Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

I really have no idea how to describe this book, it was mesmerising. Richard, a British backpacker arrives in Bangkok and on his first night in a hostel is given a map that leads to a so-called Eden, a secret beach that few travellers know about. So with French couple Etienne and Francoise in tow, they try to find the island. When they do life is idyllic for a while, then cracks start to appear, and they find that their Eden isn't the Paradise it seems.I can't even pinpoint what it is about this book, that a simple tale of backpackers on an island beach could be unputdownable. But it is. It is that and so much more. Highly Recommended.

You can find an alternative cover edition for this ISBN here and here.A rich selection of background and source materials is provided in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

A vicious fifteen-year-old droog is the central character of this 1963 classic. In Anthony Burgess's nightmare vision of the future, where criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology. A Clockwork Orange is a frightening fable about good and evil, and the meaning of human freedom. And when the state undertakes to reform Alex to "redeem" him, the novel asks, "At what cost?"This edition includes the controversial last chapter not published in the first edition and Burgess's introduction "A Clockwork Orange Resucked."

To me, bad taste is what entertainment is all about. If someone vomits watching one of my films, it's like getting a standing ovation. Thus begins John Waters's autobiography. And what a story it is. Opening with his upbringing in Baltimore ("Charm City" as dubbed by the tourist board; the "hairdo capital of the world" as dubbed by Waters), it covers his friendship with his muse and leading lady, Divine, detailed accounts of how Waters made his first movies, stories of the circle of friends/actors he used in these films, and finally the "sort-of fame" he achieves in America. Complementing the text are dozens of fabulous old photographs of Waters and crew. Here is a true love letter from a legendary filmmaker to his friends, family, and fans.

I could never write a review that would do this book justice. There are some amazing monomaniacal memoirs out there. For example The Dirt by Motley Crue, or John Lydon's No Dogs, No Irish, but then there is this. Kinski is either totally insane or an amazing liar. I don't know which, but the way he recounts his life and his sex life is something to behold. Why it is so difficult to get a hold of his two auto-biographies is beyond me. They should be perennial best-sellers. Just for any interaction he writes about with Werner Herzog is worth reading this book, and that doesn't take into account the wonderful wartime stories that he has, or his preteen sex life, that is more active than probably anyone's normal life. So great, so insane. Thank you Karen for bringing this book into my life!!!

 look we are best friends!okay now it is time to actually review the book. and im having an off day so im not sure what form this review will take, but im writing it and thats what is happening. i was trying to remember the other day where i was the first time i encountered nick cave. not in person, - i remember that quite well. before the above picture was taken i had tried, many years ago, to flirt on him and was rebuffed. REBUFFED! but the first time i heard his music. i remember quite well the first time i heard the smiths. or leonard cohen. or oingo boingo. and thats about all the music i know. but i cant remember my first nick cave. fascinating, right?? like i said - its an off day. but so the book. i liked it, but not nearly as much as and the ass saw the angel. which i love enough to maybe review later, if im feeing saucy. this book is very good, and i know a movie is in the works, and i can see how that would be good, maybe. but when he was chatting in the green room, maria mentioned the word antihero. and nick cave seemed genuinely surprised at this word being used in connection with this book. and that, in turn, surprises me. because if you read this, theres nothing really to fall in love with, character-wise. hes a pure, unmitigated asshole. and thats great, really, but he is nothing if not an antihero. and moments later, he tried to make a call on his cell, but was geting poor reception and kept saying "can you hear me now", which makes me cringe, and then said "never mind, ill just text you". to this technogrouch, that was unforgiveable. but still - best friends. i thank this book for making =me realize how close avril lavignes name anagrams to "vaginal". and i love that when i was reading this outside on the back stoop at work, some lady came by and tried to sell me makeup from her little suitcase, which meshed nicely with what i was reading, but not as nicely (or terrifyingly) as when i was reading the plague on the jmz subway platform at like 2 in the morning and no one was around and then a rat ran over my foot. that was pretty awesome. but so thats my review, sortof, and i cant even see what i am typing because goodreads.com is experiencing some kind of annoying glitch that is superimposing "formatting tips" over my little box here. (on my display device) so i dont even care. comment, vote, whatever... this day is annoying all-round. boo.

A really fun fourth-wall breaking tourist guide to the TP universe, the Twin Peaks Guide takes you on a tour of the city’s sights and sounds as if you picked up the book at the airport and planned on making the journey to the little hamlet. Chock full of insights into the universe, the characters, the restaurants, sights, foliage, wildlife, history, and industry of the area, this guidebook presents everything that the show doesn’t cover and almost works as a bible to the universe if one were planning on writing some more episodes or a fan fic of the area. I picked this up again as I am prepping myself for the new season. I read The Secret Diary, The Autobiography of Dale Cooper (both of these for the third or fourth time at least), and The Secret History of Twin Peaks (for the first time) already, and I am planning on listening to my Dale Cooper tapes audiobook again…once I find my tape player here somewhere. What was really interesting was noticing the overlaps between The Secret History of Twin Peaks and this guidebook, actually – honestly a lot of what is contained in here, albeit in a manner which is hidden without context, is the same material that is explained in the Secret History book believe it or not. Once could read the Secret History and find much of the same stuff, but contextualized WAY more, but this has some clues scattered about in neat, hidden ways. It was cool reading this again after the new book. It is a lot of fun, and perhaps the real magic is in the fact that it is almost like reaching into the television screen to pull out the guidebook and use it as if you were a character stepping through that fourth wall of the screen and examining what is happening in town. My ONLY complaint about the book really is that the pictures of the actors are definitely Hollywood-produced headshots/press pack shots rather than something that looks a little more like it belongs in a book like this… The illustrations, however, were great, and I really like the minutiae like the phone book section and advertisements.

The photographs in Haunted Air provide an extraordinary glimpse into the traditions of this macabre festival from ages past, and form an important document of photographic history. These are the pictures of the dead: family portraits, mementos of the treasured, now unrecognizable, and others. The roots of Halloween lie in the ancient pre-Christian Celtic festival of Samhain, a feast to mark the death of the old year and the birth of the new. It was believed that on this night the veil separating the worlds of the living and the dead grew thin and ruptured, allowing spirits to pass through and walk unseen but not unheard amongst men. The advent of Christianity saw the pagan festival subsumed in All Souls' Day, when across Europe the dead were mourned and venerated. Children and the poor, often masked or in outlandish costume, wandered the night begging "soul cakes" in exchange for prayers, and fires burned to keep malevolent phantoms at bay. From Europe, the haunted tradition would quickly take root and flourish in the fertile soil of the New World. Feeding hungrily on fresh lore, consuming half-remembered tales of its own shadowy origins and rituals, Halloween was reborn in America. The pumpkin supplanted the carved turnip; costumes grew ever stranger, and celebrants both rural and urban seized gleefully on the festival's intoxicating, lawless spirit. For one wild night, the dead stared into the faces of the living, and the living, ghoulishly masked and clad in tattered backwoods baroque, stared back.

With his brutal post-industrial music, theatrical makeup and controversial lyrics about serial killers and Satanism, shock rocker Marilyn Manson has stood as an icon for a generation of dispossessed teens. It is less well known that Manson has been painting pictures since 1999. "Genealogies of Pain" presents 30 of his paintings, executed over the past ten years. Manson's portraits of cartoonish characters are rendered in delicate pastel colors, but the subject matter accords with his notoriously morbid aesthetic: one figure gnaws off his own fingers, another wears a gas mask. This volume pairs Manson with filmmaker David Lynch, who has also made a living out of mining mankind's darkest carnal fears. Included here are stills from four of Lynch's early short experimental films, "Six Men Getting Sick," "The Grandmother," "The Amputee" and "The Alphabet," which employ similar themes of physical and psychological trauma. An interview with Manson explores his techniques and relevant art historical traditions.

Where do ideas come from?In Catching the Big Fish, internationally acclaimed filmmaker David Lynch provides a rare window into his methods as an artist, his personal working style, and the immense creative benefits he has experienced from the practice of meditation.Lynch describes the experience of "diving within" and "catching" ideas like fish - and then preparing them for television or movie screens, and other mediums in which he works, such as painting, music, and design. Lynch writes for the first time about his more than three-decade commitment to Transcendental Meditation and the difference it has made in his creative process.In brief chapters, Lynch explains the development of his ideas - where they came from, how he grasps them, and which ones appeal to him the most. He specifically discusses how he puts his thoughts into action and how he engages with others around him. Finally, he considers the self and the surrounding world - and how the process of "diving within" that has so deeply affected his own work can directly benefit others.Catching the Big Fish comes as a revelation to the legion of fans who have longed to better understand Lynch's personal vision. And it is equally intriguing to those who wonder how they can nurture their own creativity.

David Lynch erupted onto the cinema landscape in 1977 with Eraserhead, establishing himself as one of the most original and imaginative directors at work in contemporary cinema. Over the course of his career, he has remained true to a vision of the innocent lost in darkness and confusion, balancing hallucination and surrealism with a sense of Americana that is as pure and simple as his compelling storylines. In this volume, Lynch speaks openly about his films as well as about his lifelong commitment to painting, his work in photography, his television projects, and his musical collaborations with Angelo Badalamenti.

Sitting on Death Row, awaiting execution for the murder of his wife, Fred Madison experiences a shattering headache. The next day, a dazed and confused Pete Dayton is found in Madison's cell. Dayton has no memory of how he came to be there. Madison has gone missing. What follows may be reality or it may be part of a highly organized hallucination that Fred Madison is undergoing. Lost Highway refuses to yield its secrets readily. It communicates, not just through words, but through images and - most of all - through the mental states these words and images conjure up.

In this memoir, David Lynch - co-creator of Twin Peaks and writer and director of groundbreaking films like Eraserhead, The Elephant Man, Blue Velvet and Mulholland Drive - opens up about a lifetime of extraordinary creativity, the friendships he has made along the way and the struggles he has faced - sometimes successful, sometimes not - to bring his projects to fruition.Part-memoir, part-biography, Room to Dream interweaves Lynch's own reflections on his life with the story of those times, as told by Kristine McKenna, drawing from extensive and explosive interviews with ninety of Lynch's friends, family members, actors, agents, musicians and collaborators. Lynch responds to each recollection and reveals the inner story of the life behind the art.

In a biography I am looking for an impartial presentation. I neither like hagiographies or those biographies that negatively skew facts. The author of this book chooses to present a preponderance of negative over positive assertions concerning the artist, his life and his art. By book’s end, given such a negative presentation, I no longer trusted anything I was told. Much reads as gossip. Often we are told opinions of those involved in disputes. Tell me, how impartial can these views be?!I by no means am stating that Picasso was an angel. He was arrogant, cruel and self-centered. Humility was a concept foreign to the man’s character. Sex was paramount, both in his life and in his art. When he grew old and couldn’t perform sexually and as physical infirmities mounted, one can easily imagine the effect this had on him. When he died at the age of 91 he was not thinking clearly, but who does? I feel that a biographer must take such into consideration if a balanced analysis of the subject’s personality is to be achieved. Picasso’s personality and his family circumstances are covered but not in a balanced manner. Picasso was an innovative painter, sculptor, ceramicist, printmaker, poet and playwright. He was always doing something new! He never stood still in his practice of art. In trying new art forms he looked at and listened to others, then broke all the rules. What he did, he did in his own way, and what he did worked! He expressed in his art an essence that few others could achieve. The book moves forward chronologically and all his different art forms are covered. We follow his paintings from the “Blue Period” to experiments with primitive art to different types of cubism to the “Green Period” to Dadaism to Surrealism and sexualism in art. And of course Guernica, not an art form but a monument of art expression. Along the way we follow his family, his lovers, his acquaintances and his communist ties. When I look at art I don’t want it explained, and certainly not by one who dislikes the art and who dislikes the person who made it. If the artwork doesn’t speak to you, then so be it. I feel strongly that art should be separated from the actions of those who create it. I can strongly dislike the behavior of an artist and yet still appreciate that person’s art. I believe Huffington intertwines the two.What I did like in this book is the author’s presentation of the other artists that Picasso rubbed shoulders with in Montparnasse and Montmartre at the turn of the 20th century, Paris of the Belle Époque era. I personally was interested in what we are told about Gertrude Stein, Henri Matisse, Georges Braque, Henri Rousseau, Alberto Giacometti, Guillaume Apollinaire, Marc Chagall, Jean Cocteau, and Sergei Diaghilev. Interesting tidbits and lots about how each of them interacted with the others. I did point out that there is a lot of gossip to be found within the pages of this book. The nastiest portions focus on how the mistresses, wives, children and servants viewed one another. Such gossip doesn’t lead to a better understanding of relationships. People were devoted to Picasso. As he is drawn here, this is incredibly hard to believe. I see this as a major fault of the book. Picasso said, “It is not what an artist does that counts, but what he is.“ Surely this will give food for thought in observing Picasso’s own life. Picasso was a seismograph of his age. He lived from 1881 - 1973. He was tormented and filled with rage. He challenged and he shocked. One perhaps can rightly ask if in his art one senses heart. Maybe in some, but in others that is quite simply not the message Picasso is trying to convey. We are told that Huffington has interviewed several who knew Picasso and has researched documentation that already exists. The book is studded with quotes, but some of them are from unspecified sources. She has spoken to Françoise Gilot, one of his numerous mistresses and the mother of two of his four children. She has in fact written her own biography on Picasso: Life with Picasso. Personally, I would recommend reading that rather than getting the second hand references as they are presented here. The audiobook is narrated by Wanda McCaddon. She reflects through her intonation the feelings the author expresses in her lines. I think a narrator should help the reader understand what an author is saying, so I have no complaint about this. I must point out that to listen to the audiobook I was forced to slow down the narration speed to 75%. Only at this speed did it flow naturally. Only at this speed did it sound as people really do talk! At other speeds you will detect a distortion.

Photographs have trouble communicating the radiance of the colour in Klein's work, especially of the monochrome paintings. Of the work represented, the ANT series of body-painting transmits well enough, but the sculptures come out the best (especially S41, Blue Venus), thanks to greater scope for lighting and shadow to help convey some of the famous "hovering" of the pigment. Hannah Weitemeier contributes an essay from which one gets very little biographic sense of Klein, and only slightly more of a critical one of his work. The writing is often very woolly:Taken from their familiar context and reworked, the found objects were raised to the status of art. Yet unlike the American Pop artists, who in the 1960s would react similarly to man-made consumer products, Klein treated his finds in a way that placed his work in a typically European context of meaning. Whether prefabricated or natural in origin, each object was conceived and reworked in an attempt to lend it a dynamic harmony that would stimulate individual perception, and a recognition that things habitually considered part of the external world possessed the same fundamental structure and laws as those which govern the individual organism. In one form or another, each piece contained covert allusions to a reciprocal influence between the subjective and objective references of a self-contained artistic universe.In other words - I think - by infusing the artist's actions with the 'meaning' of a piece, it makes the viewer question the fault-lines between one's subjective experience of things, and those things' objective existence. Or maybe here, rather than questioning, it stresses the commonalities. So far, so Duchamp 101. But how is this a 'European context of meaning' rather than an American one? Strictly speaking, is this even context, or is it the 'meaning' derived from that context?Elsewhere, Weitemeier employs that old undergraduate's trick, word-count-padding tangential 'context' to be raised and then quickly dropped:Klein had learned the technique of gilding in London in 1949, and was awed at the potentials (sic) of this costly and difficult material. What especially fascinated him was the fragile nature of 'the exquisite, delicate gold, whose leaves flew away at the slightest breath.' For the medieval alchemists, the search for a way to make gold corresponded to a search for the philosopher's stone. Their attempts to combine chemically what they called earthly and heavenly elements, apart from the pragmatic aim of transforming base metals into the most precious currency, gold, were informed by a higher, metaphysical idea - that of enlightenment and salvation of mankind.But to return to Klein...Nothing is helped by John William Gabriel of Worpsewede's clunky translation. (Lines like "a few months later they were already able to mount a joint exhibition of recent pieces" radiate target language interference on phrasing.) Being unfamiliar with the Worpsewede name I gave it a quick search and it turns out to be an artist's colony in Lower Saxony. Though he has a few other non-Taschen credits to his name, John William Gabriel turns up nowhere else than in translators' bylines. It seems likely that Taschen, known for its cut-price publishing model, has created a pseudonym using budget translators to keep costs and royalties down. While Weitemeier seems to be a real person, it is still pretty difficult to find much other work by her or about her, and one assumes her freelancer fees would similarly have been low enough for Taschen's business model.

The story and works of beautiful human being who gave the world and his works of art so much of himself that there was nothing left for himself. His agony in living is clearly expressed in his paintings as well as his joy in the colours and the nature he tried to capture. The book is a tiny glimpse into a journey of madness, love, betrayal and genius. To see the world through Vincent's eyes is truely a wonderous experience but scary and overwhelming also. Some photos are included of his work over the years including Sunflowers and of course The starry night but some lesser known to me at least like Cafe terrace at night: Arles and Monmartre: Paris which is to me beautiful, simplistic and vibrant. I love this man who gave so much of himself to his art..... "I put my heart and soul into my work and have lost half my mind in the process" Vincent Van Gogh

An interesting, informative book, but mostly remarkable for the paintings, many of which are hard to find reproduced anywhere else. Interesting to know just how much Surrealism was a man's game (hey, it was the 1920s - 40s, course it was). But with the guys' creepy preoccupation with child women and all, the mature female artists got marginalized. Well, ha ha guys, Frida Kahlo's more famous then all of you now (except maybe Dali). But many other remarkable painters like Kay Sage and Leonora Carrington, are not known. This book is a treasure in itself. I'd never read it before, but it's always been a special book for me - I bought it at MOMA when I was 18 , with my friend Meagan.

Salvador Dalí was born Salvador Felipe Jacinto Dalí y Domenech on May 11, 1904, in Figueres, Spain, located 16 miles from the French border in the foothills of the Pyrenees Mountains. His father, Salvador Dalí y Cusi, was a middle class lawyer and notary. Salvador's father had a strict disciplinary approach to raising children—a style of child-rearing which contrasted sharply with that of his mother, Felipa Domenech Ferres. She often indulged young Salvador in his art and early eccentricities.It has been said that young Salvador was a precocious and intelligent child, prone to fits of anger against his parents and schoolmates. Consequently, Dalí was subjected to furious acts of cruelty by more dominant students or his father. The elder Salvador wouldn't tolerate his son's outbursts or eccentricities, and punished him severely. Their relationship deteriorated when Salvador was still young, exacerbated by competition between he and his father for Felipa's affection.Dalí had an older brother, born nine months before him, also named Salvador, who died of gastroenteritis. Later in his life, Dalí often related the story that when he was 5 years old, his parents took him to the grave of his older brother and told him he was his brother's reincarnation. In the metaphysical prose he frequently used, Dalí recalled, \
  "[we] resembled each other like two drops of water, but we had different reflections." He "was probably a first version of myself, but conceived too much in the absolute."\
Salvador, along with his younger sister Ana Maria and his parents, often spent time at their summer home in the coastal village of Cadaques. At an early age, Salvador was producing highly sophisticated drawings, and both of his parents strongly supported his artistic talent. It was here that his parents built him an art studio before he entered art school.Upon recognizing his immense talent, Salvador Dalí's parents sent him to drawing school at the Colegio de Hermanos Maristas and the Instituto in Figueres, Spain, in 1916. He was not a serious student, preferring to daydream in class and stand out as the class eccentric, wearing odd clothing and long hair. After that first year at art school, he discovered modern painting in Cadaques while vacationing with his family. There, he also met Ramon Pichot, a local artist who frequently visited Paris. The following year, his father organized an exhibition of Salvador's charcoal drawings in the family home. By 1919, the young artist had his first public exhibition, at the Municipal Theatre of Figueres.In 1921, Dalí's mother, Felipa, died of breast cancer. Dalí was 16 years old at the time, and was devastated by the loss. His father married his deceased wife's sister, which did not endear the younger Dalí any closer to his father, though he respected his aunt. Father and son would battle over many different issues throughout their lives, until the elder Dalí's death.SOURCE:http://www.biography.com/people/salva...

The Impressionists--Monet, Manet, Cezanne, Degas, Pissarro, and Renoir--are probably the most popular of all artistic schools. With imagination and insight, the author brings Impressionism into focus by showing it through the eyes of the artists and their contemporaries, using letters, critical reviews and reminiscences of the people who were part of the story. As we see in Bernard Denvir's compelling survey, the Impressionists had new ways of painting, but they also had a new world to paint: a world of stream tricycles, emergent photography, and modern ideas about perception. 195 illus., 17 in color.

Life is Strange is a hand drawn work of art and every action enacts a butterfly effect - but with the power to rewind time, what would you change? And would it...

From the storytellers at Naughty Dog, comes the epic that altered adventure storytelling, rebuilt by Bluepoint Games with the power of the PS4 system. Follow th...

[Metacritic's 2004 PS2 Game of the Year] Five years ago Carl Johnson escaped from the pressures of life in Los Santos, San Andreas... a city tearing itself apa...

Through Mirror’s Edge Catalyst, experience the emergence of Faith, a brave Runner who uncovers a hidden truth inside the walls of the city of Glass. Through h...

An epic adventure across 3 cd-roms. What begins as a rebellion against an evil corporation becomes much more. And what erupts goes beyond imagination. With vivi...

Experience an epic open world brought to life by the Nemesis System. Forge a new Ring of Power, conquer Fortresses in massive battles and dominate Mordor with y...

Conquer a world strenuously protecting its secrets, endure dangers conditions and unstable landscapes, face viscous wildlife that act as guardians to ancient to...

[Metacritic's 2002 PS2 Game of the Year ] Welcome to Vice City. Welcome to the 1980s. Having just made it back onto the streets of Liberty City after a long str...

From Hazelight comes It Takes Two an innovative co-op adventure where uniquely varied gameplay and emotional storytelling intertwine in a fantastical journey. F...

Biomutant is an open-word, post-apocalyptic Kung-Fu fable RPG, with a unique martial arts styled combat system allowing you to mix melee, shooting and mutant ab...

In a city where information is heavily monitored, agile couriers called runners transport sensitive data away from prying eyes. In this seemingly utopian paradi...

[Metacritic's 2004 PC Game of the Year] By taking the suspense, challenge and visceral charge of the original, and adding startling new realism and responsiven...

Half-Life combines great storytelling in the tradition of Stephen King with intense action and advanced technology to create a frighteningly realistic world whe...

New to the series, the Sims display a range of emotions which influence your variety of decisions in the game. Emotions give you new choices that impact your Si...

Los Santos is a sprawling sun-soaked metropolis full of self-help gurus, starlets and once-important stars. The city was once the envy of the Western world, but...

Set 3 years after the events of Uncharted 3, Nathan Drake has apparently left the world of fortune hunting behind. However, it doesn’t take long for adventure...

Unleash the power of the Gods and embark on a merciless quest as Kratos, an ex-Spartan warrior driven to destroy Ares, the God of War. Armed with lethal double...

Detroit, the early 1960s. Curtis Taylor, Jr., a car salesman, breaks into the music business with big dreams. He signs a trio of young women, the Dreamettes, gets them a job backing an R&B performer, James "Thunder" Early, establishes his own record label and starts wheeling and dealing. When Early flames out, Curtis makes the Dreamettes into headliners as the Dreams, but not before demoting their hefty big-voiced lead singer, Effie White, and putting the softer-voiced looker, Deena Jones, in front. Soon after, he fires Effie, sends her into a life of proud poverty, and takes Deena and the Dreams to the top. How long can Curtis stay there, and will Effie ever get her due?

In West Hollywood, Suzette, now on the far side of middle age, has always been a party girl, leading a life solely for the here and now. When the here and now leads to her without a job, no money and thus no sense of whether her partying life has gotten her anywhere, she decides to go into her distant past to visit in Phoenix an old friend, Vinnie, who she has not seen or talked to in twenty years. In their shared past, Suzette and Vinnie were Los Angeles groupies coined the Banger Sisters for their penchant to sleep with any and all rock musicians who came through Southern California. Suzette does know however that Vinnie's life has changed, she married to Raymond, a lawyer who has political aspirations, the two who have two teenaged daughters. It is in part the reason she decides to visit now well off Vinnie, to see if she will lend her some money. Suzette reconsiders when she finds out just how far Vinnie has changed. She now goes by her full given name Lavinia, and is not only the model of conservatism and respectability, but will go to extreme lengths to control this respectable agenda, which probably does not include a friend from their wild past. Suzette guesses that Vinnie's family may not know about her past life. If Suzette does decide to see Vinnie, she may upset Vinnie's apple cart for good or bad. Suzette's life is also mutually affected by Harry Plummer, a man she picks picks up on the way to Phoenix. With an extreme case of OCD, fifty year old Harry is failed Hollywood screenwriter who is returning to his hometown of Phoenix to conclude some business regarding what he considers his failed life.

The story follows Michelle Darnell, a titan of industry who is sent to prison for insider trading, denounced by her former lover, Renault, who still holds a heavy grudge towards her for their breakup, after getting a promotion a few years ago. After doing her time, Michelle emerges, ready to re-brand herself as America's latest sweetheart, but not everyone she steamrolled is not so quick to forgive and forget. With nowhere to go and no one to scam, Michelle is forced to move in with former assistant Claire and her young daughter, Rachel. Now at her lowest point, Michelle wastes no time in devising a winner-take-all plan to rebuild her empire..

Sisters Kate and Maura Ellis are summoned home to clean out their childhood bedroom before their parents sell the family house, much to their dismay. Looking to recapture their glory days, they throw one final high-school-style party for their classmates, which turns into the cathartic rager that a bunch of ground-down adults really need.

Scott and Kate Johansson are elated to discover their daughter Alex has been accepted into bucknell university. However, the town college scholarship program refuses to fund any more tuitions. Out of options, the couple makes an executive decision to open an underground illegal casino in their friend Frank's basement. Unfortunately, the authorities soon become suspicious. Now what?!

Edina (Jennifer Saunders) and Patsy (Joanna Lumley) are still oozing glitz and glamor, living the high life to which they are accustomed; shopping, drinking, and clubbing their way around London's trendiest hot-spots. Blamed for a major incident at a fashionable launch party, they become entangled in a media storm and are relentlessly pursued by the paparazzi. Fleeing penniless to the glamorous playground of the super-rich, the French Riviera, they hatch a plan to make their escape permanent and live the high life forever more.

On her forty-third birthday, Bridget Jones (Renée Zellweger) is awoken by her mother who reminds her that her time to have children is running out. She goes to attend the funeral of Daniel Cleaver (Hugh Grant), who is presumed dead after a plane crash. While there, she sees her ex, Mark Darcy (Colin Firth) and his new wife. They bump into one another somewhat awkwardly, and then go their separate ways.

2016 romantic comedy film directed by Sharon Maguire

Still working in her parents' Greek restaurant, Toula Portokalos' daughter, Paris, is growing up. She is getting ready to graduate high school and Toula and Ian are experiencing marital issues. When Toula's parents find out they were never officially married, another wedding is in the works. Can this big, fat, Greek event help to bring the family together?

In 1967, Susanna Kaysen had a headache and chased a bottle of aspirin with a bottle of vodka. This landed her in the mental institution, Claymoore. Here she is diagnosed, by Dr. Melvin Potts, with borderline personality disorder. When she arrives at Claymoore, she is greeted by Nurse Valerie Owens and shown round the woman's ward. Here she meets Georgina Tuskin, a pathological liar who is fixated with The Wizard of Oz; Polly Clark, a childlike schizophrenic; Janet Webber, a sardonic anorexic patient; Daisy Randone, a girl who won't let anyone in her room, and only eats her father's chicken; and Lisa Rowe, a sociopath who controls the other patients, and makes lives hard for the nurses at Claymoore. Through the movie, Lisa gains and loses control over Susanna and we see how bad she really can be. The movie's ending shows Susanna being released from Claymoore after an 18-month stay. How does Susanna take back her control? This movie battles subjects such as mental heath, abuse, self-harm and suicide.

Osbourne Cox, a Balkan expert, resigned from the CIA because of a drinking problem, so he begins a memoir. His wife wants a divorce and expects her lover, Harry, a philandering State Department marshal, to leave his wife. A CD-ROM falls out of a gym bag at a Georgetown fitness center. Two employees there try to turn it into cash: Linda, who wants money for cosmetic surgery, and Chad, an amiable goof. Information on the disc leads them to Osbourne who rejects their sales pitch; then they visit the Russian embassy. To sweeten the pot, they decide they need more of Osbourne's secrets. Meanwhile, Linda's boss likes her, and Harry's wife leaves for a book tour. All roads lead to Osbourne's house.

The documentary is about Project Possible, a plan by Nepali high altitude climber

Sok-woo, a father with not much time for his daughter, Soo-ahn, are boarding the KTX, a fast train that shall bring them from Seoul to Busan. But during their journey, the apocalypse begins, and most of the earth's population become flesh craving zombies. While the KTX is shooting towards Busan, the passenger's fight for their families and lives against the zombies - and each other.

In the small village Goksung in South Korea, police officer Jong-Goo investigates bizarre murders caused by a mysterious disease. His partner relays gossip that a Japanese stranger, who lives in a secluded house in the mountains, would be an evil spirit responsible for the illness. Jong-Goo decides to visit the stranger along with his partner and a young priest who speaks Japanese. They find an altar with a goat head, pictures on the walls of the infected people that died, and an attacking guard dog that prevents their departure until the stranger arrives. Jong-Goo finds one shoe of his beloved daughter, Hyo-jin, in the house of the stranger, and soon she becomes sick. His mother-in-law summons the shaman Il-gwang to save her granddaughter while a mysterious woman tells Jong-Goo that the stranger is responsible. Who might be the demon that is bringing sickness to Goksung?

Haunted by a persistent writer's block, the aspiring author and recovering alcoholic, Jack Torrance, drags his wife, Wendy, and his gifted son, Danny, up snow-capped Colorado's secluded Overlook Hotel after taking up a job as an off-season caretaker. As the cavernous hotel shuts down for the season, the manager gives Jack a grand tour, and the facility's chef, the ageing Mr Hallorann, has a fascinating chat with Danny about a rare psychic gift called "The Shining", making sure to warn him about the hotel's abandoned rooms, and, in particular, the off-limits Room 237. However, instead of overcoming the dismal creative rut, little by little, Jack starts losing his mind, trapped in an unforgiving environment of seemingly endless snowstorms, and a gargantuan silent prison riddled with strange occurrences and eerie visions. Now, the incessant voices inside Jack's head demand sacrifice. Is Jack capable of murder?

After graduating from Montclair State, New Jersey Girl Annie can't make up her mind about what to do with her life. After saving a little boy from being run over in the park, she is quickly employed as a nanny for a rich Upper East Side couple. Mr X is occupied with his business, Mrs X loves shopping, and neither really likes to spend time with their little boy Grayer. Annie quickly learns that she has more than her hands full taking care of him. Her busy schedule doesn't give her much spare time. Mrs X fired her last nanny because she was dating and that gives Annie problems when Harvard Hottie who lives in the same building asks her out on a date.

2007 film directed by Shari Springer Berman and Robert Pulcini

The writer Jennifer Hills rents an isolated lakeside cabin in the woods of the peaceful Mockingbird Trail for two months to write a novel. Two days later, she is brutally gang raped by three local bigots, the sheriff and a handyman. Jennifer returns later to revenge against the rapists.

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama from Academy Award nominee Martin McDonagh (In Bruges). After months have passed without a culprit in her daughter's murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town's revered chief of police. When his second-in-command Officer Dixon (Academy Award winner Sam Rockwell), an immature mother's boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing's law enforcement is only exacerbated.

Austrian experimental musician and actress

American actress, producer, dancer, and singer

American neuroscientist, actor and author

American actress, model and businesswoman

Explores the friendships of some of the residents living in New Jersey, having to deal with everyday drama and relationship problems.

Five gay men try to improve the lives and confidence of straight men by giving them makeovers and advice.

Follows a group of successful and educated women, including doctors and wives of doctors, who are connected to the world of medicine in Atlanta. Whether delivering babies in Louboutins or rushing off to galas in Buckhead, these women do everything with style, drama, and of course, southern flair.

Best known as one of The Real Housewives of Beverly Hills, Lisa Vanderpump opens the salacious kitchen doors of her exclusive Hollywood restaurant and lounge, SUR. Declaring it the sexiest establishment she's ever owned and the place you take your mistress, Lisa rules over her lively and mischievous staff with a platinum fist.

A look at five families living in a protected Southern California enclave, and the real-life housewives who reside in one of the wealthiest planned communities in the country.

A reality television series focused on the personal and professional lives of several women residing in Atlanta, Georgia.

A fast-paced reality show that follows several incredibly busy and ambitious Manhattan women. Watch as they balance envious social calendars, challenging careers, and motherhood, with the hustle and bustle of the big city all around.

Couples finally meet their fiancé upon prison release. Once the bars are gone, will their love survive after lockup on the rocky road to the altar? Will the inmates ditch their mate as they face shocking "firsts," fights and family drama. Is it true love or just a con?

A reality series that follows some of the most affluent women in the country as they enjoy the lavish lifestyle that only Beverly Hills can provide.

The complicated life of a modern-day first generation Indian American teenage girl, inspired by Mindy Kaling's own childhood.

Amy Schumer switches from sketches to doing stand-up to interviewing people on the street and people of interest, usually following a certain theme.

Comedian Eric Andre invites guests who are unfamiliar with his work to his talk show. Expecting a routine interview, the unsuspecting guests are subjected to bizarre, deliberate, surrealist pranks. Eric Andre also hits the streets of New York City to carry out pranks in public.

Bob and David emerge from the time machine they entered sixteen years ago and are reunited with the cast of Mr. Show.

Late night sketch-comedy show based on the humor of MAD magazine. Material includes impersonations, fake commercials, mock movie trailers, and even Spy vs. Spy segments. Competes against Saturday Night Live in it's time slot, but aimed at a younger adult audience.

1995-2009 American sketch comedy television series

No rules. No expectations. A half hour to make their mark. Eight different comedians each get an episode to show their skills in comedy.

Famous DJ Alan Partridge gives us an insight into what happens behind the microphone at North Norfolk digital radio.

Alan Partridge hosts his own chat show on the BBC. He insults and belittles almost all of his guests and is humiliated by the rest.

The assorted humiliations, disasters and rare triumphs of four very different twenty-something girls: Hannah, an aspiring writer; Marnie, an art gallery assistant and cousins Jessa and Shoshanna.

A woman overcomes childhood leukemia to achieve her dream of becoming an on-air host at a home shopping network.

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