Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

In The Unbearable Lightness of Being, Milan Kundera tells the story of a young woman in love with a man torn between his love for her and his incorrigible womanizing and one of his mistresses and her humbly faithful lover. This magnificent novel juxtaposes geographically distant places, brilliant and playful reflections, and a variety of styles, to take its place as perhaps the major achievement of one of the world’s truly great writers.

It takes guts to make your main character spoiled, selfish, and stupid, someone without any redeeming qualities, and write an epic novel about her. But it works for two reasons. First of all you wait for justice to fall its merciless blow with one of the most recognized lines in cinema ("frankly my dear, I don't give a damn"), but you end with a broken and somewhat repentant character and you can't be pitiless. Secondly, if you were going to parallel the beautiful, affluent, lazy, spirited South being conquered by the intellectual, industrious North, what better way to do that than with characters who embody those characteristics? You come to feel a level of sadness that the South and Scarlett lost their war and hope that they will rebuild.I enjoyed the picture of pre-war South outside of what you learn in history class approved by the nation that won the war. If the South had won, we would have an entirely different picture painted. A story of lush lands and prosperity abounding with chivalry and gentility by a (too) passionate people. If you visit the South today, you can see that all these generations later the wounds of the war and the regret at losing the way of life are still fresh. But if it had not been the civil war, it would have been by other means that the lazy sprawled out way of life would have been conquered by our efficient, compact, modern lives. I enjoyed the picture of plantations that did not abuse slaves to the extent that you read about in many memoirs. There was still a disrespect in that they viewed "darkies" as ignorant and childish and worthy of being owned, but there were those who cared for those in their trust. And the North who came down riling up the lowest of the slaves to flip the oppression did not want any contact with a race they feared. Prejudice takes many faces. Slavery is such an important part of American history, but I don't know that I agree with the format in which it is taught (at least the way it was taught to me). We take young, tolerant children and feed them stories of racism and abuse and then tell them the world is naturally prejudice (that they are prejudice) so don't be. White children start feeling awkward and aware and black children start feeling mistreated and aware. We manage to teach children about Indian and Holocaust history without the same enthusiasm to end racism by breeding racism. There has to be a better way. But I digress.I also enjoyed Mitchell showing the volatile formula in which the KKK was aroused, that it wasn't just a disdain for free darkies but a need to protect their women and children from the rash anger now imposed on them through this new regime. Not that there are any redeeming qualities in the KKK, or even the Southern rash justice by pistol shot to curb wounded pride, but it was interesting to learn the wider circumstances in which it arose. The entire picture of the Southern perspective from the hierarchy of slaves to the disdain of the reconstruction was enlightening. The post-war difficulties, that sometimes it's harder to survive than die, were some of my favorite epiphanies of the story. What everyone in the South went through, both white and black, after everything was deconstructed and they didn't know how to rebuild. It wasn't just about freeing slaves but about rebuilding an entire way of life and sometimes change, even good change, can be this scary and destructive.My one complaint about the book was at times the description was lengthy. I'd get a grasp for the emotions of Scarlett that are supposed to describe the emotions of all Southerners or the description of the land at Tara as a representation of the rich red soil all Southerners love and then Mitchell would go on for paragraphs or pages rehashing that feeling to pull the most emotion out of you. It worked, but sometimes I think she could have done so in fewer words. I view Scarlett as a representation of the South in which she loved. She did not care from whence the wealth came or believed that it would ever end. Because she was rich and important, she would conquer. As the Yankees attempted to rebuild the South, fresh in their embitterment at a war they did not want to fight, you can both see their reasoning and feel for the Southerners who were licked and then stomped on in their attempts to gain back of their life. You see that in Scarlett. On one hand you don't pity her and think she needs a lesson in poverty and on the other hand you want her to survive. Either she can lie down and cling to her old ways or she can debase herself and rebuild. Survival, not morality, is her strongest drive.Oh Scarlett. We all know people like her. People who unscrupulously use their womanly charms to get ahead and carry a deep disdain for those bound by concepts of kindness, morals, or intelligence and most especially for those who see them for what they are instead of being manipulated. People who care for nobody but themselves and who find enjoyment in life not in what they have, but in conquering the unattainable that is only desirable because it is out of reach. I loved how Mitchell showed Scarlett's decline from a religious albeit not believing girl who allowed her rationalization and avoidance to carry her from one sin to the next of intensifying degree. An excellent portrait of the degradation of character. Initially I thought she was the only character who wasn't growing, actually digressing. But by the end she does grow up. In no regard is this greater than in her eventual desire to be a mother. Turning from her ravenous post-war desire to survive to her acceptance of life and the people around her as the way they are, eventually Scarlett grows into the person she was meant to be. As did the South. Prideful and resentful, eventually they had to accept that they lost the war and take what was given them and try to make it work.Scarlett realizes that Melanie is not the weak, cowardly girl she always assumed but the most courageous character in the book and one who gets her means by influence and persuasion instead of Scarlett's uncivil ways. It is Melly, not Scarlett, who could get anything she desires and her heart is not her weakness but her greatest strength. Finally Scarlett values the importance of love and sees that it does not make one weak but deep to possess it. OK, I won't go that far. She's not intelligent enough to analyze love, but she grows up enough to fall for it anyway, to realize she needs people. She sees Ashley not as the strong, honorable character she had always esteemed but the weakest and least honorable character in the book. Anyone who would tease another woman with confessions of love just so he could keep her heart and devotion at arm's length is not truly honoring his marriage vows. The greatest gift he could give his wife was the knowledge that he loved her. And we all know that like any pretty toy, once Scarlett had taken him, she would have discarded him. The debasing knowledge that he is not fit for a rougher way of life doesn't endear him. For all his intelligence, he could have picked himself up by the bootstraps and made something of himself if he wanted to survive. He is a representation of the Old South that had to die but many couldn't let go of, even today. That's the sadness of the loss of the Southern way, still longing for the past instead of moving forward.Then we come to Rhett, the only character with the ability to conquer Scarlett, who was quite the devil. Just like the ladies in old Atlanta I found myself at times entranced by his charms, but often I did not like or trust him. I was often torn about the way he constantly encouraged Scarlett to fall another wrung on her morality ladder and mocked her emotions, mocked all of Southern civility. What annoyed me most about him was that he showed love by coddling his wife and child until they were spoiled, dependent, but not grateful, and this was his idea of being a good father and husband. And yet I sympathized with him and was often amused by him. More than anything I enjoyed his intelligence as a way for Mitchell to introduce the Yankee viewpoint, using his sarcasm as satire. I loved the whole discussion of his not being a gentleman and her no lady.More than anything I saw his slow conquering of Scarlett's heart as a parallel to the slow enveloping of the South by the North until they realized they were dependent on their conquerors but could still maintain their fierce spirit, a marriage of North and South. The fact that she could never fully understand him shows the divide between to two philosophies. But does the South lose in this blending? Can't they adopt the intellectual ways of the North and still maintain their civility? Just like Ashley, they would rather have dreamt and remembered than changed.The characters in the book are so vivid that like or dislike you cannot get them out of your head. There are no more vibrant characters in the history of literature that Scarlett O'Hara and Rhett Butler. There is a reason this book is a classic. Everyone should read it at least once in their life to appreciate the civil war and understand the sadness and loss that enveloped the country.

"Once there was a tree...and she loved a little boy."So begins a story of unforgettable perception, beautifully written and illustrated by the gifted and versatile Shel Silverstein.Every day the boy would come to the tree to eat her apples, swing from her branches, or slide down her trunk...and the tree was happy. But as the boy grew older he began to want more from the tree, and the tree gave and gave and gave.This is a tender story, touched with sadness, aglow with consolation. Shel Silverstein has created a moving parable for readers of all ages that offers an affecting interpretation of the gift of giving and a serene acceptance of another's capacity to love in return.

Oliver Barrett IV, a wealthy jock from a stuffy WASP family on his way to a Harvard degree and a career in law . . . Jenny Cavilleri, a sharp-tongued, working-class beauty studying music at Radcliffe . . .Opposites in nearly every way, Oliver and Jenny are kindred spirits from vastly different worlds. Falling deeply and powerfully, their attraction to one another defies everything they have ever believed—as they share a passion far greater than anything they dreamed possible . . . and explore the wonder of a love that must end too soon.One of the most adored novels of our time, this is the book that defined a generation—a story of uncompromising devotion, of life as it really is . . . and love that changes everything.

On the day that Hurricane Katrina hits New Orleans, elderly Daisy Williams (nee Fuller) is on her deathbed in a New Orleans hospital. At her side is her adult daughter, Caroline. Daisy asks Caroline to read to her aloud the diary of Daisy's lifelong friend, Benjamin Button. Benjamin's diary recounts his entire extraordinary life, the primary unusual aspect of which was his aging backwards, being diagnosed with several aging diseases at birth and thus given little chance of survival, but who does survive and gets younger with time. Abandoned by his biological father, Thomas Button, after Benjamin's biological mother died in childbirth, Benjamin was raised by Queenie, a black woman and caregiver at a seniors home. Daisy's grandmother was a resident at that home, which is where she first met Benjamin. Although separated through the years, Daisy and Benjamin remain in contact throughout their lives, reconnecting in their forties when in age they finally match up. Some of the revelations in Benjamin's diary are difficult for Caroline to read, especially as it relates to the time past this reconnection between Benjamin and Daisy, when Daisy gets older and Benjamin grows younger into his childhood years.

In this adaptation of the autobiography "The Pianist: The Extraordinary True Story of One Man's Survival in Warsaw, 1939-1945,"

In Mexico City, late teen friends Tenoch Iturbide and Julio Zapata are feeling restless as their respective girlfriends are traveling together through Europe before they all begin the next phase of their lives at college. At a lavish family wedding, Tenoch and Julio meet Luisa Cortés, the twenty-something wife of Tenoch's cousin Jano, the two who have just moved to Mexico from Spain. Tenoch and Julio try to impress the beautiful Luisa by telling her that they will be taking a trip to the most beautiful secluded beach in Mexico called la Boca del Cielo (translated to Heaven's Mouth), the trip and the beach which in reality don't exist. When Luisa learns of Jano's latest marital indiscretion straight from the horse's mouth, she takes Tenoch and Julio's offer to go along on this road trip, meaning that Tenoch and Julio have to pull together quickly a road trip to a non-existent beach. They decide to head toward one suggested by their friend Saba, who seems a little confused himself of this beach's location. On the road trip, which ends up not being totally harmonious, the three go on a trip of discovery. For Luisa, she has to figure out what to do with her immediate future based on the news from Jano and a secret she is keeping. And Tenoch and Julio have to figure out what their friendship really means as they grow up.

Four interlocking stories connected by a single gun converge at the end to reveal a complex and tragic story of the lives of humanity around the world and how we truly aren't all that different. In Morocco, a troubled married couple are on vacation trying to work out their differences. Meanwhile, a Moroccan herder buys a rifle for his sons so they can keep the jackals away from his herd. A girl in Japan dealing with rejection, the death of her mother, the emotional distance of her father, her own self-consciousness, and a disability among many other issues, deals with modern life in the enormous metropolis of Tokyo, Japan. Then, on the opposite side of the world the married couple's Mexican nanny takes the couple's two children with her to her son's wedding in Mexico, only to come into trouble on the return trip. Combined, it provides a powerful story and an equally powerful looking glass into the lives of seemingly random people around the world and it shows just how connected we really are.

2006 film directed by Alejandro González Iñárritu

Paul Rivers, an ailing mathematician lovelessly married to English émigré; Christina Peck, who's hiding a secret past; and Jack Jordan, an ex-convict who has found Jesus are brought together by a terrible accident which changes their lives.

2003 film directed by Alejandro González Iñárritu

I Origins begins when graduate student, Ian Gray, is researching the evolution of human eyes with Karen and Kenny, in order to prove that eyes have evolved instead of "appeared" as creationists claim. His fascination with eyes takes him into areas that have profound personal and cultural consequences.

Journalist Jep Gambardella has charmed and seduced his way through the lavish nightlife of Rome for decades. Since the legendary success of his one and only novel, he has been a permanent fixture in the city's literary and social circles, but when his 65th birthday coincides with a shock from the past, Jep finds himself unexpectedly taking stock of his life, turning his cutting wit on himself and his contemporaries, and looking past the extravagant nightclubs, parties, and cafés to find Rome in all its glory: a timeless landscape of absurd, exquisite beauty.

Derek Vineyard is paroled after serving 3 years in prison for brutally killing two black men who tried to break into/steal his truck. Through his brother's, Danny Vineyard, narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.

Middle-aged American movie star Bob Harris is in Tokyo to film a personal endorsement Suntory whiskey ad solely for the Japanese market. He is past his movie star prime, but his name and image still have enough cachet for him to have gotten this lucrative $2 million job. He has an unsatisfying home life where his wife Lydia follows him wherever he goes - in the form of messages and faxes - for him to deal with the minutiae of their everyday lives, while she stays at home to look after their kids. Staying at the same upscale hotel is fellow American, twenty-something recent Yale Philosophy graduate Charlotte, her husband John, an entertainment still photographer, who is on assignment in Japan. As such, she is largely left to her own devices in the city, especially when his job takes him out of Tokyo. Both Bob and Charlotte are feeling lost by their current situations, which are not helped by the cultural barriers they feel in Tokyo, those cultural barriers extending far beyond just not knowing the language. After a few chance encounters in the hotel, they end up spending much of their time hanging out together, each helping the other deal with their feelings of loss in their current lives. The friendship that develops between the two, which is not always a bumpy-free one, may be just for this specific place and time, but it may also have long lasting implications.

2003 American-Japanese comedy-drama film by Sofia Coppola

Holly Kennedy is beautiful, smart and married to the love of her life - a passionate, funny, and impetuous Irishman named Gerry. So when Gerry's life is taken by an illness, it takes the life out of Holly. The only one who can help her is the person who is no longer there. Nobody knows Holly better than Gerry. So it's a good thing he planned ahead. Before he died, Gerry wrote Holly a series of letters that will guide her, not only through her grief, but in rediscovering herself. The first message arrives on Holly's 30th birthday in the form of a cake, and to her utter shock, a tape recording from Gerry, who proceeds to tell her to get out and "celebrate herself". In the weeks and months that follow, more letters from Gerry are delivered in surprising ways, each sending her on a new adventure and each signing off in the same way; P.S. I Love You. Holly's mother and best friends begin to worry that Gerry's letters are keeping Holly tied to the past, but in fact, each letter is pushing her further into a new future. With Gerry's words as her guide, Holly embarks on a journey of rediscovery in a story about marriage, friendship and how a love so strong can turn the finality of death into a new beginning for life.

When a green ogre named Shrek discovers his swamp has been 'swamped' with all sorts of fairytale creatures by the scheming Lord Farquaad, Shrek sets out with a very loud donkey by his side to 'persuade' Farquaad to give Shrek his swamp back. Instead, a deal is made. Farquaad, who wants to become the King, sends Shrek to rescue Princess Fiona, who is awaiting her true love in a tower guarded by a fire-breathing dragon. But once they head back with Fiona, it starts to become apparent that not only does Shrek, an ugly ogre, begin to fall in love with the lovely princess, but Fiona is also hiding a huge secret.

2001 film directed by Andrew Adamson and Vicky Jenson

It is the year 1250 B.C. during the late Bronze age. Two emerging nations begin to clash after Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband, Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. So they set off with 1,000 ships holding 50,000 Greeks to Troy. With the help of Achilles, the Greeks are able to fight the never before defeated Trojans. But they come to a stop by Hector, Prince of Troy. The whole movie shows their battle struggles and the foreshadowing of fate in this adaptation of Homer's classic "The Iliad."

Memphis-based FedEx operations executive Chuck Noland and grad student Kelly Frears have long dated and lived together, and despite each being the love of the other's life, have not gotten married because of their respective busy schedules, especially Chuck's as he is more often on business trips than he is at home. That marital status changes when on Christmas Day 1995 as Chuck is rushing off to catch yet another FedEx plane for a business trip, he gives Kelly a ring. That flight experiences technical difficulties, and goes down somewhere in the south Pacific. In a life raft, a relatively unharmed Chuck washes up on shore what he will learn is a deserted island, he unaware what has happened to any of his fellow flight mates, or the plane. However several of the packages on board for delivery do wash up on shore with him, those packages which he initially treats with respect. Chuck realizes that his priority is survival - which primarily means food, water, shelter and fire - and rescue. But survival is also in an emotional sense. To fulfill that emotional need, he has an heirloom pocket watch with Kelly's photo that she gave him as a Christmas present, and eventually opening the FedEx packages, a Wilson volleyball on which he paints a face and which he names Wilson. As time progresses, Chuck goes through a range of emotions, but if rescue is ever in the cards, he realizes that he has to find a way to get off the island, which is seemingly impossible in his circumstance due to the strong on shore surf he cannot get beyond without assistance. What Chuck may not fully realize is the longer he is not rescued, the harder it will be for him to return to his old life in its entirety if he ever is rescued. Although the thought of Kelly is what largely keeps him motivated to be rescued, Kelly, who probably believes him to be dead, may have moved on emotionally from him in the intervening time.

2000 American adventure drama film directed by Robert Zemeckis

After a young, middle class couple moves into a suburban 'starter' tract house, they become increasingly disturbed by a presence that may or may not be somehow demonic but is certainly most active in the middle of the night. Especially when they sleep. Or try to.

Hard-drinking, burnt-out ex-CIA operative John Creasy has given up on life until he's hired as a bodyguard to protect 9-year-old Pita Ramos. Bit by bit, Creasy begins to reclaim some of his soul, but when Pita is kidnapped, Creasy's fiery rage is finally released and he will stop at nothing to save her as he sets out on a dangerous, revenge-fueled rescue mission.

Having graduated recently from the University of Edinburgh, the Scottish doctor, Nicholas Garrigan, flies to Uganda to work at a missionary clinic run by Dr David Merrit and his wife, Sarah. Before long, Garrigan has a chance encounter with the new President, General

12 years ago, on a moonlit rooftop above Washington Square, sheltered young cellist Lyla Novacek (Keri Russell) and charismatic Irish singer/songwriter Louise Connelly (Jonathan Rhys Meyers) were drawn together by a street musician's rendition of ''Moondance'' and fell in love. After the most romantic night of her life, Lyla promised to meet Louis again, but despite her protests, her father rushed her to her next concert--leaving Louis to believe that she didn't care. Disheartened, he found it impossible to continue playing and eventually abandoned his music while Lyla, her own hopes for love lost, was led to believe months later that she had also lost their unborn child in a car accident. Their orphaned son (Freddie Highmore) uses his musical talent as a clue to find his birth parents.

In 1951, Laura Brown (Julianne Moore), a pregnant housewife, is planning a party for her husband, but she can't stop reading the novel "Mrs. Dalloway". Clarissa Vaughan (Meryl Streep), a modern woman living in present times is throwing a party for her friend Richard (Ed Harris), a famous author dying of A.I.D.S. These two stories are simultaneously linked to the work and life of Virginia Woolf (Nicole Kidman), who's writing the novel mentioned before.

"Frida" chronicles the life Frida Kahlo shared unflinchingly and openly with Diego Rivera, as the young couple took the art world by storm. From her complex and enduring relationship with her mentor and husband to her illicit and controversial affair with Leon Trotsky, to her provocative and romantic entanglements with women, Frida Kahlo lived a bold and uncompromising life as a political, artistic, and sexual revolutionary.

English singer, songwriter, author, and television presenter

The series follows the life of anti-social, pain killer addict, witty and arrogant medical doctor Gregory House (Hugh Laurie) with only half a muscle in his right leg. He and his team of medical doctors try to cure complex and rare diseases from very ill ordinary people in the United States of America.

Created and written by Brit Marling and Zal Batmanglij (The East), this Netflix original delves into the inexplicable reappearance of Prairie Johnson (Marling). Having gone missing seven years ago, the previously blind Johnson returns home, now in her late 20s and with her sight restored. While many believe she is miracle, others worry that she could be dangerous.

2016 American mystery drama television series

This science-fiction Western series from Jonathan Nolan and Lisa Joy was inspired by Michael Crichton's Westworld (1973) and is set at a Wild West theme park created by Dr. Robert Ford (Sir Anthony Hopkins) with human-like androids, where guests are encouraged to indulge their fantasies and desires.

US science fiction thriller television series from 2016

Elliot is a brilliant introverted young programmer who works as a cyber-security engineer by day and vigilante hacker by night. He also happens to be suffering from a strange condition similar to schizophrenia which he futilely tries to keep under control by regularly taking both legal and illegal drugs and visiting his therapist. When a strange feisty young woman named Darlene and a secretive middle-aged man calling himself Mr. Robot, who claims to be the mysterious leader of an underground hacking group known as F-Society, offer Elliot a chance to take his vigilantism to the next level and help them take down E-Corp, the corrupt multi-national financial company that Elliot works for and likes to call Evil Corp, Elliot finds himself at the crossroads. Mr. Robot, who has personal reasons for wanting to take down E-Corp, also reveals that he already has one ally, an even more mysterious, secretive and highly dangerous shadowy hacking group known only as Dark Army. Meanwhile, Elliot's childhood and only friend, Angela, who blames E-Corp for the death of their parents, tries to take down E-Corp legally by joining their ranks and trying to dig up evidence of their corruption from the inside. A wild card in this scheme becomes Tyrell Wellick, an unhinged psychopathic E-Corp yuppie, originally from Scandinavia, who has a very unusual relationship with his dominant and ambitious wife Joanna. After many twists and turns, Mr. Robot's plan is finally put in motion - with catastrophic (un)intended results. But that's just the end of the beginning of the real story.

American drama–thriller television series

Teens with dreams that they can't possibly reach under normal circumstances, are given a little help from MTV & their MADE coach to reach their goals.

Twelve finalists and/or future singers (six men and six women) who were selected from America, compete in a talent contest in which they were asked to sing any song they like on this "Star Search" clone. After each song that was sung, the judges, Abdul, Jackson and Cowell, then critique that finalist's chosen song. After each show's ending, America must vote for a finalist to whom they really think their performance is good using this AT&T (now Cingular Wireless) or any other cellular phone to cast votes with. Once the votes are locked in, the judges and America decides who has the most and the least amount of votes, and the contestant with the least amount of votes is eliminated, and it goes on each week's show until the winner is crowned as "American Idol," where he/she wins a recording contract worth up to $1,000,000. The rest of the other finalists to whom they have been voted off before (the runner-up) also get recording contracts, too.

A pseudo-mockumentary focusing on sardonic 18 year old Liz Lee and her attempts to deal with life in her Texas town.

In 2012, Louisiana State Police Detectives Rust Cohle and Martin Hart are brought in to revisit a homicide case they worked in 1995. As the inquiry unfolds in present day through separate interrogations, the two former detectives narrate the story of their investigation, reopening unhealed wounds, and drawing into question their supposed solving of a bizarre ritualistic murder in 1995. The timelines braid and converge in 2012 as each man is pulled back into a world they believed they'd left behind. In learning about each other and their killer, it becomes clear that darkness lives on both sides of the law.

A french talk show which approache various, several and divers subjects like politics, arts, litterature and it's focus basically on debate between artists, politicians and the journalists from the show.

This is an animated sitcom about the antics of a dysfunctional family. Homer is the oafish unhealthy beer loving father, Marge is the hardworking homemaker wife, Bart is the perpetual ten-year-old underachiever (and proud of it), Lisa is the unappreciated eight-year-old genius, and Maggie is the cute, pacifier loving silent infant.

American animated sitcom created by Matt Groening

Dr. Phillip C. McGraw's show draws on his 25 years of experience in psychology, sociology and observation. Beginning his TV career as the resident expert on human behavior on Oprah Winfrey's daily talk show, Dr. Phil continues to deal with real issues in his blunt style.

A medical based drama centered around Meredith Grey, an aspiring surgeon and daughter of one of the best surgeons, Dr. Ellis Grey. Throughout the series, Meredith goes through professional and personal challenges along with fellow surgeons at Seattle Grace Hospital.

An innocent man is framed for the homicide of the Vice President's brother and scheduled to be executed at a super-max penitentiary, thus it's up to his younger brother to save him with his genius scheme: install himself in the same prison by holding up a bank and, as the final month ticks away, launch the escape plan step-by-step to break the both of them out, with his full-body tattoo acting as his guide; a tattoo which hides the layout of the prison facility and necessary clues vital to the escape.

music

movies

shows

books

Active tastebuds