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Evan Shively (Perseus271)

Jack Torrance's new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he'll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote...and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.

Nevada is mostly a long stretch of desert you cross on the way to somewhere else. And with someone else, if you're lucky...because it's a scary place. Headed down Route 50 in the brutal summer heat are people who are never going to reach their destinations. Like the Jacksons, a professor and his wife going home to New York City; the Carvers, a Wentworth, Ohio, family bound for a vacation at Lake Tahoe; and aging literary lion Johnny Marinville, inventing a gonzo image for himself astride a 700-pound Harley.A dead cat nailed to a road sign heralds the little mining town of Desperation, a town that seems withered in the shade of a man-made mountain known as the China Pit. But it's worse than that, much worse. Regulating the traffic there is Collie Entragian, an outsize uniformed madman who considers himself the only law west of the Pecos. God forbid you should be missing a license plate or find yourself with a flat tire.There's something very wrong here, all right, and Entragian is only the surface of it. The secrets embedded in Desperation's landscape, and the evil that infects the town like some viral hot zone, are both awesome and terrifying. But as young David Carver seems to know--though it scares him nearly to death to realize it--so are the forces summoned to combat them. In Desperation Stephen King's sweeping brush paints an apocalyptic drama of God and evil, madness and revelation. His genius for suspense has never been so finely honed, his imagination so shudderingly vivid,as when his wayfarers--and readers who dare to follow their course--begin to discover the true meaning of the word desperation.

The road in front of Dr. Louis Creed's rural Maine home frequently claims the lives of neighborhood pets. Louis has recently moved from Chicago to Ludlow with his wife Rachel, their children and pet cat. Near their house, local children have created a cemetery for the dogs and cats killed by the steady stream of transports on the busy highway. Deeper in the woods lies another graveyard, an ancient Indian burial ground whose sinister properties Louis discovers when the family cat is killed.source: stephenking.com

This needs to be said in capital letters so that it will grab people's attention and hopefully stop them from rating this book what they would have given King's novella:THIS BOOK IS NOT KING'S NOVELLA (RITA HAYWORTH AND SHAWSHANK REDEMPTION), WHICH THE MOVIE WAS BASED ON. IT IS A CRITICAL ANALYSIS OF THE FILM WRITTEN BY MARK KERMODE AND RELEASED BY BFI MODERN CLASSICS.With that said, on with my actual review. This is well written, in terms of actual writing style and readability, but ultimately lacking. Mark Kermode basically goes through the movie from beginning to end and attempts to translate a lot of the scenes and actions into symbols and themes. A lot of the conclusions he draws seem like a bit of a stretch to me. For example, Kermode writes, "Although Darabont has subsequently informed me that no such parallels were intended, it is possible (should one so wish) to find powerful echoes of the Last Supper in [the roof-tarring scene:]...a head-count of the inmates depicted in this sequence clearly reveals thirteen prisoners on the roof...More strikingly still, both King's source and Darabont's adaptation make it clear that, having provided the blessed beer, 'Only Andy didn't drink', a detail which fits neatly with the biblical descriptions of Jesus blessing, giving, but crucially not partaking of the wine..." (32). It seems to me that these two, what more likely are coincidences, don't provide enough substantial evidence to open up this scene to any necessary parallels between it and the last supper. I understand that Dufresne (Tim Robbins) is, I guess in some way -- maybe time and effort -- sacrificing himself to do the paperwork to get the beers that he hands out. And that because of his sacrifice they are all able to celebrate and enjoy the reward together, ultimately giving hope that there is life amongst the death of the prison. And that that event leads to the beginning of him being seen as a sort of legend that lives on through the passing of his story from one person to another (or as Kermode would say, from one disciple to another). However, when you study this scene in terms of the bigger-picture impact it has on the course of the film in comparison to what the last supper meant, and how it impacted the bigger-picture ministry of Jesus Christ, the parallels break down (and to be noted, some of the parallels that I listed above Kermode doesn't even go into.) Excuse me for getting theological, but some clarification on the first communion need to be made. The last supper was about Jesus Christ breaking bread and taking wine as a symbol for the giving over of His body and blood (meaning his death on the cross) for the disciples, and essentially the world, and the promise that we too would have to go to this cross if we were to believe in Him. As Christ's blood bound together the disciples in that moment, so would Christ's blood, shed through the giving of his follower's lives by way of the cross, bind together the Church in the future. None of this is evident in the roof-tarring scene. Andy's sacrifice is merely a way through which he can work the system in order for him and a couple guys to feel more human again. His sacrifice doesn't provide the way through which the other disciples will learn to live: other prisoners don't start trying to subvert the system and undermine authority because of him. And also, Kermode's second claim that Jesus didn't drink from the cup at first communion isn't as clearly stated in the gospels as he would have you believe. A lot of the gospels give slightly different accounts of this event, and even the gospels that he cites, Matthew and Mark, don't clearly state that Jesus didn't drink from the cup. Jesus's language about not drinking from the wine again until his second coming, leads me to believe that he drank from the cup the first time. There is the possibility that he drank wine during the meal, and then didn't drink wine during communion, being that some gospels list him saying he passed the cup after the meal, but there is no way of really telling. At best, we could say that it isn't conclusive whether he did or didn't. I don't mean to get overly religious, but I wanted to give an in-depth critique of one of his claims to show what I meant when I said many of his claims are a stretch. Much of the book gives analysis in the same way: concentrating on very specific, seemingly correct, but ultimately superficial connections between the movie and the Christian worldview. Kermode never really connects the dots between a lot of his claims which leaves the reader with great things to throw out at someone if your citing off references as to what this movie is "really" about, but leaves them paralyzed to offer any serious, well-thought out and congruent arguments. It's as if Kermode didn't have an all encompassing thesis for the book, but instead decided to analyze each scene individually and make connections where he could. If one knows a little something of the bible and what's in it, it becomes more obvious that Kermode's argument is lacking. I don't want to act like religious parallels cannot be made. I do believe there are some religious themes in the movie (an innocent man, condemned for a crime he didn't commit, is placed into a world he never belonged in, and helps the other guilty prisoners, through what he does and how he lives, see that humanity and another life are still possible if we learn to subvert the system and always continue to have hope.) However, Kermode doesn't do a great job of presenting these themes. Also, I don't want to act like there is nothing I took from this book (I did give it three stars, not one). Kermode gives an interesting interpretation having to do with the church of cinema and how Dufresne escapes through that and also gives a lot of little interesting tidbits about the movie along the way. Overall, the book is a short read, and a pretty easy one at that, and even with it's problems it might be worth reading just to get thinking more critically about the movie. However, if you're looking for a thorough and insightful analysis of this movie, especially in terms of why it worked, you might have to look elsewhere.

Welcome to Derry, Maine ...It’s a small city, a place as hauntingly familiar as your own hometown. Only in Derry the haunting is real ...They were seven teenagers when they first stumbled upon the horror. Now they are grown-up men and women who have gone out into the big world to gain success and happiness. But none of them can withstand the force that has drawn them back to Derry to face the nightmare without an end, and the evil without a name.

HE IS ONE OF THE MOST HAUNTING CHARACTERSIN ALL OF LITERATURE.AT LAST THE EVOLUTION OF HIS EVILIS REVEALED.Hannibal Lecter emerges from the nightmare of the Eastern Front, a boy in the snow, mute, with a chain around his neck. He seems utterly alone, but he has brought his demons with him.Hannibal’s uncle, a noted painter, finds him in a Soviet orphanage and brings him to France, where Hannibal will live with his uncle and his uncle’s beautiful and exotic wife, Lady Murasaki.Lady Murasaki helps Hannibal to heal. With her help he flourishes, becoming the youngest person ever admitted to medical school in France.But Hannibal’s demons visit him and torment him. When he is old enough, he visits them in turn.He discovers he has gifts beyond the academic, and in that epiphany, Hannibal Lecter becomes death’s prodigy.

Years after his escape, posing as scholarly Dr. Fell, curator of a grand family's palazzo, Hannibal lives the good life in Florence, playing lovely tunes by serial killer/composer Henry VIII and killing hardly anyone himself. Clarice is unluckier: in the novel's action-film-like opening scene, she survives an FBI shootout gone wrong, and her nemesis, Paul Krendler, makes her the fall guy. Clarice is suspended, so, unfortunately, the first cop who stumbles on Hannibal is an Italian named Pazzi, who takes after his ancestors, greedy betrayers depicted in Dante's Inferno. Pazzi is on the take from a character as scary as Hannibal: Mason Verger. When Verger was a young man busted for raping children, his vast wealth saved him from jail. All he needed was psychotherapy--with Dr. Lecter. Thanks to the treatment, Verger is now on a respirator, paralyzed except for one crablike hand, watching his enormous, brutal moray eel swim figure eights and devour fish. His obsession is to feed Lecter to some other brutal pets.

Set in South Carolina in 1964, The Secret Life of Bees tells the story of Lily Owens, whose life has been shaped around the blurred memory of the afternoon her mother was killed. When Lily's fierce-hearted black "stand-in mother," Rosaleen, insults three of the deepest racists in town, Lily decides to spring them both free. They escape to Tiburon, South Carolina--a town that holds the secret to her mother's past. Taken in by an eccentric trio of black beekeeping sisters, Lily is introduced to their mesmerizing world of bees and honey, and the Black Madonna. This is a remarkable novel about divine female power, a story women will share and pass on to their daughters for years to come.

Earthy, magical, and utterly charming, this tale of family life in turn-of-the-century Mexico became a best-selling phenomenon with its winning blend of poignant romance and bittersweet wit.The number one bestseller in Mexico and America for almost two years, and subsequently a bestseller around the world, Like Water For Chocolate is a romantic, poignant tale, touched with moments of magic, graphic earthiness, bittersweet wit - and recipes. A sumptuous feast of a novel, it relates the bizarre history of the all-female De La Garza family. Tita, the youngest daughter of the house, has been forbidden to marry, condemned by Mexican tradition to look after her mother until she dies. But Tita falls in love with Pedro, and he is seduced by the magical food she cooks. In desperation, Pedro marries her sister Rosaura so that he can stay close to her, so that Tita and Pedro are forced to circle each other in unconsummated passion. Only a freakish chain of tragedies, bad luck and fate finally reunite them against all the odds.

A sublime and seductive reading experience. Brilliantly conceived and masterfully written, this enormously engaging portrait of a most beguiling Southern city has become a modern classic.Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt's sharply observed, suspenseful, and witty narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproariously funny black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.

Why?Many years from now, historians will look back on this story and wonder why it was so important. And believe me, my friends, important it was. Today, most thrillers and police procedurals gets measured against it.For this review, I will refer to TSOTL as the story, because I'm going to talk about the book, movie, facts, fiction and some of my own opinions.TSOTL was the second Dr. Hannibal Lector story. It was also the second movie adaptation - wait just a damn moment, you might be saying to me, Red Dragon was the first book but it was made after the TSOTL movie was so successful...Correct.However, there was an attempt at a screen adaptation of Red Dragon a few years before TSOTL, called MANHUNTER. It was directed by Michael Mann. To the best of my knowledge, it was a flop at the box office.There are a few things TSOTL had going for it that counted in its favor. By all means, Thomas Harris is a brilliant writer - if you've read any of the books you will know this. But most movie freaks and geeks will agree with me that the story is probably one of the best adaptations from book to screen ever.Then you look at the cast - Jody Foster managed to play a vulnerable yet strong female (IMPORTANT) lead. You know she is intelligent, yet she knows that she has no chance against the superior intellect of Dr. Hannibal Lector. In comes Anthony Hopkins, whose portrayal of the psychopathic genius is so convincing, it catapults him to one of the biggest super villains of all time, yet he is so charming that the audience can't help but like him.And, of course, Buffalo Bill is played by Ted Levine, who is utterly convincing, even if you've seen him as the cop in MONK.With a strong cast and story, this movie became an unlikely contender at the Academy Awards. And they won a few!Right, lets take a step back, to the research phase of this story.Thomas Harris, in the early 80's, were doing research and was fortunate enough to get involved with criminal profiling, which at that time had been an unproven and highly speculative science. It was during the time when they were on the trail of one Ted Bundy. If you know a bit about this famous serial killer, you will probably know that he used to fake injuries by wearing a cast and asking victims for their help -  Do you remember how Buffalo Bill got that girl in the back of the van? And while Bundy was incarcerated on death row, he was willing to help the police do a profile on another serial killer of the time, The Green River Killer. I believe Bundy told them not to remove a body when they discover it, because the killer will go back to his treasure - something that was later confirmed to have happened.  Remember that agent Sterling asked Dr. Lector for his help? And then there was the killer Ed Gein, many decades before, who robbed graves and ultimately killed people to make himself a female skin, which was apparently hard to sow without tearing.  Need I explain this one? The fact of the matter is, while some things may have seemed preposterous to us in the early eighties, like they could only happen in the movies, there were some truly messed up people out there who were doing some truly messed up things - wow, it's been a while since I've kept a sentence PG like that...I will accept your applause humbly.Also, there was and, unfortunately, still are some stereo types about women in the FBI. Harris took the opportunity to make a statement, maybe very subtly, but still very important, about power vs. emotion. At no time does this story feel like a Hollywood blockbuster, where the star is cocky and always has a way out of a sticky situation, where it's all guns and fire and explosions, etc. No, this story was meant to cut close to home, to show the possibilities, for we are all vulnerable in this world. Agent Clarice is scared, she fears for her life, she doesn't know if she will survive, but she fights the big, bad (Goliath) killer. And she wins.This story is also important from a psychological point of view. Whatever your feelings about profiling may be, they have discovered so much and found impossible connections through their research, and we will never know how many lives it has saved. It's a kind of Paying-it-forward thing: By doing what they do, they prevent things that may have been inevitable in a different world.I once saw something (I can't remember exactly where) about some research they were doing on inmates. They took brain scans of a number of them, and noted that those who were certified as psychopathic, had an underdeveloped area in a certain part of their brains. If I can remember correctly, it had something to do with the mother producing too much serotonin during pregnancy, or some such scientific thing.How is this helpful, you may ask?Well, this is my personal opinion, so if it offends you, stop reading:Casey Anthony...Is she a psychopath who got away with murder?Yes, when I look at the facts of the case, and the things her attorney's did to get her free, I'm sickened to think the jurors couldn't believe a mother would do that to her child. Nobody LIKES to believe it, but I wish I could have seen a brain scan of her compared to those other psychopaths. I wish there was a psychologist who could have explained it to them.But enough about that.This book is, was and always will be important, because it brought certain realities home to the world we find ourselves in.If you haven't read it - but managed to get through this long review - what's the matter with you?But I am not trying to convince anybody of my point of view, so feel free to disagree.

This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death. And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides -- or are chosen.

Five interconnected, sequential narratives, set in the years from 1960 to 1999. Each story is deeply rooted in the sixties, and each is haunted by the Vietnam War.Stephen King, whose first novel, Carrie, was published in 1974, the year before the last U.S. troops withdrew from Vietnam, is the first hugely popular writer of the TV generation. Images from that war -- and the protests against it -- had flooded America's living rooms for a decade. Hearts in Atlantis, King's newest fiction, is composed of five interconnected, sequential narratives, set in the years from 1960 to 1999. Each story is deeply rooted in the sixties, and each is haunted by the Vietnam War. In Part One, "Low Men in Yellow Coats," eleven-year-old Bobby Garfield discovers a world of predatory malice in his own neighborhood. He also discovers that adults are sometimes not rescuers but at the heart of the terror. In the title story, a bunch of college kids get hooked on a card game, discover the possibility of protest...and confront their own collective heart of darkness, where laughter may be no more than the thinly disguised cry of the beast. In "Blind Willie" and "Why We're in Vietnam," two men who grew up with Bobby in suburban Connecticut try to fill the emptiness of the post-Vietnam era in an America which sometimes seems as hollow -- and as haunted -- as their own lives. And in "Heavenly Shades of Night Are Falling," this remarkable book's denouement, Bobby returns to his hometown where one final secret, the hope of redemption, and his heart's desire may await him. Full of danger, full of suspense, most of all full of heart, Stephen King's new book will take some readers to a place they have never been...and others to a place they have never been able to completely leave.

A modern classic, Carrie introduced a distinctive new voice in American fiction -- Stephen King. The story of misunderstood high school girl Carrie White, her extraordinary telekinetic powers, and her violent rampage of revenge, remains one of the most barrier-breaking and shocking novels of all time.Make a date with terror and live the nightmare that is...Carrie--back cover

A kingdom is in turmoil as the old king dies, murdered by a strange and horrible poison. While the land of Delain mourns, the evil wizard Flagg, hatches an unscrupulous plot, which sees the King's eldest son Peter imprisoned for his father's murder, and the youngest son inherit the throne. Only Peter knows the truth about his own innocence and the evil that is Flagg. Only Peter can save Delain from the horror that Flagg has in store. But first, he must escape from the high tower.

Rita Hayworth and Shawshank Redemption--the most satisfying tale of unjust imprisonment and offbeat escape since The Count of Monte Cristo.Apt Pupil--a golden California schoolboy and an old man whose hideous past he uncovers enter into a fateful and chilling mutual parasitism.The Body--four rambunctious young boys venture into the Maine woods and in sunlight and thunder find life, death, and intimations of their own mortality.The Breathing Method--a tale told in a strange club about a woman determined to give birth no matter what.source: stephenking.com

Nightmares & Dreamscapesis a short story collection by American writer Stephen King, published in 1993.King dedicated this collection of stories to Thomas Williams, a writing instructor who taught for many years at the University of New Hampshire. Since the book's publication, King has singled out Williams' National Book Award-winning novelThe Hair of Harold Rouxas a favorite of his, one he returns to "again and again."The dedication reads:"The Night Flier" and "Dolan's Cadillac" were both adapted to films of the same respective names. "Chattery Teeth" was adapted into a segment of the filmQuicksilver Highway. "Sorry, Right Number" was telecast as an episode ofTales from the Darksidebefore it was published inNightmares & Dreamscapes. "The Moving Finger" was adapted into an episode of the TV showMonsters. "Home Delivery" and "Rainy Season" were adapted into short films.

At midnight comes the point of balance. Of danger. The instang of utter stillness when between two beats of the heart, an alternative reality can slip through, like a blade between the ribs, and swithc you into a new and terrifying world.Four Past Midnight: four heart-stopping accounts of that moment when the familiar world fractures beyond sense, the fragments spinning away from the desperate, clutching reach of sanity...(back cover)

Never trust your heart to the New York Times bestselling master of suspense, Stephen King. Especially with an anthology that features the classic stories "Children of the Corn," "The Lawnmower Man," "Graveyard Shift," "The Mangler," and "Sometimes They Come Back"-which were all made into hit horror films."Unbearable suspense." (Dallas Morning News)From the depths of darkness, where hideous rats defend their empire, to dizzying heights, where a beautiful girl hangs by a hair above a hellish fate, this chilling collection of twenty short stories will plunge readers into the subterranean labyrinth of the most spine-tingling, eerie imagination of our time.Contents:· Introduction · John D. MacDonald · in · Foreword · fw · Jerusalem’s Lot · nv Night Shift, Garden City, NY: Doubleday, 1978 · Graveyard Shift · ss Cavalier Oct ’70 · Night Surf · ss Cavalier Aug ’74 · I Am the Doorway · ss Cavalier Mar ’71 · The Mangler · nv Cavalier Dec ’72 · The Boogeyman · ss Cavalier Mar ’73 · Gray Matter · ss Cavalier Oct ’73 · Battleground · ss Cavalier Sep ’72 · Trucks · ss Cavalier Jun ’73 · Sometimes They Come Back · nv Cavalier Mar ’74 · Strawberry Spring · ss Ubris Fll ’68; Cavalier Nov ’75 · The Ledge · ss Penthouse Jul ’76 · The Lawnmower Man · ss Cavalier May ’75 · Quitters, Inc. · ss Night Shift, Garden City, NY: Doubleday, 1978 · I Know What You Need · nv Cosmopolitan Sep ’76 · Children of the Corn · nv Penthouse Mar ’77 · The Last Rung on the Ladder · ss Night Shift, Garden City, NY: Doubleday, 1978 · The Man Who Loved Flowers · ss Gallery Aug ’77 · One for the Road · ss Maine Mar ’77 · The Woman in the Room · ss Night Shift, Garden City, NY: Doubleday, 1978

From the Flap:Late last night and the night before, Tommyknockers, Tommyknockers, knocking at my door.I want to go out, don't know if I can, 'cause I'm so afraid of the Tommyknocker man. It begins with nothing more frightening than a nursery rhyme; yet in Stephen King's hands it becomes an unforgettable parable of dread, a threat from an unimaginable darkness that drags the practical inhabitants of a New England village into a hell worse than their own most horrible nightmares . . . and yours.It begins with a writer named Roberta Anderson, looking for firewood in the forest that stretches behind her house. Bobbi stumbles over three inches of metal, which unusually heavy spring runoff has left sticking out of the soil. A logger's beer can, she thinks at first, but "the metal was as solid as mother-rock."It begins with Bobbi's discovery of the ship in the earth, a ship buried for millions of years, but still vibrating faintly, still humming with some sort of life . . .faint . . . weak . . . but still better left alone.Bobbi then begins to dig--tentatively at first, then compulsively--and is joined by her old friend (and onetime lover) Jim Gardener. Aided by a weirdly advanced technology, their excavation proceeds apace. And as they uncover more and more of an artifact both familiar and so unbelievable it is almost beyond comprehension, the inhabitants of Haven start to change.There is the new hot-water heater in Bobbi's basement--a hot-water heater that apparently runs on flashlight batteries. The vengeful housewife who learns of her husband's affair . . . from a picture of Jesus on top of her TV, a picture that begins to talk. Not to mention the ten-year-old magician who makes his little brother disappear . . . for real.The townspeople of Haven are "becoming"--being welded into one organic, homicidal, and fearsomely brilliant entity in fatal thrall to the Tommyknockers.In this riveting, nightmarish story, Stephen King has given us his tautest, most terrifying novel to date. And the next time someone raps at your door, you may want to keep the chain on. It just might be the Tommyknocker Man.

After moving to a new town, two brothers discover that the area is a haven for vampires.

1987 film by Joel Schumacher, Richard Donner

After awakening from a four-year coma, a former assassin wreaks vengeance on the team of assassins who betrayed her.

An orphaned boy enrolls in a school of wizardry, where he learns the truth about himself, his family and the terrible evil that haunts the magical world.

2001 British-American fantasy film directed by Chris Columbus

A retiring assassin suddenly finds himself on the receiving end of a hit, contracted by none other than his own employer seeking to cash in on the pensions of aging employees.

Agent Jay is sent to find Agent Kay and restore his memory after the re-appearance of a case from Kay's past.

2002 science fiction-film directed by Barry Sonnenfeld

A veteran Green Beret is forced by a cruel Sheriff and his deputies to flee into the mountains and wage an escalating one-man war against his pursuers.

1982 American action film by Ted Kotcheff

James Bond descends into mystery as he tries to stop a mysterious organisation from eliminating a country's most valuable resource.

Freedom fighters Neo, Trinity and Morpheus continue to lead the revolt against the Machine Army, unleashing their arsenal of extraordinary skills and weaponry against the systematic forces of repression and exploitation.

While still out to destroy the evil Umbrella Corporation, Alice joins a group of survivors living in a prison surrounded by the infected who also want to relocate to the mysterious but supposedly unharmed safe haven known only as Arc

A prince of the mythical world starts a rebellion against humanity in order to rule the Earth, and Hellboy his team must fight to stop him from locating the all-powerful Golden Army.

Raiders of the Lost Ark is a 1981 American action-adventure film directed by Steven Spielberg and written by Lawrence Kasdan, based on a story by George Lucas and Philip Kaufman. Set in 1936, the film stars Harrison Ford as Indiana Jones, a globetrotting archaeologist vying with Nazi German forces to recover the long-lost Ark of the Covenant which is said to make an army invincible. Teaming up with his tough former romantic interest Marion Ravenwood, Jones races to stop rival archaeologist Dr. René Belloq from guiding the Nazis to the Ark and its power.

Batman must battle former district attorney Harvey Dent, who is now Two-Face and Edward Nygma, The Riddler with help from an amorous psychologist and a young circus acrobat who becomes his sidekick, Robin.

1995 American superhero film based on the DC Comics character Batman directed by Joel Schumacher

Living in exile, Dr. Hannibal Lecter tries to reconnect with now disgraced F.B.I. Agent Clarice Starling, and finds himself a target for revenge from a powerful victim.

Two vicious step-siblings of an elite Manhattan prep school make a wager: to deflower the new headmaster's daughter before the start of term.

1999 American drama movie directed by Roger Kumble

The Dark Knight of Gotham City begins his war on crime with his first major enemy being Jack Napier, a criminal who becomes the clownishly homicidal Joker.

While Batman deals with a deformed man calling himself the Penguin wreaking havoc across Gotham with the help of a cruel businessman, a female employee of the latter becomes the Catwoman with her own vendetta.

1992 superhero film directed by Tim Burton

A mysterious new shop opens in a small town which always seems to stock the deepest desires of each shopper, with a price far heavier than expected.

After a young man is murdered, his spirit stays behind to warn his lover of impending danger, with the help of a reluctant psychic.

A mysterious Hollywood stuntman and mechanic moonlights as a getaway driver and finds himself in trouble when he helps out his neighbor.

2011 American film by Nicolas Winding Refn

After a young man is murdered by a road-racing gang of motor-heads, a mysterious fast-driving spirit descends from the sky to take revenge.

As her 16th birthday nears, Sabrina must choose between the witch world of her family and the human world of her friends. Based on the Archie comic.

Ten years before Kirk, Spock, and the Enterprise, the USS Discovery discovers new worlds and lifeforms as one Starfleet officer learns to understand all things alien.

Kevin Arnold recalls growing up during the late 60s and early 70s; the turbulent social times make the transition from child to adult unusually interesting.

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