Vastralaya

Evan Shively (Perseus271)

Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Brave New World is a dystopian novel by English author Aldous Huxley, written in 1931 and published in 1932. Largely set in a futuristic World State, inhabited by genetically modified citizens and an intelligence-based social hierarchy, the novel anticipates huge scientific advancements in reproductive technology, sleep-learning, psychological manipulation and classical conditioning that are combined to make a dystopian society which is challenged by only a single individual: the story's protagonist.

Jorge Luis Borges has been called the greatest Spanish-language writer of our century. Now for the first time in English, all of Borges' dazzling fictions are gathered into a single volume, brilliantly translated by Andrew Hurley. From his 1935 debut with The Universal History of Iniquity, through his immensely influential collections Ficciones and The Aleph, these enigmatic, elaborate, imaginative inventions display Borges' talent for turning fiction on its head by playing with form and genre and toying with language. Together these incomparable works comprise the perfect one-volume compendium for all those who have long loved Borges, and a superb introduction to the master's work for those who have yet to discover this singular genius.

Written in 1914 but not published until 1925, a year after Kafka’s death, The Trial is the terrifying tale of Josef K., a respectable bank officer who is suddenly and inexplicably arrested and must defend himself against a charge about which he can get no information. Whether read as an existential tale, a parable, or a prophecy of the excesses of modern bureaucracy wedded to the madness of totalitarianism, The Trial has resonated with chilling truth for generations of readers.

I know that there is a whole slew of people who object to reading adaptations and abridged versions of classics. And for a mature audience, I'm against abridged versions too..... but I've chosen to use adaptations, re-tellings and abridged versions of certain classics with my son as a first exposure.... I've done this with Homer's Odyssey and the Iliad - and he will tell you that the Odyssey is his all time favorite story. Mission accomplished - when he's older and ready to tackle Homer - he'll do so with fond memories and a bit of knowledge with which to work from...instead of feeling intimidated!I'm choosing to do the same thing with Shakespeare... my strategy will be to introduce a child's adaptation and then to watch a child-friendly production as an introduction to some of the Bard's works.... hoping that he'll grow up knowing that he loves Shakespeare...Bruce Coville's adaptation of A Midsummere's Night Dream was fantastic... the pictures were captivating and the wording gave just the perfect flavor as a first intro to this play! I look forward to reading more of his adaptations!

Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering the cause of generation and life and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creature's hideousness. Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Frankenstein.Frankenstein, an instant bestseller and an important ancestor of both the horror and science fiction genres, not only tells a terrifying story, but also raises profound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? How far can we go in tampering with Nature? In our age, filled with news of organ donation genetic engineering, and bio-terrorism, these questions are more relevant than ever.

Alternate cover for this ISBN can be found here"A green hunting cap squeezed the top of the fleshy balloon of a head. The green earflaps, full of large ears and uncut hair and the fine bristles that grew in the ears themselves, stuck out on either side like turn signals indicating two directions at once. Full, pursed lips protruded beneath the bushy black moustache and, at their corners, sank into little folds filled with disapproval and potato chip crumbs."Meet Ignatius J. Reilly, the hero of John Kennedy Toole's tragicomic tale, A Confederacy of Dunces. This 30-year-old medievalist lives at home with his mother in New Orleans, pens his magnum opus on Big Chief writing pads he keeps hidden under his bed, and relays to anyone who will listen the traumatic experience he once had on a Greyhound Scenicruiser bound for Baton Rouge. ("Speeding along in that bus was like hurtling into the abyss.") But Ignatius's quiet life of tyrannizing his mother and writing his endless comparative history screeches to a halt when he is almost arrested by the overeager Patrolman Mancuso--who mistakes him for a vagrant--and then involved in a car accident with his tipsy mother behind the wheel. One thing leads to another, and before he knows it, Ignatius is out pounding the pavement in search of a job.Over the next several hundred pages, our hero stumbles from one adventure to the next. His stint as a hotdog vendor is less than successful, and he soon turns his employers at the Levy Pants Company on their heads. Ignatius's path through the working world is populated by marvelous secondary characters: the stripper Darlene and her talented cockatoo; the septuagenarian secretary Miss Trixie, whose desperate attempts to retire are constantly, comically thwarted; gay blade Dorian Greene; sinister Miss Lee, proprietor of the Night of Joy nightclub; and Myrna Minkoff, the girl Ignatius loves to hate. The many subplots that weave through A Confederacy of Dunces are as complicated as anything you'll find in a Dickens novel, and just as beautifully tied together in the end. But it is Ignatius--selfish, domineering, and deluded, tragic and comic and larger than life--who carries the story. He is a modern-day Quixote beset by giants of the modern age. His fragility cracks the shell of comic bluster, revealing a deep streak of melancholy beneath the antic humor. John Kennedy Toole committed suicide in 1969 and never saw the publication of his novel. Ignatius Reilly is what he left behind, a fitting memorial to a talented and tormented life.

Jorge Luis Borges has been called the greatest Spanish-language writer of the twentieth century. Now Borges's remarkable last major story collection, The Book of Sand, is paired with a handful of writings from the very end of his life. Brilliantly translated, these stories combine a direct and at times almost colloquial style coupled with Borges's signature fantastic inventiveness. Containing such marvelous tales as "The Congress," "Undr," "The Mirror and the Mask," and "The Rose of Paracelsus," this edition showcases Borges's depth of vision and superb image-conjuring power.

Alternate cover edition of ISBN 0553213695 / 9780553213690"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With it's startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."

El Aleph es un cuento del escritor argentino Jorge Luis Borges publicado en la revista Sur en 1945 y en el libro homonimo por la editorial Emece de Buenos Aires en 1949. El original se encuentra en la Biblioteca Nacional de Espana, que lo adquirio por subasta en 1985. Presenta numerosas posibles interpretaciones; entre ellas la que plantea una lectura desde el existencialismo, basada en la idea de la incapacidad del ser humano de enfrentarse a la eternidad. Esta idea esta presente en muchos de los cuentos borgianos y en su lectura y manejo de autores preexistencialistas como Soren Kierkegaard, Franz Kafka, y Arthur Schopenhauer. En este cuento, que se ha convertido en objeto de culto, se puede reconocer toda su literatura, de tal forma que puede ser calificado como el cuento paradigmatico de la vasta biblioteca borgiana, abrevando en la ironia, el juego con el lenguaje y la erudicion -tanto veridica como ficticia-. Esto ultimo se deja entrever, por ejemplo, en los epigrafes iniciales, donde se cita a Hobbes y Shakespeare, asi como en la postdata de 1943 donde se hace una supuesta investigacion acerca de otros Alephs citando a autores historicos como Pedro Henriquez Urena, Richard Francis Burton, Luciano de Samosata e Ibn Jaldun."

The seventeen pieces in Ficciones demonstrate the whirlwind of Borges's genius and mirror the precision and potency of his intellect and inventiveness, his piercing irony, his skepticism, and his obsession with fantasy. Borges sends us on a journey into a compelling, bizarre, and profoundly resonant realm; we enter the fearful sphere of Pascal's abyss, the surreal and literal labyrinth of books, and the iconography of eternal return. To enter the worlds in Ficciones is to enter the mind of Jorge Luis Borges, wherein lies Heaven, Hell, and everything else in between. Part One: The Garden of Forking Paths Prologue Tlön, Uqbar, Orbis Tertius (1940) The Approach to Al-Mu'tasim (1936, not included in the 1941 edition) Pierre Menard, Author of the Quixote (1939) The Circular Ruins (1940) The Lottery in Babylon (1941) An Examination of the Work of Herbert Quain (1941) The Library of Babel (1941) The Garden of Forking Paths (1941) Part Two: Artifices Prologue Funes the Memorious (1942) The Form of the Sword (1942) Theme of the Traitor and the Hero (1944) Death and the Compass (1942) The Secret Miracle (1943) Three Versions of Judas (1944) The End (1953, 2nd edition only) The Sect of the Phoenix (1952, 2nd edition only) The South (1953, 2nd edition only)

Although Edna O'Brien has never trafficked in James Joyce's head-over-heels brand of high modernism, she does have a couple of characteristics in common with her great predecessor. After all, both authors engaged in a profoundly ambivalent excoriation of their native Ireland. And while O'Brien's sexual politics can make Joyce seem like a fusty Edwardian by comparison, both novelists got a certain amount of flack for their erotic frankness. So this latest match from the Penguin Lives series seems like a good one--and largely lives up to its promise. O'Brien makes no pretense of competing with Richard Ellmann's immense, magisterial portrait. Instead she has concocted in James Joyce something that resembles one of her own novels: a spirited, lyrical, and acerbic narrative that just happens to feature the author of Ulysses in the starring role. Having experienced the constrictions of Irish life firsthand, O'Brien is particularly good on Joyce's downwardly mobile childhood. Was his resulting hatred of his native land exaggerated? Apparently not:  No one who has not lived in such straitened and hideous circumstances can understand the battering of that upbringing. All the more because they had come down in the world, a tumble from semi-gentility, servants, a nicely laid table, cut glasses, a piano, the accoutrements of middle-class life, relegated to the near slums in Mountjoy Square, the gaunt spectral mansions in which children sat like mice in the gaping doorways.  The author also gives a vivid sense of her subject's devotion to his art, an altar upon which he happily sacrificed his family, health, friends, and even his eyesight. She is stubborn in her defense of Joyce's sublime irresponsibility, which she ascribes to all writers: "It is a paradox that while wrestling with the language to capture the human condition they become more callous, and cut off from the very human traits which they so glisteningly depict." O'Brien's own wrestling match in James Joyce has, to be honest, its share of pins and minor pratfalls: there are some embarrassing repetitions and punctuational oddities, and her occasional assimilation of Joyce's own language is an awkward (if heartfelt) form of homage. Still, when she sticks to her own inflections, her account of this "funnominal man" is an eminently readable and entertaining dose of Irish bitters. --James Marcus

A brand new translation of the compelling third part of Stefan Zweig's The Struggle with the DemonThis edition of Nietzsche displays Zweig's particular forte for creatively mapping the psychology of his subject and their historical significance. Zweig eschews traditional academic discussion and focuses on Nietzsche's habits, passions, and obsessions. This work, concentrating on the man rather than the work, on the tragedy of his existence and his apartness from the world in which he moved in enforced isolation, is a brief tour de force and essential reading for anyone interested in Zweig or Nietzsche. The reader is drawn inexorably into Nietzsche's tragic trajectory. Illustrated with stunning new photographs relating to Nietzsche and his European locations.

"Bioy ha sido muy bueno y muy indulgente conmigo. El es una persona para la cual mi vida no tiene secretos".----Jorge Luis BorgesDurante cinco décadas de amistad y complicidad literaria, Adolfo Bioy Casares visitó infinidad de veces a Jorge Luis Borges. Este libro es el diario que Bioy fue escribiendo sobre esos encuentros entre 1947 y 1989. El resultado es el retrato más completo y más íntimo de Borges jamás presentado a los lectores y la crónica minuciosa y deliciosa de una amistad legendaria. Bioy y Borges fueron amigos entrañables y compañeros de aventuras literarias. Durante años se reunían todos los días: escribían juntos, trabajaban juntos, paseaban, veraneaban y comían juntos. Con discreción pero con la puntillosidad y la constancia de quien sabe qué está destinado a hacer un aporte fundamental, Bioy anotaba sus impresiones, los diálogos, las consideraciones de su amigo sobre escritores clásicos y contemporáneos, sobre el amor, la amistad, los sueños, la muerte, Dios, el destino, la filosofía, la comida, las mujeres, la política, las costumbres de su época, la idiosincrasia de los pueblos. El presente libro es reflejo de ese intercambio que enriqueció a uno y otro, y torció para siempre el rumbo de la literatura en español.El relato por parte de Bioy de aspectos poco conocidos de la vida de Borges, la transmisión precisa de sus ideas originales y brillantes, el dibujo de su personalidad, en general poco conocida o poco evidente, quedan plasmados en este libro como es posible que no logre hacerlo ninguna biografía. En ese sentido, Bioy Casares es el interlocutor perfecto, como un tamiz hecho a medida para que se luciera la inteligencia del amigo, para dialogar con él en condiciones de igualdad y transmitirlo al papel con talento inigualable.

Life is full of missed opportunities and hard decisions. Sometimes it’s difficult to know what to actually do.  Dubliners  creates an image of an ever movie city, of an ever moving exchange of people who experience the reality of life. And that’s the whole point: realism. Not everything goes well, not everything is perfectly constructed. Life is random and unpredictable. If we’re not careful it may escape from us entirely. There are two types of stories in  Dubliners. The first, and by far the most effective, are those associated with despair, nihilism and death. The second type deals with more ordinary aspects of modern life, the representation of the city and social exchanges. As a collection they provide an image of dark, murky city struggling to cope with the problems associated with rapid urbanisation. The stories do not intertwine, but you are left with the impression that they are not that far from each other: their proximity feels close as you read further into each one. The true mastery of Joyce’s writing reveals itself in what he doesn’t say, the subtle suggestions, the lingering questions, as each story closes without any sense of full resolution. And, again, is this not true of real life? In narrative tradition there is a structured beginning, middle and end, but in the reality of existence it doesn’t quite work this way. Life carries on. It doesn’t have a form of narrative closure, a convenient wrapping up of plot, after each wound we take in life. It carries on. We carry on. And for the Dubliners isolation carries on. \
  “He could not feel her near him in the darkness nor hear her voice touch his ear. He waited for some minutes listening. He could hear nothing: the night was perfectly silent. He listened again: perfectly silent. He felt that he was alone.” \


American writer and journalist (1925-2009)

Among Shakespeare's plays, "Hamlet" is considered by many his masterpiece. Among actors, the role of Hamlet, Prince of Denmark, is considered the jewel in the crown of a triumphant theatrical career. Now Kenneth Branagh plays the leading role and co-directs a brillant ensemble performance. Three generations of legendary leading actors, many of whom first assembled for the Oscar-winning film "Henry V", gather here to perform the rarely heard complete version of the play. This clear, subtly nuanced, stunning dramatization, presented by The Renaissance Theatre Company in association with "Bbc" Broadcasting, features such luminaries as Sir John Gielgud, Derek Jacobi, Emma Thompson and Christopher Ravenscroft. It combines a full cast with stirring music and sound effects to bring this magnificent Shakespearen classic vividly to life. Revealing new riches with each listening, this production of "Hamlet" is an invaluable aid for students, teachers and all true lovers of Shakespeare - a recording to be treasured for decades to come.

Renowned Kafka scholar Jeremy Adler examines the life of the writer who probed the hostile side of modernity in darkly terrifying masterpieces that mirrored the turmoil of his own inner world. The illustrations in this volume include rarely seen drawings from Kafka's workbooks, images of the Prague environment that inspired his nightmarish works, photos of Kafka with friends and colleagues, and reproductions of letters, manuscripts, and first edition book jackets.

In this beautifully written account, Julian Young provides the most comprehensive biography available today of the life and philosophy of the nineteenth-century German philosopher Friedrich Nietzsche. Young deals with the many puzzles created by the conjunction of Nietzsche's personal history and his work: why the son of a Lutheran pastor developed into the self-styled "Antichrist"; why this archetypical Prussian came to loathe Bismarck's Prussia; and why this enemy of feminism preferred the company of feminist women. Setting Nietzsche's thought in the context of his times - the rise of Prussian militarism, anti-Semitism, Darwinian science, the "Youth" and emancipationist movements, as well as the "death of God" - Young emphasizes the decisive influence of Plato and of Richard Wagner on Nietzsche's attempt to reform Western culture. He also describes the devastating effect on Nietzsche's personality of his unhappy love for Lou Salom� and attempts to understand why, at the age of forty-four, he went mad. This book includes a selection of more than thirty photographs of Nietzsche, his friends and his work sites. Seventeen of the philosopher's musical compositions, which are key to a deeper understanding of his intellectual project are available online.  To listen to Nietzsche's compositions, visit: http: //www.cambridge.org/us/nietzschemusic

Wilde had to live his life twice over, first in slow motion, then at top speed. During the first period he was a scapegrace, during the second a scapegoat. Richard Ellmann’s superlative bio ranks alongside the finest in the genre, with his earlier James Joyce volume already firmly in the pantheon. From Wilde’s unhumble beginnings as the son of two reputable writers, to his college days in the thrall of Ruskin and Pater, to his flowerings as a poet and spokesman for aestheticism, Ellmann presents the working Wilde, a complex contrarian and sneak-tongued snark, as he slowly becomes Wilde the Myth and Wilde the Wit. Parodied and pilloried since he first dared to lecture in knee-breeches, Wilde was always swatting enemies away and poking their hypocrarses, and as his career picked up traction, the vultures suppurated on the sidelines until the blood-axe dropped on the sweaty mattress of boneheaded bastard Bosie. Ellmann writes powerfully about Wilde’s trial and incarceration. The particularity of detail is breathtaking and presented always as a coherent, flowing and utterly captivating narrative, and when Wilde emerges from Reading into the beautiful and disgusting world, into a life of humiliation, penury, skin problems, loneliness, and separation in exile, you would need a heart of stone not to laugh at the preposterous imbecilities of the society Wilde was spoofing. The harsh brainless stupidity of Victorian England collapsed, and Wilde is remembered rightly as an avatar for truth, kindness, and zingy one-liners for every occasion. This fabulously exhaustive and definitive bio has the last word on Wilde, and since no one is ever likely to top it, is essential reading for all Oscarites.

With characteristic lucidity and style, Steiner makes Heidegger's immensely difficult body of work accessible to the general reader. In a new introduction, Steiner addresses language and philosophy and the rise of Nazism."It would be hard to imagine a better introduction to the work of philosopher Martin Heidegger."—George Kateb, The New Republic

The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California is presented. Miner turn oilman Daniel Plainview is a driven man who will do whatever it takes to achieve his goals. He works hard but he also takes advantage of those around him at their expense if need be. His business partner is his son H.W., who in reality he "acquired" when H.W.'s biological single father, who worked on one of Daniel's rigs, got killed in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins, whose family farm Daniel purchases for the major oil deposit located on it. Eli, the local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the coast, and as Eli tries to build his own religious empire.

In 1930s Italy, a carefree Jewish waiter named Guido starts a fairy tale life by courting and marrying a lovely woman from a nearby city. Guido and his wife have a son and live happily together until the occupation of Italy by German forces. In an attempt to hold his family together and help his son survive the horrors of a Jewish Concentration Camp, Guido imagines that the Holocaust is a game and that the grand prize for winning is a tank.

McMurphy has a criminal past and has once again gotten himself into trouble and is sentenced by the court. To escape labor duties in prison, McMurphy pleads insanity and is sent to a ward for the mentally unstable. Once here, McMurphy both endures and stands witness to the abuse and degradation of the oppressive Nurse Ratched, who gains superiority and power through the flaws of the other inmates. McMurphy and the other inmates band together to make a rebellious stance against the atrocious Nurse.

After his death sometime in his 43rd year, suburbanite Lester Burnham tells of the last few weeks of his life, during which he had no idea of his imminent passing. He is a husband to real estate agent Carolyn Burnham and father to high school student Jane Burnham. Although Lester and Carolyn once loved each other, they now merely tolerate each other. Typical wallflower Jane also hates both her parents; the three suffer individually in silence in their home life. Jane tries to steer clear of both her parents. Carolyn, relatively new to the real estate business, wants to create the persona of success to further her career, aspiring to the professional life of Buddy Kane, the king of the real estate business in their neighborhood. Lester merely walks mindlessly through life, including at his job in advertising. His company is downsizing, and he, like all the other employees, has to justify his position to the newly hired efficiency expert to keep his job. Things change for Lester when he falls in love at first sight with Jane's more experienced classmate, Angela Hayes. Both Janie and Angela can see Lester's sexual infatuation with Angela, who courts such attention from any man as a sign that she is model material, she having once appeared in Seventeen and is a career to which she aspires. Lester's infatuation with Angela gives him a reenergized view on life, where he openly doesn't care anymore what anyone thinks about what he does, anyone except Angela. This infatuation coincides with the Fittses moving in next door: homophobic disciplinarian US Marine Colonel Frank Fitts who rules the house with a military fist (that fist being both figurative and literal), his semi-comatose wife Barbara Fitts, and their bright and quietly subversive 18-year-old son Ricky Fitts, who openly abides by his father's rules while behind the scenes lives by his own quite different perspective. Much like Lester's infatuation, Ricky immediately becomes infatuated with Jane; he considers girls like Angela as ordinary. The entry of Angela and the Fittses into the Burnhams' lives ultimately leads to each of the players confronting what is truly in his or her heart.

Following a truck hijack in New York, five criminals are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze?

In order to get away from their busy lives, the Wilson family takes a vacation to Santa Cruz, California with the plan of spending time with their friends, the Tyler family. On a day at the beach, their young son Jason almost wanders off, causing his mother Adelaide to become protective of her family. That night, four mysterious people break into Adelaide's childhood home where they're staying. The family is shocked to find out that the intruders look like them, only with grotesque appearances.

Based upon a real-life incident which occurred in August 1972 in which a Chase Manhattan Bank branch in Gravesend, Brooklyn, New York, was held siege by Sonny, a Vietnam veteran turned bank robber determined to steal enough money ($2500) for his "wife" (Leon, a man; the two, were, according to an onscreen TV news report, married in a church by a priest who was defrocked shortly after, although Leon says to the police that Sal is "married and has children") to undergo a sex change operation. (The real life character upon whom Leon is based did, in fact, get the operation.) On a hot summer afternoon, Sonny and two cohort, Stevie and Sal, go to rob the (fictional) First Savings Bank of Brooklyn. Stevie soon gets nervous and flees. Although the bank manager and female tellers agree not to interfere with the robbery, Sonny finds there is not much to steal, as most of the cash has been picked up for the day. Sonny then gets an unexpected phone call from Captain Moretti of the NYPD, who tells him the place is surrounded by the city's entire police force. Having few options under the circumstances, Sonny nervously bargains with Moretti, demanding safe escort to the airport and a plane out of the country in return for the bank employees' safety.

Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the streets of Britain..

Blondie, The Good (Clint Eastwood), is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes, The Bad (Lee Van Cleef), is a hitman who always commits to a task and sees it through--as long as he's paid to do so. And Tuco, The Ugly (Eli Wallach), is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership making money off of Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor, Bill Carson (Antonio Casale), that he and a few other men have buried a stash of gold in a cemetery. Unfortunately, Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know where the gold is; now he needs them to lead him to it. Now The Good, the Bad, and the Ugly must all battle it out to get their hands on $200,000.00 worth of gold.

Walt Kowalski (Clint Eastwood) is a widower who holds onto his prejudices despite the changes in his Michigan neighborhood and the world around him. Kowalski is a grumpy, tough-minded, unhappy old man who can't get along with either his kids or his neighbors. He is a Korean War veteran whose prize possession is a 1972 Gran Torino he keeps in mint condition. When his neighbor Thao Lor (Bee Vang), a young Hmong teenager under pressure from his gang member cousin, tries to steal his Gran Torino, Kowalski sets out to reform the youth. Drawn against his will into the life of Thao's family, Kowalski is soon taking steps to protect them from the gangs that infest their neighborhood.

In this adaptation of the autobiography "The Pianist: The Extraordinary True Story of One Man's Survival in Warsaw, 1939-1945,"

From the heights of notoriety to the depths of depravity, John Forbes Nash, Jr. experienced it all. A mathematical genius, he made an astonishing discovery early in his career and stood on the brink of international acclaim. But the handsome and arrogant Nash soon found himself on a painful and harrowing journey of self-discovery. After many years of struggle, he eventually triumphed over his tragedy, and finally - late in life - received the Nobel Prize.

Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children quickly disappear. Trying to follow her, he is horrified to find an underground world of workers who apparently run the machinery that keeps the Utopian world above ground functioning. One of the few people above ground who knows about the world below is Freder's father, John Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is called Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator who will act as the "heart". Freder wants to help the plight of the workers in their struggle for a better life. But when John learns of what Maria is advocating and that Freder has joined their cause, with the assistance of an old colleague. an inventor called Rotwang, who turns out to be But their nemesis goes to works towards quashing a proposed uprising, with Maria at the centre of their plan. John, unaware that Rotwang has his own agenda., makes plans that include shutting down the machines, with the prospect of unleashing total anarchy both above and below ground.

1927 German science fiction directed film by Fritz Lang

After escaping death by the skin of her teeth, the horribly disfigured prostitute, Delilah Fitzgerald, and her appalled and equally furious co-workers summon up the courage to seek retribution in 1880s Wyoming's dangerous town of Big Whiskey. With a hefty bounty on the perpetrators' heads, triggered by the tough Sheriff "Little Bill" Daggett's insufficient sense of justice, the infamous former outlaw and now destitute Kansas hog farmer, William Munny, embarks on a murderous last mission to find the men behind the hideous crime. Along with his old partner-in-crime, Ned Logan, and the brash but inexperienced young gunman, the "Schofield Kid", Munny enters a perilous world he has renounced many years ago, knowing that he walks right into a deadly trap; however, he still needs to find a way to raise his motherless children. Now, blood demands blood. Who is the hero, and who is the villain?

1992 American Western film directed by Clint Eastwood

A police Lieutenant goes about his daily tasks of investigating homicides, but is more interested in pursuing his vices. He has accumulated a massive debt betting on baseball, and he keeps doubling to try to recover. His bookies are beginning to get agitated. The Lieutenant does copious amounts of drugs, cavorts with prostitutes, and uses his status to take advantage of teenage girls. While investigating a nun's rape, he begins to reflect on his lifestyle.

After building an empire with bootleg alcohol, legendary crime boss

Danny Ocean wants to score the biggest heist in history. He combines an eleven member team, including Frank Catton, Rusty Ryan and Linus Caldwell. Their target? The Bellagio, the Mirage and the MGM Grand. All casinos owned by Terry Benedict. It's not going to be easy, as they plan to get in secretly and out with $150 million.

A Puerto Rican ex-con pledges to stay away from his former drug dealing ways but finds himself being dragged back by his past connections and the naive machinations of his lawyer and best friend. Hoping to raise enough money to get away from New York, Carlito Brigante takes on the job of running a nightclub, renews an affair with a dancer but old associates and old instincts suck him back into a world of violence and mistrust.

1993 American crime drama film directed by Brian De Palma

Don Adams and Barbara Feldon reprise their roles as Maxwell Smart and Agent 99, but this time they have a little help from their son and newly-minted spy, Zach, and his brilliant, sexy partner Agent 66. Max is now the Chief of Control and 99 is now a Congresswoman in charge of Control's budget. Together, they must struggle to keep arch-rival KAOS from gaining world domination.

Spin-off of The X-Files featuring the trio of computer-hacking conspiracy geeks popularly known as The Lone Gunmen. Never ones to stray far from the center of corporate and government intrigue, the threesome of John Byers, Melvin Frohike, and Richard Langly play like a misguided Mission Impossible team, embarking on a series of comic adventures that simultaneously highlight their genius and ineptitude. While their newfound independence inspires them to investigate even the most shadowy of conspiracies, their social skills remain stagnant, which only makes their lives more difficult when they learn their chief competitor in the "information business" is the brilliant and beautiful Yves Adele Harlow. Perpetually short of funds to publish The Lone Gunmen newspaper, Byers, Frohike and Langly begrudgingly take on Jimmy Bond as an unlikely benefactor who bankrolls their missions and joins them in their investigations to uncover the truth.

A teenage girl, just starting junior high and living in a modern corporate community, is accidentally contaminated by a secret chemical product of The Plant. She acquires mysterious abilities that allow her to change her shape, move objects with her mind, and zap people and objects with small electrical charges. The owners of The Plant continually seek to find out which of the local kids has been contaminated so they can experiment on her, but their employees are less than competent and the search is comedic and futile.

The lives of hormonal, competitive Supes as they put their physical, sexual and moral boundaries to the test, competing for the best contracts in the best cities.

Truly amazing, fantastical, funny, and odd, and sometimes scary, sad, and endearing stories are portrayed. Many famous actors, actresses, and directors made guest appearances.

Naval Destroyer Nathan James is sent on what they're told is a research mission in the Arctic. Accompanying them is scientist, Rachel Scott. After a few months in the Arctic while Scott is on the ice doing research, some men attack them. They get back to the ship and the Commander, Tom Chandler asks the doctor what's going on. She says that a deadly disease broke out a few months ago. At first, they thought it was contained but they had no cure. They felt that the cure was in the Arctic which why she's here. But she has since received word that it has now spread to most of the globe. Chandler tries to call the President but learns the President and Vice President are dead and the US government might not have long to survive. The current President tells him that the Nathan James was not in the hot zone so he and his crew are OK. But now it's up to them to safeguard Scott because she holds the key to the planet's survival. But there are those who want the cure too and they will do whatever they have to, to get it. So they keep going and trying to find supplies and what they need so Scott can make the cure.

American post-apocalyptic drama television series

Mark leads a team of office workers whose memories have been surgically divided between their work and personal lives. When a mysterious colleague appears outside of work, it begins a journey to discover the truth about their jobs.

Set seven years after the world has become a frozen wasteland, Snowpiercer centers on the remnants of humanity, who inhabit a gigantic, perpetually-moving train that circles the globe. Class warfare, social injustice and the politics of survival are questioned in this riveting television adaptation.

2020 American post-apocalyptic dystopian thriller television drama series

17 year old high school outcast Josh searching for his missing girlfriend Sam in post-apocalyptic Glendale, California. He is joined by a ragtag group of misfits including a pyromaniac 12 year old, Angelica, and Josh's former high school bully, Wesley, now turned pacifist samurai. Josh and the group tries to stay alive amidst the horde of Mad Max-style gangs (evil jocks, cheerleaders turned Amazon warriors), zombie-like creatures called Ghoulies, and everything else this brave new world throws at him.

American comedy drama web television series

'The River' follows the expedition of a crew as they search for an explorer who has been gone missing along the Amazon River. They encounter many strange and, at times, haunting challenges along the way in their increasingly desperate attempt to locate him.

The series is set 97 years after a devastating nuclear war wiped out almost all life on Earth. The only known survivors are the residents of twelve space stations in Earth's orbit prior to the war. The space stations banded together to form a single massive station named "The Ark", where about 2,400 people live. Resources are scarce and all crimes no matter their nature or severity are punishable by death ("floating") unless the perpetrator is under 18 years of age. After the Ark's life support systems are found to be critically failing, one hundred juvenile prisoners are declared "expendable" and sent to the surface in a last ditch attempt to determine if Earth is habitable again. The teens arrive on a beautiful planet they have only seen from space. Confronting the dangers of this rugged new world, they struggle to form a tentative community. However they discover that not all humanity was wiped out. There are people on Earth who survived the war, called "grounders" by the 100. The Ark consists of the space stations previously representing the nations of the UK, USA, Australia, Canada, China, Japan, India, Russia, Venezuela, France, Brazil, and Uganda.

2014-2020 American science fiction television series

A thriller that tells the story of Dr. Ephraim Goodweather, the head of the Center for Disease Control Canary Team in New York City. He and his team are called upon to investigate a mysterious viral outbreak with hallmarks of an ancient and evil strain of vampirism. As the strain spreads, Eph, his team, and an assembly of everyday New Yorkers, wage war for the fate of humanity itself.

Not all aliens are nice and cute like Yoda, ET or ALF. When a race of reptilian-like aliens arrives on Earth in disguise as humans, they show their good intentions, but they have a more sinister plan to conquer our planet and destroy all human race on Earth.

This show was based on Superman (Dean Cain) being a Generation X man. In his twenties, somewhere Clark Kent (Dean Cain) must experience life as a pre-thirties pupil. Lois Lane (Teri Hatcher), as always, is by his side at the Daily Planet, adding that oh-so-ever romantic side to his life. The relationship between Lois and Clark, is as always, a platonic but on the edge of mad love, type of experience.

Detective Catherine Chandler (Kristin Kreuk), shaken to the core over the fact that everything she thought she knew about her life has been a lie, is determined to get answers to the secrets that have been revealed about her family. Cat must also try to navigate her evolving relationship with handsome doctor Vincent Keller (Jay Ryan), who struggles with becoming a terrifying beast when he is enraged, unable to control his super-strength and heightened senses. Cat and Vincent continue to grapple with the desire to be a normal couple while trying to keep a low profile in order to stay one step ahead of the mysterious organization known as Muirfield, now on the hunt for both of them.

After recovering from a serious mental breakdown, former top FBI profiler Frank Black, who has a strange gift that lets him see how a killer's mind works, returns to his hometown of Seattle with his wife Catherine, a clinical social worker who mostly works with victimized children, and their lovable little daughter Jordan, the two people Frank cares about the most in the world, to work as a consultant for the mysterious Millennium Group, a secretive private organization that hires experts to mostly hunt down serial killers obsessed with doomsday prophecies. Frank's partners include Peter Watts, a friend from the Group who serves as his handler, Frank's old friend Lt. Bob 'Bletch' Bletcher from the Seattle Police Department and sympathetic SPD detective Bob Giebelhouse, who also occasionally asks for Frank's help. In season 2, Frank partners up and befriends with the group's latest recruit, Lara Means, a young woman troubled by a gift similar to Frank's. In season 3, Frank partners up with the young dedicated FBI agent Emma Hollis who wants to prove herself to him, which sometimes backfires on her. Most of the cases Frank works on involve killers, lunatics, conspirators and amoral people with criminal intent. However, Frank, who does not believe in the supernatural, must also deal on occasion with those who may or may not be of an actual demonic or angelic nature and not simply evil. Frank's loyalties end up being tested time and time again by both the other-worldly and the Group, which itself seems to be obsessed with the upcoming end of the millennium.

Lovecraft Country follows Atticus Freeman as he joins up with his friend Letitia and his Uncle George to embark on a road trip across 1950s Jim Crow America in search of his missing father. This begins a struggle to survive and overcome both the racist terrors of white America and the terrifying monsters that could be ripped from a Lovecraft paperback.

Lucifer Morningstar, bored from his sulking life in hell, comes to live in Los Angeles. While there, he helps humanity with its miseries through his experience and telepathic abilities to bring people's deepest desires and thoughts out of them. While meeting with a Detective in his nightclub (Lux), a shootout involving him and the Detective leads him to become an LAPD consultant who tries to punish people for their crimes through law and justice.

The vampire Angelus, now known as Angel, has a human soul, but committed terrible crimes in the past. Seeking forgiveness and trying to redeem himself, he moves from Sunnydale (and a relationship with Buffy Summers, of "Buffy the Vampire Slayer") to Los Angeles, where he helps the downtrodden by thwarting the supernatural creatures that prey on them.

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