Emo Nemo

Mily

Yourneighbor

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Edward (long live the king) is the King of England. He’s also dying, which is inconvenient, as he’s only sixteen and he’d much rather be planning for his first kiss than considering who will inherit his crown…Jane (reads too many books) is Edward’s cousin, and far more interested in books than romance. Unfortunately for Jane, Edward has arranged to marry her off to secure the line of succession. And there’s something a little odd about her intended…Gifford (call him G) is a horse. That is, he’s an Eðian (eth-y-un, for the uninitiated). Every day at dawn he becomes a noble chestnut steed—but then he wakes at dusk with a mouthful of hay. It’s all very undignified.The plot thickens as Edward, Jane, and G are drawn into a dangerous conspiracy. With the fate of the kingdom at stake, our heroes will have to engage in some conspiring of their own. But can they pull off their plan before it’s off with their heads?

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To save her mother's life, Clary must travel to the City of Glass, the ancestral home of the Shadowhunters - never mind that entering the city without permission is against the Law, and breaking the Law could mean death. To make things worse, she learns that Jace does not want her there, and Simon has been thrown in prison by the Shadowhunters, who are deeply suspicious of a vampire who can withstand sunlight.As Clary uncovers more about her family's past, she finds an ally in mysterious Shadowhunter Sebastian. With Valentine mustering the full force of his power to destroy all Shadowhunters forever, their only chance to defeat him is to fight alongside their eternal enemies. But can Downworlders and Shadowhunters put aside their hatred to work together? While Jace realizes exactly how much he's willing to risk for Clary, can she harness her newfound powers to help save the Glass City - whatever the cost?Love is a mortal sin and the secrets of the past prove deadly as Clary and Jace face down Valentine in the third installment of the New York Times bestselling series The Mortal Instruments.

There are alternate cover editions for this ASIN here and here.If you ain’t scared, you ain’t human. When Thomas wakes up in the lift, the only thing he can remember is his name. He’s surrounded by strangers—boys whose memories are also gone. Nice to meet ya, shank. Welcome to the Glade. Outside the towering stone walls that surround the Glade is a limitless, ever-changing maze. It’s the only way out—and no one’s ever made it through alive. Everything is going to change. Then a girl arrives. The first girl ever. And the message she delivers is terrifying. Remember. Survive. Run.

In the Society, officials decide. Who you love. Where you work. When you die.Cassia has always trusted their choices. It’s hardly any price to pay for a long life, the perfect job, the ideal mate. So when her best friend appears on the Matching screen, Cassia knows with complete certainty that he is the one…until she sees another face flash for an instant before the screen fades to black. Now Cassia is faced with impossible choices: between Xander and Ky, between the only life she’s known and a path no one else has ever dared follow—between perfection and passion.Matched is a story for right now and storytelling with the resonance of a classic.

One choice can transform you—or it can destroy you. But every choice has consequences, and as unrest surges in the factions all around her, Tris Prior must continue trying to save those she loves—and herself—while grappling with haunting questions of grief and forgiveness, identity and loyalty, politics and love.Tris's initiation day should have been marked by celebration and victory with her chosen faction; instead, the day ended with unspeakable horrors. War now looms as conflict between the factions and their ideologies grows. And in times of war, sides must be chosen, secrets will emerge, and choices will become even more irrevocable—and even more powerful. Transformed by her own decisions but also by haunting grief and guilt, radical new discoveries, and shifting relationships, Tris must fully embrace her Divergence, even if she does not know what she may lose by doing so.New York Times bestselling author Veronica Roth's much-anticipated second book of the dystopian DIVERGENT series is another intoxicating thrill ride of a story, rich with hallmark twists, heartbreaks, romance, and powerful insights about human nature.

The Shadowhunters—touched by angels and charged with protecting innocents—battle demons and other evil in the bestselling Mortal Instruments series. \
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When Clary Fray heads out to the Pandemonium Club in New York City, she hardly expects to witness a murder. Much less a murder committed by three teenagers covered with odd markings. This is Clary’s first meeting with the Shadowhunters, warriors dedicated to ridding the earth of demons—and keeping the odd werewolves and vampires in line. It’s also her first meeting with gorgeous, golden-haired Jace. Within twenty-four hours Clary is pulled into Jace’s world with a vengeance, when her mother disappears and Clary herself is attacked by a demon. But why would demons be interested in an ordinary mundane like Clary? And how did she suddenly get the Sight? The Shadowhunters would like to know. . . . \
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Clary Fray just wishes that her life would go back to normal. But what’s normal when you’re a demon-slaying Shadowhunter, your mother is in a magically induced coma, and you can suddenly see Downworlders like werewolves, vampires, and faeries? Clary would love to spend more time with her best friend, Simon. But the Shadowhunters won’t let her go—especially handsome, infuriating Jace. Clary’s only chance to help her mother is to track down rogue Shadowhunter Valentine, who is probably insane, certainly evil—and also Jace’s father. When the second of the Mortal Instruments is stolen, the terrifying Inquisitor suspects Jace. Could Jace really be willing to betray everything he believes in to help his father? \
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To save her mother’s life, Clary travels to the City of Glass, the ancestral home of the Shadowhunters—never mind that by doing so she is breaking the Law, which could mean death. Even worse, Jace does not want her there, and Simon has been thrown in prison by Shadowhunters who are deeply suspicious of a vampire who can withstand sunlight. Luckily, Clary finds an ally in the mysterious Sebastian, who holds a strange attraction for her. As Valentine musters a demon army, can Downworlders and Shadowhunters put aside their ancient hatred and work together? And can Clary harness her newfound powers to help save them all—whatever the cost? \
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    City of Fallen Angels \
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The Mortal War is over, and Clary is back in New York, excited about all the possibilities before her. She's training to become a Shadowhunter and to use her unique power. Downworlders and Shadowhunters are at peace at last. And—most importantly of all—she can finally call Jace her boyfriend. But nothing comes without a price. Someone is murdering Shadowhunters, provoking tensions that could lead to a second, bloody war. Clary's best friend, Simon, can't help her. Everywhere he turns, someone wants him on their side—along with the power of the curse that's wrecking his life. Not to mention that he's dating two beautiful, dangerous girls—neither of whom knows about the other. When Jace begins to pull away from her without explaining why, Clary is forced to delve into the heart of a mystery whose solution reveals her worst nightmare: She herself has set in motion a terrible chain of events that could lead to her losing everything she loves. Even Jace.

Solving the Maze was supposed to be the end.    Thomas was sure that escape from the Maze would mean freedom for him and the Gladers. But WICKED isn’t done yet. Phase Two has just begun. The Scorch.   There are no rules. There is no help. You either make it or you die.   The Gladers have two weeks to cross through the Scorch—the most burned-out section of the world. And WICKED has made sure to adjust the variables and stack the odds against them.   Friendships will be tested. Loyalties will be broken. All bets are off.    There are others now. Their survival depends on the Gladers’ destruction—and they’re determined to survive.

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Clary Fray just wishes that her life would go back to normal. But what's normal when you're a demon-slaying Shadowhunter, your mother is in a magically induced coma, and you can suddenly see Downworlders like werewolves, vampires, and faeries? If Clary left the world of the Shadowhunters behind, it would mean more time with her best friend, Simon, who's becoming more than a friend. But the Shadowhunting world isn't ready to let her go — especially her handsome, infuriating, newfound brother, Jace. And Clary's only chance to help her mother is to track down rogue Shadowhunter Valentine, who is probably insane, certainly evil — and also her father.To complicate matters, someone in New York City is murdering Downworlder children. Is Valentine behind the killings — and if he is, what is he trying to do? When the second of the Mortal Instruments, the Soul-Sword, is stolen, the terrifying Inquisitor arrives to investigate and zooms right in on Jace. How can Clary stop Valentine if Jace is willing to betray everything he believes in to help their father?In this breathtaking sequel to City of Bones, Cassandra Clare lures her readers back into the dark grip of New York City's Downworld, where love is never safe and power becomes the deadliest temptation.

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

BEING CONNECTED TO DAEMON BLACK SUCKS… Thanks to his alien mojo, Daemon’s determined to prove what he feels for me is more than a product of our bizarro connection. So I’ve sworn him off, even though he’s running more hot than cold these days. But we’ve got bigger problems.SOMETHING WORSE THAN ARUM HAS COME TO TOWN The Department of Defense is here. If they ever find out what Daemon can do and that we’re linked, I’m a goner. So is he. And there’s this new boy in school who’s got a secret of his own. He knows what’s happened to me and he can help, but to do so, I have to lie to Daemon and stay away from him. Like that’s possible. Against all common sense, I’m falling for Daemon. Hard.BUT THEN, EVERYTHING CHANGES I’ve seen someone who shouldn’t be alive. And I have to tell Daemon, even though I know he’s never going to stop searching until he gets the truth. What happened to his brother? Who betrayed him? And what does the DOD want from them—from me?NO ONE IS WHO THEY SEEM. AND NOT EVERYONE WILL SURVIVE THE LIES.

About three things I was absolutely positive.First, Edward was a vampire.Second, there was a part of him—and I didn't know how dominant that part might be—that thirsted for my blood.And third, I was unconditionally and irrevocably in love with him.Deeply seductive and extraordinarily suspenseful, Twilight is a love story with bite.

When fifteen-year-old Clary Fray heads out to the Pandemonium Club in New York City, she hardly expects to witness a murder― much less a murder committed by three teenagers covered with strange tattoos and brandishing bizarre weapons. Then the body disappears into thin air. It's hard to call the police when the murderers are invisible to everyone else and when there is nothing―not even a smear of blood―to show that a boy has died. Or was he a boy?This is Clary's first meeting with the Shadowhunters, warriors dedicated to ridding the earth of demons. It's also her first encounter with Jace, a Shadowhunter who looks a little like an angel and acts a lot like a jerk. Within twenty-four hours Clary is pulled into Jace's world with a vengeance when her mother disappears and Clary herself is attacked by a demon. But why would demons be interested in ordinary mundanes like Clary and her mother? And how did Clary suddenly get the Sight? The Shadowhunters would like to know...

Melanie Stryder refuses to fade away. The earth has been invaded by a species that take over the minds of human hosts while leaving their bodies intact. Wanderer, the invading "soul" who has been given Melanie's body, didn't expect to find its former tenant refusing to relinquish possession of her mind.As Melanie fills Wanderer's thoughts with visions of Jared, a human who still lives in hiding, Wanderer begins to yearn for a man she's never met. Reluctant allies, Wanderer and Melanie set off to search for the man they both love.Also see: Alternate Cover Editions for this ISBN [ACE]  \
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My name is Katniss Everdeen.Why am I not dead?I should be dead.Katniss Everdeen, girl on fire, has survived, even though her home has been destroyed. Gale has escaped. Katniss's family is safe. Peeta has been captured by the Capitol. District 13 really does exist. There are rebels. There are new leaders. A revolution is unfolding.It is by design that Katniss was rescued from the arena in the cruel and haunting Quarter Quell, and it is by design that she has long been part of the revolution without knowing it. District 13 has come out of the shadows and is plotting to overthrow the Capitol. Everyone, it seems, has had a hand in the carefully laid plans - except Katniss.The success of the rebellion hinges on Katniss's willingness to be a pawn, to accept responsibility for countless lives, and to change the course of the future of Panem. To do this, she must put aside her feelings of anger and distrust. She must become the rebels' Mockingjay - no matter what the personal cost.

For thirty-five girls, the Selection is the chance of a lifetime. The opportunity to escape the life laid out for them since birth. To be swept up in a world of glittering gowns and priceless jewels. To live in a palace and compete for the heart of gorgeous Prince Maxon.But for America Singer, being Selected is a nightmare. It means turning her back on her secret love with Aspen, who is a caste below her. Leaving her home to enter a fierce competition for a crown she doesn't want. Living in a palace that is constantly threatened by violent rebel attacks.Then America meets Prince Maxon. Gradually, she starts to question all the plans she's made for herself—and realizes that the life she's always dreamed of may not compare to a future she never imagined.

speculative fiction novel for young adults, 2012, first in the Selection series

WINNING MEANS FAME AND FORTUNE.LOSING MEANS CERTAIN DEATH.THE HUNGER GAMES HAVE BEGUN. . . .In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and once girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV.Sixteen-year-old Katniss Everdeen regards it as a death sentence when she steps forward to take her sister's place in the Games. But Katniss has been close to dead before—and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weight survival against humanity and life against love.

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

To All the Boys I've Loved Before is a 2014 young adult romance novel by American author Jenny Han, first published by Simon & Schuster and released on April 15, 2014. Han was inspired to write the book based on her own habit of writing long letters to boys she had crushes on as a teenager. The novel was followed by two sequels, P.S. I Still Love You, released on May 26, 2015, and Always and Forever, Lara Jean, released on May 2, 2017.A film adaptation of the book was released on Netflix in 2018. Its plot is similar to the original book with a few changes.Lara Jean Song Covey is a sixteen-year-old half-Korean, half-white girl living in Virginia. She is extremely close to her older sister Margot and younger sister Kitty. Lara Jean keeps love letters to all the boys she has ever loved in a teal hatbox given to her by her late mother who died by a head injury when Lara Jean was just 9. Just before Margot leaves for university in Scotland, she breaks up with her boyfriend Josh Sanderson, who is also their next-door neighbor and Lara Jean's friend.

Alternate Cover Edition ISBN: 0743273567 (ISBN13: 9780743273565)The Great Gatsby, F. Scott Fitzgerald's third book, stands as the supreme achievement of his career. This exemplary novel of the Jazz Age has been acclaimed by generations of readers. The story is of the fabulously wealthy Jay Gatsby and his new love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s.The Great Gatsby is one of the great classics of twentieth-century literature.(back cover)

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

A Las Vegas cabbie enlists the help of a UFO expert to protect two siblings with paranormal powers from the clutches of an organization that wants to use the kids for their nefarious plans.

When her father unexpectedly dies, young Ella finds herself at the mercy of her cruel stepmother and her scheming stepsisters. Never one to give up hope, Ella's fortunes begin to change after meeting a dashing stranger.

2015 Disney live-action film directed by Kenneth Branagh

Mortal hero Bek teams with the god Horus in an alliance against Set, the merciless god of darkness, who has usurped Egypt's throne, plunging the once peaceful and prosperous empire into chaos and conflict.

2016 US fantasy film directed by Alex Proyas

Gwen has just discovered, that she's the final member of the secret time-traveling Circle of Twelve. Now she has to juggle with constant trips to the past, her relationships with Gideon and figuring out dark secrets surrounding the C

Girl vs. Monster is a 2011 American fantasy teen comedy Disney Channel Original Movie that premiered on October 12, 2011. The film stars Olivia Holt as Skylar, a teenage girl who discovers on the eve of Halloween that she is a fifth-generation monster hunter and that her parents are active monster hunters. The film was directed by Stuart Gillard and produced by Tracey Jeffrey.The movie begins on the day before Halloween with Skylar, a fearless 15-year-old teenager with a powerful singing voice, prepares for the ultimate Halloween Bash with her best friends, Henry and Sadie. The plan is for Skylar to sing at the party, with rock band member Ryan Dean. Skylar is crushed when the next afternoon, her parents make her stay home and even activate an alarm system to keep her in. She attempts to sneak out of the house by cutting the power so the alarm system won't work. That unfortunately unleashes a monster named Deimata (that was contained in her parents' monster containment unit) who is determined to feed on the fear of Skylar and her family forever. As Skylar’s world is turned upside down, she learns that her parents have been keeping a big secret – that she comes from a long line of monster hunters. She is the 5th generation. Now, it’s up to Skylar and her friends to channel their inner strength and conquer more than just this monster. Every person has their own personal monster, which feeds on their fear.

Xander Cage is left for dead after an incident, though he secretly returns to action for a new, tough assignment with his handler Augustus Gibbons.

2017 action film directed by D. J. Caruso

Set in an era where superheroes are commonly known and accepted, young William Stronghold, the son of the Commander and Jetstream, tries to find a balance between being a normal teenager and an extraordinary being.

2005 American superhero comedy film directed by Mike Mitchell

Look Both Ways is a 2022 American romantic comedy drama film directed by Wanuri Kahiu and written by April Prosser. It stars Lili Reinhart, Luke Wilson, Andrea Savage, Aisha Dee, Danny Ramirez, David Corenswet, and Nia Long. The film was released on August 17, 2022, on Netflix.

Edward leaves Bella after an attack that nearly claimed her life, and, in her depression, she falls into yet another difficult relationship - this time with her close friend, Jacob Black.

The Quileutes close in on expecting parents Edward and Bella, whose unborn child poses a threat to the Wolf Pack and the towns people of Forks.

A teenage werewolf is torn between honoring her family's secret and her love for a man.

After the birth of Renesmee/Nessie, the Cullens gather other vampire clans in order to protect the child from a false allegation that puts the family in front of the Volturi.

When Bella Swan moves to a small town in the Pacific Northwest, she falls in love with Edward Cullen, a mysterious classmate who reveals himself to be a 108-year-old vampire.

2008 American romantic fantasy film directed by Catherine Hardwicke

A Witness Protection specialist becomes suspicious of his co-workers when dealing with a case involving high-tech weapons.

After the Kingsman's headquarters are destroyed and the world is held hostage, an allied spy organisation in the United States is discovered. These two elite secret organisations must band together to defeat a common enemy.

After being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight evil.

2008 superhero film produced by Marvel Studios

Security guard David Dunn uses his supernatural abilities to track Kevin Wendell Crumb, a disturbed man who has twenty-four personalities.

2019 American film directed by M. Night Shyamalan

When Tony Stark's world is torn apart by a formidable terrorist called the Mandarin, he starts an odyssey of rebuilding and retribution.

2013 superhero film produced by Marvel Studios

When a pilot crashes and tells of conflict in the outside world, Diana, an Amazonian warrior in training, leaves home to fight a war, discovering her full powers and true destiny.

While on a journey of physical and spiritual healing, a brilliant neurosurgeon is drawn into the world of the mystic arts.

2016 superhero film produced by Marvel Studios

A woman with the ability to speak to the dead helps detectives solve murder cases.

A quarter-life crisis causes a young Chinese-American woman, Nicky Shen, to drop out of college and go on a life-changing journey to an isolated monastery in China. But when she returns to find her hometown overrun with crime and cor

An epic tale following a gang of Victorian women who find themselves with unusual abilities, relentless enemies, and a mission that might change the world.

American science fiction drama television series

A warrior chosen as the latest and last Wu Assassin must search for the powers of an ancient triad and restore balance in San Francisco's Chinatown.

The Peripheral is an USA science fiction streaming television series executive produced and created by Scott Smith. Produced by Amazon, it is based on the 2014 book of the same name written by William Gibson. Westworld creators Jonathan Nolan and Lisa Joy serve as executive producers, along with Athena Wickham, Steve Hoban, and Vincenzo Natali. Set in the future when technology has subtly altered society, a woman discovers a secret connection to an alternate reality as well as a dark future of her own.The series had its world premiere on October 11, 2022, at the Ace Hotel in Los Angeles, before its debut on October 21, 2022, on Amazon Prime Video.In a future where technology has altered society, an ambitious woman named Flynne finds herself doomed at the hands of fate. While trying to hold together the pieces of her broken family, she discovers a secret connection to an alternative reality and her own dark future.

Prequel to the Netflix series 'The Witcher', set in an elven world 1,200 years before the show, centering on the origins of the very first Witcher.

Hundreds of years from now, surviving humans discover how to send consciousness back through time, into people of the 21st century, while attempting to change the path of humanity.

Canadian-American time-traveling TV series

The Bastard Son & The Devil Himself is a British fantasy drama television series created by Joe Barton for Netflix. Based on a young adult fiction novel Half Bad written by Sally Green, the series tells the story of Nathan Byrne, an illegitimate son of a dangerous witch, Marcus Edge, struggling to overcome his odds of following the footsteps of his father as he discovers his true identity alongside his friends. The show was canceled after one season on December 9, 2022.After being discovered as an illegitimate son of the "World's Most Dangerous Blood Witch", Marcus Edge, 16-year-old Nathan Byrne was quietly monitored by The Council of Fairborn Witches for the first 16 years of his life out of fear he'd turn out like his father. However, as the conflict between the Blood Witches and the Fairborn Witches escalates, Nathan finds himself the target of a modern-day witch hunt. He seizes an opportunity to escape that doubles as the beginning of a life-or-death quest, during which he builds alliances with fellow witches Annalise and Gabriel while learning about himself along the way.

Follows the journey of a time traveler from the post-apocalyptic future who appears in present day on a mission to locate and eradicate the source of a deadly plague that will nearly destroy the human race.

Set a few months after the events of the second season of Daredevil, and a month after the events of Iron Fist, the vigilantes Daredevil, Jessica Jones, Luke Cage, and Iron Fist team up in New York City to fight a common enemy: The H

2017 TV series by Netflix, based on Marvel's comic books

A group of vigilantes set out to take down corrupt superheroes who abuse their superpowers.

On the run from a drug deal gone bad, brilliant college dropout Mike Ross finds himself working with Harvey Specter, one of New York City's best lawyers.

The Copeland family battle for survival when civilization comes to an apocalyptic end, triggered by massive storms, meteor strikes, earthquakes, a plague - and the rise of supernatural creatures.

Seven years after the world has become a frozen wasteland, the remnants of humanity inhabit a perpetually-moving train that circles the globe, where class warfare, social injustice and the politics of survival play out.

American dystopian thriller television series

This follows the early adventures of famed Harvard symbologist Robert Langdon, who finds himself pulled into a series of deadly puzzles when his mentor is kidnapped. The CIA forces him onto a task force where he uncovers a chilling c

After crash-landing on an alien planet, the Robinson family fight against all odds to survive and escape, but they're surrounded by hidden dangers.

2018 American science fiction television series

Follows Wednesday Addams' years as a student, when she attempts to master her emerging psychic ability, thwart and solve the mystery that embroiled her parents.

upcoming American horror comedy television series directed by Tim Burton.

Spoiled billionaire playboy Oliver Queen is missing and presumed dead when his yacht is lost at sea. He returns five years later a changed man, determined to clean up the city as a hooded vigilante armed with a bow.

American action-adventure television series

Teenager Courtney Whitmore joins the Justice Society of America. Based on the character from DC Comics.

Five hundred years in the future, a renegade crew aboard a small spacecraft tries to survive as they travel the unknown parts of the galaxy and evade warring factions as well as authority agents out to get them.

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