Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

At last in paperback in one complete volume, here are the five novels from Douglas Adams's Hitchhiker series. "The Hitchhiker's Guide to the Galaxy"Seconds before the Earth is demolished for a galactic freeway, Arthur Dent is saved by Ford Prefect, a researcher for the revised Guide. Together they stick out their thumbs to the stars and begin a wild journey through time and space."The Restaurant at the End of the Universe"Facing annihilation at the hands of warmongers is a curious time to crave tea. It could only happen to the cosmically displaced Arthur Dent and his comrades as they hurtle across the galaxy in a desperate search for a place to eat."Life, the Universe and Everything"The unhappy inhabitants of planet Krikkit are sick of looking at the night sky- so they plan to destroy it. The universe, that is. Now only five individuals can avert Armageddon: mild-mannered Arthur Dent and his stalwart crew."So Long, and Thanks for All the Fish"Back on Earth, Arthur Dent is ready to believe that the past eight years were all just a figment of his stressed-out imagination. But a gift-wrapped fishbowl with a cryptic inscription conspires to thrust him back to reality. So to speak."Mostly Harmless"Just when Arthur Dent makes the terrible mistake of starting to enjoy life, all hell breaks loose. Can he save the Earth from total obliteration? Can he save the Guide from a hostile alien takeover? Can he save his daughter from herself?Also includes the short story "Young Zaphod Plays It Safe".

There are some terrible reviews of SH5 floating around Goodreads, but one particularly awful sentiment is that Slaughterhouse-Five isn't anti-war.This is usually based on the following quote. "It had to be done," Rumfoord told Billy, speaking of the destruction of Dresden."I know," said Billy."That's war.""I know. I'm not complaining""It must have been hell on the ground.""It was," said Billy Pilgrim."Pity the men who had to do it.""I do.""You must have had mixed feelings, there on the ground.""It was all right," said Billy. "Everything is all right, and everybody has to do exactly what he does. I learned that on Tralfamadore."For context, Mr. Rumfoord is an old military historian described as "hateful and cruel" who wants to see weaklings like Billy exterminated.On Tralfamadore, Billy was introduced to the revelation that all things happen exactly as they do, and that they will always happen that way, and that they will never happen any other way. Meaning, time is all at once. The aliens, incidentally, admit to destroying the universe in a comical accident fated far into the future, and they're very sorry, but so it goes. &lt;- passive acceptanceThe entire story up to this point has been about Billy, buffeted like a powerless pathetic leaf in a storm, pushed this way and that by forces entirely outside his tiny purview. He lays catatonically in a hospital bed after the plane crash and the death of his wife, and all the time traveling back and forth from Dresden where toddlers and families and old grannies and anti-war civilians were burned alive in a carefully organized inferno (so it goes), and Billy is about ready to agree to absolutely anything. It can't be prevented. It can't be helped.You're powerless, after a while. What hope have we, or anyone caught in the middle of a war, or even the poor soldiers who are nothing but pawns and children (hence the children's crusade), to influence these gigantic, global events? Therefore, Billy agrees with the hateful, the cruel Mr. Rumfoord, who is revising his military history of WWII, having previously forgotten to mention the Dresden bombing. Women and children, not evaporated instantly, but melted slowly by chemicals and liquid flame, their leftovers, according to Billy, lying in the street like blackened logs, or in piles of families who died together in their little homes. Incidentally, how can anything be pro-war or anti-war? Because being anti-war is a bit like being anti-conflict, anti-death, and anti-suffering. Is there a book that's pro these things? Is there a book that touches on the subject of war and is not against it?We don't support wars, though we are sometimes forced to accept them. Anyone who thinks that the bombing of Dresden was necessary is delusional.It's like saying, "yo, look how they bombed these innocents - that shit was wrong! Let's go bomb some innocents, too."That's the sad truth of it.

The screenplay for Stanley Kubrick’s disturbing and exhilarating masterpiece, featuring 800 film stills chosen by the director.This unique illustrated screenplay features 800 still images from “A Clockwork Orange,” selected by Stanley Kubrick when the film was first released in 1971. As Kubrick comments in his introduction: “I have always wondered if there might be a more meaningful way to present a book about a film. To make, as it were, a complete graphic representation of the film, cut by cut, with the dialogue printed in the proper place in relation to the cuts, so that within the limits of still photos and words, an accurate (and I hope interesting) record of a film might be available… This book represents that attempt.”Screenplay by Stanley Kubrick, based on the novel by Anthony Burgess.

I've been meaning to read some Tank Girl for ages. Bill had these ones and dug them out for me. I have to say it wasn't what I was expecting. First of all the most amazing thing about the comics was that they were a mixture of colour and black and white in a single issue. I've never seen anyone do that before! I didn't think the comic format allowed for that. So i thought that was really cool. I did quite enjoy them. I liked the art work style. I liked how Tank Girl was both an attractive punk and kinda hideous at the same time. The humour just didn't always sit right with me though and I'm not such a fan of vinegette story telling rather than longer narratives. But I am curious enough to read more.

Bad guys beware Evil aliens, run for your lives Axe Cop is here, and he's going to chop your head off We live in a strange world, and our strange problems call for strange heroes. That's why Axe Cop -- along with his partner Flute Cop and their pet T-Rex Wexter -- is holding try-outs to build the greatest team of heroes ever assembled. Created by five year-old Malachai Nicolle and illustrated by his older brother, the cartoonist Ethan Nicolle, Axe Cop Volume One collects the entire original run of the hit webcomic that has captured the world's attention with its insanely imaginative adventures. Whether he's fighting gun-toting dinosaurs, teaming up with Ninja Moon Warriors, or answering readers' questions via his insightful advice column, "Ask Axe Cop," the adventures of Axe Cop and his incomparable team of crime fighters will delight and perplex even the most stoic of readers.

I enjoyed Tank Girl: The Odyssey immensely. That's all I can really say for certain of this very weird, very fragmented, comic reading... experience. It is an experience. A ride. A journey. An odyssey! If I had to pin down a core, recurring element of this wildly fluctuating spectacle of a book, it would probably be mania. Sheer, undisturbed, persistent mania. The book runs on pure energy, and doesn't skip a single beat in churning out joke after joke, gag after gag, scene after scene. The pacing is wild, the dialog skirts from being intensely sophomoric to providing high-brow, classical literature reference and observation at the drop of a hat, and the art, in Jamie Hewlett's recognizable, chunky, pop/punk style, is positively electric. If there's one thing Tank Girl has, it is, surprisingly, variety - though that variety all combines into a singular, very silly, very immature goal that ultimately comes off as far less ingenious than it perhaps actually is.It's a very particular 90s brand of juvenile hi-jinks - creative violence and swearing, along with cheeky parody, self-deprecation and allusions to popular culture, are combined with nudity, gross-out humour, farts, sex, and stinky, feces-smothered toilet humour, to creative a melting pot of everything society has ever looked down upon in comic books. It's all presented through the eyes of Tank Girl, a character I still, after reading quite a fair chunk of, can't pin down. She's either a punk feminist icon and hero, representing anarchy and sincere, shameless childishness... or, she's a cruel, self-serving parody of punk feminist icons and heroes, representing anarchy and shameless childishness by way of subtle, scornful, misogynistic mockery. I really have no idea. Her lack of respect for the core tenants of human interaction and society's rules of engagement are either to point out how cool that is (and it does look pretty cool), or to highlight how uncool it is (it also comes across as pretty dorky). To be honest, personally, while I hope she's a sincere attempt at progressiveness in female representation at this point, I think she could easily be the opposite. That would upset me deeply. Perhaps I'm employing a tad bit of wishful thinking.Ah, but is not pop culture what we make of it? And as Tank Girl has been wholly embraced by women the world over as a no-nonsense action heroine who follows her own destructive path, so too has The Odyssey. Tank Girl does what she wants, often at the risk of others - her stable of friends, Sub Girl, Jet Girl, and Barney, and a band of new followers, including a girl who is a sincere fan of her work, and three Irishmen who are not-so-vague and ever-so-unflattering caricatures of the three key creators of the book. They all have times to shine (her new followers, times to die horrifically at the hands of disturbing evils), and they lend a unique voice to the book that I find quite appealing. There's a dry wit to many of the jokes, with obvious gags often pointed out and derided within the gag itself; and the actual encounters the Tank Girl crew face are all so deliciously warped that they play out as a kind of vicious self-parody, so there's never really any legitimate tension - just guffaws-a-plenty, and a bit of action/adventure.The plot. Oh. For what it's worth, The Odyssey is a loose adaption of Homer's Odyssey (though, by admission of Peter Milligan, more closely mirroring Ulysses). Tank Girl needs to stop her kangaroo boyfriend, Booga, from signing a movie contract that would see him... well, I'm not sure. It's kept pretty vague as to why Booga signing a movie deal contract is in any way a negative thing. Tank Girl herself is fresh off of the "success" of her movie (yes, that movie), but she's in Ireland, and Booga is in Australia. So she rounds up her hearty crew and sets off for Australia. On the way they encounter danger and panic and shenanigans, from a pack of ravenous (and cannibalistic) film producers, to Tank Girl's dead mother who becomes very angry when Tank Girl fails to revive her corpse with magic farts, to their own selfish greed, to a hotel full of overbearing, religious zealot cyclops'. Who run a hotel. Called Cyclops Hotel. Those who recognize Homer's Odyssey will notice not just how similar Tank Girl: The Odyssey is (and pick up on the not-so-subtle analogs), but how strongly it insists on deviating from it, as well. Things just happen in Tank Girl, and The Odyssey is no difference. The jokes range from very clever, to very stupid, to clever in their outright stupidity (one cliffhanger ending sees Tank Girl stuck between saving her and her friends from certain death, or leaving a movie theater before the film is over, thus emitting a grievous social faux pas), and for every earned literary reference and ingenious little observation, there are twice as many dumps of utter inanity, designed seemingly to trip up the story from progressing, and confuse the entire flow of pacing. It's bizarre. Really bizarre.Obviously I enjoy Tank Girl: The Odyssey, or I would never have told you so in the opening sentence. As to why I enjoy it - or if I even should enjoy it - I really can't say. It does suit my bias towards clever approaches to stupid subject matters, it fulfills my daily quota of badass, anarchic women in comics, and it's so fast-paced and full of junk that there's never really a chance to reflect on whether or not the joke you just laughed at was worthy of a chuckle, or if it simply caught you off-guard in the searing sandstorm of lunacy. Either way, this is pure, unmitigated Tank Girl from start to finish, and if you don't know by now, you either love 'er or hate 'er. It seems I love 'er. Maybe it's because I'm Australian, and Tank Girl seems to embrace the best and worst of our deeply disturbed national attitude towards life ("I'm in hell!" Jet Girl protests, and, after Tank Girl explains they're merely on their way to Australia, she interjects, "there's a difference?") Or maybe it's just because of its unbridled commitment to reveling in its own ostentatious and joyfully idiotic filth. Either way, I love it - and I sincerely hope you can too.

I am not feeling much better about this second one. The first two arcs, I thought, were alright. They even seemed to have something interesting to say. Then we got to the diarrhea. Yeah. I didn't need that. Nor many of the things that followed it. There was one more arc that I thought was interesting, but again ... with so much shit (pun TOTALLY intended) I can't imagine that the glimmerings I got from those arcs were purposeful. I have to step back for a moment, because I can't say these comics are "bad." They are definitely not my taste. To me, the humor seems very haphazard. There is no reason for any of the events happening in the story. I dunno ... five more issues left. Let's see what insanity awaits. Read more commentary and add your own here: http://www.rjspindle.com/content/john...

An extremely imaginative and profound series, THE MAXX tells the tale of a fractured woman whose repressed emotions and memories prevent her from living a normal life and the hulking purple super-hero who tries to save her. A master of denial, Julie Winters created a magical dream world where she unknowingly escapes to when reality is too much. But when the two planes of existences momentarily connected, her supernatural spirit protector merged with a homeless man and the Maxx was created. Now existing in both worlds but suffering from amnesia whenever he crosses over, the Maxx tries to battle his apparent fits of insanity as he protects Julie in both realities from the murderous sorcerer Mr. Gone and the Isz, his magical minions.

Scud the Disposable Assassin is one of the strangest comic books I've ever read, an certainly competes for the strangest that I own. In this (the first collection of issues), author Rob Schrab takes a screwy premise and drives it straight off a cliff into Wackyland.The initial premise is simple enough: a "Scud" is a disposable robotic assassin purchased from a vending machine. It is programmed to self-destruct upon completing its mission (to make the hit untraceable). One such Scud is activated and tasked to hunt down a monster (who ends up with the name "Jeff"), but discovers his own mortality by accident. Unwilling to commit suicide by completing his mission, he instead cripples Jeff and is forced to start taking other work as an assassin to keep Jeff's life support bills paid.This setup doesn't even begin to convey how strange the comic is. A better indicator is to describe Jeff itself. Jeff is a 10 foot pastiche of incongruous parts. Its "legs" are large muscular arms (ending in hands) with mouths in the knees. Its body is that of a lanky tiger with a squid strapped to it with leather belts. Its arms end in "hands" composed of an opposable thumb but mousetraps in the place of fingers. Its head is a huge three-prong electrical plug. It speaks entirely in quotes from films.As strange as Jeff is, it's par for the course. As a result, the absurd protagonist (who, we are told by the author on page 2, should be voiced by John Malkovich) plays the straight man to a deranged, dysfunctional world. The results are enthusiastically violent, cleverly referential, and sharply drawn in a distinctive black-and-white style.Scud isn't for everyone. Brimming with irony before irony was cool, Scud will appeal most to people who have seen too many action, sci-fi, and mobster movies but are smart enough to know how schlocky the stuff they enjoy is. In fact, Scud bears some striking thematic resemblances to Kill Bill (which came out a decade later), and would likely appeal to the audience of "people who enjoy the same movies Quentin Tarantino does." As such, expect violence. Scud plays out the way Frank Miller might interpret Looney Toons: with blood, dismemberment, and the occasional pun. It's difficult to call anything as goofy as Scud "gory," but it's certainly graphic.You're unlikely to find anything as wildly inventive and off-the-wall as Scud. While much of its weirdness is weird for its own sake, it's nevertheless a fun trip.

Sing to me of the man, Muse, the man of twists and turnsdriven time and again off course, once he had plunderedthe hallowed heights of Troy.So begins Robert Fagles' magnificent translation of the Odyssey.If the Iliad is the world's greatest war epic, then the Odyssey is literature's grandest evocation of everyman's journey though life. Odysseus' reliance on his wit and wiliness for survival in his encounters with divine and natural forces, during his ten-year voyage home to Ithaca after the Trojan War, is at once a timeless human story and an individual test of moral endurance. In the myths and legends that are retold here, Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom, and given us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery.Renowned classicist Bernard Knox's superb Introduction and textual commentary provide new insights and background information for the general reader and scholar alike, intensifying the strength of Fagles' translation.This is an Odyssey to delight both the classicist and the public at large, and to captivate a new generation of Homer's students.--Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, presents us with Homer's best-loved and most accessible poem in a stunning new modern-verse translation.

A mysterious stranger and his retinue have astonished the locals of Stalin’s Moscow with the magic show to end all magic shows and have quite literally set the town alight. But what’s the real purpose behind their visit?

 “A new world was opening up in front of my eyes, a world which for me had not existed before. Maybe it had always been there, always existed, but I had never seen it, never realized it had been there all the time. How was it that I had been blind to its existence all these years?”- Nawal El Saadawi,  Woman at Point ZeroI was told by a friend that the German title for this book is translated as “I Spit on You,” and it makes a lot of sense after you read the book, because that will probably be your reaction to most of the characters. This is my second El Saadawi book and I wish I’d written a review for the first book of hers that I read, The Innocence of the Devil, because I thought both books were excellent, similar in their approach and very powerful in how they portrayed patriarchy, sexism, hypocrisy, and misogyny.I love Firdaus, our protagonist, and I think she’s a character who’ll stay with me for a very long time. At the beginning of the novella we find her on death row for killing a man and as she recounts her story to a female psychiatrist who is sent to visit her. We learn more about her. And it’s shocking. It wouldn’t surprise me if many women are able to see themselves in Firdaus, despite the fact that we might not be Egyptian, Muslim etc, like she was. Parts of her story are surely the stories of many women.The tone of the book starts off so innocently and simply; the change in describing brutal incidents caught me by surprise. From every single man Firdaus encounters she experiences abuse or exploitation of sorts. Firdaus changes because of her experiences and we see how strong she becomes, despite encountering such awful things.Despite the tragic story, Firdaus has moments of agency and emancipation. This woman who nobody wants, who’s abused time and again, who isn’t helped when she should be, comes up with her own definition of truth based on what she sees and experiences, not what she has been indoctrinated with. El Saadawi exposes the hypocrisy in religious and patriarchal societies with men using tradition for their own purposes:  “I discovered that all these rulers were men. What they had in common was an avaricious and distorted personality, a never-ending appetite for money, sex and unlimited power. They were men who sowed corruption on the earth, and plundered their peoples, men endowed with loud voices, a capacity for persuasion, for choosing sweet words and shooting poisoned arrows. Thus, the truth about them was revealed only after their deaths, and as a result I discovered that history tended to repeat itself with a foolish obstinacy.”She compares and contrasts marriage and prostitution, and she is often very blunt about what she perceives to be the position of women in society:  “All women are victims of deception. Men impose deception on women and punish them for being deceived, force them down to the lowest level and punish them for falling so low, bind them in marriage and then chastise them with menial service for life, or insults, or blows.”But there is the hope when women like Firdaus realize the truth but also the power they actually have:  “How many were the years of my life that went by before my body, and my self became really mine, to do with them as I wished? How many were the years of my life that were lost before I tore my body and my self away from the people who held me in their grasp since the very first day?”And ultimately though the telling of Firdaus’ story, I found myself changed as well, and more understanding of Firdaus’ journey and evolution.  “A man does not know a woman’s value, Firdaus. She is the one who determines her value."

Alternate Cover Edition can be found here. Made into a major motion picture starring Johnny Depp, The Rum Diary—a national bestseller and New York Times Notable Book—is Hunter S. Thompson’s brilliant love story of jealousy, treachery, and violent lust in the Caribbean.Begun in 1959 by a twenty-two-year-old Hunter S. Thompson, The Rum Diary is a brilliantly tangled love story of jealousy, treachery, and violent alcoholic lust in the Caribbean boomtown that was San Juan, Puerto Rico, in the late 1950s. The narrator, freelance journalist Paul Kemp, irresistibly drawn to a sexy, mysterious woman, is soon thrust into a world where corruption and get-rich-quick schemes rule and anything (including murder) is permissible. Exuberant and mad, youthful and energetic, this dazzling comedic romp provides a fictional excursion as riveting and outrageous as Thompson’s Fear and Loathing books.

Buster “Rant” Casey just may be the most efficient serial killer of our time. A high school rebel, Rant Casey escapes from his small town home for the big city where he becomes the leader of an urban demolition derby called Party Crashing. Rant Casey will die a spectacular highway death, after which his friends gather the testimony needed to build an oral history of his short, violent life.

Meet Dexter Morgan, a polite wolf in sheep's clothing. He's handsome and charming, but something in his past has made him abide by a different set of rules. He's a serial killer whose one golden rule makes him immensely likeable: he only kills bad people. And his job as a blood splatter expert for the Miami police department puts him in the perfect position to identify his victims. But when a series of brutal murders bearing a striking similarity to his own style start turning up, Dexter is caught between being flattered and being frightened—of himself or some other fiend.

Imbued on every page with Frank McCourt's astounding humor and compassion. This is a glorious book that bears all the marks of a classic."When I look back on my childhood I wonder how I managed to survive at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood." So begins the Pulitzer Prize winning memoir of Frank McCourt, born in Depression-era Brooklyn to recent Irish immigrants and raised in the slums of Limerick, Ireland. Frank's mother, Angela, has no money to feed the children since Frank's father, Malachy, rarely works, and when he does he drinks his wages. Yet Malachy-- exasperating, irresponsible and beguiling-- does nurture in Frank an appetite for the one thing he can provide: a story. Frank lives for his father's tales of Cuchulain, who saved Ireland, and of the Angel on the Seventh Step, who brings his mother babies. Perhaps it is story that accounts for Frank's survival. Wearing rags for diapers, begging a pig's head for Christmas dinner and gathering coal from the roadside to light a fire, Frank endures poverty, near-starvation and the casual cruelty of relatives and neighbors--yet lives to tell his tale with eloquence, exuberance and remarkable forgiveness. Angela's Ashes, imbued on every page with Frank McCourt's astounding humor and compassion, is a glorious book that bears all the marks of a classic.

The sequel to Frank McCourt's memoir of his Irish Catholic boyhood, Angela's Ashes, picks up the story in October 1949, upon his arrival in America. Though he was born in New York, the family had returned to Ireland due to poor prospects in the United States. Now back on American soil, this awkward 19-year-old, with his "pimply face, sore eyes, and bad teeth," has little in common with the healthy, self-assured college students he sees on the subway and dreams of joining in the classroom. Initially, his American experience is as harrowing as his impoverished youth in Ireland, including two of the grimmest Christmases ever described in literature. McCourt views the U.S. through the same sharp eye and with the same dark humor that distinguished his first memoir: race prejudice, casual cruelty, and dead-end jobs weigh on his spirits as he searches for a way out. A glimpse of hope comes from the army, where he acquires some white-collar skills, and from New York University, which admits him without a high school diploma. But the journey toward his position teaching creative writing at Stuyvesant High School is neither quick nor easy. Fortunately, McCourt's openness to every variety of human emotion and longing remains exceptional; even the most damaged, difficult people he encounters are richly rendered individuals with whom the reader can't help but feel uncomfortable kinship. The magical prose, with its singing Irish cadences, brings grandeur and beauty to the most sorrowful events, including the final scene, set in a Limerick graveyard. --Wendy Smith

The Lylat system has been invaded! Join Fox McCloud and his Star Fox team as they fight to save the galaxy from the clutches of the evil Andross. Travel to many...

Mario is super in a whole new way! Combining the finest 3-D graphics ever developed for a video game and an explosive sound track, Super Mario 64 becomes a new...

The Mushroom Kingdom just got a whole lot more hectic as Mario and friends double up for furious kart racing. This time around, each kart holds two racers that...

Mario Kart 8 introduces new racing circuit designs and antigravity karts that will have players driving upside down. Players will also enjoy a variety of series...

Inklings from the Splatoon series, as well as returning Smash characters like Mario and Link will be making appearances in this classic Nintendo franchise's Swi...

The Wind Waker, and Link, Tetra and Tetra’s band of...

Nintendo's all-star cast of combatants is back in Super Smash Bros. Melee, along with a new batch of brawlers ready to tear it up. The sequel to Super Smash Br...

K. Rool has kidnapped the Kongs! Can Donkey Kong rescue his friends, reclaim the Golden Bananas and save his homeland from certain doom? Take out some Kremlings...

Something is rotten in the land of the Dead, and you are being played for a sucker. Please meet Manny Calavera, travel agent at the Department of Death. He sell...

Jim wasn't always a studly super-worm. He was once just a spineless, dirt eater with no real mission in life... Then a cosmic twist of fate placed him in contro...

As a young boy, Link is tricked by Ganondorf, the King of the Gerudo Thieves. The evil human uses Link to gain access to the Sacred Realm, where he places his t...

Welcome to Donkey Kong Country, a place where ostriches wear running shoes, apes wear neckties, and rhinoceros gracefully leap across gaping canyons with a styl...

Three separate but parallel stories of the U.S mortgage housing crisis of 2005 are told. Michael Burry, an eccentric ex-physician turned one-eyed Scion Capital hedge fund manager, has traded traditional office attire for shorts, bare feet and a Supercuts haircut. He believes that the US housing market is built on a bubble that will burst within the next few years. Autonomy within the company allows Burry to do largely as he pleases, so Burry proceeds to bet against the housing market with the banks, who are more than happy to accept his proposal for something that has never happened in American history. The banks believe that Burry is a crackpot and therefore are confident in that they will win the deal. Jared Vennett with Deutschebank gets wind of what Burry is doing and, as an investor believes he too can cash in on Burry's beliefs. An errant telephone call to FrontPoint Partners gets this information into the hands of Mark Baum, an idealist who is fed up with the corruption in the financial industry. Baum and his associates, who work at an arms length under Morgan Stanley, decide to join forces with Vennett despite not totally trusting him. In addition to Burry's information, they further believe that most of the mortgages are overrated by the bond agencies, with the banks collating all the sub-prime mortgages under AAA packages. Charlie Geller and Jamie Shipley, who are minor players in a $30 million start-up garage company called Brownfield, get a hold of Vennett's prospectus on the matter. Wanting in on the action but not having the official clout to play, they decide to call an old "friend", retired investment banker Ben Rickert, to help out. All three of these groups work on the premise that the banks are stupid and don't know what's going on, while for them to win, the general economy has to lose, which means the suffering of the general investor who trusts the financial institutions. That latter aspect may not sit well with Baum. Some of these assumptions may be incorrect and may be far more manipulative than they could have ever imagined, which in turn may throw curves into the process.

Nada, a down-on-his-luck construction worker, discovers a pair of special sunglasses. Wearing them, he is able to see the world as it really is: people being bombarded by media and government with messages like "Stay Asleep", "No Imagination", "Submit to Authority". Even scarier is that he is able to see that some usually normal-looking people are in fact ugly aliens in charge of the massive campaign to keep humans subdued.

Alex Rogan lives in a remote trailer court where his mother is manager and everyone is like a massive extended family. He defeats Starfighter, a stand-up arcade game to the applause of everyone in the court and later finds out he has been turned down for a student loan for college. Depressed, he meets Centauri, who introduces himself as a person from the company that made the game, before Alex really knows what is going on, he is on the ride of his life in a sports car flying through space. Chosen to take the skills he showed on the video game into real combat to protect the galaxy from an invasion. Alex gets as far as the Starfighter base before he really realized that he was conscripted and requests to be taken back home. When he gets back home, he finds a Zando-Zan (alien bounty hunter) is stalking him. Unable to go home and live, Alex returns to the Starfighter base to find all the pilots have been killed and he is the galaxy's only chance to be saved from invasion. To defeat the invaders, who are paying the bounty on him, he must be victorious.

Officer Collins has been spearheading one of the US Army's most secretive experiments to date: the Human Hibernation Project. If successful, the project would store its subjects indefinitely until they are needed most. Their first test subject - Joe Bauers - was not chosen for his superiority. Instead, he's chosen because he's the most average guy in the armed services. But scandal erupts after the experiment takes place - the base is closed, and the president denies any knowledge of the project - Unfortunately, Joe doesn't wake up in a year, he wakes up in 500 years. But during that time human evolution has taken a dramatic downturn. After waking up, Joe takes a prison-assigned IQ test and finds that he's the smartest guy alive. Awaiting a full presidential pardon if he can solve one of the country's biggest problems - the dwindling plant population, Joe races against time to solve this problem. But he alienates half the country in the process. Can he make things right and escape a rather bizarre execution?

Willie T. Stokes is a convicted con man who's led a miserable life. He drinks heavily and constantly embarrasses himself publicly. He only works once a year dressed as Santa. But then come Christmas Eve, he and his pint-sized helper dwarf Marcus stage elaborate robberies and take their department stores for everything they got. This time around, Willie gets distracted by large women, a bartender who is attracted to Santas, and a kid who's convinced he's the real deal. However, Marcus must once again put up with Willie's heavy drinking and a series of incidents that constantly shoot themselves in the foot. Will Willie and Marcus make it to next Christmas? Or will this be the year the dynamic duo finally face justice?

Peter Venkman, Ray Stantz and Egon Spengler work at Columbia University. where they delve into the paranormal and fiddle with many unethical experiments on their students. As they are kicked out of the University, they really understand the paranormal and go into business for themselves. Under the new snazzy business name of 'Ghostbusters', and living in the old firehouse building they work out of, they are called to rid New York City of paranormal phenomenon at everyone's whim. - for a price. They make national press as the media reports the Ghostbusters are the cause of it all. Thrown in jail by the EPA, the mayor takes a chance and calls on them to help save the city. Unbeknownst to all, a long dead Gozer worshiper (Evo Shandor) erected a downtown apartment building which is the cause of all the paranormal activity. They find out the building could resurrect the ancient Hittite god, Gozer, and bring an end to all of humanity. Who are you gonna call to stop this terrible world-ending menace?

1984 American comedy film by Ivan Reitman

United Press International journalist Will Bloom and his French freelance photojournalist wife Josephine Bloom, who is pregnant with their first child, leave their Paris base to return to Will's hometown of Ashton, Alabama on the news that his father, Edward Bloom, stricken with cancer, will soon die, he being taken off chemotherapy treatment. Although connected indirectly through Will's mother/Edward's wife, Sandra Bloom, Will has been estranged from his father for three years since his and Josephine's wedding. Will's issue with his father is the fanciful tales Edward has told of his life all his life, not only to Will but the whole world. As a child when Edward was largely absent as a traveling salesman, Will believed those stories, but now realizes that he does not know his father, who, as he continues to tell these stories, he will never get to know unless Edward comes clean with the truth before he dies. On the brink of his own family life beginning, Will does not want to be the kind of father Edward has been to him. One of those stories from Edward's childhood - that he saw his own death in the glass eye of a witch - led to him embracing life since he would not have to fear death knowing when and how it would eventually come. The question is whether Will will be able to reconcile Edward's stories against his real life, either directly from Edward before he dies and/or from other sources, and thus allow Will to come to a new understanding of himself and his life, past, present and future.

Osbourne Cox, a Balkan expert, resigned from the CIA because of a drinking problem, so he begins a memoir. His wife wants a divorce and expects her lover, Harry, a philandering State Department marshal, to leave his wife. A CD-ROM falls out of a gym bag at a Georgetown fitness center. Two employees there try to turn it into cash: Linda, who wants money for cosmetic surgery, and Chad, an amiable goof. Information on the disc leads them to Osbourne who rejects their sales pitch; then they visit the Russian embassy. To sweeten the pot, they decide they need more of Osbourne's secrets. Meanwhile, Linda's boss likes her, and Harry's wife leaves for a book tour. All roads lead to Osbourne's house.

Donnie Darko doesn't get along too well with his family, his teachers, and his classmates; but he does manage to find a sympathetic friend in Gretchen, who agrees to date him. He has a compassionate psychiatrist, who discovers hypnosis is the means to unlock hidden secrets. His other companion may not be a true ally. Donnie has a friend named Frank, a large bunny which only Donnie can see. When an engine falls off a plane and destroys his bedroom, Donnie is not there. Both the event, and Donnie's escape, seem to have been caused by supernatural events.

A young boy is arrested by the U.S. Secret Service for writing a computer virus and is banned from using a computer until his 18th birthday. Years later, he and his new-found friends discover a plot to unleash a dangerous computer virus, but they must use their computer skills to find the evidence while being pursued by the Secret Service and the evil computer genius behind the virus.

The big-screen version of Hunter S. Thompson's seminal psychedelic classic about his road trip across Western America as he and his large Samoan lawyer searched desperately for the "American dream"... they were helped in large part by the huge amount of drugs and alcohol kept in their convertible, The Red Shark.

'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead and Roger is the prime suspect. Groundbreaking interaction between the live and animated characters, and lots of references to classic animation.

London based hit men Ray and Ken are told by their boss Harry Waters to lie low in Bruges, Belgium for up to two weeks following their latest hit, which resulted in the death of an innocent bystander. Harry will be in touch with further instructions. While they wait for Harry's call, Ken, following Harry's advice, takes in the sights of the medieval city with great appreciation. But the charms of Bruges are lost on the simpler Ray, who is already despondent over the innocent death, especially as it was his first job. Things change for Ray when he meets Chloe, part of a film crew shooting a movie starring an American dwarf named Jimmy. When Harry's instructions arrive, Ken, for whom the job is directed, isn't sure if he can carry out the new job, especially as he has gained a new appreciation of life from his stay in the fairytale Bruges. While Ken waits for the inevitable arrival into Bruges of an angry Harry, who feels he must clean up matters on his own, Ray is dealing with his own problems, not only with Harry, but with a Canadian couple and a half-blind thief named Eirik. Ray hopes he can count on both Chloe and Ken to help him carve out a new life for himself. In the end, Harry, involved in an incident with Jimmy, may have to keep to his own principles.

It is a normal day for everyone, until President of the United States James Dale (Jack Nicholson) announces Martians have been spotted circling Earth. The Martians land and a meeting is arranged, but not everything goes to plan, and the Martians seem to have other plans for Earth. Are they just misunderstood beings or do they really want to destroy all of humanity?

The Muppets are back into action in another movie based on a novel written by Robert Louis Stevenson. Kermit the Frog and his colleagues go on a warfare against ruthless pirates. They also share their problem-solving journey on sea to rescue a treasure.

After saving Xandar from Ronan's wrath, the Guardians are now recognized as heroes. Now the team must help their leader Star Lord (Chris Pratt) uncover the truth behind his true heritage. Along the way, old foes turn to allies and betrayal is blooming. And the Guardians find that they are up against a devastating new menace who is out to rule the galaxy.

Top London cop PC Nicholas Angel is good. Too good. To stop the rest of his team looking bad, he is reassigned to the quiet town of Sandford. He is paired with Danny Butterman, who endlessly questions him on the action lifestyle. Everything seems quiet for Angel until two actors are found decapitated. It is called an accident, but Angel won't accept that, especially when more and more people turn up dead. Angel and Danny clash with everyone while they try to uncover the truth behind the mystery of the apparent "accidents".

In the early 1990s, Jordan Belfort teamed with his partner Donny Azoff and started brokerage firm Stratton Oakmont. Their company quickly grows from a staff of 20 to a staff of more than 250 and their status in the trading community and Wall Street grows exponentially. So much that companies file their initial public offerings through them. As their status grows, so do the amount of substances they abuse, and so do their lies. They draw attention like no other, throwing lavish parties for their staff when they hit the jackpot on high trades. That ultimately leads to Belfort featured on the cover of Forbes Magazine, being called "The Wolf Of Wall St.". With the FBI onto Belfort's trading schemes, he devises new ways to cover his tracks and watch his fortune grow. Belfort ultimately comes up with a scheme to stash their cash in a European bank. But with the FBI watching him like a hawk, how long will Belfort and Azoff be able to maintain their elaborate wealth and luxurious lifestyles?

Four Jack-the-lads find themselves heavily - seriously heavily - in debt to an East End hard man and his enforcers after a crooked card game. Overhearing their neighbours in the next flat plotting to hold up a group of out-of-their-depth drug growers, our heroes decide to stitch up the robbers in turn. In a way the confusion really starts when a pair of antique double-barrelled shotguns go missing in a completely different scam.

The series follows the life of anti-social, pain killer addict, witty and arrogant medical doctor Gregory House (Hugh Laurie) with only half a muscle in his right leg. He and his team of medical doctors try to cure complex and rare diseases from very ill ordinary people in the United States of America.

The offbeat adventures of Courage, a cowardly dog who must overcome his own fears to heroically defend his unknowing farmer owners from all kinds of dangers, paranormal events and menaces that appear around their land.

American horror animated television series

At an international spy agency, global crises are merely opportunities for its highly-trained employees to confuse, undermine, betray, and royally screw one another. At the center of it all is suave master spy Sterling Archer, whose less-than-masculine code name is "Duchess." Archer works with his domineering mother Malory, who also is his boss. He must also deal with his ex-girlfriend, Agent Lana Kane, and her new boyfriend, comptroller Cyril Figgis, as well as Malory's lovesick secretary Cheryl.

Philip J. Fry is a twenty-five-year-old pizza delivery boy whose life is going nowhere. When he accidentally freezes himself on December 31, 1999, he wakes up one thousand years in the future, and has a chance to make a fresh start. He goes to work for the Planet Express Corporation, a futuristic delivery service that transports packages to all five quadrants of the universe. His companions include the delivery ship's Captain, Leela, a beautiful one-eyed female alien who kicks some serious butt, and Bender, a robot with very human flaws.

American animated sitcom for the Fox Broadcasting Company and Comedy Central

When Madeline and Celeste take new-in-town single mom Jane under their wing, none of them realize how the arrival of Jane and her inscrutable little boy will affect them all. Big Little Lies is a brilliant take on ex-husbands and second wives, schoolyard scandal, and the dangerous little lies we tell ourselves just to survive.

Sheriff Deputy Rick Grimes gets shot and falls into a coma. When awoken he finds himself in a Zombie Apocalypse. Not knowing what to do he sets out to find his family, after he's done that, he gets connected to a group to become the leader. He takes charge and tries to help this group of people survive, find a place to live and get them food. This show is all about survival, the risks and the things you'll have to do to survive.

American post-apocalyptic drama television series

Three years after the disappearance of 2% of the global human population, a group of people in a small New York community try to continue their lives while coping with the tragedy of the unexplained nature of the event.

2014 American supernatural television series

Notorious criminal Frank Griffin and his gang of outlaws are on a mission -- get revenge on Roy Goode, a former protege who betrayed the brotherhood. On the run, Roy seeks refuge in isolated mining town La Belle, N.M., where he lives with Alice Fletcher, a hardened widow and outcast. When word reaches La Belle, which is governed mainly by women, that Griffin is headed there, the residents of the town band together to defend against his murderous gang.

Meet the wildly dysfunctional Bluth family. This family was once at the height of real estate development in Orange County, California. But when the family business - the Bluth Company - goes bust, they're suddenly found penniless with their assets frozen. They move into their last remaining asset - the model home left over from their latest housing tract. Their luxury vehicles are replaced with a reminder of the family's former wealth: 'the stair car that accompanied their private jet'. The patriarch of the family is George Bluth - he's now in prison, and loving every minute of it. His wife Lucille and daughter Lindsay are spoiled socialites who can't handle getting kicked out of family restaurants. His son Buster is in his mid 30's and lives at home. His son George Oscar Bluth is a magician who started a group to get magicians to be taken seriously, and gets kicked out when his own tricks are revealed. Lindsay is married to a man named Tobias Funke, once a psychiatrist, who decides to become an actor. The only sane member of the family: Michael Bluth, along with his son George Michael, want nothing to do with the family business. But one bizarre circumstance after another keeps Michael and George Michael from leaving their eccentric family.

The Roy family is known for controlling the biggest media and entertainment company in the world. However, their world changes when their father steps down from the company.

It's the 1980s and at McKinley High, there's two different groups of teenagers, the Freaks with cool and charismatic Daniel Desario and tomboy Lindsay Weir and the Geeks with Lindsay's shy younger brother Sam, gentle Bill Haverchuck, and self-proclaimed ladies' man Neal Schweiber. The show chronicles the normal teen/adolescence problems any teenager goes through including acceptance, drugs, drinking, and bullying.

American teen comedy-drama television series

OZ chronicles McManus' (Terry Kinney) efforts to control the inmates of Em(erald) City as well as the drug trade and the violence. There have been many groups of inmates during the run of the show and not everybody makes it out alive. There are the gangstas (Adebisi, Wangler, Redding, Poet, Keene, Supreme Allah), Muslims (Said, Arif, Hamid Khan), Italians (Pancamo, Nappa, Schiebetta), bikers (Hoyt), Aryans (Schillinger, Robson, Mark Mack), Christians (Cloutier, Cudney), Latinos (Alvarez, Morales, Guerra, Hernandez), gays (Hanlon, Cramer), and a pile of others (the O'Riley brothers, Keller, Stanislovsky, etc.). And a great "everyman" character called Beecher offers a good look at a normal man who made one tragic mistake. Besides the regular inmates, there are guest stars such as Method Man, Luke Perry, Master P, Treach, etc. and a bunch of prison staff doctors (Dr. Nathan), a nun/psychologist (Sister Peter Marie), a bunch of guards--some honest, some crooked--and, of course, the warden, Leo Glynn. The whole thing is narrated and held together by inmate Augustus Hill, who provides the show with context and some sense of theme, and ties everything together nicely.

The curious, adventure-seeking, fourth grade group of 10 year old boys, Stan, Kyle, Cartman, and Kenny, all join in in buffoonish adventures that sometimes evolve nothing. Sometimes something that was simple at the start, turns out to get out of control. Everything is odd in the small mountain town, South Park, and the boys always find something to do with it.

Set in the fictional Sacred Heart hospital in California, John "J.D" Dorian makes his way through the overwhelming world of medicine, with the help of his best friend, his fellow rookie doctors, and the arrogant, but brilliant attending physician he views as his mentor.

American medical comedy-drama television series

A news team attempts to create a news show that reports the news in an ethical and reasonable way. They take real, newsworthy events from our world as they're happening (such as bin Laden's justified killing, NSA spying, etc) and report on them as if they were an actual news station that followed rational and moral guidelines, in a biting criticism of our popular press and a clever blurring of art and reality.

American television political drama series

Piper Chapman is a public relations executive with a career and a fiance when her past suddenly catches up to her. In her mid-30s she is sentenced to spend time in a minimum-security women's prison in New York for her association with a drug runner 10 years earlier. This Netflix original series is based on the book of the same title. Forced to trade power suits for prison orange, Chapman makes her way through the corrections system and adjusts to life behind bars, making friends with the many eccentric, unusual and unexpected people she meets.

Creator/showrunner Jenji Kohan's hit Showtime satirical drama series told of Nancy Botwin (Mary-Louise Parker), a widowed mother of two boys - Silas and Shane (Hunter Parish and Alexander Gould) - who begins selling marijuana to support her family. Other main characters include Nancy's lax brother-in-law Andy (Justin Kirk) moving in to help raise her children; foolish acquaintance Doug Wilson (Kevin Nealon); narcissistic neighbor Celia Hodes (Elizabeth Perkins), who lives with her husband Dean (Andy Milder) and their daughter Isabelle (Allie Grant); as well as Nancy's wholesalers Heylia James and her son Conrad (Tonye Patano and Romany Malco). Over the course of the show, the Botwin family become increasingly entangled in illegal activity.

2005-2012 American dark comedy-drama television series

The all new "true crime" case of Fargo's new chapter travels back to 1979 in Sioux Falls, South Dakota and Luverne, Minnesota, where a young State Police Officer Lou Solverson, recently back from Vietnam, investigates a case involving a local crime gang and a major Mob syndicate. Helping him piece things together is his father-in-law, Sheriff Hank Larsson. The investigation will lead them to a colorful cast of characters that includes Karl Weathers, the town lawyer of Luverne, Minnesota. A Korean War vet, Karl is a flowery drunk blessed with the gift of gab and the eloquence of a true con artist. Joe Bulo, the front man for the northern expansion of a Kansas City crime syndicate. The new face of corporate crime, Joe's bringing a Walmart mentality to small town America. His number two is Mike Milligan. Part enforcer, part detective, Mike is always smiling - but the joke is usually on you. Bulo and his crew have their sights set on the Gerhardt crime family in Fargo, currently led by matriarch Floyd Gerhardt. With her husband at death's door, Floyd takes over the family business, frustrating her eldest son, Dodd Gerhardt. An impatient hothead with a cruel streak to match his ambitions, Dodd can't wait for both his parents to die so he can take over and expand their business from kingdom to empire. Bear Gerhardt is the middle son, an intimidatingly large man who, although inarticulate, is the most decent of his clan. Rye Gerhardt, the youngest of the Gerhardt clan, views himself as a big shot, but in reality he's just a small dog who barks big.

American dark comedy-crime drama television series

This science-fiction Western series from Jonathan Nolan and Lisa Joy was inspired by Michael Crichton's Westworld (1973) and is set at a Wild West theme park created by Dr. Robert Ford (Sir Anthony Hopkins) with human-like androids, where guests are encouraged to indulge their fantasies and desires.

US science fiction thriller television series from 2016

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