stopped. I couldn't say it. Couldn't take that step.She twisted her head and opened her eyes. 'What Holland? What do you want?"I was shaking so hard. Do it. Do it. Do it now. "I want to kiss you."\
I read this whole damn thing in one night. I couldn't stop. I read until 4 am, and gawked at the page when I was done. Then didn't sleep for another hour because I was thinking about it. I was shocked. Mostly because I wasn't expecting a Lesbian love story. Mostly because I wasn't expecting it to be so damn good and moving and heartbreaking.If you want to feel what true love feels like, right in the pit of your stomach, read this book. I can't even begin to explain.**UPDATE**: I have come back to this review three years later, seeing as I still get email notifications on comments/likes on it, and I have decided to share the rest of my story seeing as so many people are seeing this review.After reading this novel, there was an unusual weight on my chest for the week to follow and I couldn't put my finger on it for the first little while... until I finally did. It is October 2015 and I am 20 years old, and I first read and reviewed this novel in January 2013 at 17 years old; In that time, I have managed to graduate high school, buy my first car, graduate college with a diploma in Public Relations, start a career, plan my move to the United Kingdom-- but most importantly-- come out as openly gay. I do owe lots of that to friends and family that were by my side while I found myself, but I could never forget that my coming out journey started with Keeping You a Secret and Julie Anne Peters-- and for that, I am always thankful. I knew before I read this book, but I didn't truly KNOW until I read it. I couldn't stop thinking about it and it made me feel different. I went on to read a few more LGBT based books and every time I had the same little flutter in my chest... it didn't take long to look into myself a little deeper and figure it out. So, Julie, Thank you for this gem of a novel. For anyone reading this and is having a similar experience as I was, and is probably as scared as I was... you'll be okay. Don't be afraid of your secret. I am 20, I am out, I am preparing to move to London, England with the woman I love, and I started here too... just like you.**Nov. 2016***WOW! I still receive notifications for likes on this review today. If you like my words, please feel free to follow my writing journey on modernworldclub.com :) I appreciate the support!

Nicola Lancaster is spending her summer at the Siegel Institute - a hothouse of smart, articulate, intense teenagers living like college students for eight weeks. Nic's had theatre friends and ochestra friends, but never just friend friends. And she's certainly never had a relationship.But on the very first day, she falls in with Katrina the Manic Computer Chick, Isaac the Nice-Guy-Despite-Himself, Kevin the Inarticulate Composer... and Battle.Battle Hall Davies is a beautiful blond dancer from North Carolina. She's everything Nic isn't. Soon the two are friends - and then, startlingly, more than friends. What do you do when you think you're attracted to guys, and then you meet a girl who steals your heart?

American McGee's Alice returns, with his own brand of creepy supernatural Victoriana....

After receiving the healing powers from a magical flower, the baby Princess Rapunzel is kidnapped from the palace in the middle of the night by Mother Gothel. Mother Gothel knows that the flower's magical powers are now growing within the golden hair of Rapunzel, and to stay young, she must lock Rapunzel in her hidden tower. Rapunzel is now a teenager and her hair has grown to a length of 70-feet. The beautiful Rapunzel has been in the tower her entire life, and she is curious of the outside world. One day, the bandit Flynn Ryder scales the tower and is taken captive by Rapunzel. Rapunzel strikes a deal with the charming thief to act as her guide to travel to the place where the floating lights come from that she has seen every year on her birthday. Rapunzel is about to have the most exciting and magnificent journey of her life.

Megan is an all-American girl. She's a cheerleader and has a boyfriend, but she doesn't like kissing him very much, and she's pretty tactile with her cheerleader friends, and she only has pictures of girls up in her locker. Her parents and friends conclude that she *must* be gay and send her off to "sexual redirection" school, full of admittedly homosexual misfits, where she can learn how to be straight. Will Megan be turned around to successful heterosexuality, or will she succumb to her love for the beautiful Graham?

An animated fantasy-adventure. Set one thousand years from now, the Earth is ravaged by pollution and war. In the Valley of the Wind lives Nausicaä, Princess of her people. Their land borders on a toxic jungle, filled with dangerous over-sized insects. Meanwhile, two nearby nations are bitterly engaged in a war and the Valley of the Wind is stuck in the middle.

A man about forty years of age tells the story from when he was a teenager in upscale suburban Detroit of his and three of his friends' fascination with the mysterious and doomed Lisbon sisters. In 1974, the sisters were seventeen year old Therese, sixteen year old Mary, fifteen year old Bonnie, fourteen year old Lux, and thirteen year old Cecilia. Their fascination still remains as they try to piece together the entire story. The sisters were mysteries if only because of having a strict and overprotective upbringing by their father, who taught math at the girls' private co-ed school, and overly devout Catholic mother, who largely dictated the household rules. The story focuses primarily on two incidents and the resulting situations on the girls' lives. The first was an action by Cecilia to deal with her emotions over her life. And the second was the relationship between Lux - the sister who pushed the boundaries of the household rules most overtly in doing what most teenagers want to do - and Trip Fontaine, he who could have any girl he wanted but wanting solely Lux.

1999 American film directed by Sofia Coppola

In a distant, but not so unrealistic, future where mankind has abandoned earth because it has become covered with trash from products sold by the powerful multi-national Buy N Large corporation, WALL-E, a garbage collecting robot has been left to clean up the mess. Mesmerized with trinkets of Earth's history and show tunes, WALL-E is alone on Earth except for a sprightly pet cockroach. One day, EVE, a sleek (and dangerous) reconnaissance robot, is sent to Earth to find proof that life is once again sustainable. WALL-E falls in love with EVE. WALL-E rescues EVE from a dust storm and shows her a living plant he found amongst the rubble. Consistent with her "directive", EVE takes the plant and automatically enters a deactivated state except for a blinking green beacon. WALL-E, doesn't understand what has happened to his new friend, but, true to his love, he protects her from wind, rain, and lightning, even as she is unresponsive. One day a massive ship comes to reclaim EVE, but WALL-E, out of love or loneliness, hitches a ride on the outside of the ship to rescue EVE. The ship arrives back at a large space cruise ship, which is carrying all of the humans who evacuated Earth 700 years earlier. The people of Earth ride around this space resort on hovering chairs which give them a constant feed of TV and video chatting. They drink all of their meals through a straw out of laziness and/or bone loss, and are all so fat that they can barely move. When the auto-pilot computer, acting on hastily-given instructions sent many centuries before, tries to prevent the people of Earth from returning by stealing the plant, WALL-E, EVE, the portly captain, and a band of broken robots stage a mutiny.

2008 American computer-animated romantic science fiction film directed by Andrew Stanton

Fourteen-year-old Arrietty (Bridgit Mendler, Saoirse Ronan, and Mirai Shida) and the rest of the Clock family live in peaceful anonymity as they make their own home from items that they borrow from the house's human inhabitants. However, life changes for the Clocks when a human boy discovers Arrietty.

2010 Japanese animated film directed by Hiromasa Yonebayashi

Snow White's mother, the Queen dies when she is born. Her father, the King, remarries a beautiful but vain lady. The new Queen has a magic mirror that she asks every day, who is the fairest one of all? When it answers Snow White, the Queen is furious. Will handsome Prince Charming and the Seven Dwarfs be able to save Snow White from the wicked Queen's wrath?

1955 German film directed by Erich Kobler

Five teenagers head off for a weekend at a secluded cabin in the woods. They arrive to find they are quite isolated with no means of communicating with the outside world. When the cellar door flings itself open, they of course go down to investigate. They find an odd assortment of relics and curios, but when one of the women, Dana, reads from a book, she awakens a family of deadly zombie killers. However, there's far more going on than meets the eye.

This is the tale of Harry Potter (Daniel Radcliffe), an ordinary eleven-year-old boy serving as a sort of slave for his aunt and uncle who learns that he is actually a wizard and has been invited to attend the Hogwarts School for Witchcraft and Wizardry. Harry is snatched away from his mundane existence by Rubeus Hagrid (Robbie Coltrane), the groundskeeper for Hogwarts, and quickly thrown into a world completely foreign to both him and the viewer. Famous for an incident that happened at his birth, Harry makes friends easily at his new school. He soon finds, however, that the wizarding world is far more dangerous for him than he would have imagined, and he quickly learns that not all wizards are ones to be trusted.

2001 British-American fantasy film directed by Chris Columbus

On a wild and rain-swept late-November evening, somewhere at an empty stretch of road outside Ohio's merry Denton, blissfully-affianced, prudish, boringly-innocent young pair Brad Majors (Barry Bostwick) and Janet Weiss (Susan Sarandon) find themselves stranded on their way to visit an ex-tutor. Instead, the couple will inadvertently unearth the cross-dressing Dr. Frank-N-Furter's (Tim Curry's) spooky lair of inexhaustible oddities, just in time to partake in the out-of-this-world mad scientist's proud unveiling of his latest, delightfully extravagant, most daring creation: the ultimate male and the perfect sex symbol: the flaxen-haired Rocky Horror (Peter Hinwood). But, little by little, as the effervescent transgressive force gobbles up whole the unsuspecting visitors of the night, Brad and Janet slowly begin to embrace the potent fascinations of seduction, while an idolized Rocky roams free in the mansion. Who can interrupt man's union with the absolute pleasure?

As a child, Evan Treborn was afflicted with blackouts where he would be in one place one minute and then another the next, remembering absolutely nothing in-between. Now all grown up and in college, he decides to read from an old journal he wrote to remember stuff that might have happened in the in-between, and suddenly finds himself back at a certain point in his life. He realizes that those blackouts he had were actually empty spaces of time he had to fill up later in life. Attempting to use this ability to undo unpleasant past events, Evan starts to find that every time he goes back and tries to fix things, he ends up making everything worse. How can he prevent more tragedies from happening and save the one girl he ever loved, Kayleigh (Amy Smart)?

2004 film directed by Eric Bress and J. Mackye Gruber

In the distant future, Evey Hammond is an average citizen of the United Kingdom, which is under the rule of the fascist and tyrannical Norsefire Party. She is an employee of the state-run British Television Network, but soon, she becomes the number one enemy of the state together with an enigmatic and larger-than-life freedom fighter known only by the letter "V". V informs Evey that she must hide in his underground lair for at least one year, and while she is reluctant to the idea at first, a bond soon forms between the two individuals. In the meanwhile, the mysterious past of V is gradually revealed to the police inspector tasked with capturing him, Eric Finch, and it is not long until he starts questioning everything his government stands for.

Much to his surprise, timid Joel Barish is shocked to discover that the love of his life, sparky Clementine, has had him erased from her memory. To pay her back in the same coin, poor Joel summons up the courage to undergo a painless but intricate medical procedure to do the same, utterly unaware that darkness is an essential part of the light. Now, as hurt and angry Joel's ugly recollections of Clementine gradually fade away, giving way to a soulless black void, suddenly, he begins having second thoughts, toying with the idea of stopping the irreversible process. In the end, is ignorance really bliss?

Donnie Darko doesn't get along too well with his family, his teachers, and his classmates; but he does manage to find a sympathetic friend in Gretchen, who agrees to date him. He has a compassionate psychiatrist, who discovers hypnosis is the means to unlock hidden secrets. His other companion may not be a true ally. Donnie has a friend named Frank, a large bunny which only Donnie can see. When an engine falls off a plane and destroys his bedroom, Donnie is not there. Both the event, and Donnie's escape, seem to have been caused by supernatural events.

After a gentle alien becomes stranded on Earth, the being is discovered and befriended by a young boy named Elliott. Bringing the extraterrestrial into his suburban California house, Elliott introduces E.T., as the alien is dubbed, to his brother and his little sister, Gertie, and the children decide to keep its existence a secret. Soon, however, E.T. falls ill, resulting in government intervention and a dire situation for both Elliott and the alien.

Jean-Baptiste Grenouille (Ben Whishaw) came into the world unwanted, expected to die, yet born with an unnerving sense of smell that created alienation, as well as talent. Of all of the smells around him, Grenouille is beckoned to the scent of a woman's body, and spends the rest of his life attempting to smell her essence again by becoming a perfumer, and creating the essence of an innocence lost.

Is becoming a woman analogous, in some deep psychological way, to becoming a werewolf? Ginger is 16, edgy, tough, and, with her younger sister, into staging and photographing scenes of death. They've made a pact about dying together. In early October, on the night she has her first period, which is also the night of a full moon, a werewolf bites Ginger. Within a few days, some serious changes happen to her body and her temperament. Her sister Brigitte, 15, tries to find a cure with the help of Sam, a local doper. As Brigitte races against the clock, Halloween and another full moon approach, Ginger gets scarier, and it isn't just local dogs that begin to die.

On the peaceful planet Druidia, King Roland attempts to marry his daughter Princess Vespa to Prince Valium, but Vespa and her loyal droid Dot Matrix escape during her wedding. After wasting the fresh air on the distant planet Spaceball, the good-for-nothing President Skroob orders the archvillain henchman Dark Helmet to kidnap Princess Vespa to force King Roland to provide them with the code to Druidia's atmosphere. Under those circumstances, the seasoned mercenary Lone Starr and his trusty half-human, half-canine sidekick Barf will attempt to save the Princess in distress, while at the same time, the ruthless loan-shark Pizza the Hutt is after them. But in the end, only he who can harness the mystical and mighty force known only as "The Schwartz" will be able to save the day.

1987 American science fiction parody movie directed by Mel Brooks

In 1944 Falangist Spain, a girl, fascinated with fairy-tales, is sent along with her pregnant mother to live with her new stepfather, a ruthless captain of the Spanish army. During the night, she meets a fairy who takes her to an old faun in the center of the labyrinth. He tells her she's a princess, but must prove her royalty by surviving three gruesome tasks. If she fails, she will never prove herself to be the true princess and will never see her real father, the king, again.

American singer, songwriter, author, and television personality

"In every generation there is a chosen one... she alone will stand against the vampires, the demons and the forces of darkness. She is the slayer." Buffy Summers knows this tale by heart, and no matter how hard she tries to be just a "normal girl", she can not escape from her destiny... Thankfully, she is not alone in her quest to save the world, as she has the help of her friends, the hilarious (and surprisingly quite effective) evil-fighting team called "The Scooby Gang". Together, Buffy & co. will slay their demons, survive one apocalypse after another, attend high school and college... and above all, understand that growing up can truly be Hell sometimes... literally.

1997 American supernatural drama TV series

A scrawny, 11-year-old chicken named Chicken reluctantly watches out for his beefy "little" sister, a 7-year-old cow named Cow. The unconventional offspring of two human parents, the two young animals navigate their way through suburbia, encountering problems not only at school, but with the devilish schemes of the Red Guy, a crimson-colored antagonist of many guises whose singular intent is to make the siblings' lives miserable. If the character design and offbeat humor of "Cow and Chicken" cause viewers to recall "

Naota is a normal student living with his abnormal father and grandfather. One day, a seemingly insane girl named Haruko blazes in from out of nowhere on her Vespa, wielding an electric guitar with a buzzsaw! Haruko moves in with Naota under the pretense of being a housekeeper, but Naota knows there's something obviously strange about her. To make matters worse, large shapes are growing out of his head, hatching into large monsters that Haruko makes her mission to kill. Who is Haruko really, and what is she after? You won't find out until the end of this bizarre story.

Taking place 70 years after the events of "Avatar: The Last Airbender," this story follows the adventures of the Avatar after Aang - a passionate, rebellious, and fearless teenage girl from the Southern Water Tribe named Korra. With three of the four elements under her belt (Earth, Water, and Fire), Korra seeks to master the final element, Air. Her quest leads her to the epicenter of the modern "Avatar" world, Republic City - a metropolis that is fueled by steampunk technology. It is a virtual melting pot where benders and non-benders from all nations live and thrive. However, Korra discovers that Republic City is plagued by crime as well as a growing anti-bending revolution that threatens to rip it apart. Under the tutelage of Aang's son, Tenzin, Korra begins her airbending training while dealing with the dangers at large.

The world is divided into four elemental nations: The Northern and Southern Water Tribes, the Earth Kingdom, the Fire Nation, and the Air Nomads. The Avatar upholds the balance between the nations, but everything changed when the Fire Nation invaded. Only the Avatar, master of all four elements, can stop them. But when the world needs him most, he vanishes. A hundred years later Katara and Sokka discover the new Avatar, an airbender named Aang. Together they must help Aang master the elements and save the world.

Eric Forman is a typical high school student growing up in Wisconsin in 1976 with his family and his friends. Together, they have the same kind of joys and sorrows that just about every teenager has while growing up. This show parodied many of the attitudes, events and fads of the 70s, along with those who grew up at the time.

The Doctor, a Time Lord from the race whose home planet is Gallifrey, travels through time and space in their ship the TARDIS (an acronym for Time and Relative Dimension In Space) with numerous companions. From time to time, the Doctor regenerates into a new form.

In each pulse-racing "Fear Factor" episode, contestants (sometimes solo, often paired with spouses, siblings or best friends) recruited from across the nation must decide if they have the guts and determination to face their most primal fears. Under the supervision of professional Hollywood stunt coordinators, contestants are confronted with a series of challenging stunts. If they complete their task they advance; if fear stops them from completing a stunt or they fail the mission, they are immediately eliminated. The contestant who wins the final challenge takes home the prize.

American reality television series on NBC and MTV

Nathaniel Fisher, his wife Ruth, and their children David and Claire run a small funeral business that offers the best care to be found anywhere close by. Prodigal son Nate Jr. arrives home for Christmas just as his father is killed by a bus, and has to stick around when he and David are willed the funeral service together. How does a family who helps others deal with grief deal with its own?

Follows the journeys of multiple characters over one term in an average Australian high school. Starring writer and performer Chris Lilley, the series documents the daily lives of teachers, students and staff. The characters take us through the seemingly huge traumas of friendship, staff politics, schoolwork and relationships that are the fabric of life in the school universe.

The Golden Girls is based on the lives and interactions of four older women who have all been divorced/widowed, and are now roommates. Dorothy's main goal during the series is to find a companion she can relate to while her mother Sophia adds her comical outlook and frequent "Picture This" stories. Rose's St. Olaf-ness makes her a little corny but lovable. One thing that changes nearly every episode is whom Blanche is courting.

In this series, a new generation of Looney Toon characters study at Acme Acres Looniversity under the instruction of the original characters. The leading characters are Buster and Babs Bunny (no relation) who, with their classmates, have a variety of adventures that are a mix of original stories, movie and television parodies, and modern remakes of classic Warner Brothers shorts.

Two best friends, Kenny Hotz and Spencer Rice, face each other in various competitions. At the end of each episode, the loser gets humiliated.

Ensemble cast of off-the-wall Warner Brothers characters, appearing in a wide variety of roles. Mainly staring the Warner Siblings Wakko, Yakko, and Dot, who were created by the WB Studios but found they were just too "zany" to be of any use to the studio. Other popular characters in the series include: Pinky and the Brain, two lab mice bent on world domination. Rita and Runt, a cat and dog team who get into perilous situations every episode but always seem to find time to sing a song, Bobby, Pesto, and Squit, the Goodfeathers, part of a New York City mob of pigeons, who take orders from The Godpigeon and worship

Dexter is a Boy Genius Who has a secret lab in his room his Mom and Dad don't know about it, but his older sister Dee Dee Does and they go on wacky (yet Sci-fi) Capers

American comic science fiction animated television series

Johnny Bravo (Jeff Bennett) is a blond egomaniac who just loves pretty women. With spoofs of Schoolhouse Rock! (1973), The Twilight Zone (1959), and other television shows and movies, Johnny Bravo, along with his mother Bunny (Brenda Vaccaro) and his cute neighbor Suzy (Mae Whitman), Johnny learns more about life - the hard way.

When their parents have another litter, the Norbert (the smart one) and Daggett (the stupid one) Beaver have to strike out on their own. Their new home on a lake in middle of the forest seems to be the scene of most every odd occurrence imaginable. The two beavers have to deal with wacko government scientists, 100-foot walking splinters, super-long teeth, a fish so big it can swallow a Swede, a giant cricket, the dreaded stinky toe, evil mind-controlling pond scum, a Swamp Witch, zombies, Mexican wrestlers, lying documentary-film makers, a stupidity potion, a big fat hairy naked Canadian, and a too-friendly robot, along with many other problems. In the midst of all this, Norb and Dag satisfy their love of Grade-Z 50's sci-fi, hot peppers, Yoo-hoo, and, of course, wood.

American animated television series from 1997–2001

The Amanda Show is another series that was spun off of "All That" for another of its breakout stars. It's a skit show with some of the characteristics of "All That" but with different characters. On this show there are characters such as Judge Trudy, a rip off of Judge Judy; Penelope Taynt, Amanda's #1 Fan (who is played by her); and others such as The Liberals.

A combination sketch comedy/musical performance show in the tradition of "Saturday Night Live," this program starred a teenage cast and was targeted at younger viewers. The show featured a number of repeating characters, including Baggin' Saggin' Barry, Super Dude, and the misfit fast food employees of Good Burger, which spawned a movie of the same name.

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