Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

In 1865, English author CHARLES LUTWIDGE DODGSON (1832-1898), aka Lewis Carroll, wrote a fantastical adventure story for the young daughters of a friend. The adventures of Alice-named for one of the little girls to whom the book was dedicated-who journeys down a rabbit hole and into a whimsical underworld realm instantly struck a chord with the British public, and then with readers around the world. In 1872, in reaction to the universal acclaim *Alice's Adventures in Wonderland* received, Dodgson published this sequel. Nothing is quite what it seems once Alice journeys through the looking-glass, and Dodgson's wit is infectious as he explores concepts of mirror imagery, time running backward, and strategies of chess-all wrapped up in the exploits of a spirited young girl who parries with the Red Queen, Tweedledee and Tweedledum, and other unlikely characters. In many ways, this sequel has had an even greater impact on today's pop culture than the first book.

Meet Rochelle Evans: pretty, popular--and never been kissed. Meet Noah Flynn: badass, volatile--and a total player. And also Elle's best friend's older brother... When Elle decides to run a kissing booth for the school's Spring Carnival, she locks lips with Noah and her life is turned upside down. Her head says to keep away, but her heart wants to draw closer--this romance seems far from fairy tale and headed for heartbreak. But will Elle get her happily ever after?

Percy Jackson isn't expecting freshman orientation to be any fun. But when a mysterious mortal acquaintance appears at his potential new school, followed by demon cheerleaders, things quickly move from bad to worse.In this fourth installment of the blockbuster series, time is running out as war between the Olympians and the evil Titan lord Kronos draws near. Even the safe haven of Camp Half-Blood grows more vulnerable by the minute as Kronos's army prepares to invade its once impenetrable borders. To stop the invasion, Percy and his demigod friends must set out on a quest through the Labyrinth - a sprawling underground world with stunning surprises at every turn.

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

An alternative cover for this ISBN can be found hereSophie has the great misfortune of being the eldest of three daughters, destined to fail miserably should she ever leave home to seek her fate. But when she unwittingly attracts the ire of the Witch of the Waste, Sophie finds herself under a horrid spell that transforms her into an old lady. Her only chance at breaking it lies in the ever-moving castle in the hills: the Wizard Howl's castle. To untangle the enchantment, Sophie must handle the heartless Howl, strike a bargain with a fire demon, and meet the Witch of the Waste head-on. Along the way, she discovers that there's far more to Howl—and herself—than first meets the eye.

Jason has a problem.He doesn’t remember anything before waking up in a bus full of kids on a field trip. Apparently he has a girlfriend named Piper, and a best friend named Leo. They’re all students at a boarding school for “bad kids.” What did Jason do to end up here? And where is here, exactly?Piper has a secret.Her father has been missing for three days, ever since she had that terrifying nightmare about his being in trouble. Piper doesn’t understand her dream, or why her boyfriend suddenly doesn’t recognize her. When a freak storm hits during the school trip, unleashing strange creatures and whisking her, Jason, and Leo away to someplace called Camp Half-Blood, she has a feeling she’s going to find out.Leo has a way with tools.When he sees his cabin at Camp Half-Blood, filled with power tools and machine parts, he feels right at home. But there’s weird stuff, too—like the curse everyone keeps talking about, and some camper who's gone missing. Weirdest of all, his bunkmates insist that each of them—including Leo—is related to a god. Does this have anything to do with Jason's amnesia, or the fact that Leo keeps seeing ghosts?

first book in the Heroes of Olympus series by Rick Riordan

Alternate cover for this ISBN can be found herePercy Jackson is a good kid, but he can't seem to focus on his schoolwork or control his temper. And lately, being away at boarding school is only getting worse - Percy could have sworn his pre-algebra teacher turned into a monster and tried to kill him. When Percy's mom finds out, she knows it's time that he knew the truth about where he came from, and that he go to the one place he'll be safe. She sends Percy to Camp Half Blood, a summer camp for demigods (on Long Island), where he learns that the father he never knew is Poseidon, God of the Sea. Soon a mystery unfolds and together with his friends—one a satyr and the other the demigod daughter of Athena - Percy sets out on a quest across the United States to reach the gates of the Underworld (located in a recording studio in Hollywood) and prevent a catastrophic war between the gods.

One choice can transform you—or it can destroy you. But every choice has consequences, and as unrest surges in the factions all around her, Tris Prior must continue trying to save those she loves—and herself—while grappling with haunting questions of grief and forgiveness, identity and loyalty, politics and love.Tris's initiation day should have been marked by celebration and victory with her chosen faction; instead, the day ended with unspeakable horrors. War now looms as conflict between the factions and their ideologies grows. And in times of war, sides must be chosen, secrets will emerge, and choices will become even more irrevocable—and even more powerful. Transformed by her own decisions but also by haunting grief and guilt, radical new discoveries, and shifting relationships, Tris must fully embrace her Divergence, even if she does not know what she may lose by doing so.New York Times bestselling author Veronica Roth's much-anticipated second book of the dystopian DIVERGENT series is another intoxicating thrill ride of a story, rich with hallmark twists, heartbreaks, romance, and powerful insights about human nature.

The faction-based society that Tris Prior once believed in is shattered - fractured by violence and power struggles and scarred by loss and betrayal. So when offered a chance to explore the world past the limits she's known, Tris is ready. Perhaps beyond the fence, she and Tobias will find a simple new life together, free from complicated lies, tangled loyalties, and painful memories.But Tris's new reality is even more alarming than the one she left behind. Old discoveries are quickly rendered meaningliess. Explosive new truths change the hearts of those she loves. And once again, Tris must battle to comprehend to complexities of human nature - and of herself - while facing impossible choices about courage, allegiance, sacrifice, and love.Told from a riveting dual perspective, ALLEGIANT, by #1 New York Times best-selling author Veronica Roth, brings the DIVERGENT series to a powerful conclusion while revealing the secrets of the dystopian world that has captivated millions of readers in DIVERGENT and INSURGENT.

The old life is dead. But the old Lena is dead too. I buried her. I left her beyond a fence, behind a wall of smoke and ﬂame. In this electrifying follow-up to her acclaimed New York Times bestseller Delirium, Lauren Oliver sets Lena on a dangerous course that hurtles through the unregulated Wilds and into the heart of a growing resistance movement. This riveting, brilliant novel crackles with the fire of fierce defiance, forbidden romance, and the sparks of a revolution about to ignite.

dystopian young adult novel written by Lauren Oliver

I liked the Heroes of Olympus a lot more than Percy Jackson and the Olympians. The new cast of characters are wonderful, and I love seeing the old cast a bit more mature than when we last saw them. I figured my Greek mythology knowledge was pretty good, but I learned more about life previous to the Greek gods in this series. What's fun is that this knowledge is weaved into the background of the story. Seeing all the demigods grow into their own and work together was a lot of fun. Where as Percy/Annabeth are a minor aspect of the prequel, it's more of a major plot element in this series and I grew to adore those two together. I'd love to seem them again in another story. The only thing I really didn't like about this series was Nico. After the end of Percy Jackson and the Olympians, I was really excited to see Nico. After Nico made friends and was accepted by the camp, I expected him to be a cool character. Instead, Riordan decided to pretend like Nico hadn't been accepted or made any friends, and he became more whiny and obnoxious than he had ever been. He irritated me pretty much the entire series.

There is an alternate cover edition for this ISBN13 here.In an alternate United States, love has been declared a dangerous disease, and the government forces everyone who reaches eighteen to have a procedure called the Cure. Living with her aunt, uncle, and cousins in Portland, Maine, Lena Haloway is very much looking forward to being cured and living a safe, predictable life. She watched love destroy her mother and isn't about to make the same mistake.But with ninety-five days left until her treatment, Lena meets enigmatic Alex, a boy from the "Wilds" who lives under the government's radar. What will happen if they do the unthinkable and fall in love?

Will Grayson meets Will Grayson. One cold night, in a most unlikely corner of Chicago, two strangers are about to cross paths. From that moment on, their world will collide and lives intertwine.It's not that far from Evanston to Naperville, but Chicago suburbanites Will Grayson and Will Grayson might as well live on different planets. When fate delivers them both to the same surprising crossroads, the Will Graysons find their lives overlapping and hurtling in new and unexpected directions. With a push from friends new and old - including the massive, and massively fabulous, Tiny Cooper, offensive lineman and musical theater auteur extraordinaire - Will and Will begin building toward respective romantic turns-of-heart and the epic production of history's most awesome high school musical.

Katherine V thought boys were grossKatherine X just wanted to be friendsKatherine XVIII dumped him in an e-mailK-19 broke his heartWhen it comes to relationships, Colin Singleton's type happens to be girls named Katherine. And when it comes to girls named Katherine, Colin is always getting dumped. Nineteen times, to be exact.On a road trip miles from home, this anagram-happy, washed-up child prodigy has ten thousand dollars in his pocket, a bloodthirsty feral hog on his trail, and an overweight, Judge Judy-loving best friend riding shotgun--but no Katherines. Colin is on a mission to prove The Theorem of Underlying Katherine Predictability, which he hopes will predict the future of any relationship, avenge Dumpees everywhere, and finally win him the girl.Love, friendship, and a dead Austro-Hungarian archduke add up to surprising and heart-changing conclusions in this ingeniously layered comic novel about reinventing oneself.

You can’t stop the future. You can’t rewind the past.The only way to learn the secret . . . is to press play.Clay Jensen returns home from school to find a strange package with his name on it lying on his porch. Inside he discovers several cassette tapes recorded by Hannah Baker–his classmate and crush–who committed suicide two weeks earlier. Hannah’s voice tells him that there are thirteen reasons why she decided to end her life. Clay is one of them. If he listens, he’ll find out why. Clay spends the night crisscrossing his town with Hannah as his guide. He becomes a firsthand witness to Hannah’s pain, and as he follows Hannah’s recorded words throughout his town, what he discovers changes his life forever.

After receiving the healing powers from a magical flower, the baby Princess Rapunzel is kidnapped from the palace in the middle of the night by Mother Gothel. Mother Gothel knows that the flower's magical powers are now growing within the golden hair of Rapunzel, and to stay young, she must lock Rapunzel in her hidden tower. Rapunzel is now a teenager and her hair has grown to a length of 70-feet. The beautiful Rapunzel has been in the tower her entire life, and she is curious of the outside world. One day, the bandit Flynn Ryder scales the tower and is taken captive by Rapunzel. Rapunzel strikes a deal with the charming thief to act as her guide to travel to the place where the floating lights come from that she has seen every year on her birthday. Rapunzel is about to have the most exciting and magnificent journey of her life.

Matilda Wormwood is an exquisite and intelligent little girl. Unfortunately, Matilda is misunderstood by her family because she is very different from their ways of life. As time passes, Matilda finally starts school that has a kindly teacher, loyal friends and a sadistic principal. As she gets fed up with the constant cruelty, Matilda begins to realize that she has a gift of telekinetic powers. After some days of practice, Matilda suddenly turns the tables to stand up to her parents and outwit the principal.

After the earth-shattering revelations of INSURGENT, Tris must escape with Four and go beyond the wall enclosing Chicago. For the first time ever, they will leave the only city and family they have ever known. Once outside, old discoveries are quickly rendered meaningless with the revelation of shocking new truths. Tris and Four must quickly decide who they can trust as a ruthless battle ignites beyond the walls of Chicago which threatens all of humanity. In order to survive, Tris will be forced to make impossible choices about courage, allegiance, sacrifice and love.

Fourteen-year-old Arrietty (Bridgit Mendler, Saoirse Ronan, and Mirai Shida) and the rest of the Clock family live in peaceful anonymity as they make their own home from items that they borrow from the house's human inhabitants. However, life changes for the Clocks when a human boy discovers Arrietty.

2010 Japanese animated film directed by Hiromasa Yonebayashi

Voldemort's (Ralph Fiennes') power is growing stronger. He now has control over the Ministry of Magic and Hogwarts. Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) decide to finish Dumbledore's (Sir Michael Gambon's) work and find the rest of the Horcruxes to defeat the Dark Lord. But little hope remains for the trio and the rest of the Wizarding World, so everything they do must go as planned.

2010 British-American fantasy film directed by David Yates

After young Katniss Everdeen agrees to be the symbol of rebellion, the Mockingjay, she tries to return Peeta to his normal state, tries to get to the Capitol, and tries to deal with the battles coming her way...but all for her main goal: assassinating President Snow and returning peace to the Districts of Panem. As her squad starts to get smaller and smaller, will she make it to the Capitol? Will she get revenge on Snow or will her target change? Will she be with her "Star-Crossed Lover," Peeta, or her long-time friend, Gale? Deaths, bombs, bow and arrows, a love triangle, hope... What will happen?

With the Games destroyed, Katniss Everdeen, along with Gale, Finnick and Beetee, end up in the so thought "destroyed" District 13. Under the leadership of President Coin and the advice of her friends, Katniss becomes the "Mockingjay", the symbol of rebellion for the districts of Panem.

Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) continue their quest of finding and destroying Voldemort's (Ralph Fiennes') three remaining Horcruxes, the magical items responsible for his immortality. But as the mystical Deathly Hallows are uncovered, and Voldemort finds out about their mission, the biggest battle begins, and life as they know it will never be the same again.

2011 British-American fantasy film directed by David Yates

This is the tale of Harry Potter (Daniel Radcliffe), an ordinary eleven-year-old boy serving as a sort of slave for his aunt and uncle who learns that he is actually a wizard and has been invited to attend the Hogwarts School for Witchcraft and Wizardry. Harry is snatched away from his mundane existence by Rubeus Hagrid (Robbie Coltrane), the groundskeeper for Hogwarts, and quickly thrown into a world completely foreign to both him and the viewer. Famous for an incident that happened at his birth, Harry makes friends easily at his new school. He soon finds, however, that the wizarding world is far more dangerous for him than he would have imagined, and he quickly learns that not all wizards are ones to be trusted.

2001 British-American fantasy film directed by Chris Columbus

A case of mistaken identity results in unexpected romance when the most popular girl in high school and the biggest loser must come together to win over their crushes.

Based on David Levithan's acclaimed New York Times bestseller, Every Day tells the story of Rhiannon (Angourie Rice), a 16-year old girl who falls in love with a mysterious soul named "A" who inhabits a different body every day. Feeling an unmatched connection, Rhiannon and A work each day to find each other, not knowing what or who the next day will bring. The more the two fall in love, the more the realities of loving someone who is a different person every 24 hours takes a toll, leaving Rhiannon and "A" to face the hardest decision either has ever had to make.

A writer (Paul Rudd) retires after a personal tragedy and becomes a disabled teen's caregiver. When the two embark on an impromptu road trip, their ability to cope is tested as they start to understand the importance of hope and friendship.

Sixteen-year-old Zoey Stevens, a skilled dancer and straight-A student, is having a hard time adjusting to a new high school, a new and klutzy dance squad, a new step-dad, three new rowdy step-brothers and an unruly dog, but things change when a dog training app on her smart phone begins to somehow control all the boys around her.

Teenager Holly Hamilton is tired of moving every time her single mom Jean has another personal meltdown involving yet another second-rate guy. To distract her mother from her latest bad choice, Holly conceives the perfect plan for the perfect man.. an imaginary secret admirer who will romance Jean and boost her shaky self-esteem. When the virtual relationship takes off, Holly finds herself having to produce the suitor, borrowing her friend's charming and handsome Uncle Ben as the face behind the e-mails, notes and gifts. Holly must resort to increasingly desperate measures to keep the ruse alive and protect her mom's newfound happiness, almost missing the real perfect man when he does come along.

The silver spoon daughters of the late cosmetics empire founder Victor Marchetta, Avan and Tanzie, never even took an interest in the business, happy to let it be run by their and the firm's administrator, Tommy Katzenbach, while they lead socialite lives, aiming at a marriage with soap star Mic Rionn. Suddenly a scandal wrecks the firm's stock and their family reputation. Their credit cards are canceled, one of them torches the mansion, the other hands their sports-car to a thief mistaken for a parking valet. So they end up living with their Latina former cleaning lady. Help to investigate whether the firm is really best sold to competitor Fabiella, as Tommy claims, comes from hunky lab technician Rick, whom the previously mistook for the inexistent firm parking lot attendant, and Henry Baines, whose free law for the poor charity they didn't even consider for sponsoring.

"Get a Clue" follows the exploits of a young girl, Lexy, who is a privileged twelve year old who has spent her entire life amongst the wealthy and elite of Manhattan. Clad in Prada, she prides herself on her ability to get the scoop and serve it up in her school's gossip column. When a photo she has taken of her teachers is published in the city's daily paper, things start getting weird. A teacher goes missing and she along with her working class family friend, Jack, set out to solve the mystery. What follows is an action-packed adventure laced with mystery and drama.

singer-songwriter and dancer from the British Virgin Islands

Australian singer-songwriter, actor and YouTuber

Follows 40-year-old Liza (Foster), a suddenly single mother who tries to get back into the working world, only to find out it's nearly impossible to start at the bottom at her age. When a chance encounter with a 20-something guy at a bar convinces her she looks younger than she is, Liza tries to pass herself off as 26 -- with the help of a makeover, courtesy of her best friend Maggie (Mazar). Armed with new confidence, she lands a job as an assistant to the temperamental Diana (Shor) and teams up with her new co-worker and fellow 20-something Kelsey (Duff) to make it in the career of her dreams.

June moves to New York City to pursue her dream job at a mortgage company, which comes with its own apartment. However, the company is shut down on her first day and the apartment is taken away. June moves in with Chloe, who is a con-artist and all-round party girl. At first, they don't get along. When Chloe's attempts to con June backfire, they end up becoming friends.

A Freshman arrives at his sisters college (much to her dismay). He decides to pledge a fraternity on campus. After catching his sister's boyfriend with another girl, he ends up at his rival fraternity trying to go from geek to Greek and grow up in the process.

The adventures of True Jackson, a 15-year-old, who becomes the VP of her favorite fashion company, Mad Style. As she dives deeper into the world of fashion, True must balance the life of a teenager and a Vice President, with the help of her friends Lulu and Ryan.

Tessa Altman is used to the big city but when her dad moves her away, she has to adapt to her new suburban life in Chatswin.

Sassy, streetwise Max works two jobs just to get by, one of which is waiting tables during the night shift at the retro-hip Williamsburg Diner. Sophisticated Caroline is an uptown trust fund princess who's having a run of bad luck that forces her to reluctantly give waitressing a shot. At first, Max sees Caroline as yet another in a long line of inept servers she must cover for, but she's surprised to find that Caroline has as much substance as she does style. When Caroline discovers Max's knack for baking amazing cupcakes, she sees a lucrative future for them, but they first need to raise the start-up money.

American sitcom created by Michael Patrick King and Whitney Cummings (2011-2017)

Unfabulous follows the life and times of teenager Addie Singer. Addie is a big fan of music and at every opportunity will write and sing about her life. The show outlines typical teenage goings on in and around a school environment with crushes, friendships, and plenty of excitement!

Ted Mosby sits down with his kids, to tell them the story of how he met their mother. The story is told through memories of his friends Marshall, Lily, Robin, and Barney Stinson. All legendary 9 seasons lead up to the moment of Ted's final encounter with "the one."

Jess, a bubbly, off-beat teacher, who is known to burst into song, catches her boyfriend with another woman. Newly homeless, she moves into a loft with three single guys she's never met before. Nick, a jaded, law-school dropout isn't the best of company. Schmidt is a flashy, eccentric businessman who believes he is Yahweh's gift to women. Winston is a former athlete who doesn't know what to do, but really needs a win. Can this dysfunctional group handle the adorkable new girl?

The series follows Jessie Prescott, a small-town young woman with big dreams who, rebelling against her strict father, decides to leave the Texas military base where she grew up and move to New York City. She accepts a job as a nanny and moves into a multi-million-dollar penthouse on the Upper West Side with the wealthy Ross family which includes: jet-setting parents Morgan and Christina; their four rambunctious children Emma, Luke, Ravi, and Zuri; and the family pet (and Ravi's companion) Mr. (later Mrs.) Kipling, a 7-foot (2-meter) Asian water monitor that turns out to be female. With a whole new world of experiences open to her, Jessie embarks on new adventures in the big city as she grows to rely on the love and support of the children in her care. Assisting her are the family's sarcastic butler Bertram and the building's 20-year-old doorman Tony.

Chyna Parks, a musical prodigy, gets into a gifted program called Advanced Natural Talents at the local high school. Along with her fellow 'ANTs' she must navigate the halls of a new school of older kids who're not particularly fond of grade-skipping newbies.

Four hockey players from Minnesota aspire to become a boyband. Kendall, Logan, Carlos, and James embark on a life-changing journey and face challenges along the way.

Young Merlin (Colin Morgan) is a teenager, discovering and then learning to master his magical gift. Magister Gaius (Richard Wilson), King Uther Pendragon's (Anthony Head's) learned court physician to whom he's assigned as humble page, teaches him medicine, coaches his magical self-study, and warns him of Uther's strong aversion to magic. Merlin becomes squire to the noble but imprudent crown Prince, Arthur (Bradley James), whose fate is linked with Merlin.

2008 British fantasy-adventure television programme

Phineas Flynn (Vincent Martella) and Ferb Fletcher's (Thomas Brodie-Sangster's) backyard is the neighborhood hotspot for all of their cool inventions. Meanwhile, their elder sister Candace (Ashley Tisdale) is obsessed with busting her brothers for all the inventions to her mom once and for all. Simultaneously, their secret-agent pet, Perry the Platypus (Dee Bradley Baker) fouls the "evil" schemes and plans of Dr. Heinz Doofenshmirtz (Dan Povenmire).

American animated comedy-musical television series

This is the spin-off of the hit Disney Channel Original Series, "The Suite Life of Zack and Cody." The series follows twin brothers Zack and Cody Martin, London Tipton, and Mr. Moseby aboard the luxurious cruise liner, SS Tipton. While on the ship, the kids enroll in a semester-at-sea program, leaving Moseby in charge of the kids on the ship. The ship, owned by London's father, will cruise around the world, with tourists and students attending classes on Deck Eight- the one school that Mr. Tipton believes will make his daughter a better student. While living on the ship, expect Zack and Cody to still have their compass towards mischief.

Carly hosts her own home-grown web show, iCarly. She lives with her twenty-something brother/guardian Spencer and produces her webcasts from a makeshift third-floor loft studio. Grappling with adolescence, she never aimed to gain fame as a rising star/underground celebrity to kids. As events unfold in the pilot, it all happens by accident when a teacher puts her in charge of the school talent show. She and her sassy best bud Sam turn the audition process into a show, which Carly's tech savvy smitten friend Freddie tapes - including their hilarious banter and great chemistry - and posts on the Web without telling the girls. The on-line audience clamors for more, and a pop phenomenon blooms, with Carly and sidekick Sam's regular webcasts ultimately featuring everything from comedy sketches and talent contests to interviews, recipes, and problem-solving.

Zack and Cody Martin are 12-year-olds whose lives change when their single mom gets a job as the headlining singer at Boston's swankiest hotel and, as part of her contract, an upper floor suite in which they all now live. Maddie Fitzpatrick is the hotel's teenage gift shop clerk and part-time babysitter who foils the twins' antics; London Tipton is the hotel owner's spoiled daughter; Carey Martin is the twin's mother and Mr. Moseby the hotel manager. While mom works to keep them in line, the twins are elated with the amenities of their new home, especially room service, a swimming pool, a game room and a candy counter. Then the hotel's teenage gift shop clerk Maddie steps in as part-time babysitter and foil to the twins' pranks. To the chagrin of the hotel manager, Mr. Moseby, they try to turn the hotel into their playground, and along the way make friends and foe with the disparate staff, guests and residents including the owner's spoiled daughter London.

American sitcom first broadcast by the Disney Channel

"Wizards of Waverly Place" focuses on the Russos. A typical family, which includes a mom, Theresa Russo; a dad, Jerry Russo; a son, Justin Russo; a daughter, Alex Russo; and another son, Max Russo. The kids and the family live normal lives but what their friends don't know is the kids are wizards in training and the dad was a former wizard!

Action-packed adventures of Danny Fenton, who straddles two worlds as a shy freshman at Casper High and a heroic phantom-fighter with ghostly superpowers. With his best friends, techno-geek Tucker and free-thinking Goth girl Sam, he thwarts the misdeeds of menacing ghosts; and stumbles through daily social hurdles.

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