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Evan Shively (Perseus271)

Set in the far future amidst a sprawling feudal interstellar empire where planetary dynasties are controlled by noble houses that owe an allegiance to the imperial House Corrino, Dune tells the story of young Paul Atreides (the heir apparent to Duke Leto Atreides and heir of House Atreides) as he and his family accept control of the desert planet Arrakis, the only source of the 'spice' melange, the most important and valuable substance in the cosmos. The story explores the complex, multi-layered interactions of politics, religion, ecology, technology, and human emotion as the forces of the empire confront each other for control of Arrakis.Published in 1965, it won the Hugo Award in 1966 and the inaugural Nebula Award for Best Novel. Dune is frequently cited as the world's best-selling sf novel.

Joanne Rowling, also known by her pen name J. K. Rowling, is a British author and philanthropist. She wrote Harry Potter, a seven-volume children's fantasy series published from 1997 to 2007. The series has sold over 600 million copies, been translated into 84 languages, and spawned a global media franchise including films and video games. The Casual Vacancy (2012) was her first novel for adults. She writes Cormoran Strike, an ongoing crime fiction series, under the alias Robert Galbraith.

The war against Voldemort is not going well; even Muggle governments are noticing. Ron scans the obituary pages of the Daily Prophet, looking for familiar names. Dumbledore is absent from Hogwarts for long stretches of time, and the Order of the Phoenix has already suffered losses.And yet . . .As in all wars, life goes on. The Weasley twins expand their business. Sixth-year students learn to Apparate - and lose a few eyebrows in the process. Teenagers flirt and fight and fall in love. Classes are never straightforward, through Harry receives some extraordinary help from the mysterious Half-Blood Prince.So it's the home front that takes center stage in the multilayered sixth installment of the story of Harry Potter. Here at Hogwarts, Harry will search for the full and complete story of the boy who became Lord Voldemort - and thereby find what may be his only vulnerability.

Light Yagami is an ace student with great prospects - and he's bored out of his mind. But all that changes when he finds the Death Note, a notebook dropped by a rogue Shinigami, a death god. Any human whose name is written in the notebook dies, and now Light has vowed to use the power of the Death Note to rid the world of evil. But when criminals begin dropping dead, the authorities send the legendary detective L to track down the killer. With L hot on his heels, will Light lose sight of his noble goal... or his life?BoredomLight tests the boundaries of the Death Note's powers as L and the police begin to close in. Luckily, Light's father is the head of the Japanese National Police Agency and leaves vital information about the case lying around the house. With access to his father's files, Light can keep one step ahead of the authorities. But who is the strange man following him, and how can Light guard against enemies whose names he doesn't know?

Now available in a handsome paperback box set for the first time, these four paperback chapter books of "The Lion, the Witch and the Wardrobe" each have unique movie covers from the blockbuster Walt Disney Pictures and Walden Media film and black-and-white interior movie photographs. Each book tells the movie story of "The Lion, the Witch and the Wardrobe" from the perspective of one of the four Pevensie heroes: Peter, Susan, Edmund, and Lucy.

The first series that showed it was possible to do an uninspired rewrite of Tolkien and make a mint was Shannara. After that the doors were flung wide, and the next to profit off the scheme was was Robert Jordan. Of course, I'm not suggesting it's bad to take inspiration from older authors--all authors do this, as Virgil did from Homer, and Milton from Virgil, and Byron from Milton. Tolkien himself drew on the Norse Eddas, Welsh myths, English fairy tales, and Blake's myth-making.But when a skilled author takes inspiration, they expand and change what came before, combining many influences to produce their own unique voice and vision. Jordan didn't have the knowledge of language, history, or culture to truly copy Tolkien's style, nor was he able to add a unique spin.The Eye of The World is a more accessible version of Tolkien, but Tolkien is already a simplified version of the Norse Sagas, meaning that Jordan felt a need to dumb-down the accessible, which doesn't leave his book with much personality.Jordan also takes influence from the Sword &amp; Sorcery tradition, particularly R.E. Howard (Jordan even wrote and published some of his own Conan stories). However, unlike other authors of rollicking adventure Fantasy, like Leiber or Charles Saunders, Jordan kept Tolkien's plodding length. It is difficult to comprehend how an author could take such a simple, familiar story and stretch it out over so many pages.The hero is an orphan who looks different, he gets his father's magic sword, he goes on a quest with an old, wily mentor, gets attacked by evil (dark-skinned) mongoloids from the mysterious East, meets the princess by accident, becomes embroiled in an ancient prophecy, discovers a magic 'force' which controls fate (and the plot), &amp;c., &amp;c. Stop me if you've heard this one before. Like a lot of modern fantasy, the plot and characters are nothing new. If you've seen Star Wars, then you know it by heart. Every fantasy fan has read this same story again and again from countless authors--some, apparently on purpose. Of course, when this old story is told well, with slick pacing and vivid characters, we can forgive the cliches, or even enjoy them freshly, recognizing their universal appeal. But when an author is simply trotting out an old, tired story and doing nothing to make it shine anew, then the only appeal it can lay claim to is bland nostalgia.There's no reason for this sort of repetition: a new book should be more than just fanfic of an older, financially successful book. There are countless different influences out there, long before Tolkien or Howard ever touched pen to paper (many of which can be found in the link at the end of this review), so it's disappointing to see authors continually rehashing the same tedious cliches completely unchanged half a century later.Jordan's long-winded style can't even boast the wealth of meticulous details with which Tolkien filled his pages (often to the detriment of his story). It's clear that Jordan's trying to build a one of those massively detailed worlds so prevalent in pop fantasy, but it's not an interesting, original world--it's just another generic, pseudo-Medieval Europe without any of the genuinely interesting bits that made that time period unique. It's just modern characters with modern psychology swinging around magic swords in a Disneyland version of history.It might not be so bad if the lengthy asides were actually interesting, in and of themselves. If each little piece was amusing in its own right, we might forgive. If they gave us some odd bit of defamiliarization that caused us to look at our own, modern world in a new way, that would be something. Instead, we get dry, lengthy explanations of extraneous facts that we had no reason to be curious about in the first place.Some readers have pointed out that these facts show up in later books of the series, which is probably true, but then, what are they doing in this book? If Mary doesn't appear until book three, it is not useful or interesting to stop in the middle of book one and tell us she has blonde hair. Facts should not be evenly distributed throughout a series, they should be placed in close proximity to scenes that relate to them. That way they make sense to the reader and we have a reason to care about them. That's the difference between foreshadowing and a word search puzzle.If an author has to stop the story every few paragraphs to explain what's going on, then his writing is simply not working. The world should be revealed to us through characters, through their interactions, through small details of verisimilitude that are lovely or interesting on their own, and through scenes designed specifically to illustrate a point without losing focus and falling into lengthy digressions.But Jordan's characters are dull and shallow, his dialogue bland, and his plot (though it possesses many parts) lacks twists or turns. We are given an unending parade of new characters and lengthy asides, which masterfully suck all the drive, purpose, and life from an otherwise simplistic story. At half this length, the book would have been merely another two-star fantasy rehash. At a third the length, it might have started to show some pep--but Jordan had to stretch out his all-to-familiar story to doorstop proportions.In Tolkien, the first hundred pages takes place in quaint Hobbiton. This prelude prepares us for the rest of the book, allowing us to understand the strange world and characters and setting a mood. When the action takes us away, we find we have formed a certain attachment to the bucolic charm of Hobbiton (sickly-sweet as it may be). Finally, when we do depart, the world we meet is much grander in comparison. In Eye of the World, you spend the first hundred and fifty pages in a drab farming community, so that when the characters finally leave, it will seem like something is happening. This is only an illusion.Some of Jordan's fans have pointed to the 'Wheel of Time' aspect as his unique contribution to the genre--mixing Eastern philosophy and the idea of eternal recurrence in with his mock-feudal world, but it's the same thing that E.R. Eddison was doing in the 1920s, and which Michael Moorcock has been exploring and expanding on since the sixties. As such, I don't see it as some new twist that Jordan has added to fantasy, but as another bland rehash of an interesting idea some other author had decades before.Also, like most fantasy authors, Jordan seems to have a problem writing female characters. They are either whiny and snotty, or emasculating ice queens. They all speak in the exact same voice--and the joke in the writing community is that anyone who has met his wife know exactly where every one of his female characters comes from. I couldn't count on both hands the fantasy authors who seem to think 'strong woman' means 'insufferable, unapologetic shrew'. Then again, it isn't as if his male characters aren't any more interesting or fleshed-out, even if they do get a more flattering depiction.I've also been led to understand that later on in the series, we get a magical band of lipstick lesbians who 'go straight' when they grow up (and meet 'real men', like our heroes), plus a bunch of sex-fetish weirdness about punishment by naked public spanking. But I suppose that if Jordan resembles other genre writers in terms of plot, length, setting, and character, he might as well go all the way and throw in some of his own unprocessed sexual hangups.And as the series goes on, the many problems with pacing, plotting, and unfocused asides only grow worse. If Jordan can't keep everything straight in his opening book, how will he possibly deal when the story starts branching out (as stories inevitably do)? It is hardly surprising that such a tenuous grasp will inevitably slip away--as it has for so many other authors in pop fantasy, from Martin to Goodkind, who start off intending to write a trilogy and end up with ten books, each of which takes five years to write, and none of which even manage to finish the plot started in book I.So, take the plot of Star Wars, add the long-windedness of Tolkien, the piecemeal structure of Howard, the cosmology of Moorcock, add in a pinch of awkward sexual hangups, and you have yet another crap pop fantasy, ready to sell a million copies to folks who want nothing more than to read the same story over and over as written by a succession of chubby, bearded, awkward dudes. I'm sure a violent, breast-baring miniseries is already in preproduction.UPDATE: one might point to the endless repetition in modern literature as a sure sign that there is no God, no grand plan, and no purpose to the universe. A benevolent power would surely spare us the pain of such unending mediocrity.However, if there were some deity, and he had a sense of humor, then he would allow the uncreative authors to publish, to gain fame, win awards, and rake in the cash, until their series piled self-indulgently to the length of a minor encyclopedia. Then our clownish deity would let the author announce that he is finally approaching The End (for real this time!), only to perish on the cusp. Since this is precisely what happened to Jordan, I will have to keep an eye out for other signs of this humorous demiurge, possibly in the form of leper-curing banana peels and hagiographic fright wigs.My Fantasy Book Suggestions

Nathaniel 17 treats Bartimaeus worse than ever. The long-suffering djinni is weak from too much time in this world, near the end of his patience. Rebel Kitty 18 hides, stealthily finishing her research on magic, demons, and Bartimaeus. She has a daring plan that she hopes will break the endless cycle of conflict between djinn and humans. But will anyone listen to what she has to say? Together the trio face treacherous magicians, a complex conspiracy, and a rebellious faction of demons. To survive, they must test the limits of this world and question the deepest parts of themselves.

At only fourteen, Nathaniel is a rising star: a young magician who is quickly climbing the ranks of the government. There is seemingly nothing he cannot handle, until he is asked to deal with the growing Resistance movement, which is disrupting London life with its thefts and raids. It’s no easy task: the ringleader Kitty and her friends remain elusive, and Nathaniel’s job-and perhaps his life-are soon at risk. As the pressure mounts, he is distracted by a new series of terrifying attacks in the capital. But is it the Resistance again, or something more dangerous still? To uncover the perpetrators, Nathanial must take desperate measures: a journey to the enemy city of Prague and-worse-summoning once again the troublesome, enigmatic, and quick – witted djinni Bartimaeus. A thrilling sequel to the best-selling Amulet of Samarkand, The Golem’s Eye is a roller-coaster ride of magic, adventure, and political skullduggery, in which the fates of Nathaniel, Bartimaeus, and Kitty explosively collide.

Nathaniel is a boy magician-in-training, sold to the government by his birth parents at the age of five and sent to live as an apprentice to a master. Powerful magicians rule Britain, and its empire, and Nathaniel is told his is the "ultimate sacrifice" for a "noble destiny." If leaving his parents and erasing his past life isn't tough enough, Nathaniel's master, Arthur Underwood, is a cold, condescending, and cruel middle-ranking magician in the Ministry of Internal Affairs. The boy's only saving grace is the master's wife, Martha Underwood, who shows him genuine affection that he rewards with fierce devotion. Nathaniel gets along tolerably well over the years in the Underwood household until the summer before his eleventh birthday. Everything changes when he is publicly humiliated by the ruthless magician Simon Lovelace and betrayed by his cowardly master who does not defend him.Nathaniel vows revenge. In a Faustian fever, he devours magical texts and hones his magic skills, all the while trying to appear subservient to his master. When he musters the strength to summon the 5,000-year-old djinni Bartimaeus to avenge Lovelace by stealing the powerful Amulet of Samarkand, the boy magician plunges into a situation more dangerous and deadly than anything he could ever imagine.

Will is the bearer of the knife. Now, accompanied by angels, his task is to deliver that powerful, dangerous weapon to Lord Asriel - by the command of his dying father.But how can he go looking for Lord Asriel when Lyra is gone? Only with her help can he fathom the myriad plots and intrigues that beset him. The two great powers of the many worlds are lining up for war, and Will must find Lyra, for together they are on their way to battle, an inevitable journey that will even take them to the world of the dead...

Lost in a new world, Lyra finds Will—a boy on the run, a murderer—a worthy and welcome ally. For this is a world where soul-eating Specters stalk the streets and witches share the skies with troops of angels.Each is searching—Lyra for the meaning of Dark Matter, Will for his missing father—but what they find instead is a deadly secret, a knife of untold power. And neither Lyra nor Will suspects how tightly their lives, their loves, and their destinies are bound together... until they are split apart.

I think this is the first book I've ever hated. And that list is pretty short. As a child, it really distressed me - I didn't understand much of it, and it confused me why its tone was so very different from the other Narnia books. Then, when I reread it a few years ago, it just pissed me off. The message about religious pluralism is refreshing, sure, but the book just plain reads wrong, and I will probably never get over Lewis's treatment of Susan. I guess if you don't believe in God, you deserve to lose your entire family in a train crash. Awesome.I suppose there is some hope in that Susan did not die - maybe her family's gruesome deaths will help her find God, and then a train will kill her too, and she'll join Peter, Edmund, and Lucy in Aslan's country! Bleargh.

Jill and Eustace must rescue the Prince from the evil Witch.NARNIA...where owls are wise, where some of the giants like to snack on humans, where a prince is put under an evil spell...and where the adventure begins.Eustace and Jill escape from the bullies at school through a strange door in the wall, which, for once, is unlocked. It leads to the open moor...or does it? Once again Aslan has a task for the children, and Narnia needs them. Through dangers untold and caverns deep and dark, they pursue the quest that brings them face to face with the evil Witch. She must be defeated if Prince Rillian is to be saved.

The four Pevensies help Caspian battle Miraz and ascend his rightful throneNARNIA... the land between the lamp-post and the castle of Cair Paravel, where animals talk, where magical things happen... and where the adventure begins.Peter, Susan, Edmund, and Lucy are returning to boarding school when they are summoned from the dreary train station (by Susan's own magic horn) to return to the land of Narnia—the land where they had ruled as kings and queens and where their help is desperately needed.

I feel more conflicted about this book than any of the other Narnia books. On the plus side, the story is stronger and CS Lewis manages to keep his blatant editorializing to a minimum (maybe because none of the characters are transplants from wartime London). But holy crap, the modern reader will find his racist descriptions pretty hard to swallow. He reintroduces his devious, smelly, turban-clad race, the Calormen. A lost white boy is raised among them and he is sad until he is finally reunited with the beautiful white people of Narnia.I've read an argument that Lewis isn't *really* racist because he portrays one Calormene character in a positive light. But that's like Sarah Palin gushing about her gay friends to prove she's not homophobic. Inviting a lesbian coworker to your annual moose BBQ is not enough to overcome an active campaign against gay rights. For Lewis, commenting that one Calormene lady is a good storyteller is not enough to over come the contempt he feels towards his own Arab stand-ins.

The Dawn Treader will take you places you never dreamed existed. NARNIA... the world of wicked dragons and magic spells, where the very best is brought out of even the worst people, where anything can happen (and most often does)... and where the adventure begins.The Dawn Treader is the first ship Narnia has seen in centuries. King Caspian has built it for his voyage to find the seven lords, good men whom his evil uncle Miraz banished when he usurped the throne. The journey takes Edmund, Lucy, and their cousin Eustace to the Eastern Islands, beyond the Silver Sea, toward Aslan's country at the End of the World.

The secret passage to the house next door leads to a fascinating adventureNARNIA...where the woods are thick and cold, where Talking Beasts are called to life...a new world where the adventure begins.Digory and Polly meet and become friends one cold, wet summer in London. Their lives burst into adventure when Digory's Uncle Andrew, who thinks he is a magician, sends them hurtling to...somewhere else. They find their way to Narnia, newborn from the Lion's song, and encounter the evil sorceress Jadis before they finally return home.

Harry Potter is leaving Privet Drive for the last time. But as he climbs into the sidecar of Hagrid’s motorbike and they take to the skies, he knows Lord Voldemort and the Death Eaters will not be far behind.The protective charm that has kept him safe until now is broken. But the Dark Lord is breathing fear into everything he loves. And he knows he can’t keep hiding.To stop Voldemort, Harry knows he must find the remaining Horcruxes and destroy them.He will have to face his enemy in one final battle.--jkrowling.com

Alternate Cover Edition ISBN 0618260269 (copyright page ISBN is 0618346252 - different from back cover)One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkeness bind themIn ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, The Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell into the hands of Bilbo Baggins, as told in The Hobbit.In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose.--back cover

Let #1 New York Times bestselling author Nora Roberts fly you into Lunacy, Alaska, and into a colorful, compelling novel about two lonely souls who are searching for love and redemption...As a Baltimore cop, Nate Burke watched his partner die on the street—and the guilt still haunts him. With nowhere else to go, he accepted the job as Chief of Police in a tiny, remote Alaskan town with the hopes of starting over. Despite the name, Lunacy provides a balm for Nate's shattered soul—and an unexpected affair with pilot Meg Galloway warms his nights...But other things in Lunacy are heating up. Nate suspects the killer in an unsolved murder still walks the snowy streets. His investigation will unearth the secrets and suspicions that lurk beneath the placid surface, as well as bring out the big-city survival instincts that made him a cop in the first place. And his discovery will threaten the new life—and the new love—that he has finally found for himself.

The Frozen Throne provides gamers with a vast new chapter in the epic Warcraft saga. In the single-player campaign, players revisit the war-torn world of Azerot...

[Metacritic's 2002 PC Game of the Year] It has been nearly fifteen years since the war between the orcs and humans ended. An uneasy peace settled over the land...

Valve has taken a large selection of the maps from Counter-Strike 1.6 - Office, Havana, Italy, Aztec, Chateau, Cobble, Piranesi and of course eternal favourites...

the United States, China, or the newly formed Middle East Coalition. Armed...

The Elder Scrolls IV: Oblivion is an open-world action role-playing video game developed by Bethesda Game Studios and published by Bethesda Softworks and the Take-Two Interactive division 2K Games. It is the fourth installment in The Elder Scrolls action fantasy series, following The Elder Scrolls III: Morrowind and preceding The Elder Scrolls V: Skyrim. The game was released for Microsoft Windows and Xbox 360 in March 2006, and on PlayStation 3 in March 2007, with a mobile version of the game released on May 2, 2006. Taking place within the fictional province of Cyrodiil, Oblivion's main story revolves around the player character's efforts to thwart a fanatical cult known as the "Mythic Dawn" that plans to open portal gates to a demonic realm known as "Oblivion". The game continues the open-world tradition of its predecessors by allowing the player to travel anywhere in the game world at any time and to ignore or postpone the main storyline indefinitely. A perpetual objective for players is to improve their character's skills, which are numerical representations of certain abilities. Early in the game, seven skills are selected by the player as major skills for their character, with those remaining termed as minor skills.

Mario Kart Wii comes with the intuitive Wii Wheel, which makes it easy for novices to compete against veterans, so no one is left in the dust. And with a broadb...

Age of Empires II: The Conquerors is the expansion pack to the 1999 real-time strategy game Age of Empires II: The Age of Kings. The Conquerors is the fourth installment in the Age of Empires series by Microsoft Game Studios and Ensemble Studios. It features five new civilizations (the Aztecs, Mayans, Spanish, Koreans, and Huns), four new campaigns, eleven new units, twenty-six new technologies, new gameplay modes, new maps and different minor tweaks to the gameplay.A second expansion, The Forgotten, was released exclusively on Steam in November 2013, over a decade since the release of The Conquerors. In November 2015, another expansion was released, also exclusive to Steam, entitled The African Kingdoms. A third Steam-exclusive expansion, entitled Rise of the Rajas, was released in December 2016.

Age of Empires III offers gamers the next level of realism, with advanced battle physics and unparalleled visual detail. The new game picks up where Age of "Emp...

A story-driven third-person shooter with a realistic weapon setup including over a dozen real-life guns, all fitting the crime-story setting like a bullet in th...

Age of Mythology transports players to a time when heroes did battle with monsters of legend and the gods intervened in the affairs of mortal men. Players wage...

The Fall of Max Payne is a violent, film-noir love story for mature audiences. Dark, tragic and intense, the in-depth story is a thrill-ride of sho...

Portal is a new single player game from Valve. Set in the mysterious Aperture Science Laboratories, Portal has been called one of the most innovative new games...

Reload, rev up and ride out. The new Tournament is faster, higher and meaner. Land and air based vehicles take combat to a new level; while an arsenal of new we...

Set in medieval Europe, players establish settlements, build and manage castles and engage in siege warfare. The game incorporates much more building and "commu...

In Battlefield 1942, you will experience the heat of battle as you heroically storm the beaches of Normandy, drive a tank across the deserts of northern Africa,...

Total War is the next generation in epic strategy gaming from the critically acclaimed and award winning Total War brand. The aim of the game is to conque...

In a city where information is heavily monitored, agile couriers called runners transport sensitive data away from prying eyes. In this seemingly utopian paradi...

Now you can play anyone, anytime, anywhere with Risk, the game of global domination. Using the same hands-on military planning found in the original Risk board...

Badminton is a racquet sport played using racquets to hit a shuttlecock across a net. Although it may be played with larger teams, the most common forms of the game are "singles" (with one player per side) and "doubles" (with two players per side). Badminton is often played as a casual outdoor activity in a yard or on a beach; formal games are played on a rectangular indoor court. Points are scored by striking the shuttlecock with the racquet and landing it within the opposing side's half of the court.
Each side may only strike the shuttlecock once before it passes over the net. Play ends once the shuttlecock has struck the floor or if a fault has been called by the umpire, service judge, or (in their absence) the opposing side.

When an open-minded Jewish librarian and his son become victims of the Holocaust, he uses a perfect mixture of will, humor, and imagination to protect his son from the dangers around their camp.

1997 Italian film directed by and starring Roberto Benigni

Tells the story of Benjamin Button, a man who starts aging backwards with consequences.

When two kids find and play a magical board game, they release a man trapped in it for decades - and a host of dangers that can only be stopped by finishing the game.

A teenager who dies during childbirth leaves clues in her journal that could tie her child to a rape involving a violent Russian mob family.

In 2027, in a chaotic world in which women have become somehow infertile, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea.

The magically long-haired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.

2010 computer-animated musical fantasy-comedy film by Disney

A fast-track lawyer can't lie for 24 hours due to his son's birthday wish after he disappoints his son for the last time.

In the future, a sadistic gang leader is imprisoned and volunteers for a conduct-aversion experiment, but it doesn't go as planned.

1971 dystopian crime film directed by Stanley Kubrick

Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, Thao Lor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.

Memento is a 2000 American neo-noir psychological thriller film written and directed by Christopher Nolan, based on the 2001 short story "Memento Mori" by Jonathan Nolan. Guy Pearce stars as Leonard Shelby, a man who suffers from anterograde amnesia, resulting in short-term memory loss and the inability to form new memories. He searches for the people who attacked him, raped and killed his wife, using an elaborate system of Polaroid photographs, handwritten notes, and tattoos to track information he won't remember. Carrie-Anne Moss and Joe Pantoliano co-stars in the film.The film's non-linear narrative is presented as two different sequences of scenes interspersed during the film: a series in black-and-white that is shown chronologically, and a series of color sequences shown in reverse order (simulating for the audience the mental state of the protagonist). The two sequences meet at the end of the film, producing one complete and cohesive narrative.

A terrorist explosion releases a deadly virus on the masses, and it's up the bounty-hunting Bebop crew to catch the cold-blooded culprit.

2001 Japanese anime film by Shin'ichirō Watanabe

The last surviving child of the Russian Royal Family joins two con men to reunite with her grandmother, the Dowager Empress, while the undead Rasputin seeks her death.

1997 American animated musical drama film by Don Bluth and Gary Goldman

A young boy and his little sister struggle to survive in Japan during World War II.

1988 Japanese animated film directed by Isao Takahata

When two girls move to the country to be near their ailing mother, they have adventures with the wondrous forest spirits who live nearby.

Oskar, an overlooked and bullied boy, finds love and revenge through Eli, a beautiful but peculiar girl.

2008 Swedish horror romance film directed by Tomas Alfredson

When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.

2004 Japanese animated film by Hayao Miyazaki

A five-year-old boy develops a relationship with Ponyo, a young goldfish princess who longs to become a human after falling in love with him.

2008 Japanese animated film directed by Hayao Miyazaki

On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.

In the Falangist Spain of 1944, the bookish young stepdaughter of a sadistic army officer escapes into an eerie but captivating fantasy world.

2006 Mexican-Spanish dark fantasy film directed by Guillermo del Toro

Perfect Blue: Yume Nara Samete (PERFECT BLUE 夢なら醒めて……) is a 2002 Japanese fantasy suspense film directed by Toshiki Satō and based on the novel Perfect Blue: Kanzen Hentai by Yoshikazu Takeuchi. It was released on August 24, 2002.Jasper Sharp of Midnight Eye wrote that "for the most part Yume Nara Samete is downright boring".

American composer, conductor, and music producer

The Big Bang Theory is an American television sitcom created by Chuck Lorre and Bill Prady, both of whom served as executive producers on the series, along with Steven Molaro, all of whom also served as head writers. It premiered on CBS on September 24, 2007, and concluded on May 16, 2019, having broadcast 279 episodes over 12 seasons.The show originally centered on five characters living in Pasadena, California: Leonard Hofstadter (Johnny Galecki) and Sheldon Cooper (Jim Parsons), both physicists at Caltech, who share an apartment; Penny (Kaley Cuoco), a waitress and aspiring actress who lives across the hall; and Leonard and Sheldon's similarly geeky and socially awkward friends and coworkers, aerospace engineer Howard Wolowitz (Simon Helberg) and astrophysicist Raj Koothrappali (Kunal Nayyar). Over time, supporting characters were promoted to starring roles, including neuroscientist Amy Farrah Fowler (Mayim Bialik), microbiologist Bernadette Rostenkowski (Melissa Rauch), and comic book store owner Stuart Bloom (Kevin Sussman).

A 12-year old boy named Naota one day meets a strange woman, riding a Vespa and wielding a big guitar. As soon as she appears, mysterious things start happening.

Two F.B.I. Agents, Fox Mulder the believer and Dana Scully the skeptic, investigate the strange and unexplained, while hidden forces work to impede their efforts.

American science fiction drama television series

A show set in the late 1800s, revolving around the characters of Deadwood, South Dakota; a town of deep corruption and crime.

Nine noble families fight for control over the lands of Westeros, while an ancient enemy returns after being dormant for millennia.

Two brothers follow their father's footsteps as hunters, fighting evil supernatural beings of many kinds, including monsters, demons and gods that roam the earth.

Five hundred years in the future, a renegade crew aboard a small spacecraft tries to survive as they travel the unknown parts of the galaxy and evade warring factions as well as authority agents out to get them.

The survivors of a plane crash are forced to work together in order to survive on a seemingly deserted tropical island.

Follows the personal and professional lives of six twenty to thirty-something-year-old friends living in Manhattan.

Common people discover that they have super powers. Their lives intertwine as a devastating event must be prevented.

American science fiction television drama series

A crazy fantasy caper involving alchemists, immortals, gangsters, outlaws and an elixir of immortality, spread over several decades.

The futuristic misadventures and tragedies of an easygoing bounty hunter and his partners.

1998-1999 Japanese anime television series

In a post-apocalyptic future humans live in peace with androids in a domed city. However, a strange series of murders has intruded into bored inspector Re-l Mayer's life.

In a post-apocalyptic future where humans live in domed cities surrounded by wasteland, wolves are assumed to be two hundred years extinct.

In a world of airships and civil war, two messengers come across a special girl who will change the course of history.

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