Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

A Manual for Cleaning Women compiles the best work of the legendary short-story writer Lucia Berlin. With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place.

Confessions of a Mask tells the story of Kochan, an adolescent boy tormented by his burgeoning attraction to men: he wants to be “normal.” Kochan is meek-bodied, and unable to participate in the more athletic activities of his classmates. He begins to notice his growing attraction to some of the boys in his class, particularly the pubescent body of his friend Omi. To hide his homosexuality, he courts a woman, Sonoko, but this exacerbates his feelings for men. As news of the War reaches Tokyo, Kochan considers the fate of Japan and his place within its deeply rooted propriety.Confessions of a Mask reflects Mishima’s own coming of age in post-war Japan. Its publication in English―praised by Gore Vidal, James Baldwin, and Christopher Isherwood―propelled the young Yukio Mishima to international fame.

Set in the 1950s Paris of American expatriates, liaisons, and violence, a young man finds himself caught between desire and conventional morality. With a sharp, probing imagination, James Baldwin's now-classic narrative delves into the mystery of loving and creates a moving, highly controversial story of death and passion that reveals the unspoken complexities of the human heart.

Part manifesto, part memoir, This Wound is a World is an invitation to “cut a hole in the sky to world inside.” Billy-Ray Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder sadness and pain like theirs without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay.”

Sur une île au large de Cherbourg, un vieil homme et une jeune fille vivent isolés, entourés de serviteurs et de gardes du corps, à l’abri de tout reflet ; en aucun cas Hazel ne doit voir son propre visage.Engagée pour soigner la jeune fille, Françoise, une infirmière, va découvrir pourquoi Hazel se résigne aux caresses du vieillard. Elle comprendra au prix de quelle implacable machination ce dernier assouvit un amour fou, paroxystique…Au cœur de ce huis clos inquiétant, Amélie Nothomb retrouve ses thèmes de prédilection : l’amour absolu et ses illusions, la passion indissociable de la perversité.*** Book in French language ! ***Assez bon état (un peu marqué aux coiffes), in12 broché, n°14911 , Auteur : NOTHOMB, Amélie , Titre : Mercure , couverture souple, format poche , éditions : Le livre de poche de 2000

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard.With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

This is a prose translation of the lais or poems attributed to Marie de France. Little is known of her but she was probably the Abbess of the abbey at Shaftesbury in the late 12th century, illegitimate daughter of Geoffrey Plantagenet and hence the half-sister of Henry II of England. It was to a king, and probably Henry II, that she dedicated these poems of adventure and love which were retellings of stories which she had heard from Breton minstrels. She is regarded as the most talented French poet of the medieval period.

A groundbreaking work of science fiction, The Left Hand of Darkness tells the story of a lone human emissary to Winter, an alien world whose inhabitants can choose - and change - their gender. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the completely dissimilar culture that he encounters.Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction.

The Complete Stories brings together all of Kafka’s stories, from the classic tales such as “The Metamorphosis,” “In the Penal Colony,” and “A Hunger Artist” to shorter pieces and fragments that Max Brod, Kafka’s literary executor, released after Kafka’s death. With the exception of his three novels, the whole of Kafka’s narrative work is included in this volume. --penguinrandomhouse.comTwo Introductory parables: Before the law --Imperial message --Longer stories: Description of a struggle --Wedding preparations in the country --Judgment --Metamorphosis --In the penal colony --Village schoolmaster (The giant mole) --Blumfeld, and elderly bachelor --Warden of the tomb --Country doctor --Hunter Gracchus --Hunter Gracchus: A fragment --Great Wall of China --News of the building of the wall: A fragment --Report to an academy --Report to an academy: Two fragments --Refusal --Hunger artist --Investigations of a dog --Little woman --The burrow --Josephine the singer, or the mouse folk --Children on a country road --The trees --Clothes --Excursion into the mountains --Rejection --The street window --The tradesman --Absent-minded window-gazing --The way home --Passers-by --On the tram --Reflections for gentlemen-jockeys --The wish to be a red Indian --Unhappiness --Bachelor's ill luck --Unmasking a confidence trickster --The sudden walk --Resolutions --A dream --Up in the gallery --A fratricide --The next village --A visit to a mine --Jackals and Arabs --The bridge --The bucket rider --The new advocate --An old manuscript --The knock at the manor gate --Eleven sons --My neighbor --A crossbreed (A sport) --The cares of a family man --A common confusion --The truth about Sancho Panza --The silence of the sirens --Prometheus --The city coat of arms --Poseidon --Fellowship --At night --The problem of our laws --The conscripton of troops --The test --The vulture --The helmsman --The top --A little fable --Home-coming --First sorrow --The departure --Advocates --The married couple --Give it up! --On parables.

Saint Joan: A Chronicle Play in Six Scenes and an Epilogue, George Bernard Shaw Saint Joan is a play by George Bernard Shaw about 15th century French military figure Joan of Arc. Premiering in 1923, three years after her canonization by the Roman Catholic Church, the play dramatises what is known of her life based on the substantial records of her trial. Shaw studied the transcripts and decided that the concerned people acted in good faith according to their beliefs. He wrote in his preface to the play: There are no villains in the piece. Crime, like disease, is not interesting: it is something to be done away with by general consent, and that is all [there is] about it. It is what men do at their best, with good intentions, and what normal men and women find that they must and will do in spite of their intentions, that really concern us.Shaw characterised Saint Joan as "A Chronicle Play in 6 Scenes and an Prologue or Preface". Joan, a simple peasant girl, claims to experience visions of Saint Margaret, Saint Catherine, and the archangel Michael, which she says were sent by God to guide her conduct.تاریخ نخستین خوانش: روز بیست و ششم ماه فوریه سال 2012 میلادیعنوان: ژاندارک (ژان مقدس)؛ نویسنده: جرج برنارد شاو؛ مترجم: محمود حیدریان (آرش)؛ تهران، گام، 1363؛در 215 ص؛یادمان بماند که: ذره ای حقیقت پشت هر «فقط یه شوخی بود»، کمی کنجکاوی پشت «همینطوری پرسیدم»، قدری احساسات پشت «به من چه اصلا...»، و مقداری خِرَد پشت «چه میدونم»، و اندکی درد پشت «اشکال ندارد»، هماره هستژاندارک یا دوشیزه ی ارلئان، دوشیزه ی قهرمان ملی فرانسه، و دوشیزه ای در کلیسای کاتولیک بودند. در جنگ صد ساله بر ضد انگلستان، رهبری فرانسوی‌ها را برعهده داشتند. در نزدیکی شهر کُنپی ینی، به خاطر خیانت شهردار شهر، توسط بورگونی‌ها، اسیر و به انگلیسی‌ها فروخته شد. ژان دارک در یک دادگاه کلیسایی، توسط اسقفِ بووه پیر کوشون، به جرم ضدیت با قوانین کلیسا، محکوم، و در میدان ویومارشه شهرِ روآن، سوزانده شد. چندی بعد، در یک دادگاه تجدیدنظر، در سال 1456 میلادی، شرافت این دوشیزه ی قهرمان، باز هم به اثبات رسید. ا. شربیانی

The remarkable French thinker Simone Weil is one of the leading intellectual and spiritual figures of the twentieth century. A legendary essayist, political philosopher and member of the French resistance, her literary output belied her tragically short life. Most of her work was published posthumously, to widespread acclaim. Always concerned with the nature of individual freedom, Weil explores in Oppression and Liberty its political and social implications. Analysing the causes of oppression, its mechanisms and forms, she questions revolutionary responsesand presents a prophetic view of a way forward. If, as she noted elsewhere, 'the future is made of the same stuff as the present', then there will always be a need to continue to listen to Simone Weil.

Narrated in the form of a Powerbook entry by Dan Underwood, a computer programmer for Microsoft, this state-of-the-art novel about life in the '90s follows the adventures of six code-crunching computer whizzes. Known as "microserfs," they spend upward of 16 hours a day "coding" (writing software) as they eat "flat" foods (such as Kraft singles, which can be passed underneath closed doors) and fearfully scan the company email to see what the great Bill might be thinking and whether he is going to "flame" one of them. Seizing the chance to be innovators instead of cogs in the Microsoft machine, this intrepid bunch strike out on their own to form a high-tech start-up company named Oop! in Silicon Valley. Living together in a sort of digital flophouse --"Our House of Wayward Mobility" -- they desperately try to cultivate well-rounded lives and find love amid the dislocated, subhuman whir and buzz of their computer-driven world.Funny, illuminating and ultimately touching, Microserfs is the story of one generation's very strange and claustrophobic coming of age.

Andy, Dag and Claire have been handed a society priced beyond their means. Twentysomethings, brought up with divorce, Watergate and Three Mile Island, and scarred by the 80s fall-out of yuppies, recession, crack and Ronald Reagan, they represent the new generation - Generation X.Fiercely suspicious of being lumped together as an advertiser's target market, they have quit dreary careers and cut themselves adrift in the California desert. Unsure of their futures, they immerse themselves in a regime of heavy drinking and working at no-future McJobs in the service industry.Underemployed, overeducated, intensely private and unpredictable, they have nowhere to direct their anger, no one to assuage their fears, and no culture to replace their anomie. So they tell stories; disturbingly funny tales that reveal their barricaded inner world. A world populated with dead TV shows, 'Elvis moments' and semi-disposable Swedish furniture...

Pas exactement ce à quoi je m'attendais.Je croyais que j'aurais affaire à un récit, à quelque chose d'un peu plus linéaire.Ce livre ressemble plutôt à un album de photos... À travers les bribes d'histoire relatées à chaque page, instants croqués sur le vif de l'espoir, la déchéance, les victoires et les défaites, bref la vie de différents personnages, narrées à la 1ère, 2ème ou 3ème personne, on entrevoit effectivement des liens qui se tissent. Ceci dit, malgré une langue assez belle et des tableaux intéressants, et bien que le livre lui-même soit assez court, le style m'est apparu un tantinet longuet ou redondant... Peut-être aurais-je préféré quelque moments de répit dans cette succession de pensées et d'extraits de vies, un passage un peu plus approfondi où se poser un instant. Ceci dit, somme toute, une lecture plaisante et rapide.

Cakes and Ale is a delicious satire of London literary society between the Wars. Social climber Alroy Kear is flattered when he is selected by Edward Driffield's wife to pen the official biography of her lionized novelist husband, and determined to write a bestseller. But then Kear discovers the great novelist's voluptuous muse (and unlikely first wife), Rosie. The lively, loving heroine once gave Driffield enough material to last a lifetime, but now her memory casts an embarrissing shadow over his career and respectable image. Wise, witty, deeply satisfying, Cakes and Ale is Maugham at his best.

A brilliant woman who was a study in fiercely maintained contradictions, a star student who went to work on a factory line, a Jewish convert to Catholicism who insisted on refusing baptism, Simone Weil is one of the most intransigent and taxing of spiritual masters, always willing to push her thinking—and us—one step beyond the apparently reasonable in pursuit of the one truth, the one good. She asks hard questions and avoids easy answers. In this essay—now in English for the first time—she challenges the foundation of the modern liberal political order, making an argument that will have particular resonance in present-day America. Examining the dynamic of power and propaganda caused by party spirit, the increasing disregard for truth in favor of opinion, and the consequent corruption of education, journalism, and art, Weil proposes that politics can only begin where the party spirit comes to an end.This volume also reprints an admiring portrait of Weil by the Nobel laureate Czeslaw Milosz and an essay about Weil’s friendship with Albert Camus by the translator Simon Leys.Quotes:At a time when the distrust and disenchantment Americans feel with politics runs deeper than the Mariana Trench, Weil’s essay ‘On the Abolition of All Political Parties’ would no doubt be a best seller.—Robert Zaretsky, from “Recalling the Apostle of Nonpartisanship,” The New York TimesWhat makes her thought so special, so bracing and so strange, is its combination of philosophical rigour and spiritual compass…Only a saint could withstand the pressure to conform to the prefabricated morality of the political realm; only a genius could formulate an idea outside the ‘for’ or ‘against’ thinking so long inculcated by party politics that it has become a kind of ‘intellectual leprosy.’ The tone and texture of this vivid editorial, however, renews a certainty that Weil was both.—The AustralianWeil’s writing is unusual and compelling, in part, because it is both quite strictly rational and eccentrically spiritual. Her argumentation is so compact, so holistic, each sentence and paragraph building methodically on its predecessor, that trying to précis her is probably futile. To omit anything from a summary of her writing is to short-change her. She writes modestly and without flair, but her words all but radiate moral and intellectual conviction.—Australian Book Review[Source: http://www.nybooks.com/books/imprints...]

Librarian's note: An alternate cover edition can be found hereIn 1976, a uniquely seductive world of vampires was unveiled in the now-classic Interview with the Vampire . . . in 1985, a wild and voluptous voice spoke to us, telling the story of The Vampire Lestat.  In The Queen of the Damned, Anne Rice continues her extraordinary "Vampire Chronicles" in a feat of mesmeric storytelling, a chillingly hypnotic entertainment in which the oldest and most powerful forces of the night are unleashed on an unsuspecting world.Three brilliantly colored narrative threads intertwine as the story unfolds:- The rock star known as Vampire Lestat, worshipped by millions of spellbound fans, prepares for a concert in San Francisco.  Among the audience--pilgrims in a blind swoon of adoration--are hundreds of vampires, creatures who see Lestat as a "greedy fiend risking the secret prosperity of all his kind just to be loved and seen by mortals," fiends themselves who hate Lestat's power and who are determined to destroy him . . . - The sleep of certain men and women--vampires and mortals scattered around the world--is haunted by a vivid, mysterious dream: of twins with fiery red hair and piercing green eyes who suffer an unspeakable tragedy.  It is a dream that slowly, tauntingly reveals its meaning to the dreamers as they make their way toward each other--some to be destroyed on the journey, some to face an even more terrifying fate at journey's end . . . - Akasha--Queen of the Damned, mother of all vampires, rises after a 6,000 year sleep and puts into motion a heinous plan to "save" mankind from itself and make "all myths of the world real" by elevating herself and her chosen son/lover to the level of the gods: "I am the fulfillment and I shall from this moment be the cause" . . . These narrative threads wind sinuously across a vast, richly detailed tapestry of the violent, sensual world of vampirism, taking us back 6,000 years to its beginnings.  As the stories of the "first brood" of blood drinkers are revealed, we are swept across the ages, from Egypt to South America to the Himalayas to all the shrouded corners of the globe where vampires have left their mark. Vampires are created--mortals succumbing to the sensation of "being enptied, of being devoured, of being nothing." Vampires are destroyed.  Dark rituals are performed--the rituals of ancient creatures prowling the modern world.  And, finally, we are brought to a moment in the twentieth century when, in an astonishing climax, the fate of the living dead--and perhaps of the living, all the living--will be decided.From the Hardcover edition.

Along with Neighbor Dorothy, the lady with the smile in her voice, whose daily radio broadcasts keep us delightfully informed on all the local news, we also meet Bobby, her ten-year-old son, destined to live a thousand lives, most of them in his imagination; Norma and Macky Warren and their ninety-eight-year-old Aunt Elner; the oddly sexy and charismatic Hamm Sparks and the two women who love him as differently as night and day. Then there is Tot Whooten; Beatrice Woods, the Little Blind Songbird; Cecil Figgs, the Funeral King; and the fabulous Minnie Oatman. The time is 1946 until the present. The town is Elmwood Springs, Missouri, right in the middle of the country, in the midst of the mostly joyous transition from war to peace, aiming toward a dizzyingly bright future.

A mysterious and mythical motorcycle racer, Luke, (Ryan Gosling) drives out of a traveling carnival globe of death and whizzes through the backstreets of Schenectady, New York, desperately trying to connect with a former lover, Romina, (Eva Mendes) who recently and secretly gave birth to the stunt rider's son. In an attempt to provide for his new family, Luke quits the carnival life and commits a series of bank robberies aided by his superior riding ability. The stakes rise as Luke is put on a collision course with an ambitious police officer, Avery Cross, (Bradley Cooper) looking to quickly move up the ranks in a police department riddled with corruption. The sweeping drama unfolds over fifteen years as the sins of the past haunt the present days lives of two high school boys wrestling with the legacy they've inherited. The only refuge is found in the place beyond the pines.

In Bosnia and Herzegovina during 1993 at the time of the heaviest fighting between the two warring sides, Nino and Ciki, two soldiers from opposite sides of the conflict, become trapped in no man's land while a third soldier becomes a living booby trap.

Maurice Russell, once a great actor, is now living in London in the twilight of his life. Those of his generation remember him fondly, while those in the younger generations have no idea who he is. He spends most of his time hanging out with his friends Ian, also an actor, and Donald, or visiting with his wife Valerie for who he has great affection but with who he no longer lives. His acting career is virtually over, he only taking roles on the odd occasion when he needs the money. Ian has decided to invite his young great-niece Jessie from the provinces to come and stay with him, basically to act as his caregiver in case he falls ill, but also to be his companion. He envisions listening to Bach with her and her cooking him food to which he is accustomed. Jessie's stay is nothing as he envisions. She doesn't know how to cook, she drinks all his alcohol, and she has unrealistic visions of what she will accomplish in her life. Maurice, however, sees in Jessie, a person who can help him recapture part of his youth and vigor, including more fully realizing his thoughts of sex. Maurice calls her Venus, after one of his favorite paintings. As Maurice and Jessie spend more time together, they use each other to get what they want. But it isn't until Maurice approaches the end of his life will either understand if what they have is true friendship.

Sub-titled "The Birth of Extreme", this documetary takes a look at the transformation of skateboarding from its former image as a land-bound pastime for surfers to its status today as an extreme and acrobatic sport in its own right. Starting from the California surf community of Dogtown, the film follows the evolution of modern skateboarding through it's 70's heyday, its decline during the 80's, and its eventual (and highly lucrative) return in the 90's.

Two families, sort of neighbours in Manhattan, cross paths as they navigate marriage, parenthood of a teen, ennui, a first date, and end-of-life care. Rebecca and Mary are sisters; their cranky 91-year-old grandmother's neighbours, Kate and Alex, run an upscale retro-furniture business, and will expand into her flat after she dies. Rebecca is quiet, without a boyfriend until a patient at the clinic where she works introduces her grandson. Mary is acerbic, stung by a recent breakup. Kate looks for meaning in her life, wondering if she should volunteer. Alex, too, is at loose ends. Their daughter, Abby, has zits and teenage moods. What does it mean to be good?

A documentary on the rivalry between two rock bands. On one hand we have The Dandy Warhols, and its leader Courtney Taylor-Taylor, and on the other The Brian Jonestown Massacre, lead by Anton Newcombe. They used to be close friends but their differing lifestyles and ambitions, especially that of Anton Newcombe, have forced them apart, to the point of being enemies.

Three stories of Angelenos linked linearly by people associated with each are told. In story one, Mamie works as a psychologist at an abortion clinic, she, in addition to providing counseling, assessing mental fitness and thus approving or declining the request by potential patients for the procedure. This job is somewhat ironic as she purportedly aborted a pregnancy when she was seventeen, nineteen years ago. Her stepfather urged her to go through with the pregnancy and give the baby up for adoption, he, now dead, the only person in her personal life who knew that she went through with it. She is approached by Nicky, an aspiring filmmaker, who has proof of her son's identity, said son who threw such information away in no longer wanting to contact her. As his application for a scholarship to the AFI, Nicky wants to make a film on Mamie "discovering" her son. Not wanting to have her story splashed across a movie screen, especially as the biological father is still in her life and doesn't know, while wanting to know the identity of her son which Nicky won't divulge unless she agrees to the documentary, Mamie enlists the help of her masseuse boyfriend, Mexican immigrant Javier, to throw Nicky off the track of her plan of stealing the information from him while helping him with his AFI scholarship submission. Mamie, Nicky and Javier's lives may take a turn as documentaries often take on a life of their own. In story two, Charley, Mamie's stepbrother, who is the biological father of Mamie's child from a very brief sexual relationship they had after her mother and his father married, has grown up to realize his homosexual orientation. Managing the last existing of the chain restaurants he and Mamie inherited from their father, Charley is in a long term relationship with Gil, an architect. They are best friends with Gil's friend from high school, Pam, and her current partner, Diane. Pam and Diane had once asked Gil to be the sperm donor to artificially inseminate Pam, but ultimately they decided to use sperm from a bank instead that resulted in their now two year old son, Max. Sharing his belief with Gil but not the extent to which he is going, Charley is convinced that Pam and Diane did end up using Gil's sperm to father Max without telling them, he going on a quest to discover proof. And in story three, twenty-two year Otis has worked at Charley's restaurant for two years. He also plays in a band. Not the best drummer or backup vocalist, Otis' band-mates keep him in the band as his wealthy father, Frank, provides the band with many of their toys, he spreading his money easily to those in his life. Still in the closet in fearing Frank's disapproval, inexperienced Otis secretly has a crush on Charley. Needing a temporary vocalist, the band ends up hiring Jude, who Otis met performing karaoke at the restaurant. Opportunistic Jude knows the situation into which she is walking, she using Otis' naiveté to get to Frank and his money.

The infamous writer, the Marquis de Sade of eighteenth century France, is imprisoned at Charenton Insane Asylum for unmentionable activities. He manages to befriend the young Abbé de Coulmier, who runs the asylum, along with a beautiful laundress named Madeline. Things go terribly wrong when the Abbe finds out that the Marquis' books are being secretly published. Emperor Napoleon contemplates sending Dr. Royer-Collard to oversee the asylum, a man famed for his torturous punishments. It could mean the end of Charenton and possibly the Marquis.

Komona, a girl in Sub-Saharan Africa, tells the story to her unborn child about her kidnapping by rebels and forced to join their bloody civil war. When she discovers a valuable intuition about the presence of the enemy, she is elevated as a witch and favored by the rebel leader. However, this special status threatens to be short-lived in this world of superstition and senseless brutality even as the ghosts of the war dead haunt her visions. However, when a newfound friend convinces her to desert, Komona finds escaping that brutal life is far from easy with its physical and spiritual consequences following her wherever she goes.

Trevor Reznik is a machinist in a factory. An extreme case of insomnia has led to him not sleeping in a year, and his body withering away to almost nothing. He has an obsessive compulsion to write himself reminder notes and keep track of his dwindling weight, both scribbled on yellow stickies in his apartment. The only person he lets into his life in an emotional sense is Stevie, a prostitute, although he has an infatuation with Maria, a single mother waitress working in an airport diner. His co-workers don't associate with and mistrust him because of not knowing what is going on in his life that has led to his emaciated physical appearance. A workplace incident further alienates him with his coworkers, and in conjunction with some unfamiliar pieces of paper he finds in his apartment, Trevor believes that someone or some people - probably one or some of his coworkers - are out to get him, using a phantom employee named Ivan as their front. As Trevor goes on a search for evidence as to Ivan's schemes and whereabouts, Trevor may come to a true understanding of what has caused his insomnia.

María Álvarez, an independent, feisty, and underpaid seventeen-year-old Colombian rose packager is stuck in a tedious life and a dead-end relationship with her good-for-nothing boyfriend, Juan. And as if things weren't bad enough, an unexpected pregnancy and an ugly altercation with her unfair boss will tempt María to accept the risky offer to become a drug mule, smuggling drugs from Bogotá to New York City. But, as things rapidly spiral out of control, suddenly, the option of an early retirement and a peaceful future for both María and her unborn baby begins to fade away. Is there a way out from this hopeless predicament?

Guy Maddin reluctantly returns to his childhood home, an abandoned Canadian island, where his parents ran an orphanage. As Guy fulfills his dying mother's request to paint the lighthouse which served as the orphanage, memories of strange events there overpower him. An undercover investigation by child author/detective Wendy & a revolt by the repressed children, blew open a cover-up by Guy's parents. Wendy disguised herself as her brother Chance and discovered that Maddin's inventor father performed outré scientific experiments on the orphans.

Bitter, cynical, and lonely Barbara Covett (Dame Judi Dench) is a tough and conservative teacher, near to retirement, who is loathed by her colleagues and students. In the loneliness of her apartment, she spends her spare time writing in her journal, taking care of her old cat Portia, and missing her special friend Jennifer Dodd. When Sheba Hart (Cate Blanchett) joins the high school as the new art teacher, Barbara dedicates her attention to the newcomer, writing sharp and unpleasant comments about her behavior and clothes. When Barbara helps Sheba in a difficult situation with two students, the grateful Sheba invites her to have lunch with her family. Sheba introduces her husband and former professor Richard Hart (Bill Nighy), who is about twenty years older than her; her rebellious teenager daughter Polly (Juno Temple); and her son Ben (Max Lewis), who has Down's Syndrome. Barbara becomes close to Sheba, but when she accidentally discovers that Sheba is having an affair with fifteen-year-old student Steven Connolly (Andrew Simpson), Barbara sees the chance to manipulate and get closer to Sheba, hiding the secret from the school headmaster. When Portia dies and Sheba does not stay with Barbara in the veterinary office to see Ben in a theater play, Barbara plots a Machiavellian revenge against Sheba, creating a scandal and consequent turmoil in their lives.

Quad rugby as played by the US team, between 2002 games in Sweden and the 2004 Paralympics in Athens. Young men, most with spinal injuries, play this rough and tumble sport in special chairs, seated gladiators. We get to know several and their families. They talk frankly about their injuries, feelings in public, sex lives, competitiveness, and love of the game. There's also an angry former team member gone north to coach the Canadian team, tough on everyone, including his viola-playing son. We meet a recently injured man, in rehab, at times close to despair, finding possible joy in quad rugby. After Athens, the team meets young men injured in war: the future stars of Team USA.

A family weekend is fraught with emotional landmines for mercurial and sensitive Lynn (Barkin) as she arrives at her parents' Annapolis estate for the marriage of her estranged eldest son Dylan (Michael Nardelli), accompanied by her three younger children (Ezra Miller, Kate Bosworth, Daniel Yelsky). Lynn's hopes for a joyful reunion are crushed as her wry but troubled middle son Elliot (Ezra Miller) lobs verbal grenades at his mother and her relatives while daughter Alice (Kate Bosworth), a fights valiantly to keep her longtime demons under control. The weekend quickly unravels as Lynn demands to be heard by her aloof, disdainful mother (Ellen Burstyn), ailing, distant father (George Kennedy) and ever-judgmental sisters (Siobhan Fallon, Diana Scarwid), but most especially by her ex-husband Paul (Thomas Hayden Church) and his hot-tempered second wife Patty (Demi Moore). Confronted with the deeply painful, half-buried truths that have given rise to the family's primal web ofresentments and recriminations, Lynn struggles to maintain her equilibrium as her best attempts at reconciliation veer quickly off-course.

On a beautiful cloudless day a young couple celebrate their reunion with a picnic. Joe has planned a postcard-perfect afternoon in the English countryside with his partner, Claire. But as Joe and Claire prepare to open a bottle of champagne, their idyll comes to an abrupt end. A hot air balloon drifts into the field, obviously in trouble. The pilot catches his leg in the anchor rope, while the only passenger, a boy, is too scared to jump down. Joe and three other men rush to secure the basket. Just as they secure the balloon, the wind rushes into the field, and at once the rescuers are airborne. Joe manages to drop to the ground, as do most of his companions, but one man is lifted skywards. As Joe, Claire and the other rescuers watch this strangely beautiful sight, they see the man fall to his death. Recalling the day's events at dinner with his friends Robin and Rachel, Joe reveals the impact the accident has had on his battered psyche. Ironically the balloon eventually lands safely, the boy unscathed. But fate has far more unpleasant things in store for Joe. Going to retrieve the body of the fallen man with fellow rescuer Jed Parry, for example, turns out to be a very bad move. Jed feels an instant connection with Joe--one that, as the weeks go by, becomes ever more intense.

Set on an island off the coast of New England in the 1960s, as a young boy and girl fall in love they are moved to run away together. Various factions of the town mobilize to search for them and the town is turned upside down - which might not be such a bad thing.

Honduran teenager Sayra reunites with her father, an opportunity for her to potentially realize her dream of a life in the U.S. Moving to Mexico is the first step in a fateful journey of unexpected events.

American-Canadian singer-songwriter and composer

Canadian musician, singer, and songwriter

French singer, songwriter, pianist, film composer, poet, painter, screenwriter, writer, actor and director

French writer and film director (1914-1996)

English modernist writer known for use of stream of consciousness

French philosopher, social activist and Christian mystic

First Nation novelist from Quebec, Canada

English playwright, novelist, short story writer (1874-1965)

A culinary guessing game in which bakers must decode what type of dessert was made, when all that's left are a few clues. They have to recreate the recipe and the jury will determine how closely it matches the missing dessert.

Cooked with Cannabis is a competitive cooking show where three chefs make cannabis infused meals for a chance to win $10,000. Co-hots Kelis and Leather Storrs judge the contestants with the assistance of their "best buds" who are guests on the show.

Based on a compelling true story, the hit 2019 Edinburgh Fringe one-man stage-play Baby Reindeer follows the writer and performer Richard Gadd's warped relationship with his female stalker and the impact it has on him as he is ultimately forced to face a deep, dark buried trauma.

The show takes 10 hot singles who are notorious commitment-phobes when it comes to relationships, and it puts them in an island villa together for what they think is going to be a four week sexcation. But when they get there, they're told there's prize money involved, and it depends on all of them remaining abstinent for the four week retreat.

A number of food trucks in a competition to see who earns the most money, with the lowest earning truck kicked off at the end of each episode.

Teams of chefs vie to impress some of the world's toughest palates as they whip up iconic dishes from different nations in this reality cooking competition.

Set in Wisconsin in 1995, Follows Leia Forman, daughter of Eric (Topher Grace) and Donna (Laura Prepon), who is visiting her grandparents for the summer and bonds with a new generation of Point Place kids under the watchful eye of Kitty and the stern glare of Red. Sex, drugs and rock 'n' roll never dies, it just changes clothes.

Organizers Clea Shearer and Joanna Teplin of The Home Edit conquer clutter and transform lives. Reese Witherspoon and Molly Sims coproduce.

Angsty and awkward fifteen year old Ginny Miller often feels more mature than her thirty year old mother, the irresistible and dynamic Georgia Miller. After years on the run, Georgia desperately wants to put down roots in picturesque New England and give her family something they've never had a normal life. But it's not all carpool and Kombucha as Georgia's past threatens her and her family's new way of life and Georgia will do anything to protect her family.

Eight bakers compete in making delicious and innovative holiday treats for a chance to be named the Holiday Baking Champion and win $50,000.

The best 10 to 13-year-old bakers compete against each other for the title of Kids Baking Champion.

Eight professional bakers compete to win the title of the Spring Baking Champion and $50,000. Each round is started with a preheat challenge and the winner gains an advantage for the main heat. The loser of the main heat is sent home. Each episode features different baked goods and techniques.

In Los Angeles, Patti Stanger runs an agency that pairs millionaires with the men and women of their dreams.

Ally McBeal and Billy Thomas were going steady throughout their childhoods. Ally even followed Billy to Harvard law school despite having no interest in law. But when Billy chose to pursue a career in law away from Ally, their relationship came to an end. In the present, an old classmate of Ally's named Richard Fish gives Ally a job at his law firm, where Billy and his new wife are also working. This puts Ally in a predicament since she still has feelings for Billy which she's laboring to get over. At the office, Ally puts up with a nosy, gossiping secretary named Elaine, and an oddball lawyer named John Cage never seems to lose a case. At home, Ally's friend and house-mate Renée regularly advises her on her love life. The series follows Ally's trials and tribulations in life through her eyes, and caricaturizes her personal thoughts and fantasies.

American legal comedy-drama television series

Witch House

movielover89

Katie

SandraFernandes

Laurasnowhere

Leah

Jonathan

Ines Fris

Jonsilver

lorem ipsum

Aya Hadi Kareem

Jake Winter

samar ali

Kerry Brewer

Unscene

Tweaker

Dustin Wehr

Filip Lubiński

Sabih Ali

Sylvain

Queerness and queer horror — which is to say horror that is about or aestheticizes queerness, otherness, sexual deviancy, as experience, metaphor, dream, and nightmare — are embedded in the history of the genre, from Bram Stoker’s novel Dracula to James Whale’s 1935 film The Bride of Frankenstein. From a masked killers (one of which uses a dildo knife) to genderqueer dolls, the films selected for this program elaborate upon and extrapolate from queerness not merely as identity but as aesthetic impulse, rooted in subversion, confrontation, camp, an understanding of queerness as a tool to challenge, or deconstruct, normative ideas in art and society. Drenched in blood, paranoia, and forbidden desire, horror is queer down to the bone. 

An eccentric scientist changes the world with his teleportation technology: when his experiment seems to be going well, Dr. Seth Brundle tests his mac

Nerdy, reserved bookworm Needy Lesnicki, and arrogant, conceited cheerleader Jennifer Check are best friends, though they share little in common. They

Oskar, a bullied 12-year old, dreams of revenge. He falls in love with Eli, a peculiar girl. She can't stand the sun or food and to come into a room s

2008 Swedish horror romance film directed by Tomas Alfredson

When Kirsty's father, Larry, and stepmother, Julia, move into Larry's childhood home, Kirsty and her boyfriend take a room nearby. Unfortunately for a

1987 horror film directed by Clive Barker

Bury Your Gays: Queer Horror

movie

Kyle Turner

Pride month is over, but shouldn’t everyday be pride? Here’s a list of awesome artists who bravely wave the pride flag even in the face of adversity of an oftentimes toxic industry.

American rapper, producer, visual artist, and fashion designer from California

LGBTQ Hip-Hop Artists Who Thrive Against All Odds

music artist

The best black movies with African-American themes, protagonists, dilemmas and all the pain, drama and pleasure that comes with the territory of being a brother or a sister! 

In Harlem, 1987. Sixteen year old Claireece Jones - who goes by her middle name Precious - is illiterate and overweight. She is pregnant with her seco

This film follows the life of Celie, a young black girl growing up in the early 1900's. The first time we see Celie, she is 14 - and pregnant - by her

Writer and Director John Singleton's portrayal of social problems in inner-city Los Angeles, California takes the form of a tale of three friends grow

The story of Ray Charles (played by Jamie Foxx), music legend. Told in his adult life with flashbacks to his youth we see his humble origins in Florid

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