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angel smith

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

Edgar Colt

Vitor Miguel

The remarkable, acclaimed series of interconnected detective novels – from the author of 4 3 2 1: A NovelThe New York Review of Books has called Paul Auster’s work “one of the most distinctive niches in contemporary literature.” Moving at the breathless pace of a thriller, this uniquely stylized triology of detective novels begins with City of Glass, in which Quinn, a mystery writer, receives an ominous phone call in the middle of the night. He’s drawn into the streets of New York, onto an elusive case that’s more puzzling and more deeply-layered than anything he might have written himself. In Ghosts, Blue, a mentee of Brown, is hired by White to spy on Black from a window on Orange Street. Once Blue starts stalking Black, he finds his subject on a similar mission, as well. In The Locked Room, Fanshawe has disappeared, leaving behind his wife and baby and nothing but a cache of novels, plays, and poems.This Penguin Classics Deluxe Edition includes an introduction from author and professor Luc Sante, as well as a pulp novel-inspired cover from Art Spiegelman, Pulitzer Prize-winning graphic artist of Maus and In the Shadow of No Towers.

A man hires a woman to spend several weeks with him by the sea. The woman is no one in particular, a "she," a warm, moist body with a beating heart-the enigma of Other. Skilled in the mechanics of sex, he desires through her to penetrate a different mystery: he wants to learn love. It isn't a matter of will, she tells him. Still, he wants to learn to try . . .This beautifully wrought erotic novel is an extended haiku on the meaning of love, "perhaps a sudden lapse in the logic of the universe," and of its absence, "the malady of death." "The whole tragedy of the inability to love is in this work, thanks to Duras' unparalleled art of reinventing the most familiar words, of weighing their meaning." - Le Monde; "Deceptively simple and Racinian in its purity, condensed to the essential." - Translation Review.

What is it that we do when we enjoy a text? What is the pleasure of reading? The French critic and theorist Roland Barthes's answers to these questions constitute "perhaps for the first time in the history of criticism . . . not only a poetics of reading . . . but a much more difficult achievement, an erotics of reading . . . . Like filings which gather to form a figure in a magnetic field, the parts and pieces here do come together, determined to affirm the pleasure we must take in our reading as against the indifference of (mere) knowledge." --Richard Howard

A graceful, contemplative volume, Camera Lucida was first published in 1979. Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Roland Barthes presents photography as being outside the codes of language or culture, acting on the body as much as on the mind, and rendering death and loss more acutely than any other medium. This groundbreaking approach established Camera Lucida as one of the most important books of theory on this subject, along with Susan Sontag's On Photography.

Jesus' Son, the first collection of stories by Denis Johnson, presents a unique, hallucinatory vision of contemporary American life unmatched in power and immediacy and marks a new level of achievement for this acclaimed writer. In their intensity of perception, their neon-lit evocation of a strange world brought uncomfortably close to our own, the stories in Jesus' Son offer a disturbing yet eerily beautiful portrayal of American loneliness and hope.Contains:Car Crash While HitchhikingTwo MenOut on BailDundunWorkEmergencyDirty WeddingThe Other ManHappy HourSteady Hands at Seattle GeneralBeverly Home'

The award-winning poet Anne Carson reinvents a genre in Autobiography of Red, a stunning work that is both a novel and a poem, both an unconventional re-creation of an ancient Greek myth and a wholly original coming-of-age story set in the present.Geryon, a young boy who is also a winged red monster, reveals the volcanic terrain of his fragile, tormented soul in an autobiography he begins at the age of five. As he grows older, Geryon escapes his abusive brother and affectionate but ineffectual mother, finding solace behind the lens of his camera and in the arms of a young man named Herakles, a cavalier drifter who leaves him at the peak of infatuation. When Herakles reappears years later, Geryon confronts again the pain of his desire and embarks on a journey that will unleash his creative imagination to its fullest extent. By turns whimsical and haunting, erudite and accessible, richly layered and deceptively simple, Autobiography of Red is a profoundly moving portrait of an artist coming to terms with the fantastic accident of who he is."A profound love story . . . sensuous and funny, poignant, musical and tender." -- The New York Times Book Review"A deeply odd and immensely engaging book. . . . [Carson] exposes with passionate force the mythic underlying the explosive everyday."  -- The Village VoiceA NEW YORK TIMES NOTABLE BOOK OF THE YEARNational book Critics Circle Award Finalist

The seventeen pieces in Ficciones demonstrate the whirlwind of Borges's genius and mirror the precision and potency of his intellect and inventiveness, his piercing irony, his skepticism, and his obsession with fantasy. Borges sends us on a journey into a compelling, bizarre, and profoundly resonant realm; we enter the fearful sphere of Pascal's abyss, the surreal and literal labyrinth of books, and the iconography of eternal return. To enter the worlds in Ficciones is to enter the mind of Jorge Luis Borges, wherein lies Heaven, Hell, and everything else in between. Part One: The Garden of Forking Paths Prologue Tlön, Uqbar, Orbis Tertius (1940) The Approach to Al-Mu'tasim (1936, not included in the 1941 edition) Pierre Menard, Author of the Quixote (1939) The Circular Ruins (1940) The Lottery in Babylon (1941) An Examination of the Work of Herbert Quain (1941) The Library of Babel (1941) The Garden of Forking Paths (1941) Part Two: Artifices Prologue Funes the Memorious (1942) The Form of the Sword (1942) Theme of the Traitor and the Hero (1944) Death and the Compass (1942) The Secret Miracle (1943) Three Versions of Judas (1944) The End (1953, 2nd edition only) The Sect of the Phoenix (1952, 2nd edition only) The South (1953, 2nd edition only)

Hell is not other people. Hell is any holiday dinner with relatives.Fashionable in the 50s, and still required reading in prep schools and many colleges, Sartre's play - once ventilated - is a discursive product of Dada and Existentialism mixed with Kierkegaard, Nietzsche and a lot of Pernod. In the mid-40s it made him the darling of the  boozoisie  in Montparnasse. Actually, he was inspired by Wedekind and Strindberg. An interesting thinker, Sarte here overlooks his own contradictions : though each man is his own hell, he states, hell is -- hold on ! -- other people. With 3 characters, this play is a fav among college drama depts and many regional theatres. The original Broadway production in 1946 was directed x John Huston and had, we're told, a superb set by the artist Frederick Kiesler. It also had an adaptation x Paul Bowles. Others must be avoided. ~ Competing with Ethel Merman in Annie Get Your Gun, Margaret Rutherford as OWs Lady Bracknell and Ingrid Bergman in a paraphrase of St Joan, it vanished after 4 weeks. But Sartre, the playwright  manque,  still lingers as he examines our loneliness in a bleak, disinterested world. More importantly, he foreshadows the absurdist work of Beckett, Ionesco and Pinter.

I love this book so much that I copied out some of the best lines in thick sharpie onto a shirt that I wore so often it's now terribly stained and faded and rather hard to read. An interesting cyclical thing, sort of, given the flimsiness of what remains of Sappho's works. Also, I once had a writing teacher who said we should follow the "Sappho rule": every word of your writing should be so good that if there was a great flood or conflagration and only snippets of lines survived, there would still be great beauty and intensity in what was left. Kind of a tall order, but given the state of publishing today, I'd say it's needed now more than ever.

A Lover's Discourse, at its 1978 publication, was revolutionary: Roland Barthes made unprecedented use of the tools of structuralism to explore the whimsical phenomenon of love. Rich with references ranging from Goethe's Werther to Winnicott, from Plato to Proust, from Baudelaire to Schubert, A Lover's Discourse artfully draws a portrait in which every reader will find echoes of themselves.

***AWARDED THE 1984 PRIX GONCOURT***“The story of my life doesn’t exist. Does not exist. There’s never any centre to it. No path, no line. There are great spaces where you pretend there used to be someone, but it’s not true, there was no one.”\
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The young Marguerite DurasShe has pretty hair, copper hair that spools down her back in waves of alluring movement. People always comment on how beautiful her hair is which she interprets to mean that they don’t find her pretty. She cuts her hair off. She wears what is left in pigtails. She buys a man’s hat that is certainly eccentric for a young girl to wear in Saigon in 1929. She wants people to notice her eyes, her lips, certainly something other than her hair. She wants reassurance that her beauty is larger than one exquisite feature. She is fifteen and a half. Her father is dead. Her mother is poor. Her older brother is a layabout, spoiled by her mother. Her other brother is nice, but no match for the rest of the family. She is lost in a world between adulthood and childhood, a dream world, and a world of harsh realities. Her mother insists that she study mathematics, but she wants to be a writer. She has a friend at school. A lovely friend totally uninhibited and unaware of how beautiful she is. ”Hélène Logonelle’s body is heavy, innocent still, her skin’s as soft as that of certain fruits, you almost can’t grasp her, she’s almost illusory, it’s too much….I am worn out with desire for Hélène Logonelle. I am worn out with desire.”He has a limousine with a chauffeur. He is rich, or let me be more precise, his father is rich. He is Chinese. He is infatuated with her. He trembles with fear born desire.She wants them both. ”I’d like to give Hélène Lagonelle to the man who does that to me, so he may do it in turn to her. I want it to happen in my presence, I want her to do it as I wish, I want her to giver herself where I give myself. It’s via Hélène Logonelle’s body, through it, that the ultimate pleasure would pass from him to me. A pleasure unto death.”\
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Tony Leung Ka Fai and Jane March star in the 1992 French Film.He is twenty-seven, but it is as if she were older. He is slender, insubstantial, built like a boy. A man trapped in a young mind. Arrested development. ”He often weeps because he can’t find the strength to love beyond fear. His heroism is me, his cravenness is his father’s money.” He is hindered instead of strengthened by his father. He is obsessed with her, with her nubile body, but knows his father will never let him keep her. ”She wasn’t sure that she hadn’t loved him with a love she hadn’t seen because it had lost itself in the affair like water in sand and she rediscovered it only now, through this moment of music flung across the sea.”This book is based on the real life of Marguerite Donnadieu better known as Marguerite Duras. She was born in Saigon and did have a wealthy, much older, Chinese lover. At fifteen I think most of us believe we will love many people. We will have many exciting affairs of the heart. True love will be a field of flowers not a single stem already residing in the hand. At fifteen, even when we think we are in love, we can’t know whether it is real. Our basis of comparison is too slender, too new, too wrapped in hormonal need to really know what we feel is love. \
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I love this picture of Marguerite Duras. The languid, weighted eyelids are a point of fascination.She wrote this novel at the age of seventy. After fifty-five years I’m sure that Duras’s memories have been filtered through many lenses. The sepia tones of her time with her Chinese lover have deepened. The uncertainty is gone and she is left with clear, concise, brush strokes of a commemoration of lost love. This is a novel and from what I read there are deviations from her nonfiction accounts of her first affair, but this book reads of truth. The reader is left with a precise picture of a young woman who may have lost some of her innocence, but gains a self-confidence to break away from her meaningless life and swim for a new shore. If you wish to see more of my most recent book and movie reviews, visit http://www.jeffreykeeten.comI also have a Facebook blogger page at:https://www.facebook.com/JeffreyKeeten

Who am I? Am I the sum of my family's biological and social imprint on myself, or am I what is left after subtracting that sum from the total of me? Jamaica Kincaid writes a compelling autobiography of a fictitious character's mother, who died at the birth of the narrator and yet had such strong influence on her life. How do we play with the cards we are dealt? Do we even know the rules of the various card game(s) we (un)engage in? Why does it seem we always have fewer cards than we need, and not the right ones at any given moment?Life's both complicated and banal, lovely and lonely, strange and familiar. And thus, this novel on life is all those things as well. My life is a little richer for having read it!

Mad Love has been acknowledged an undisputed classic of the surrealist movement since its first publication in France in 1937. Its adulation of love as both mystery and revelation places it in the most abiding of literary traditions, but its stormy history and technical difficulty have prevented it from being translated into English until now. "There has never been any forbidden fruit. Only temptation is divine," writes André Breton, leader of the surrealists in Paris in the 1920s and '30s. Mad Love is dedicated to defying "the widespread opinion that love wears out, like the diamond, in its own dust." Celebrating breton's own love and lover, the book unveils the marvelous in everyday encounters and the hidden depths of ordinary things.

Ce roman est un chant d'amour à cette 'troisième dimension' de l'homme et de la femme : le couple.L'union de Yannick et Michel est rompue par un destin inéluctable. Mais un désespoir d'amour qui désespérerait de l'amour est pour eux une contradiction qu'ils ne peuvent admettre. Il faut donc triompher de la mort. Yannick dit à Michel : 'Je vais disparaître, mais je veux rester femme. Je te serai une autre. Va vers elle. Va à la rencontre d'une autre patrie féminine. La plus cruelle façon de m'oublier, ce serait de ne plus aimer.' Et c'est ainsi qu'apparaît Lydia et que se reformera, dans une célébration passionnée, au-delà de l'éphémère, la patrie du couple, où 'tout ce qui est féminin est homme, tout ce qui est masculin est femme'.

One of Zola's most famous realist novels, Therese Raquin is a clinically observed, sinister tale of adultery and murder among the lower classes in nineteenth-century Parisian society.Set in the claustrophobic atmosphere of a dingy haberdasher's shop in the passage du Pont-Neuf in Paris, this powerful novel tells how the heroine and her lover, Laurent, kill her husband, Camille, but are subsequently haunted by visions of the dead man, and prevented from enjoying the fruits of their crime.Zola's shocking tale dispassionately dissects the motivations of his characters--mere "human beasts", who kill in order to satisfy their lust--and stands as a key manifesto of the French Naturalist movement, of which the author was the founding father. Published in 1867, this is Zola's most important work before the Rougon-Macquart series and introduces many of the themes that can be traced through the later novel cycle.

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  What would you change if you could go back in time?\
In a small back alley in Tokyo, there is a café which has been serving carefully brewed coffee for more than one hundred years. But this coffee shop offers its customers a unique experience: the chance to travel back in time.In Before the Coffee Gets Cold, we meet four visitors, each of whom is hoping to make use of the café’s time-travelling offer, in order to: confront the man who left them, receive a letter from their husband whose memory has been taken by early onset Alzheimer's, to see their sister one last time, and to meet the daughter they never got the chance to know.But the journey into the past does not come without risks: customers must sit in a particular seat, they cannot leave the café, and finally, they must return to the present before the coffee gets cold . . .Toshikazu Kawaguchi’s beautiful, moving story explores the age-old question: what would you change if you could travel back in time? More importantly, who would you want to meet, maybe for one last time?

When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.

Carrying on the Prom Night tradition, this film begins back at Hamilton High School on Prom Night in 1957. As a young couple are enjoying a romantic moment together in the back seat of a car, they are interrupted by Father Jonas, a priest who slashes and immolates the lovers. Thirty years later, Jonas gets loose from the chapel basement where the church fathers had been secretly keeping him locked up and drugged. As luck would have it, it's prom night again, and group of four students have unfortunately chosen Jonas's hideout as their secluded getaway spot.

Harry Keach has been widowed for two years and works as a bulldozer operator on a construction crew. Despite having a strong work ethic, that working life is cut short when health issues lead to him no longer being able to do the job. Harry has a strained relationship with his two grown children: Nina, who, with her insurance salesman husband, seems more concerned about what they can receive in material possessions through her relationship with Harry; and Howard, who still lives with Harry. Howard is an aspiring writer, but as a person who lives in the here and now would rather hang out having fun than find work in a steady job when he isn't writing. Despite Harry loving Howard and Howard loving Harry, the strain in their relationship is brought to the fore as Howard can work but won't while Harry wants to work but can't. Especially while they still live together, the two have to come to a new understanding as they move into the next phase of their respective lives, Howard's which includes his on-again, off-again relationship with girlfriend Katie Wilowski, that off again status due to Katie being pregnant with another man's child, and Harry's which includes Howard's want for him to start thinking about women again.

Fox Rich is a fighter. The entrepreneur, abolitionist and mother of six boys has spent the last two decades campaigning for the release of her husband, Rob G. Rich, who is serving a 60-year sentence for a robbery they both committed in the early 90s in a moment of desperation. Combining the video diaries Fox has recorded for Rob over the years with intimate glimpses of her present-day life, director Garrett Bradley paints a mesmerizing portrait of the resilience and radical love necessary to prevail over the endless separations of the country's prison-industrial complex.

The vacationers at a winter wonderland struggle to survive after an avalanche of snow crashes into their ski resort. Their holiday then turns into a game of survival.

An oil company is exploring two Arctic sites for oil. The needed blasting at the first site rocks Santa Claus' North Pole village. He realizes that any blasting at the second site will destroy his home. He enlists the aid of a woman and her children to convince her husband (who works for the company) that the first site is where the oil they want is. Along the way, Santa explains all his secrets in delivering presents all around the world.

A small-town kid hears about the wild nights of cruising the boulevard in Van Nuys, California. He drives out there to check it out, and gets involved with drag racers, topless dancers and bikers.

Nineteen years after President Timothy Kegan (John Warner) was assassinated, his brother Nick (Jeff Bridges) discovers a dying man claiming to have been the gunman. While trying to avoid his wealthy and domineering father's attempts to control his actions, Nick follows the clues that have been handed to him. As he progresses, it becomes increasingly difficult to discern the real trails from the dead ends, and increasing dangerous as unknown parties try to stop Nick from uncovering the truth.

Working for the Utah state government as a report writer, Charles Richardson reminisces about his past love affair with Laura Connolly, with who he was immediately attracted upon first sight when she worked in the file section of his office. Their relationship was despite Laura then being married to ex-football player Jim, nicknamed Ox, he bringing an adolescent daughter, Rebecca, into their blended family. When she and Charlie met, Laura was already on a trial separation from Ox, which always tainted Laura and Charlie's relationship in her sense of guilt as Ox never did anything bad to precipitate that separation. Charlie can't help but think about Laura as he is still in love with her and wants to get back together with her, their relationship which ended when she returned to Ox, who never knew about Charlie in her life. Charlie's thoughts about Laura are only one complication in his life, those other complicating people being: his perpetually "glass-half-full" sister Susan, who shares the house he inherited from their grandmother; his longtime best friend Sam Maguire, a men's garment salesman who is even less motivated with work than Charlie; his mother Clara, whose eccentricities and suicidal tendencies may solely be a cry for attention; Clara's current husband Pete, who wants a bromance with Charlie despite knowing Charlie doesn't much like him; his boss, Mr. Patterson, who continually uses him as a guidance counselor in issues related to his teenage son; and his typist Betty, who is attracted to Charlie herself not knowing about his and Laura's past relationship, and who Charlie consciously and unconsciously uses in knowing she still is in touch with Laura.

At an exclusive, secluded North American ski resort up on Mount Rocky Summit, brutal slashing, severing and beheading on a group of teenagers are taking place and are believed to be the work of a mysterious skier dressed in black.

The movie tells the stories of nine girls from different parts of the world who face arranged marriages, child slavery, and other heartbreaking injustices. Despite these obstacles, the brave girls offer hope and inspiration. By getting an education, they're able to break barriers and create change.

Yvan De Wiel, a private banker from Geneva, goes to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumours, who disappeared overnight.

In morte veritas. Georgia Byrd clerks at a New Orleans department store. She defers pleasure: cooks gourmet meals, eats Lean Cuisine; likes a co-worker in silence; has savings, but hasn't left Louisiana. All that changes when a CT Scan discloses she has three weeks to live. She cashes her savings and heads to Grandhotel Pupp in the Czech Republic, where Chef Didier presides. She checks into the Presidential Suite, orders everything on the menu, snowboards, and comes to the attention of the chef and the hotel's powerful American guests: a Congressman, a Senator, a retail magnate, and his mistress. She has nothing to lose, so she tells them what she thinks. Will the truth set them free?

Detective Raymond Pope is a detective of questionable morals, searching for his missing wife. His investigation leads him to the wealthy estate of the enigmatic Elizabeth Kane and her young maid Irina. Under Elizabeth's fascinating looks and aristocratic manners hides a terrifying secret,shared by her companion Irina. As Detective Pope finds himself perversely drawn to the powerful Elizabeth, bodies begin to surface, his inquiries only deepening the mystery surrounding Elizabeth's past. Pope's obsession grows so intense that he completely fails to anticipate Elizabeth's reaction to his intrusion into her dark world, a fatal mistake that might cost him his life and the lives of those close to him.

2004 film directed by Wilhelm Liebenberg and Federico Sanchez

London-based Emily Wang gained minor notoriety from her VJ-ing on cable television. She is now more renowned for being the longtime girlfriend and pseudo manager of rock musician Lee Hauser, who seems to be on the brink of stardom. Those that know the couple believe she is a bad influence on him, and is the reason why he is a junkie. After Lee dies from an accidental heroin overdose and Emily is imprisoned for six months on possession charges, she learns that the courts have awarded custody of their young adolescent son, Jay, to Lee's aging parents, Albrecht and Rosemary Hauser, who live in Vancouver. A concerned Albrecht asks that she not attempt to see Jay for at least two years while she cleans up her act so as to give Jay a fighting chance at a decent life. Emily initially agrees, knowing that she is in no position to look after Jay. To regain her life, she decides to move back to her old stomping grounds of Paris. As Emily tries mostly unsuccessfully to become clean while eking out a living doing what she wants to earn money, which is primarily still in the realm of rock music, Rosemary poisons Jay's mind about his mother. Caught in the middle is Albrecht, who, out of personal circumstance, wants Jay to eventually have a relationship with his mother if only because he knows that he and Rosemary will not be able to look after Jay until adulthood and that Emily is the only other family he has.

Documentary looks at the daily life of a pig and its farm animal companions: two cows and a one-legged chicken.

In Paris, Chinese cinema student Song Fang is hired to work as the nanny of Simon by his divorced mother Suzanne, who works voicing marionettes in a theater. Suzanne is having troubles with her tenant Marc, who does not pay the rent, while she waits for the return of her older daughter Louise, who lives with her father in Brussels.

Canadian/Swiss/French production that tells the tale of Hannah, a tomboyish 13 year-old hitting puberty in 1963. An unhappy and uncomfortable family life leads Hannah to seek escapism in the world of cinema. Specifically, she repeatedly watches and appears enthralled by Nana (Anna Karina), the character from Jean-Luc Godard's "Vivre sa vie" (1962) about a Parisian woman's descent into prostitution. Her confusion surrounding what is real leads to a crush for her female teacher and her actively pursuing what it's like to be a prostitute for an evening.

A photographer and his wife take photographs of Armenian churches for use in a calendar. Their driver, a local resident, expounds on the history of the churches while the wife translates. The photographer becomes jealous of his wife's bonding with the driver. In a series of flash-forwards, the photographer stages identical dinners with several women, who pretend to talk on the phone while he writes. His wife, now estranged from him, leaves repeated messages on his answering machine, asking why he never contacts her. Yet another thought-provoking look into strange, intertwined relationships from the always enigmatic Egoyan.

Young Native American man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by Arnold. Arnold soon left his family (and his tough son Victor), and Victor hasn't seen his father for 10 years. When Victor hears Arnold has died, Thomas offers him funding for the trip to get Arnold's remains, but only if Thomas can also go with him. Thomas and Victor hit the road.

A loner and cook (John Magaro) has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds connection with a Chinese immigrant (Orion Lee). The men collaborate on a business, although its longevity is reliant upon the participation of a wealthy landowner's prized milking cow.

French writer and film director (1914-1996)

English modernist writer known for use of stream of consciousness

French philosopher, social activist and Christian mystic

First Nation novelist from Quebec, Canada

English playwright, novelist, short story writer (1874-1965)

In August 2005, the American city of New Orleans was struck by the powerful Hurricane Katrina. Although the storm was damaging by itself, that was not the true disaster. That happened when the city's flooding safeguards like levees failed and put most of the city, which is largely below sea level, underwater. This film covers that disastrous series of events that devastated the city and its people. Furthermore, the gross incompetence of the various governments and the powerful from the local to the federal level is examined to show how the poor and underprivileged of New Orleans were mistreated in this grand calamity and still ignored today.

2006 documentary film directed by Spike Lee

Gordon Ramsay, Nyesha Arrington, and Richard Blais compete together on what is the next evolution in cooking competitions.

A culinary guessing game in which bakers must decode what type of dessert was made, when all that's left are a few clues. They have to recreate the recipe and the jury will determine how closely it matches the missing dessert.

Cooked with Cannabis is a competitive cooking show where three chefs make cannabis infused meals for a chance to win $10,000. Co-hots Kelis and Leather Storrs judge the contestants with the assistance of their "best buds" who are guests on the show.

Based on a compelling true story, the hit 2019 Edinburgh Fringe one-man stage-play Baby Reindeer follows the writer and performer Richard Gadd's warped relationship with his female stalker and the impact it has on him as he is ultimately forced to face a deep, dark buried trauma.

The show takes 10 hot singles who are notorious commitment-phobes when it comes to relationships, and it puts them in an island villa together for what they think is going to be a four week sexcation. But when they get there, they're told there's prize money involved, and it depends on all of them remaining abstinent for the four week retreat.

A number of food trucks in a competition to see who earns the most money, with the lowest earning truck kicked off at the end of each episode.

Teams of chefs vie to impress some of the world's toughest palates as they whip up iconic dishes from different nations in this reality cooking competition.

Set in Wisconsin in 1995, Follows Leia Forman, daughter of Eric (Topher Grace) and Donna (Laura Prepon), who is visiting her grandparents for the summer and bonds with a new generation of Point Place kids under the watchful eye of Kitty and the stern glare of Red. Sex, drugs and rock 'n' roll never dies, it just changes clothes.

Organizers Clea Shearer and Joanna Teplin of The Home Edit conquer clutter and transform lives. Reese Witherspoon and Molly Sims coproduce.

Angsty and awkward fifteen year old Ginny Miller often feels more mature than her thirty year old mother, the irresistible and dynamic Georgia Miller. After years on the run, Georgia desperately wants to put down roots in picturesque New England and give her family something they've never had a normal life. But it's not all carpool and Kombucha as Georgia's past threatens her and her family's new way of life and Georgia will do anything to protect her family.

Eight bakers compete in making delicious and innovative holiday treats for a chance to be named the Holiday Baking Champion and win $50,000.

The best 10 to 13-year-old bakers compete against each other for the title of Kids Baking Champion.

Eight professional bakers compete to win the title of the Spring Baking Champion and $50,000. Each round is started with a preheat challenge and the winner gains an advantage for the main heat. The loser of the main heat is sent home. Each episode features different baked goods and techniques.

In Los Angeles, Patti Stanger runs an agency that pairs millionaires with the men and women of their dreams.

Witch House

movielover89

Katie

SandraFernandes

Laurasnowhere

Leah

Jonathan

Ines Fris

Jonsilver

lorem ipsum

Aya Hadi Kareem

samar ali

Kerry Brewer

Unscene

Tweaker

Dustin Wehr

Filip Lubiński

Sabih Ali

Sylvain

Queerness and queer horror — which is to say horror that is about or aestheticizes queerness, otherness, sexual deviancy, as experience, metaphor, dream, and nightmare — are embedded in the history of the genre, from Bram Stoker’s novel Dracula to James Whale’s 1935 film The Bride of Frankenstein. From a masked killers (one of which uses a dildo knife) to genderqueer dolls, the films selected for this program elaborate upon and extrapolate from queerness not merely as identity but as aesthetic impulse, rooted in subversion, confrontation, camp, an understanding of queerness as a tool to challenge, or deconstruct, normative ideas in art and society. Drenched in blood, paranoia, and forbidden desire, horror is queer down to the bone. 

An eccentric scientist changes the world with his teleportation technology: when his experiment seems to be going well, Dr. Seth Brundle tests his mac

Nerdy, reserved bookworm Needy Lesnicki, and arrogant, conceited cheerleader Jennifer Check are best friends, though they share little in common. They

Oskar, a bullied 12-year old, dreams of revenge. He falls in love with Eli, a peculiar girl. She can't stand the sun or food and to come into a room s

2008 Swedish horror romance film directed by Tomas Alfredson

When Kirsty's father, Larry, and stepmother, Julia, move into Larry's childhood home, Kirsty and her boyfriend take a room nearby. Unfortunately for a

1987 horror film directed by Clive Barker

Bury Your Gays: Queer Horror

movie

Kyle Turner

Pride month is over, but shouldn’t everyday be pride? Here’s a list of awesome artists who bravely wave the pride flag even in the face of adversity of an oftentimes toxic industry.

American rapper, producer, visual artist, and fashion designer from California

LGBTQ Hip-Hop Artists Who Thrive Against All Odds

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The best black movies with African-American themes, protagonists, dilemmas and all the pain, drama and pleasure that comes with the territory of being a brother or a sister! 

In Harlem, 1987. Sixteen year old Claireece Jones - who goes by her middle name Precious - is illiterate and overweight. She is pregnant with her seco

This film follows the life of Celie, a young black girl growing up in the early 1900's. The first time we see Celie, she is 14 - and pregnant - by her

Writer and Director John Singleton's portrayal of social problems in inner-city Los Angeles, California takes the form of a tale of three friends grow

The story of Ray Charles (played by Jamie Foxx), music legend. Told in his adult life with flashbacks to his youth we see his humble origins in Florid

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