Elena Rainn

Zach P

Kyrsten Iris

Fede Bonino

_ eshago@uw.edu

Watashi Wa Jigabudesu

Karl Halmos-Westram

lonely loser

Ljsly Bernard

Miguel Barreto Carrillo

Leonel González

Tim M

people are not good to each other.perhaps if they wereour deaths would not be so sad.Love him or hate him, Charles Bukowski was a bitter, drunken asshole with a gift for putting onto paper all the ugliness and baseness hiding in the human heart. Before jumping into the discovery and thoughts that are the inspiration for this ramble about the dirty old writer, a few moments should be spent on the actual poetry found in this volume. I’ve always enjoyed the earlier Bukowski, before he became too jaded and bitter and let a few really tender moments flower within all the crassness. Love, and more specifically the failures and loss of it, are the heart of this collection. All through the poems here are allusions to the ‘red haired woman’, whom Bukowski shows a deep regret in loosing. Much of the crassness feels reactionary to this loss of love as Bukowski documents a spiral into dirty, drunken debauchery and madness as a method of hardening the heart against such pains. Love is replaced with lust to erase loneliness, yet, ironically, it only instills further self-hatred and builds towards a crippling loneliness.\
  there is always one womanto save you from anotherand as that woman saves youshe makes ready todestroy.\
Bukowski is that drunk asshole always diving to the bottom of a glass, keeping shallow relationships and never trusting women. He is, at best, a rude misogynist, but under the layers of dysphemism, we see a heart drowning in sorrow (and booze). There is still some charm though, he is often humorous in his crassness, and there are moments where he truly shows remorse for the terrible manner in which human beings treat one another. He  did not really like people, probably a lot of that having to do with his fear of being hurt by others. His poetry is rather simple, nothing complex to pick apart, and very rarely uses many poetic devices, but that is what makes it so powerful. It cuts right to the heart. He often describes the writing process as pounding the keys like a prizefighter, and often refers to his typewriter as his 'piano' (Bukowski was a huge fan of classical music, especially Brahms, and compares music and writing often).This collection contains a poem that not only introduced me to Knut Hamsun (who is now one of my favorite authors), but I’ve always kept in mind as a darkly comical motivation for being a writer:How to be a Good Writeryou've got to fuck a great many womenbeautiful womenand write a few decent love poems. and don't worry about ageand/or freshly-arrived talents. just drink more beermore and more beer and attend the racetrack at least once a week and winif possible learning to win is hard -any slob can be a good loser. and don't forget your Brahmsand your Bach and yourbeer. don't overexercise. sleep until moon. avoid paying credit cardsor paying for anything ontime. remember that there isn't a piece of assin this world over $50(in 1977). and if you have the ability to lovelove yourself firstbut always be aware of the possibility oftotal defeatwhether the reason for that defeatseems right or wrong - an early taste of death is not necessarilya bad thing. stay out of churches and bars and museums, and like the spider bepatient -time is everybody's cross, plusexiledefeat treachery all that dross. stay with the beer. beer is continuous blood. a continuous lover. get a large typewriterand as the footsteps go up and downoutside your window hit that thinghit it hard make it a heavyweight fight make it the bull when he first charges in and remember the old dogswho fought so well: Hemingway, Celine, Dostoevsky, Hamsun. If you think they didn't go crazyin tiny roomsjust like you're doing now without womenwithout foodwithout hope then you're not ready. drink more beer. there's time. and if there's notthat's all righttoo. While looking to find more references to Hamsun in this collection, I noticed that within the margins, my own handwriting was mixed with that of another’s. It turns out that one of my closest friends, a friend I have not seen in years and have been separated from by the circumstances of life that separate even the closest of people, had gone through this book and left me all sorts of comments for me to think about, as well as comment upon my own reaction. It was like having a conversation across 3 years time with an old friend, the type of friend that is more like a brother. The power of language and writing seemed more important than ever suddenly, as it is a tool tying people together across space and time. This particular collection couldn’t be more fitting to find these notes written years earlier (I have a few other books where we both wrote notes to each other, such as Thus Spoke Zarathustra which we were both reading at the same time while he was our ‘guy on couch’ at an old apartment), both with Bukowski’s discussions of loneliness, but as it was indicative of my current state at that time. A few years ago was a bit of a darker period where the group of us had close ties and stayed rather under the radar of society. I would go to class, return to our apartment and we would spend all our time playing music, drinking and discussing film and books. This was a bitter period, as I had been in that post-heartbreak stage where the world seems ugly and, like Bukowski, just wanted to revel in my bitterness for awhile. Finding these notes brings back only the happy memories of those times and makes you realize that the loss of someone you loved as a brother is far more important to you than the loss of any former lover, and these are the people you miss most down the line in the birth pangs of some lonely, introspective morning. This all reminds me very much of the Savage Detectives and that sadness of people spreading out across the map as friendships rust and wash away in the changing tides. What struck me most was his notes about the sadness that permeates this collection. In one margin is written: ‘Bukowski seems genuinely troubled/depressed by the imagery of failed relationships and their aftermath – the failings of love and the intended + unintended ways we hurt one another’. That more or less sums this book up. I also enjoyed moments where he circled lines such as ‘oh brothers, we are the sickest and lowest of the breed’, which summed up that summer we all spent together in our tiny, dirty Ypsilanti apartment. He was also kind enough to highlight every mention of the ‘redhead’ and string together the story that is told through fragments.Enough of that emotional reflection though, nobody likes that sort of stuff. Which leads me to a quote from Neil Young (my favorite, and it pains me to be referencing such an obvious song instead of some lesser-known greater one) that ‘every junky is like a setting sun’. They are on their way out, difficult, if not painful, to look right at, yet beautiful. Bukowski fits this bill, as his life and works are painful to watch, but there is some beauty in there. Also like a setting sun, people like this aren’t something you can hang around long or you will get hurt (or loose your vision if you stare at the sun too long!). This is a messy metaphor, but I swear it’s going somewhere. Poems like those of Bukowski, or people who fit this bill such as drinking buddies, are good for certain times and places, however, you can’t linger there. When you are feeling dirty and ugly and crass, Bukowski is wonderful fun. Works like his are empowering at those times because you can relate and laugh along with, and, primarily, because it is reassuring to see that others with this same ugliness are able to create something beautiful. Once you’ve had your fill though, the time comes to move forward, as this sort of ugliness can only lead to more ugliness and eventually it will fill you and drag you down with it. These types of works are very reactionary, only as a venomous bite toward what hurts you and not a truly constructive method of moving on. The mid to late 2000s was full of this sort of behavior, look at the emo culture, where people wanted to express their disdain for the world around them (the emo culture did it with more self loathing and tears, whereas something like Bukowski is more about pushing someone away through acting depraved and hard when you actually truly want them to get close to you). However, we can’t always be angry and we have to move on, get over our problems, or they win. They become us. We can’t be simply made up of only our failures and sadness, we must learn to deal with them, get past them, and win by being stronger than our problems. I tend to rag on Chuck Palahniuk a lot, but he really fits this idea for me, and if I can quickly explain it, perhaps I won’t have to keep using him as an example anymore. His works were very popular in the era mentioned above (okay, I know Bukowski wasn’t writing then, but this has transcended Bukowski’s works into a discussion about getting over problems), because they were a gripe against social forces. Chuck P. took hold of many adolescents through writing stories with adults who are characterized like angsty teenagers. They view the world and societal constructs as threatening, as something holding them down, and turn to nihilism to deal with that. However, nihilism will only negate things, it won’t transcend them. I lost interest in Palahniuk once I realized that he would never offer a true solution to the problems he imposes on his characters (as well as simply recycling characters and techniques, but that is a different discussion). I couldn’t wallow in his cynicism and darkness any longer, and turned to bigger, better and brighter authors. I have never looked back. Yet, I can’t condemn him entirely, because he fit my 17 year old needs for awhile. I enjoyed Fight Club at the time, Choke made me laugh, and sometimes it is good to wallow in the ugliness. But stay to long and the pity-party, because that is all it really is, becomes sad and pathetic.All in all, I’m glad I’ve read Bukowski, but I feel like my life has taken me places where his opinions no longer really reach me. I can’t wallow in that sadness, and I find his lusts rather creepy and his woman-bashing rather offensive. However, that is exactly what he was striving for. Still, those moments of beauty are worth coming back for, and I can’t express enough how cool it was to find the notes from my friend. Mostly, being able to reminisce about those days of stupid, wild youth is what really holds my heart.3.5/5Okay, and this poem, Dinosauria, We is great (although not from this collection)

Nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.Like the Skin Horse, Margery Williams understood how toys—and people—become real through the wisdom and experience of love. This reissue of a favorite classic, with the original story and illustrations as they first appeared in 1922, will work its magic for all who read it.

By P.L. Travers, the author featured in the major motion picture, Saving Mr. Banks. From the moment Mary Poppins arrives at Number Seventeen Cherry-Tree Lane, everyday life at the Banks house is forever changed. It all starts when Mary Poppins is blown by the east wind onto the doorstep of the Banks house. She becomes a most unusual nanny to Jane, Michael, and the twins. Who else but Mary Poppins can slide up banisters, pull an entire armchair out of an empty carpetbag, and make a dose of medicine taste like delicious lime-juice cordial? A day with Mary Poppins is a day of magic and make-believe come to life!

A brave mouse, a covetous rat, a wishful serving girl, and a princess named Pea come together in Kate DiCamillo's Newbery Medal–winning tale.Welcome to the story of Despereaux Tilling, a mouse who is in love with music, stories, and a princess named Pea. It is also the story of a rat called Roscuro, who lives in the darkness and covets a world filled with light. And it is the story of Miggery Sow, a slow-witted serving girl who harbors a simple, impossible wish. These three characters are about to embark on a journey that will lead them down into a horrible dungeon, up into a glittering castle, and, ultimately, into each other's lives. What happens then? As Kate DiCamillo would say: Reader, it is your destiny to find out.

Haunted is a novel made up of stories: twenty-three of the most horrifying, hilarious, mind-blowing, stomach-churning tales you'll ever encounter.The stories are told by people who have all answered an ad headlined 'Artists Retreat: Abandon your life for three months'. They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theater where they are utterly isolated from the outside world - and where heat and power and, most importantly, food are in increasingly short supply. And the more desperate the circumstances become, the more desperate the stories they tell - and the more devious their machinations to make themselves the hero of the inevitable play/movie/non-fiction blockbuster that will certainly be made from their plight.

When Jack Kerouac’s On the Road first appeared in 1957, readers instantly felt the beat of a new literary rhythm. A fictionalised account of his own journeys across America with his friend Neal Cassady, Kerouac’s beatnik odyssey captured the soul of a generation and changed the landscape of American fiction for ever.Influenced by Jack London and Thomas Wolfe, Kerouac always wanted to be a writer, but his true voice only emerged when he wrote about his own experiences in On the Road. Leaving a broken marriage behind him, Sal Paradise (Kerouac) joins Dean Moriarty (Cassady), a tearaway and former reform school boy, on a series of journeys that takes them from New York to San Francisco, then south to Mexico. Hitching rides and boarding buses, they enter a world of hobos and drifters, fruit-pickers and migrant families, small towns and wide horizons. Adrift from conventional society, they experience America in the raw: a place where living is hard, but ‘life is holy and every moment is precious’.With its smoky, jazz-filled atmosphere and its restless, yearning spirit of adventure, On the Road left its mark on the culture of the late 20th century, influencing countless books, films and songs. Kerouac’s prose is remarkable both for its colloquial swing and for the pure lyricism inspired by the American landscape – ‘the backroads, the black-tar roads that curve among the mournful rivers like Susquehanna, Monongahela, old Potomac and Monocacy’. This Folio Society edition is illustrated with evocative photographs of Kerouac and the landscapes of 1950s America. Now acknowledged as a modern classic, On the Road remains a thrilling and poignant story of the road less travelled.

Biocentrism shocked the world with a radical rethinking of the nature of reality.But that was just the beginning. In Beyond Biocentrism, acclaimed biologist Robert Lanza, one of TIME Magazine’s "100 Most Influential People in 2014," and leading astronomer Bob Berman, take the reader on an intellectual thrill-ride as they re-examine everything we thought we knew about life, death, the universe, and the nature of reality itself.The first step is acknowledging that our existing model of reality is looking increasingly creaky in the face of recent scientific discoveries. Science tells us with some precision that the universe is 26.8 percent dark matter, 68.3 percent dark energy, and only 4.9 percent ordinary matter, but must confess that it doesn’t really know what dark matter is and knows even less about dark energy. Science is increasingly pointing toward an infinite universe but has no ability to explain what that really means. Concepts such as time, space, and even causality are increasingly being demonstrated as meaningless.All of science is based on information passing through our consciousness but science hasn’t the foggiest idea what consciousness is, and it can’t explain the linkage between subatomic states and observation by conscious observers. Science describes life as an random occurrence in a dead universe but has no real understanding of how life began or why the universe appears to be exquisitely designed for the emergence of life.The biocentrism theory isn’t a rejection of science. Quite the opposite. Biocentrism challenges us to fully accept the implications of the latest scientific findings in fields ranging from plant biology and cosmology to quantum entanglement and consciousness.By listening to what the science is telling us, it becomes increasingly clear that life and consciousness are fundamental to any true understanding of the universe. This forces a fundamental rethinking of everything we thought we knew about life, death, and our place in the universe.

Robert Lanza is one of the most respected scientists in the world—a US News &amp; World Report cover story called him a "genius" and a "renegade thinker," even likening him to Einstein. Lanza has teamed with Bob Berman, the most widely read astronomer in the world, to produce Biocentrism, a revolutionary new view of the universe.Every now and then a simple yet radical idea shakes the very foundations of knowledge. The startling discovery that the world was not flat challenged and ultimately changed the way people perceived themselves and their relationship with the world. For most humans of the 15th century, the notion of Earth as ball of rock was nonsense. The whole of Western, natural philosophy is undergoing a sea change again, increasingly being forced upon us by the experimental findings of quantum theory, and at the same time, towards doubt and uncertainty in the physical explanations of the universe’s genesis and structure. Biocentrism completes this shift in worldview, turning the planet upside down again with the revolutionary view that life creates the universe instead of the other way around.In this paradigm, life is not an accidental byproduct of the laws of physics. Biocentrism takes the reader on a seemingly improbable but ultimately inescapable journey through a foreign universe—our own—from the viewpoints of an acclaimed biologist and a leading astronomer. Switching perspective from physics to biology unlocks the cages in which Western science has unwittingly managed to confine itself. Biocentrism will shatter the reader’s ideas of life—time and space, and even death. At the same time it will release us from the dull worldview of life being merely the activity of an admixture of carbon and a few other elements; it suggests the exhilarating possibility that life is fundamentally immortal.The 21st century is predicted to be the Century of Biology, a shift from the previous century dominated by physics. It seems fitting, then, to begin the century by turning the universe outside-in and unifying the foundations of science with a simple idea discovered by one of the leading life-scientists of our age. Biocentrism awakens in readers a new sense of possibility, and is full of so many shocking new perspectives that the reader will never see reality the same way again.

¿Hay otras dimensiones más allá de las de nuestra experiencia cotidiana? ¿Hay puertas de acceso a universos paralelos? ¿Qué sucedió antes del primer día de la Creación? Este tipo de cuestiones están en el centro de la actividad científica actual. En efecto, muchos físicos creen hoy que existen otras dimensiones más allá de las cuatro de nuestro espacio-tiempo, y que puede alcanzarse una visión unificada de las diversas fuerzas de la naturaleza, si consideramos que todo lo que vemos a nuestro alrededor, desde los árboles hasta las estrellas, no son sino vibraciones en el hiperespacio. La teoría del hiperespacio -y su derivación más reciente, la teoría de supercuerdas- es el ojo de esta revolución. En este libro, Michio Kaku nos muestra un panorama fascinante, que cambia por completo nuestra visión del cosmos, y nos lleva a un deslumbrante viaje por nuevas dimensiones: agujeros de gusano que conectan universos paralelos, máquinas del tiempo, «universos bebé» y otras maravillas semejantes van surgiendo en unas páginas en las que todo se explica con una elegante sencillez y donde la formulación matemática es reemplazada por imaginativas ilustraciones que permiten visualizar los problemas. El resultado es un libro muy ameno y sorprendente, que incluso deja atrás las mayores fantasías de los viejos autores de ciencia ficción.

An accesible version of Einstein's masterpiece of theory, written by the genius himselfAccording to Einstein himself, this book is intended "to give an exact insight into the theory of Relativity to those readers who, from a general scientific and philosophical point of view, are interested in the theory, but who are not conversant with the mathematical apparatus of theoretical physics." When he wrote the book in 1916, Einstein's name was scarcely known outside the physics institutes. Having just completed his masterpiece, The General Theory of Relativity—which provided a brand-new theory of gravity and promised a new perspective on the cosmos as a whole—he set out at once to share his excitement with as wide a public as possible in this popular and accessible book.Here published for the first time as a Penguin Classic, this edition of Relativity features a new introduction by bestselling science author Nigel Calder.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

From the authors of the New York Times bestselling novel Welcome to Night Vale and the creators of the #1 international podcast of the same name, comes a collection of episodes from Season Two of their hit podcast, featuring a foreword by the authors, behind-the-scenes commentary, and original illustrations.In June of 2012, the creators of Welcome to Night Vale began airing twice-weekly podcasts, hoping to be heard by anyone outside their close circles. By the anniversary show a year later, the fanbase had exploded, vaulting the podcast into the #1 spot on iTunes. Since then, its popularity has grown by epic proportions, hitting more than 100 million downloads, and Night Vale has expanded to a successful live multi-cast international touring stage show and a New York Times bestselling novel. Now the first two seasons are available as books, offering an entertaining reading experience and a valuable reference guide to past episodes.In The Great Glowing Coils of the Universe we witness a totalitarian takeover of Night Vale that threatens to forever change the town and everyone living in it.The Great Glowing Coils of the Universe features a foreword by co-writer Jeffrey Cranor, behind-the-scenes commentary and guest introductions by performers from the podcast and notable fans, including Cecil Baldwin (Cecil), Mara Wilson (The Faceless Old Woman), Hal Lublin (Steve Carlsberg) among others. Also included is the full script from the Welcome to Night Vale live show, The Debate.  Beautiful illustrations by series artist Jessica Hayworth accompany each episode.The Great Glowing Coils of the Universe is an absolute must-have whether you’re a fan of the podcast or discovering for the first time the wonderful world of Night Vale. 

From the creators of the wildly popular Welcome to Night Vale podcast comes an imaginative mystery of appearances and disappearances that is also a poignant look at the ways in which we all struggle to find ourselves...no matter where we live.Located in a nameless desert somewhere in the great American Southwest, Night Vale is a small town where ghosts, angels, aliens, and government conspiracies are all commonplace parts of everyday life. It is here that the lives of two women, with two mysteries, will converge.Nineteen-year-old Night Vale pawn shop owner Jackie Fierro is given a paper marked "King City" by a mysterious man in a tan jacket holding a deer skin suitcase. Everything about him and his paper unsettles her, especially the fact that she can't seem to get the paper to leave her hand, and that no one who meets this man can remember anything about him. Jackie is determined to uncover the mystery of King City and the man in the tan jacket before she herself unravels.Night Vale PTA treasurer Diane Crayton's son, Josh, is moody and also a shape shifter. And lately Diane's started to see her son's father everywhere she goes, looking the same as the day he left years earlier, when they were both teenagers. Josh, looking different every time Diane sees him, shows a stronger and stronger interest in his estranged father, leading to a disaster Diane can see coming, even as she is helpless to prevent it.Diane's search to reconnect with her son and Jackie's search for her former routine life collide as they find themselves coming back to two words: "King City". It is King City that holds the key to both of their mysteries, and their futures...if they can ever find it.

Is death the end . . . or only the beginning?Ethan Wate has spent most of his life longing to escape the stiflingly small Southern town of Gatlin. He never thought he would meet the girl of his dreams, Lena Duchannes, who unveiled a secretive, powerful, and cursed side of Gatlin, hidden in plain sight. And he never could have expected that he would be forced to leave behind everyone and everything he cares about. So when Ethan awakes after the chilling events of the Eighteenth Moon, he has only one goal: to find a way to return to Lena and the ones he loves.Back in Gatlin, Lena is making her own bargains for Ethan's return, vowing to do whatever it takes -- even if that means trusting old enemies or risking the lives of the family and friends Ethan left to protect.Worlds apart, Ethan and Lena must once again work together to rewrite their fate, in this stunning finale to the Beautiful Creatures series.

2012 novel by Kami Garcia and Margaret Stohl

Ethan Wate thought he was getting used to the strange, impossible events happening in Gatlin, his small Southern town. But now that Ethan and Lena have returned home, strange and impossible have taken on new meanings. Swarms of locusts, record-breaking heat, and devastating storms ravage Gatlin as Ethan and Lena struggle to understand the impact of Lena's Claiming. Even Lena's family of powerful Supernaturals is affected - and their abilities begin to dangerously misfire. As time passes, one question becomes clear: What — or who — will need to be sacrificed to save Gatlin?For Ethan, the chaos is a frightening but welcome distraction. He's being haunted in his dreams again, but this time it isn't by Lena - and whatever is haunting him is following him out of his dreams and into his everyday life. Even worse, Ethan is gradually losing pieces of himself — forgetting names, phone numbers, even memories. He doesn't know why, and most days he's too afraid to ask.Sometimes there isn't just one answer or one choice. Sometimes there's no going back. And this time there won't be a happy ending.

2011 novel by Kami Garcia and Margaret Stohl

Lena Duchannes is unlike anyone the small Southern town of Gatlin has ever seen, and she's struggling to conceal her power, and a curse that has haunted her family for generations. But even within the overgrown gardens, murky swamps and crumbling graveyards of the forgotten South, a secret cannot stay hidden forever.Ethan Wate, who has been counting the months until he can escape from Gatlin, is haunted by dreams of a beautiful girl he has never met. When Lena moves into the town's oldest and most infamous plantation, Ethan is inexplicably drawn to her and determined to uncover the connection between them.In a town with no surprises, one secret could change everything.

2009 novel by Kami Garcia and Margaret Stohl

In the sequel to the immensely popular Donkey Kong Country, Diddy Kong gets the spotlight, along with his girlfriend, Dixie Kong--a great little monkey with a d...

GoNNER is a tough as hell procedurally-generated 2D platformer with roguelike elements, following the largely misunderstood and altruistic Ikk on a journey to c...

Felix works at The Ministry of Death and is in love with Betty The Maiden from The Ministry of Life. He believes that going to the human world as a field reaper...

Brawlhalla is a 2D platform fighter and 100% Free to Play. An eternal battle arena where the greatest Legends ever brawl to prove who is the best that ever was,...

Borderlands 2 advances the distinct blending of FPS and role-playing genres to create an evolution of the Role Playing Shooter. Team up with up to 3 other playe...

Obsessed with the idea of overcoming the obstacle of death and determined to vindicate himself by backing up his theory, the ambitious medical student, Herbert West, arrives in New England, after the horrific incident at the Institute of Medicine in Switzerland. Before long, Herbert will pick up where he left off--at first, experimenting with dead feline tissue, and then, with fresh human cadavers--talking his sceptic roommate, Dan Cain, into joining his audacious project. Inevitably, as the two young scientists burrow deeper and deeper into uncharted territories, the campus will start brimming with West's reanimated corpses, catching the eye of his arch-nemesis, Dr Hill, who yearns to take credit for this astounding discovery. The dead will rise again, even with a bit of help; however, can the young re-animator harness the power of his phosphorescent green reagent?

One misty morning, Liz Dunn stumbles down the road to her school and screams for help. A police psychologist gets her to reveal her story: A month earlier: three rebellious teenagers - Mike, Frankie and Geoff are trying to ditch the school field trip to Wales. The school nerd Martin helps them out by allowing them to stay in an old war bunker for the three days on the condition that his friend Liz joins them. The teens go down, party and have great fun but Martin doesn't return to let them out and they hope and pray that someone will find them...

After his death sometime in his 43rd year, suburbanite Lester Burnham tells of the last few weeks of his life, during which he had no idea of his imminent passing. He is a husband to real estate agent Carolyn Burnham and father to high school student Jane Burnham. Although Lester and Carolyn once loved each other, they now merely tolerate each other. Typical wallflower Jane also hates both her parents; the three suffer individually in silence in their home life. Jane tries to steer clear of both her parents. Carolyn, relatively new to the real estate business, wants to create the persona of success to further her career, aspiring to the professional life of Buddy Kane, the king of the real estate business in their neighborhood. Lester merely walks mindlessly through life, including at his job in advertising. His company is downsizing, and he, like all the other employees, has to justify his position to the newly hired efficiency expert to keep his job. Things change for Lester when he falls in love at first sight with Jane's more experienced classmate, Angela Hayes. Both Janie and Angela can see Lester's sexual infatuation with Angela, who courts such attention from any man as a sign that she is model material, she having once appeared in Seventeen and is a career to which she aspires. Lester's infatuation with Angela gives him a reenergized view on life, where he openly doesn't care anymore what anyone thinks about what he does, anyone except Angela. This infatuation coincides with the Fittses moving in next door: homophobic disciplinarian US Marine Colonel Frank Fitts who rules the house with a military fist (that fist being both figurative and literal), his semi-comatose wife Barbara Fitts, and their bright and quietly subversive 18-year-old son Ricky Fitts, who openly abides by his father's rules while behind the scenes lives by his own quite different perspective. Much like Lester's infatuation, Ricky immediately becomes infatuated with Jane; he considers girls like Angela as ordinary. The entry of Angela and the Fittses into the Burnhams' lives ultimately leads to each of the players confronting what is truly in his or her heart.

Jumanji, one of the most unique--and dangerous--board games ever, falls into the hands of the curious teen, Alan Parrish, in 1969. Mysterious and magical, the game strands the unsuspecting boy in the lush, savage forests of a mythical realm. Nearly three decades later, the game releases him before the awed eyes of the young orphaned siblings, Judy and Peter Shepherd. Now, the wild and incessant beat of the jungle's tribal drums is calling for the now-adult Alan and the other hesitant players, as the one who rolls the dice must never leave undone what the roll has started. Has anyone ever escaped from the game and Jumanji's formidable foes?

Jacob Singer is trying to make sense of his fractured life and memories. Plagued by hallucinations, flashbacks, and conspiracies, he struggles down a path to enlightenment from these manic strains. With nothing but support from friends and loved ones will he be able to push through the haze of his PTSD.

In this comedy, Lars Lindstrom is an awkwardly shy young man in a small northern town who finally brings home the girl of his dreams to his brother and sister-in-law's home. The only problem is that she's not real - she's a sex doll Lars ordered off the Internet. But sex is not what Lars has in mind, but rather a deep, meaningful relationship. His sister-in-law is worried for him, his brother thinks he's nuts, but eventually the entire town goes along with his delusion in support of this sweet natured boy that they've always loved.

Grey's a stay-at-home mechanic, whose wife is Asha. One day, Grey asks Asha to help him return a car to his client. Whilst Grey and Asha's self-driving car malfunctions, it crashes. Grey watches helplessly as Asha bleeds to death next to him. Grey returns home - a widowed quadriplegic, under the care of his mother. His wife's death and the inability of police to identify their attackers cause him to sink into a depression. After a suicide attempt, he's offered to have high tech chip implanted - enabling him to walk. Though initially hesitant, he's persuaded to have the surgery.

It is the year 2029. Technology has advanced so far that cyborgs are commonplace. In addition, human brains can connect to the internet directly. Major Motoko Kusanagi is an officer in Section 9, an elite, secretive police division that deals with special operations, including counter terrorism and cyber crime. She is currently on the trail of the Puppet Master, a cyber criminal who hacks into the brains of cyborgs in order to obtain information and to commit other crimes.

Megan is an all-American girl. She's a cheerleader and has a boyfriend, but she doesn't like kissing him very much, and she's pretty tactile with her cheerleader friends, and she only has pictures of girls up in her locker. Her parents and friends conclude that she *must* be gay and send her off to "sexual redirection" school, full of admittedly homosexual misfits, where she can learn how to be straight. Will Megan be turned around to successful heterosexuality, or will she succumb to her love for the beautiful Graham?

New England, 1630: William and Katherine try to lead a devout Christian life, homesteading on the edge of an impassible wilderness, with five children. When their newborn son mysteriously vanishes and their crops fail, the family begins to turn on one another. 'The Witch' is a chilling portrait of a family unraveling within their own sins, leaving them prey for an inconceivable evil.

An animated fantasy-adventure. Set one thousand years from now, the Earth is ravaged by pollution and war. In the Valley of the Wind lives Nausicaä, Princess of her people. Their land borders on a toxic jungle, filled with dangerous over-sized insects. Meanwhile, two nearby nations are bitterly engaged in a war and the Valley of the Wind is stuck in the middle.

Precocious Oliver struggles with being popular in school but when a dark-haired beauty takes interest in him, he's determined to become the best boyfriend in the world. Meanwhile, his parents' already rocky relationship is threatened when his mother's ex-boyfriend moves in next door. Oliver makes some unorthodox plans to ensure that his parents stay together and that Jordana still likes him.

Despondent over his breakup with Desiree, Zia slashes his wrists and goes to an afterlife peopled by suicides, a high-desert landscape dotted by old tires, burned-out cars, and abandoned sofas. He gets a job in a pizza joint. By chance, Zia learns that Desiree offed herself a few months after he did, and she's looking for him. He sets off with Eugene (an electrocuted Russian rocker) to find her, and they pick up a hitchhiker, Mikal, who's looking for the People in Charge, believing she's there by mistake. They're soon at the camp of Kneller, where casual miracles proliferate. They hear rumors of a miraculous king. Can Zia find Desiree? Then what? Where there's death there's hope.

A man about forty years of age tells the story from when he was a teenager in upscale suburban Detroit of his and three of his friends' fascination with the mysterious and doomed Lisbon sisters. In 1974, the sisters were seventeen year old Therese, sixteen year old Mary, fifteen year old Bonnie, fourteen year old Lux, and thirteen year old Cecilia. Their fascination still remains as they try to piece together the entire story. The sisters were mysteries if only because of having a strict and overprotective upbringing by their father, who taught math at the girls' private co-ed school, and overly devout Catholic mother, who largely dictated the household rules. The story focuses primarily on two incidents and the resulting situations on the girls' lives. The first was an action by Cecilia to deal with her emotions over her life. And the second was the relationship between Lux - the sister who pushed the boundaries of the household rules most overtly in doing what most teenagers want to do - and Trip Fontaine, he who could have any girl he wanted but wanting solely Lux.

1999 American film directed by Sofia Coppola

The Chumscrubber starts out with Troy, a normal teenager who supplies "feel good" pills to everyone in his high school (this way he spreads happiness all around). But when his friend Dean pays him a visit, Dean discovers Troy has hanged himself in his bedroom during one of his mother's pool parties. After the death, three local teens: Billy, Lee, and Crystal, want what's left of Troy's stash of pills and they know that Dean is the only one who knows where they are. But when Dean refuses to get the pills, the three teens kidnap Dean's little brother, until they realize they've kidnapped the wrong kid.

Louise is not very popular at her high school. Then she learns that she's descended from the witches of Salem and has inherited their powers. At first she uses them to get back at the girls and teachers who teased her and to win the heart of the handsome footballer's captain. But soon she has doubts if it's right to 'cheat' her way to popularity.

1989 film by Robyn Lively, Joshua John Miller, Dan Gauthier, Larry Weir

A gangster, a crooked banker, a hit man and an Arab terrorist are stranded and on the run in a small village in South America. Their only chance of escape is to drive two trucks filled with unstable dynamite (leaking nitroglycerin) up a long and rocky mountain road in order to plug an escalating oil refinery blaze. With their deadly cargo likely to explode at the slightest bump, the four men must put aside their differences and work together to survive.

The thief Laurie Ash steals the expensive diamond jewel called 'Eye of the Serpent' in an audacious heist during an exhibition in Cannes 2001 Festival. She double-crosses her partners and is mistakenly taken as Lily, a woman who lost her husband and son in an accident and is missing since then, by an ordinary family. One day, while having bath in Lily's bathtub, Lily comes back home and commits suicide. Laurie assumes definitely Lily's identity, goes to America where she marries a rich man, who becomes the Ambassador of USA in France. When Laurie returns to France, her past haunts her.

The character-driven cartoon chronicles the nautical and often nonsensical adventures of SpongeBob, an incurably optimistic and earnest sea sponge, and his underwater friends. Dwelling a few fathoms beneath the tropical isle of Bikini Atoll in the sub-surface city of Bikini Bottom, SpongeBob lives in a two-story pineapple. Instead of taking the logical approach to everyday challenges, SpongeBob approaches life in a wayward and unconventional way. Whether searching for the ultimate spatula to perfect his burger flipping technique at the Krusty Krab or just hanging out with his best friend Patrick (an amiable starfish), SpongeBob's good intentions and overzealous approach to life usually create chaos in his underwater world.

The FBI teams up with a formerly-institutionalized scientist - who was performing experiments on the fringe of real science - and his son to investigate weird crimes that are seemingly part of a larger pattern, and may be connected with a global company called Massive Dynamic.

American science fiction television series

The series follows the life of anti-social, pain killer addict, witty and arrogant medical doctor Gregory House (Hugh Laurie) with only half a muscle in his right leg. He and his team of medical doctors try to cure complex and rare diseases from very ill ordinary people in the United States of America.

The three Halliwell sisters discover that they are descendents of a line of female witches. Each has a special ability (stopping time, moving objects, seeing the future), and they can also combine their abilities into the "Power of Three" to fight demons, warlocks, and other evils.

American supernatural drama / fantasy television series (1998–2006)

"In every generation there is a chosen one... she alone will stand against the vampires, the demons and the forces of darkness. She is the slayer." Buffy Summers knows this tale by heart, and no matter how hard she tries to be just a "normal girl", she can not escape from her destiny... Thankfully, she is not alone in her quest to save the world, as she has the help of her friends, the hilarious (and surprisingly quite effective) evil-fighting team called "The Scooby Gang". Together, Buffy & co. will slay their demons, survive one apocalypse after another, attend high school and college... and above all, understand that growing up can truly be Hell sometimes... literally.

1997 American supernatural drama TV series

The body of a young girl (Laura Palmer) is washed up on a beach near the small Washington state town of Twin Peaks. FBI Special Agent Dale Cooper is called in to investigate her strange demise only to uncover a web of mystery that ultimately leads him deep into the heart of the surrounding woodland and his very own soul.

American drama television series from 1990–1991

Popular animated series featuring Scooby-Doo, a Great Dane who joins four California high school students (Fred, Daphne, Velma and Shaggy) on many quests to solve strange mysteries. Each mystery is current and unusual and involves the group stopping someone from wreaking certain havoc on the world. The gang were always driving in the Mystery Machine, returning from or going to a regular teenage function, when their van develops engine trouble or breaks down for a variety of reasons. Their (unintended) destination turns out to be suffering a monster problem, and the gang volunteers to investigate the case. Eventually, enough clues are found to convince the gang that the ghost or monster was a villain. Invariably, the ghost or monster was apprehended and revealed to be an apparently blameless authority figure or otherwise innocuous local who uses the disguise to cover up a crime or scam. After proclaiming "And I would have gotten away with it too, if it weren't for you meddling kids!", the villain was then taken away to prison, and the gang was allowed to continue on their way to their destination.

The offbeat adventures of Courage, a cowardly dog who must overcome his own fears to heroically defend his unknowing farmer owners from all kinds of dangers, paranormal events and menaces that appear around their land.

American horror animated television series

A sleuthing, supernaturally infused mystery charting Wednesday Addams' years as a student at Nevermore Academy. Wednesday's attempts to master her emerging psychic ability, thwart a monstrous killing spree that has terrorized the local town, and solve the supernatural mystery that embroiled her parents 25 years ago - all while navigating her new and very tangled relationships at Nevermore.

American horror comedy television series directed by Tim Burton.

Guillermo del Toro's Netflix horror anthology series "Cabinet of Curiosities" (originally titled "Guillermo del Toro Presents 10 After Midnight") has added F. Murray Abraham, Ben Barnes, Elpidia Carrillo, Essie Davis, Hannah Galway, Crispin Glover, Demetrius Grosse, David Hewlett, Andrew Lincoln, Tim Blake Nelson, Luke Roberts, Sebastian Roché, Glynn Turman and Peter Weller to its cast. The prolific Academy-Award-winning Mexican filmmaker behind "Pan's Labyrinth," "Hellboy," "The Shape of Water" and "Pacific Rim" will executive produce, co-showrun and direct the series - described as a curation of eight unprecedented and genre-defining sinister narratives meant to challenge traditional notions of horror, ranging from the macabre to magical, gothic to grotesque or classically creepy. Two of the eight tales are original works by del Toro.

Nathan, Kelly, Simon, Alisha and Curtis were expecting their community service to be boring. However after a freak thunderstorm they discover that it is anything but dull. Bestowed with strange powers, the five very different teens realize they have a lot more to worry about than just picking up litter, especially as they discover that they are not the only ones who have been given strange powers. Secrets will be revealed, feelings brought to the surface and relationships formed and broken. But hey, its only 12 weeks of community service; what's the worst that could happen?

The characters of Looney Tunes are all babies and live with Granny.

A scrawny, 11-year-old chicken named Chicken reluctantly watches out for his beefy "little" sister, a 7-year-old cow named Cow. The unconventional offspring of two human parents, the two young animals navigate their way through suburbia, encountering problems not only at school, but with the devilish schemes of the Red Guy, a crimson-colored antagonist of many guises whose singular intent is to make the siblings' lives miserable. If the character design and offbeat humor of "Cow and Chicken" cause viewers to recall "

It's been 40 years since the 12 colonies of mankind have heard from their progeny, the Cylons -- robotic creatures who rose up and declared war on their masters, then disappeared. In a sudden, devastating strike, the Cylons return and lay waste to the colonies, aided by human-looking Cylon variants and an unwitting fifth columnist. The attack forces Commander William Adama to call into action his museum-piece warship, the Battlestar Galactica, and soon its company of hotshot fighter pilots is blasting away at the invaders. But their best efforts can't prevent the colonies' obliteration. Fleeing the Cylon genocide, the Galactica leads a rag-tag fleet of survivors on a lonely quest to find humanity's fabled 13th colony -- a planet known as Earth.

If you could make one wish, what would it be? And what would you do to get it? At 666 Park Avenue, all of your dreams and burning desires can come true: wealth, sex, love, power, even revenge. But just be careful what you wish for, because the price you pay...could be your soul. Welcome to The Drake, the premiere apartment building on Manhattan's Upper East Side. Owned by the mysterious Gavin Doran (Terry O'Quinn) and his sexy wife Olivia (Vanessa Williams), The Drake is home to dozens of residents who are unaware they're living in the dark embrace of supernatural forces. They think their dreams are all coming true, only to find they've been lured into making, what feels like, a deal with the Devil. When a young Mid-western couple - Jane Van Veen (Rachael Taylor) and Henry Martin (Dave Annable) - is hired to manage The Drake, they soon discover that evil, obsession, and manipulation has a home.

Based on the real-life dysfunctional family of comedy in Christopher Titus, the show deals with his character, his brother, and their friends dealing with his crude, abusive, sadistic drunken father, and how the guy has twisted and ruined his own life. All in a light-hearted comedy vein.

Felix the cat carried a magic bag that could not only produce items inside but change shape, form, and function. The most common plot was the Professor would attempt to steal Felix's magic bag with wacky ideas of his own.

Peanut (the big brother), Jelly (his sister), and Baby Butter (their baby sister) Otter live on a houseboat on the shore of Lake Hoohaw, along with all of their friends. Whenever they get into a situation where they need to think, they perform "The Noodle Dance" until one of them gets an idea.

A collection of animated horror stories based on the works of Japanese artist Junji Ito.

Colleen Koval

Osman Abdallah

Black Stasis

Mysti Mess

Haley Reed

Tourné Torres

misfit

Hanna Simpson

Heather Schauer

mert can

Will

Fenix

Quince Jelly

Jake Aye-Darko

Aboard a vast seafaring vessel, a band of prisoners and slaves, their bodies remade into grotesque biological oddities, is being transported to the fl

A postmodern visionary who is also a master of styles of genres, David Mitchell combines flat-out adventure, a Nabokovian lore of puzzles, a keen eye 

Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasional

Recently voted the greatest fantasy of all time, after The Lord of the Rings and The Hobbit, Gene Wolfe's The Book of the New Sun is an extraordinary 

Weird books to make your eyes feel nice

book

We're all stuck at our homes, now is the best time to push your mental limits and question reality. Here are 10 movies that will help you on your journey.

The big-screen version of Hunter S. Thompson's seminal psychedelic classic about his road trip across Western America as he and his large Samoan lawye

In a totalitarian society in a near future, the undercover detective Bob Arctor is working with a small time group of drug users trying to reach the b

Dreams. What are they? An escape from reality or reality itself? Waking Life follows the dream(s) of one man and his attempt to find and discern the a

A Christlike figure wanders through bizarre, grotesque scenarios filled with religious and sacrilegious imagery. He meets a mystical guide who introdu

10 Trippy movies to help you get through lockdown.

movie

Spook Louw

The vampire Angelus, now known as Angel, has a human soul, but committed terrible crimes in the past. Seeking forgiveness and trying to redeem himself, he moves from Sunnydale (and a relationship with Buffy Summers, of "Buffy the Vampire Slayer") to Los Angeles, where he helps the downtrodden by thwarting the supernatural creatures that prey on them.

The past, present, and future lives of surviving Oceanic Flight 815 passengers are dramatically intertwined as a fight for survival ensues in a quest for answers after crashlanding on a mysterious island. Each discovery prompts yet more secrets, as the hastily-formed colony search for a way off the island, or is this their home?

After centuries of quarreling, Stefan and Damon Salvatore return to their original town of Mystic Fall, Virginia. Stefan, the selfless, brave, guilt-ridden brother, meets a high school girl named Elena Gilbert whom he instantly falls in love with, while Damon, the gorgeous, dangerous and selfish vampire, is after his brother's girl to pay him back for making him turn into a vampire in 1864.

2009 American supernatural teen drama television series

A metropolitan police officer becomes chief of police in a gated suburban neighborhood where vampires, werewolves, witches, and other supernatural entities reside.

SupNatTv

tv show

Books I need to buy again or for the first time

It is autumn 1981 when the inconceivable comes to Blackeberg, a suburb in Sweden. The body of a teenage boy is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last—revenge for the bullying he endures at school, day after day.But the murder is not the most important thing on his mind. A new girl has moved in next door—a girl who has never seen a Rubik's Cube before, but who can solve it at once. There is something wrong with her, though, something odd. And she only comes out at night....

I laughed out loud. While reading. In a Japanese rice bowl joint. Okay, so maybe it was more of a chortle, but it was definitely out loud. And more than just the once. Patrons quietly minding their own business while slogging through their Number Three Specials With Extra Tokyo Beef would be startled into wakefulness to see me - chopsticks in one hand, book in the other - as my grizzled maw broke forth with guffaws and irrepressible smiles.Really, Anansi Boys may be the first thing I've read from Neil Gaiman that I liked. I never got into Sandman (though I'm told I should have persevered). I never finished American Gods (though I'm told I should have persevered). I never finished 1602 (despite guessing that I should have persevered).Still, not only did I like it but I loved it. Enough that I gave my copy to someone else to read and purchased a second copy for another friend. And I'm certain they'll want to do similar things with the book.Anansi Boys is at all times funny, adventurous, and charming. And several other over-used adjectives. In fact, Anansi Boys may be the prototype from which overused adjectives should have come - before they were overused. I'm not sure that Anansi Boys is great literature and I'm not sure that it isn't. What I am certain of beyond any shadow of doubtfulness is that Anansi Boys may be the most fun I have ever had reading a novel.There may be others that I enjoyed more but my experience of this book was such that it pushed (if even momentarily) all other books from my mind. Someone on the back suggests that the book will make you love and be grateful for spiders. Critics and the things they say, huh? Well, I don't love spiders, but dang was this book good.The end.p.s. Anyone thinking of reading Blue like Jazz or Against Christianity or something by Karl Barth should definitely read this first. 'Cuz I mean what if you died after finishing the next book on your queue? It would be an all time tragedy to have wasted hours reading Donald Miller when there is something like Anansi Boys out there. Plus, it's just as spiritual.

Librarian's note: See alternate cover edition of ISBN13 9780380395866 here.Set in England's Downs, a once idyllic rural landscape, this stirring tale of adventure, courage and survival follows a band of very special creatures on their flight from the intrusion of man and the certain destruction of their home. Led by a stouthearted pair of friends, they journey forth from their native Sandleford Warren through the harrowing trials posed by predators and adversaries, to a mysterious promised land and a more perfect society.

Books Need

"It began as a mistake." By middle age, Henry Chinaski has lost more than twelve years of his life to the U.S. Postal Service. In a world where his three true, bitter pleasures are women, booze, and racetrack betting, he somehow drags his hangover out of bed every dawn to lug waterlogged mailbags up mud-soaked mountains, outsmart vicious guard dogs, and pray to survive the day-to-day trials of sadistic bosses and certifiable coworkers.This classic 1971 novel--the one that catapulted its author to national fame--is the perfect introduction to the grimly hysterical world of legendary writer, poet, and Dirty Old Man Charles Bukowski and his fictional alter ego, Chinaski.

That's a completely nostalgic four stars of course. Has there been a writer whose reputation has plummeted quite so much between the 70s and now as jolly Jack and his tales of merry misogynism? But like Bob Dylan saysWhile riding on a train goin’ westI fell asleep for to take my restI dreamed a dream that made me sadConcerning myself and the first few friends I hadWith half-damp eyes I stared to the roomWhere my friends and I spent many an afternoonWhere we together weathered many a stormLaughin’ and singin’ till the early hours of the mornWith haunted hearts through the heat and coldWe never thought we could ever get oldWe thought we could sit forever in funBut our chances really was a million to oneAs easy it was to tell black from whiteIt was all that easy to tell wrong from rightAnd our choices were few and the thought never hitThat the one road we traveled would ever shatter and splitWell that was me and my pals. I know where each of them are to this day, but we don't see each other. The choices multiplied and it became no longer easy to tell black from white.  Back then we built a whole galaxy of heroes up from wild trips to the art house cinema to quarry Bergman or Pasolini from the granite cliffs of existentialism, or raids on libraries and second hand bookshops when we got to hear first about Kerouac and Kesey, not to mention Tolkien and Mervyn Peake, not to mention Emily Dickinson and Captain Beefheart and folk music and Alan Lomax and Alan Watts and John Fahey and Buffy Sainte-Marie. In those days every discovery hit like an express train and every bookshelf held high explosives. Life is not lived at that intensity for too many years. So forgive me for my four stars for Kerouac, the old bum, the old broke down disgraced beat with his typing not writing and every other reviewer on this site liking to put the boot in, and justified too, really, they're not good books - would I recommed any young person with any marbles to read nearly the whole of Kerouac's pile of typing as I myself did? NO!! Read almost anything BUT Kerouac! But my half damp eyes are staring back to that room. It was on Willow Road in Carlton. You can find it on Google Earth but some other people live there now.

Bukowski

Movies I’m unsure if I’ve seen or not. 

After it looks as if she's left his life for good this time, Tom Hansen reflects back on the just over one year that he knew Summer Finn. For Tom, it was love at first sight when she walked into the greeting card company where he worked, she the new administrative assistant. Soon, Tom knew that Summer was the woman with whom he wanted to spend the rest of his life. Although Summer did not believe in relationships or boyfriends - in her assertion, real life will always ultimately get in the way - Tom and Summer became more than just friends. Through the trials and tribulations of Tom and Summer's so-called relationship, Tom could always count on the advice of his two best friends, McKenzie and Paul. However, it is Tom's adolescent sister, Rachel, who is his voice of reason. After all is said and done, Tom is the one who ultimately has to make the choice to listen or not.

In order to generate more endorsement revenue, Champion City's resident superhero Captain Amazing arranges for the release of super villain Casanova Frankenstein, only to be captured by him. The city's fate rests in the hands of seven loser superhero wannabes: the fork-flinging Blue Rajah, the shovel-wielding Shoveler, the possessed bowling ball-hurling Bowler, the flatulent Spleen, the only-when-nobody's-looking Invisible Boy, the mysterious Sphinx, and the perpetually-angry Mr. Furious.

In the year 2047 a group of astronauts are sent to investigate and salvage the long lost starship "Event Horizon". The ship disappeared mysteriously 7 years before on its maiden voyage and with its return comes even more mystery as the crew of the "Lewis and Clark" discover the real truth behind its disappearance and something even more terrifying.

1997 film directed by Paul W. S. Anderson

Manipulative high school sophomore Kimberly Joyce leads her friends Brittany Wells and Randa Azzouni in bringing charges of sexual assault against Percy Anderson, their English and drama teacher at an exclusive private school in Beverly Hills. Meanwhile, local reporter Emily Klein, originally assigned to do an insignificant piece on the school, hopes that the scandal will launch her into celebrity in the television news business, while Kimberly's bigoted father, Hank, is concerned primarily with the effect that his daughter's accusations may have on his business.

Havei 

Four hundred years in the future, set in the year 2415, Æon Flux is a mysterious assassin. Four centuries after a virus nearly annihilated the human race, leaving only five million survivors in a utopian city called Bregna. Aeon is struggling to destroy the Goodchild regime led by its namesake, Trevor Goodchild, the ruler of Bregna and a descendant of the man who found a cure for the deadly virus. As instructed by the Handler, Æon is assigned to assassinate Goodchild, but there are deeper secrets to be discovered, and conspiracies to be foiled.

In 2078, in the wake of a global pandemic of vampirism, a sub-species of disease-modified humans find themselves possessing extraordinary agility, enhanced strength, incredible stamina, and acute intelligence. As a result, humankind is now pushed to the brink of a brutal, worldwide civil war. Now, against the backdrop of the imminent confrontation between the government and the "others", Ultraviolet, an infected beautiful Haemophage, finds herself caught in the middle, protecting Six, a helpless nine-year-old boy who has been marked for death by the military forces of Daxus. Can Ultraviolet destroy Daxus' ultimate anti-Haemophage weapon?

John and Jane Smith are a normal married couple, living a normal life in a normal suburb, working normal jobs...well, if you can call secretly being assassins "normal". But neither Jane nor John knows about their spouse's secret, until they are surprised to find each other as targets! But on their quest to kill each other, they learn a lot more about each other than they ever did in five (or six) years of marriage.

In the near future, human organs are enhanced by the cybernetics technology developed by the powerful Hanka Robotics Corporation owned by Cutter. Dr. Ouelet is responsible for the development of the secret project 2571 of a full mechanical body to be connected to a human brain. She uses the brain of a young woman that lost her parents in a cyber attack as subject of a prototype. One year later, the woman is ranked Major and has joined Section 9, an anti-terrorist division commanded by Chief Daisuke Aramaki, working with agents Batou and Togusa. She needs to use a medicine to help the integration of her brain with the mechanical body and has no recollections of her previous life. When Section 9 hunts down the terrorist Kuze, Major learns the secrets about Hanka Robotics and the experiment she was subjected. Now she faces her ultimate enemy: Kuze, a criminal who has managed to hack into the brains of androids and control them.

Women Assassins

This rock opera tells the story of one year in the life of a group of bohemians struggling in modern day East Village New York. The story centers around Mark and Roger, two roommates. While a former tragedy has made Roger numb to life, Mark tries to capture it through his attempts to make a film. In the year that follows, the group deals with love, loss, AIDS, and modern day life in one truly powerful story.

In the book Speak, by Laurie Halse Anderson, Melinda Sordino is forced into the worst year of her life. Her best friend, Rachel Bruin, has turned against her with all other of Melinda's fellow students looking away; not daring to take a single glance at Melinda. All because of one stupid end-of-summer party.

In the early 1960's, sixteen-year-old Jenny Mellor (Carey Mulligan) lives with her parents in the London suburb of Twickenham. On her father Jack's (Alfred Molina's) wishes, everything that Jenny does is in the sole pursuit of being accepted into Oxford, as he wants her to have a better life than him. Jenny is bright, pretty, hard working, but also naturally gifted. The only problems her father may perceive in her life is her issue with learning Latin, and her dating a boy named Graham (Matthew Beard), who is nice, but socially awkward. Jenny's life changes after she meets David Goldman (Peter Sarsgaard), a man over twice her age. David goes out of his way to show Jenny and her family that his interest in her is not improper and that he wants solely to expose her to cultural activities which she enjoys. Jenny quickly gets accustomed to the life to which David and his constant companions, Danny (Dominic Cooper) and Helen (Rosamund Pike), have shown her, and Jenny and David's relationship does move on to becoming a romantic one. However, Jenny slowly learns more about David, and by association, Danny and Helen, and specifically how they make their money. Jenny has to decide if what she learns about them and leading such a life is worth forgoing her plans of higher education at Oxford.

Gerd Wiesler is an officer with the Stasi, the East German secret police. The film begins in 1984 when Wiesler attends a play written by Georg Dreyman, who is considered by many to be the ultimate example of the loyal citizen. Wiesler has a gut feeling that Dreyman can't be as ideal as he seems, and believes surveillance is called for. The Minister of Culture agrees but only later does Wiesler learn that the Minister sees Dreyman as a rival and lusts after his partner Christa-Maria. The more time he spends listening in on them, the more he comes to care about them. The once rigid Stasi officer begins to intervene in their lives, in a positive way, protecting them whenever possible. Eventually, Wiesler's activities catch up to him and while there is no proof of wrongdoing, he finds himself in menial jobs - until the unbelievable happens.

2006 German film by Florian Henckel von Donnersmarck

Tastebuds