Elena Rainn

KRKY Y

Kyrsten Iris

Coen Van loo

_ eshago@uw.edu

Watashi Wa Jigabudesu

Roman Bryzhatiy

Karl Halmos-Westram

Timothy Galvin

Ljsly Bernard

Ruby Brown

Dimitri Nuri

Also see: Alternate Cover Editions for this ISBN [ACE]  \
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This book chronicles the unforgettable account of one of the most severe child abuse cases in California history. It is the story of Dave Pelzer, who was brutally beaten and starved by his emotionally unstable, alcoholic mother: a mother who played tortuous, unpredictable games—games that left him nearly dead. He had to learn how to play his mother's games in order to survive because she no longer considered him a son, but a slave; and no longer a boy, but an "it." Dave's bed was an old army cot in the basement, and his clothes were torn and raunchy. When his mother allowed him the luxury of food, it was nothing more than spoiled scraps that even the dogs refused to eat. The outside world knew nothing of his living nightmare. He had nothing or no one to turn to, but his dreams kept him alive—dreams of someone taking care of him, loving him and calling him their son.

It is just before New Year's. Frank, an overweight American tourist, has hired Kenji to take him on a guided tour of Tokyo's sleazy nightlife on three successive evenings. But Frank's behavior is so strange that Kenji begins to entertain a horrible suspicion: that his new client is in fact the serial killer currently terrorizing the city. It isn't until later, however, that Kenji learns exactly how much he has to fear and how irrevocably his encounter with this great white whale of an American will change his life.

Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination.

A shocking, hilarious and strangely tender novel about a young woman’s experiment in narcotic hibernation, aided and abetted by one of the worst psychiatrists in the annals of literature. Our narrator has many of the advantages of life, on the surface. Young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn’t just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?This story of a year spent under the influence of a truly mad combination of drugs, designed to heal us from our alienation from this world, shows us how reasonable, even necessary, that alienation sometimes is. Blackly funny, both merciless and compassionate – dangling its legs over the ledge of 9/11 – this novel is a showcase for the gifts of one of America’s major young writers working at the height of her powers.

The Story of O relates the progressive willful debasement of a young and beautiful Parisian fashion photographer, O, who wants nothing more than to be a slave to her lover, René. The test is severe—sexual in method, psychological in substance… The artistic interest here has precisely to do with the use not only of erotic materials but also erotic methods, the deliberate stimulation of the reader as a part of and means to a total, authentic literary experience.—Eliot Fremont-Smith, The New York Times

Milk and honey' is a collection of poetry and prose about survival. About the experience of violence, abuse, love, loss, and femininity. It is split into four chapters, and each chapter serves a different purpose. Deals with a different pain. Heals a different heartache. 'milk and honey' takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.

The story of a mentally disabled man whose experimental quest for intelligence mirrors that of Algernon, an extraordinary lab mouse. In diary entries, Charlie tells how a brain operation increases his IQ and changes his life. As the experimental procedure takes effect, Charlie's intelligence expands until it surpasses that of the doctors who engineered his metamorphosis. The experiment seems to be a scientific breakthrough of paramount importance--until Algernon begins his sudden, unexpected deterioration. Will the same happen to Charlie?

The Outsiders is about two weeks in the life of a 14-year-old boy. The novel tells the story of Ponyboy Curtis and his struggles with right and wrong in a society in which he believes that he is an outsider. According to Ponyboy, there are two kinds of people in the world: greasers and socs. A soc (short for "social") has money, can get away with just about anything, and has an attitude longer than a limousine. A greaser, on the other hand, always lives on the outside and needs to watch his back. Ponyboy is a greaser, and he's always been proud of it, even willing to rumble against a gang of socs for the sake of his fellow greasers--until one terrible night when his friend Johnny kills a soc. The murder gets under Ponyboy's skin, causing his bifurcated world to crumble and teaching him that pain feels the same whether a soc or a greaser.Librarian note: This record is for one of the three editions published with different covers and with ISBN 0-140-38572-X / 978-0-14-038572-4. The records are for the 1988 cover (this record), the 1995 cover, and the 2008 cover which is also the current in-print cover.

Last night while I lay thinking here Some Whatifs crawled inside my ear And pranced and partied all night long And sang their same old Whatif song: Whatif I flunk that test?Whatif green hair grows on my chest?Whatif nobody likes me?Whatif a bolt of lightning strikes me?...This 20th anniversary of Shel Silverstein's A Light in the Attic includes a CD of highlights from his Grammy Award-winning album.Here in the attic of Shel Silverstein you will find Backward Bill, Sour Face Ann, the Meehoo with an Exactlywatt, and the Polar Bear in the Frigidaire. You will talk with Broiled Face, and find out what happens when Somebody steals your knees, you get caught by the Quick-Digesting Gink, a Mountain snores, and They Put a Brassiere on the Camel.From the creator of the beloved poetry collections Where the Sidewalk Ends and Falling Up, here is another wondrous book of poems and drawings.

This beloved book by E. B. White, author of Stuart Little and The Trumpet of the Swan, is a classic of children's literature that is "just about perfect." This high-quality paperback features vibrant illustrations colorized by Rosemary Wells!Some Pig. Humble. Radiant. These are the words in Charlotte's Web, high up in Zuckerman's barn. Charlotte's spiderweb tells of her feelings for a little pig named Wilbur, who simply wants a friend. They also express the love of a girl named Fern, who saved Wilbur's life when he was born the runt of his litter.E. B. White's Newbery Honor Book is a tender novel of friendship, love, life, and death that will continue to be enjoyed by generations to come. This edition contains newly color illustrations by Garth Williams, the acclaimed illustrator of E. B. White's Stuart Little and Laura Ingalls Wilder's Little House series, among many other books.--harpercollins.com

Stanley tries to dig up the truth in this inventive and darkly humorous tale of crime and punishment—and redemption. Stanley Yelnats is under a curse. A curse that began with his no-good-dirty-rotten- pig-stealing-great-great-grandfather and has since followed generations of Yelnats. Now Stanley has been unjustly sent to a boys' detention center, Camp Green Lake, where the warden makes the boys "build character" by spending all day, every day, digging holes: five feet wide and five feet deep. It doesn't take long for Stanley to realize there's more than character improvement going on at Camp Green Lake. The boys are digging holes because the warden is looking for something. Stanley tries to dig up the truth in this inventive and darkly humorous tale of crime and punishment—and redemption.

In the New York Times bestseller that the Washington Post called “Lean In for misfits,” Sophia Amoruso shares how she went from dumpster diving to founding one of the fastest-growing retailers in the world.Amoruso spent her teens hitchhiking, committing petty theft, and scrounging in dumpsters for leftover bagels. By age twenty-two she had dropped out of school, and was broke, directionless, and checking IDs in the lobby of an art school—a job she’d taken for the health insurance. It was in that lobby that Sophia decided to start selling vintage clothes on eBay.Flash forward to today, and she’s the founder of Nasty Gal and the founder and CEO of Girlboss. Sophia was never a typical CEO, or a typical anything, and she’s written #GIRLBOSS for other girls like her: outsiders (and insiders) seeking a unique path to success, even when that path is windy as all hell and lined with naysayers.#GIRLBOSS proves that being successful isn’t about where you went to college or how popular you were in high school. It’s about trusting your instincts and following your gut; knowing which rules to follow and which to break; when to button up and when to let your freak flag fly.“A witty and cleverly told account . . . It’s this kind of honest advice, plus the humorous ups and downs of her rise in online retail, that make the book so appealing.” —Los Angeles Times“Amoruso teaches the innovative and entrepreneurial among us to play to our strengths, learn from our mistakes, and know when to break a few of the traditional rules.” —Vanity Fair“#GIRLBOSS is more than a book . . . #GIRLBOSS is a movement.” —Lena Dunham

Doomed to - or blessed with - eternal life after drinking from a magic spring, the Tuck family wanders about trying to live as inconspicuously and comfortably as they can. When ten-year-old Winnie Foster stumbles on their secret, the Tucks take her home and explain why living forever at one age is less a blessing that it might seem. Complications arise when Winnie is followed by a stranger who wants to market the spring water for a fortune.

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep. J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

Jess Aarons' greatest ambition is to be the fastest runner in his grade. He's been practicing all summer and can't wait to see his classmates' faces when he beats them all. But on the first day of school, a new girl boldly crosses over to the boys' side and outruns everyone.That's not a very promising beginning for a friendship, but Jess and Leslie Burke become inseparable. Together they create Terabithia, a magical kingdom in the woods where the two of them reign as king and queen, and their imaginations set the only limits.

Where the Sidewalk Ends turns forty! Celebrate with this anniversary edition that features an eye-catching commemorative red sticker. This classic poetry collection, which is both outrageously funny and profound, has been the most beloved of Shel Silverstein's poetry books for generations.Where the sidewalk ends, Shel Silverstein's world begins. There you'll meet a boy who turns into a TV set and a girl who eats a whale. The Unicorn and the Bloath live there, and so does Sarah Cynthia Sylvia Stout who will not take the garbage out. It is a place where you wash your shadow and plant diamond gardens, a place where shoes fly, sisters are auctioned off, and crocodiles go to the dentist.Shel Silverstein's masterful collection of poems and drawings is one of Parent &amp; Child magazine's 100 Greatest Books for Kids. School Library Journal said, "Silverstein has an excellent sense of rhythm and rhyme and a good ear for alliteration and assonance that make these poems a pleasure to read aloud."Shel Silverstein's incomparable career as a children's book author and illustrator began with Lafcadio, the Lion Who Shot Back. In 1964, Shel's creativity continued to flourish as four more books were published in the same year—Don't Bump the Glump!, A Giraffe and a Half, Who Wants a Cheap Rhinoceros?, and the beloved classic The Giving Tree. Later he continued to build his remarkable body of work with Where the Sidewalk Ends, A Light in the Attic, Falling Up, Every Thing On It, The Missing Piece, The Missing Piece Meets the Big O, and Runny Babbit.

Mario is super in a whole new way! Combining the finest 3-D graphics ever developed for a video game and an explosive sound track, Super Mario 64 becomes a new...

As a young boy, Link is tricked by Ganondorf, the King of the Gerudo Thieves. The evil human uses Link to gain access to the Sacred Realm, where he places his t...

A couple (Owen Wilson and Lake Bell) and their two daughters relocate to Asia, only to find themselves caught in the middle of a dangerous coup. Realizing that foreigners are being murdered on the spot, they make a desperate decision to escape the violence on the streets and seek refuge at the American Embassy, all while trying to avoid detection by the merciless rebels.

A pair of ten-year-olds find an abandoned cop car in a field. When they take it for a joyride, it seems like they could kill themselves at any moment. But things only get worse when the small town sheriff goes looking for his missing car. The kids find themselves in the center of a deadly game of cat and mouse they don't understand and the only way out is to go as fast as their cop car can take them.

When a devoted husband and father is left home alone for the weekend, two stranded young women unexpectedly knock on his door for help. What starts out as a kind gesture results in a dangerous seduction and a deadly game of cat and mouse. A sexy new thriller from director Eli Roth and written for the screen by Eli Roth & Nicolás López & Guillermo Amoedo and story by Anthony Overman and Michael Ronald, KNOCK KNOCK stars Keanu Reeves as the family man who falls into temptation and Lorenza Izzo and Ana de Armas as the seductresses who wreak havoc upon his life, turning a married man's dark fantasy into his worst nightmare.

Strange occurrences plague a small town detective and his family as he investigates the disappearance of a young boy.

After David Kim (John Cho)'s 16-year-old daughter goes missing, a local investigation is opened and a detective is assigned to the case. But 37 hours later and without a single lead, David decides to search the one place no one has looked yet, where all secrets are kept today: his daughter's laptop. In a hyper-modern thriller told via the technology devices we use every day to communicate, David must trace his daughter's digital footprints before she disappears forever.

Set against the vibrant landscape of South Florida, and featuring an astonishing ensemble of award-winning actors and breakouts alike, Waves traces the epic emotional journey of a suburban African-American family - led by a well-intentional but domineering father - as they navigate love, forgiveness and coming together in the aftermath of a loss. From acclaimed director Trey Edward Shults, Waves is a heartrending story about the universal capacity for compassion and growth even in the darkest of times.

The writer Jennifer Hills rents an isolated lakeside cabin in the woods of the peaceful Mockingbird Trail for two months to write a novel. Two days later, she is brutally gang raped by three local bigots, the sheriff and a handyman. Jennifer returns later to revenge against the rapists.

84 years later, a 100 year-old woman named Rose DeWitt Bukater tells the story to her granddaughter Lizzy Calvert, Brock Lovett, Lewis Bodine, Bobby Buell and Anatoly Mikailavich on the Keldysh about her life set in April 10th 1912, on a ship called Titanic when young Rose boards the departing ship with the upper-class passengers and her mother, Ruth DeWitt Bukater, and her fiancé, Caledon Hockley. Meanwhile, a drifter and artist named Jack Dawson and his best friend Fabrizio De Rossi win third-class tickets to the ship in a game. And she explains the whole story from departure until the death of Titanic on its first and last voyage April 15th, 1912 at 2:20 in the morning.

After his death sometime in his 43rd year, suburbanite Lester Burnham tells of the last few weeks of his life, during which he had no idea of his imminent passing. He is a husband to real estate agent Carolyn Burnham and father to high school student Jane Burnham. Although Lester and Carolyn once loved each other, they now merely tolerate each other. Typical wallflower Jane also hates both her parents; the three suffer individually in silence in their home life. Jane tries to steer clear of both her parents. Carolyn, relatively new to the real estate business, wants to create the persona of success to further her career, aspiring to the professional life of Buddy Kane, the king of the real estate business in their neighborhood. Lester merely walks mindlessly through life, including at his job in advertising. His company is downsizing, and he, like all the other employees, has to justify his position to the newly hired efficiency expert to keep his job. Things change for Lester when he falls in love at first sight with Jane's more experienced classmate, Angela Hayes. Both Janie and Angela can see Lester's sexual infatuation with Angela, who courts such attention from any man as a sign that she is model material, she having once appeared in Seventeen and is a career to which she aspires. Lester's infatuation with Angela gives him a reenergized view on life, where he openly doesn't care anymore what anyone thinks about what he does, anyone except Angela. This infatuation coincides with the Fittses moving in next door: homophobic disciplinarian US Marine Colonel Frank Fitts who rules the house with a military fist (that fist being both figurative and literal), his semi-comatose wife Barbara Fitts, and their bright and quietly subversive 18-year-old son Ricky Fitts, who openly abides by his father's rules while behind the scenes lives by his own quite different perspective. Much like Lester's infatuation, Ricky immediately becomes infatuated with Jane; he considers girls like Angela as ordinary. The entry of Angela and the Fittses into the Burnhams' lives ultimately leads to each of the players confronting what is truly in his or her heart.

This is the story of a young resourceful heroine named Lisa Reisert who hates to fly, but the terror that awaits her on the night flight to Miami has nothing to do with a fear of flying! Upon boarding the plane, Lisa is trapped on a red-eye flight with a creepy villainous handsome and charming man by the name of Jackson Rippner, who's playing middle-man in the plot to assassinate a Homeland Security official. He's got her father pinned down by a would-be killer, using that advantage to coerce Lisa into phoning the luxury resort where she works and arranging to move the target into a pre-set position.

Sarah and Jillian have been best friends for so long they can't remember when their friendship started. Growing up in the small town of Goshen, Indiana the two girls couldn't be more different. Sarah is a star pupil and athlete, a 100-watt-bulb in a five-watt-town, while Jillian is star mischief-maker, a 100lbs-of-trouble in a five-pound-bag. Although both girls long to break free of the small-town life, Jillian is the first to act, revealing to Sarah that she has been meeting men on-line with the sole purpose of finding someone who will "take her away from this place". Soon thereafter, she disappears leaving Sarah with only a journal and a cryptic video message sent from her cell-phone. Sarah soon discovers that the town would rather forget that Jillian had ever existed. Distraught, she delves into the secrets surrounding her disappearance. Aided by, Jasper, the resident computer geek who secretly adores her, the two plunge head-long into Goshen's dark secrets -- uncovering corrupt police, jilted boyfriends, a mother driven mad by loss, and an unsolved string of child abductions. The final truth they unearth will rock the town to its foundations.

Rocky, a young woman wanting to start a better life for her and her sister, agrees to take part in the robbery of a house owned by a wealthy blind man with her boyfriend Money and their friend Alex. But when the blind man turns out to be a more ruthless adversary than he seems, the group must find a way to escape his home before they become his latest victims.

After getting in a car accident, Michelle awakens to find herself in a mysterious bunker with two men named Howard and Emmett. Howard offers her a pair of crutches to help her remain mobile with her leg injury sustained from the car crash and tells her to "get good on those" before leaving the bunker. She has been given the information that there has been an alien attack and the outside world is poisoned. However, Howard and Emmett's intentions soon become questionable and Michelle is faced with a question: Is it better in here or out there?

Nerdy, reserved bookworm Needy Lesnicki, and arrogant, conceited cheerleader Jennifer Check are best friends, though they share little in common. They share even less in common when Jennifer mysteriously gains an appetite for human blood after a disastrous fire at a local bar. As Needy's male classmates are steadily killed in gruesome attacks, the young girl must uncover the truth behind her friend's transformation and find a way to stop the bloodthirsty rampage before it reaches her own boyfriend Chip.

Poised with sharklike self-assurance, Marla Grayson is a professional, court-appointed guardian for dozens of elderly wards whose assets she seizes and cunningly bilks through dubious but legal means. It's a well-oiled racket that Marla and her business-partner and lover, Fran, use with brutal efficiency on their latest "cherry," Jennifer Peterson - a wealthy retiree with no living heirs or family. But when their mark turns out to have an equally shady secret of her own and connections to a volatile gangster, Marla is forced to level up in a game only predators can play - one that's neither fair, nor square.

Michael Harding (Penn Badgely) returns home from military school to find his mother Susan (Sela Ward) happily in love and living with her new boyfriend, David (Dylan Walsh). As the two men get to know each other, Michael becomes more and more suspicious of the man who is always there with a helpful hand. Is he really the man of her dreams or could David be hiding a dark side?

Kate and John Coleman are rebuilding their troubled marriage after the loss of their baby. The couple decide to adopt a child. When they meet 9-year-old Esther at the St. Marina Orphanage, they immediately fall in love with the well-educated orphan. Their son, Daniel is hostile to his new sister, but their deaf mute daughter, Max is enchanted with her - at first. Eventually, Kate begins to feel that Esther is manipulative and possibly even psychologically damaged. John refuses to listen to his wife's misgivings. Kate calls Sister Abigail at the orphanage, and the nun informs her that Esther has a troubled and mysterious history. Kate delves further into Esther's past and discovers she is not what she seems to be.

To celebrate Rob's massive promotion, his lover, Beth, and friends, decide to throw a massive surprise farewell party, now that he is about to move to Japan. However, a deafening explosion and the arrival of an enormous scaly and gangly creature will abruptly interrupt the festivities, as all hell breaks loose in New York City, and the Statue of Liberty is decapitated. As the reptilian behemoth levels Manhattan, a daring dash to rescue Beth begins, while at the same time, everything is recorded through the lens of a hand-held camcorder, amid mayhem and destruction. In the end, where did this relentless invader come from, and above all, is there a chance of survival? As they go to investigate, an adventure deep into the streets of New York begins, as the friends are determined to rescue Rob's true love.

The cynical and skeptical writer Mike Enslin writes books evaluating supernatural phenomena in hotels, graveyards and other haunted places, usually debunking the mystery. While writing his latest book, he travels from Los Angeles to New York to spend one night in the Dolphin Hotel's posessed room 1408, which is permanently unavailable for guests. The reluctant manager Mr. Gerald Olin objects to his request and offers an upgrade, expensive booze and finally relates the death of more than fifty guests over decades in the cursed room. However Mike threatens Mr. Olin, promising to sue the hotel, and is finally allowed to check into the room. Later in the night, he finds that guests of room 1408, once they have checked in, might never leave the room alive.

Christine Brown is a loan officer at a bank but is worried about her lot in life. She's in competition with a competent colleague for an assistant manager position and isn't too sure about her status with a boyfriend. Worried that her boss will think less of her if she shows weakness, she refuses a time extension on a loan to an old woman, Mrs. Ganush, who now faces foreclosure and the loss of her house. In retaliation, the old woman place a curse on her which, she subsequently learns, will result in her being taken to hell in a few days time. With the help of a psychic, she tries to rid herself of the demon, but faces several hurdles in the attempt.

American rapper from New York (1972–1997)

American singer rapper and songwriter from Georgia

A thriving but underground drugs business is being run by Dushane (

Atlanta is one of the top cities for young rappers looking to make a name for themselves in the business. Among those up-and-comers is Alfred Miles, a hot new artist who is trying to understand the line between real life and street life. He is managed by his cousin, Earn, who gets caught up in the local rap scene and his cousin's career after returning home to the ATL. Earn does whatever he can to try to get Alfred's career to the next level. Darius, the rapper's right-hand man and visionary, is also in Alfred's entourage. When Earn isn't busy managing his cousin's career, he spends much of his time with best friend Vanessa, who is also the mother of his daughter.

A look at life for a group of high school students as they grapple with issues of drugs, sex and violence. The series focuses on the relationship between two young girls trying to find their place in the world: recovering addict Rue and new-in-town Jules.

2019 American teen drama television series

Lain Iwakura, an awkward and introverted fourteen-year-old, is one of the many girls from her school to receive a disturbing email from her classmate Chisa Yomoda-the very same Chisa who recently committed suicide. Lain has neither the desire nor the experience to handle even basic technology; yet, when the technophobe opens the email, it leads her straight into the Wired, a virtual world of communication networks similar to what we know as the internet. Lain's life is turned upside down as she begins to encounter cryptic mysteries one after another. Strange men called the Men in Black begin to appear wherever she goes, asking her questions and somehow knowing more about her than even she herself knows. With the boundaries between reality and cyberspace rapidly blurring, Lain is plunged into more surreal and bizarre events where identity, consciousness, and perception are concepts that take on new meanings.

Hosted by noted reporters Tom Brokaw and Jane Pauley, and now Lester Holt, this program presents in-depth coverage of news stories in the tradition of 60 Minutes and 20/20. Rather than just reading news reports, as most news shows do, the reporters for this show research their subjects and interview the people closely involved to create an informative work of investigative journalism.

The Byrdes and their teenage kids, Charlotte and Jonah, are, for all intents and purposes, an ordinary family with ordinary lives. Except for the job of Marty, a Chicago financial advisor who also serves as the top money launderer for the second largest drug cartel in Mexico. When things go awry, Marty must uproot his family from the skyscrapers of Chicago and relocate to the lazy lake region of the Missouri Ozarks.

"Bates Motel" is a contemporary prequel to the genre-defining film "Psycho," and gives a portrayal of how Norman Bates' (Freddie Highmore) psyche unravels through his teenage years. Fans discover the dark, twisted backstory of Norman Bates and how deeply intricate his relationship with his mother, Norma (Vera Farmiga), truly is.

Physical and psychological horrors affect a decomposing family, workers and residents of an insane asylum, a coven of witches, a cast of circus freaks, the employees and guests at a struggling hotel, a family who moved into a mysterious farmhouse, the members of a small suburb in Michigan, the surviving members of the Apocalypse and the counselors of a creepy summer camp in this haunting anthology series, focusing on the themes of infidelity, sanity, oppression, discrimination, addiction and exploitation.

American anthology horror television series

After an intelligent yet cynical high school student begins to cleanse the world from evil with the help of a magical notebook that can kill anyone whose name is written on it, international authorities call upon a mysterious detective known as "L" to thwart his efforts.

Piper Chapman is a public relations executive with a career and a fiance when her past suddenly catches up to her. In her mid-30s she is sentenced to spend time in a minimum-security women's prison in New York for her association with a drug runner 10 years earlier. This Netflix original series is based on the book of the same title. Forced to trade power suits for prison orange, Chapman makes her way through the corrections system and adjusts to life behind bars, making friends with the many eccentric, unusual and unexpected people she meets.

Elliot is a brilliant introverted young programmer who works as a cyber-security engineer by day and vigilante hacker by night. He also happens to be suffering from a strange condition similar to schizophrenia which he futilely tries to keep under control by regularly taking both legal and illegal drugs and visiting his therapist. When a strange feisty young woman named Darlene and a secretive middle-aged man calling himself Mr. Robot, who claims to be the mysterious leader of an underground hacking group known as F-Society, offer Elliot a chance to take his vigilantism to the next level and help them take down E-Corp, the corrupt multi-national financial company that Elliot works for and likes to call Evil Corp, Elliot finds himself at the crossroads. Mr. Robot, who has personal reasons for wanting to take down E-Corp, also reveals that he already has one ally, an even more mysterious, secretive and highly dangerous shadowy hacking group known only as Dark Army. Meanwhile, Elliot's childhood and only friend, Angela, who blames E-Corp for the death of their parents, tries to take down E-Corp legally by joining their ranks and trying to dig up evidence of their corruption from the inside. A wild card in this scheme becomes Tyrell Wellick, an unhinged psychopathic E-Corp yuppie, originally from Scandinavia, who has a very unusual relationship with his dominant and ambitious wife Joanna. After many twists and turns, Mr. Robot's plan is finally put in motion - with catastrophic (un)intended results. But that's just the end of the beginning of the real story.

American drama–thriller television series

He's smart, he's good looking, and he's got a great sense of humor. He's Dexter Morgan, everyone's favorite serial killer. As a Miami forensics expert, he spends his days solving crimes, and nights committing them. But Dexter lives by a strict code of honor that is both his saving grace and lifelong burden. Torn between his deadly compulsion and his desire for true happiness, Dexter is a man in profound conflict with the world and himself. Golden Globe winner Michael C. Hall stars in the hit SHOWTIME Original Series.

The winner of 6 Emmy Awards including Outstanding Drama Series, Homeland is an edge-of-your-seat sensation. Marine Sergeant Nicholas Brody is both a decorated hero and a serious threat. CIA officer Carrie Mathison is tops in her field despite being bipolar. The delicate dance these two complex characters perform, built on lies, suspicion, and desire, is at the heart of this gripping, emotional thriller in which nothing short of the fate of our nation is at stake.

American political thriller television series

The gang, 5 raging alcoholic, narcissists run a failing dive bar in south philly. The gang make up some scheme for sex, money, fame or for any other terrible reason you could think of. It always goes south however, as the gang (sometimes literally) have their plans blow up in their face.

Deep in the Mississippi Delta lies an oasis of glitter amid violent human trajectories where beauty can be hard to find. Each episode traces the kaleidoscopic story of a tiny strip club where colorful characters walk through its doors, whether life-broken, hopeful, or utterly lost.

Mason Clark

Gravity 

Cybernetics, AI, robots, sci fi movies & more. 

Richard Bruno Riddick (Vin Diesel), now a hunted man, finds himself in the middle of two opposing forces in a major crusade. Lord Marshal (

In 1982, a massive star ship bearing a bedraggled alien population, nicknamed "The Prawns," appeared over Johannesburg, South Africa. Twenty-eight yea

In 2035, techno-phobic homicide detective Del Spooner of the Chicago PD heads the investigation of the apparent suicide of leading robotics scientist,

In the year 2054 A.D. crime is virtually eliminated from Washington D.C. thanks to an elite law enforcing squad "Precrime". They use three gifted huma

Cyberpunk Cinema

movie

Bread Man

Lily and Alison face a life-changing event after they leave their Salton Sea home and follow the boys they meet back to Los Angeles.

Coming Of Age 

Cat and mouse. Jonathan McQuarry is an auditor in Manhattan, moving from office to office checking their books. While working late, a smooth and well-dressed man named Wyatt Bose chats Jonathan up, offers him a joint, and soon they're pals. When their cell phones are accidentally swapped, Jonathan answers Wyatt's phone to a series of women asking if he's free tonight. Jonathan discovers it's a sex club: busy powerful people meet each other anonymously in hotels. Jonathan falls for one of the club members, whom he knows only as "S," whom he's also seen on a subway. When she goes missing, patterns emerge and Jonathan faces demands involving violence and lots of money.

In 1966, in North Bend, Oregon, the runaway Kristen is captured by the police after burning down a farmhouse and is locked in the North Bend Psychiatric Hospital. Kristen is introduced to Dr. Gerald Stringer, who uses experimental therapy. Then she meets the inmates Emily, Sarah, Zoey and Iris and the tough nurse Lundt. During the night and in the shower later, Kristen sees the ghost of a woman and she learns that she is Alice Leigh Hudson, a mysterious wicked intern that has disappeared. When Iris is ready to go home, she is attacked by the ghost of Alice in the basement and murdered. She vanishes and the inmates decide to seek Iris out. Then Sarah is abducted by the Alice and also killed; the next one is Emily. Meanwhile Kristen escapes from her room and meets Zoey, expecting to protect her. However, Zoey is kidnapped by Alice and Kristen runs to Dr. Stringer's office. She snoops his desk and finds a report with the truth about Alice.

A man recently released from a mental institute inherits a mansion after his wealthy parents die. After a series of disturbing events, he comes to believe it is haunted.

Friday Night Movies 

Matthew, a young advertising executive in Chicago, puts his life and a business trip to China on hold when he thinks he sees Lisa, the love of his life who walked out on him without a word two years earlier, walking out of a restaurant one day. With a little help from his friend Luke, Matthew obsessively and relentlessly tracks Lisa down and while doing so, runs into another young woman calling herself Lisa whom, unknown to Matthew, is an actress named Alex and may hold the key to Lisa's disappearance, and discovery.

2004 American film directed by Paul McGuigan

In 1999, Los Angeles is racial war zone with the army and LSPD and SWAT officers fighting Afro-American people. The former cop Lenny Nero is a dealer of illegal recording in CDs that gives the memories and sensations of the recorder to the user. He buys the recordings from the supplier Tick; he misses his former mistress Faith, who was a hooker and now is a singer; his best friend is the private eye Max Peltier and the limousine driver Lornette 'Mace' Mason, who has unrequited love for him. Two days before the turn of the century, the black rapper Jeriko One is murdered. The hooker Iris seeks Lenny out but there is an incident and they do not talk to each other. However she drops a recording into Lenny's car while he unsuccessfully tries to meet Faith at a night-club. However her boyfriend Philo Gant does not let them talk. When Lenny learns that Iris was sadistically raped and killed, he gets involved in a sick scheme and discovers dirty hidden secrets.

1995 science fiction film directed by Kathryn Bigelow

Finding himself in considerable debt, Chris, a Texan drug dealer, decides the only solution is to murder his mother to collect the insurance money. Getting together with his father, the ex-husband of Chris' mother, they decide to hire Joe Cooper (a contract killer) who also happens to be a police detective. The plan is that the money will go to Chris' sister Dottie. However due to the size of the contract fee, Chris agrees that Joe can take Dottie as a retainer until the insurance comes through.

An erotic story about a woman, the assistant of an art gallery, who gets involved in an impersonal affair with a man. She barely knows about his life, only about the sex games they play, so the relationship begins to get complicated.

All Time Favorites 

When a man selects a mail order bride, he is surprised to see the beauty who appears before him. She alleges that she sent false photos to him to assure that he would love her for what she is and not for her beauty. However, what she is is a con artist, prostitute, and actress, who teams with a fellow actor to steal money from men. What she does not expect is that she falls in love with her new husband and ultimately must decide between him and her sadistic former lover. Contains explicit sex including sadistic acts as Thomas Jane cuts Jolie's back with a knife as part of their lovemaking.

A member of Parliament (Irons) falls passionately in love with his son's fiancée. They pursue their affair with obsessive abandon despite the dangers of discovery and what it would do to his complacent life and his son. Completely obsessed, he wants to give up his current lifestyle to be with her. She has no intention of allowing him to do this, preferring to have her marriage to the son as a cover. They are eventually discovered, and must deal with the damage. Based on the novel by Josephine Hart.

April has just graduated from an exclusive Southern college. She's just returned home to her family mansion to prepare for her semi-arranged marriage to "the right man", a man approved by April's father, a Senator. During a trip to the local fair, April meets Perry, the kind of man she always wanted but never knew. Her parents are aghast, as Perry is exactly the kind of man they don't want her associating with. April must reconcile the expectations of her family and her fiancée with the passion she feels for Perry.

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