Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

The terrifyingly prophetic novel of a post-literate future.Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.The classic dystopian novel of a post-literate future, Fahrenheit 451 stands alongside Orwell’s 1984 and Huxley’s Brave New World as a prophetic account of Western civilization’s enslavement by the media, drugs and conformity.Bradbury’s powerful and poetic prose combines with uncanny insight into the potential of technology to create a novel which, decades on from first publication, still has the power to dazzle and shock.--back cover

Patrick Bateman is twenty-six and he works on Wall Street, he is handsome, sophisticated, charming and intelligent. He is also a psychopath. Taking us to head-on collision with America's greatest dream—and its worst nightmare—American Psycho is bleak, bitter, black comedy about a world we all recognise but do not wish to confront.

I recently went to Las Vegas for the first, and probably only, time in my life. I hadn't read this book in years, and previously, it hadn't even been my favorite Hunter S. Thompson work. Thompson is dearly missed by many people, and on a personal level, I miss him deeply. He spoke to a true astonishment at the complete, unrelenting fuckedupedness of America and her politics, and he did it with a bite that was deserved and unmatched. He probably could have been a very rich super-novelist of popular, uninspired filth. He probably could have been a brilliant novelist of any kind. But he chose to do what he did, and he did it better than any of his generation. Like Mark Twain, he chronicled American stupidity in the tongue of his generation, and he captured it perfectly, from the insanity of the drug experience to the depravity of American politics. For years, no work of his stood out to me as much as Fear and Loathing on the Campaign Trail '72 or the Gonzo letters. Fear and Loathing in Las Vegas, to me, wasn't his best work. Then I went to Vegas. Suddenly, all the subtle differences between this and his other work made sense, and I realized that he had captured the true tackiness of the truest tacky city on the entire planet (though Dubai with their fucking Island fantasies are likely to take over soon). Fear &amp; Loathing in Las Vegas IS Las Vegas. It's a nightmare, a joke, a blunder of comical, cosmically-fucked proportions. It's not Sin City. It's where Sin goes to die when it's embarrassed for itself. It's where families go on vacations with ten-year-olds, children who get handed fliers for prostitutes. It's the living, pulsing, filthing embodiment of the Holy Dollar. It's sensory overload on a scale drugs can't equal, a place where you almost have to take a brimful of Valium and a pint of ether to feel normal and not feel utterly ashamed at the state of the human condition. It would make you want to blow your brains out if it weren't so goddamned fun, even if you're gay, you hate gambling and hookers make your brain itch. Yet you never, ever feel like it is evil or subversive or curious in any way. It's just about a buck, and every other blink reminds you of it. This is a place where Hunter S. Thompson could easily mingle with a law enforcement convention and not get noticed. This is a place where a lawyer could leave you with a hotel bill. This is a place where no questions get asked because no answers would make sense, and the only thing profound about any of it is that you know, on a gut level, that all the oil used to produce all the plastic used to build that city no doubt funded an island shaped like Australia that was built off the coast of the UAE over the weekend. This novel will never cease to be important, and one day, as a cultural artifact of a forgotten culture from a forgotten nation, it will be one of the most important anthropological pieces in existence. I wish he'd survived the Bush administration. We need this man.NC

A Time Out and Daily News Top Ten Book of the Year upon its initial release, Please Kill Me is the first oral history of the most nihilist of all pop movements. Iggy Pop, Danny Fields, Dee Dee and Joey Ramone, Malcom McLaren, Jim Carroll, and scores of other famous and infamous punk figures lend their voices to this definitive account of that outrageous, explosive era. From its origins in the twilight years of Andy Warhol's New York reign to its last gasps as eighties corporate rock, the phenomenon known as punk is scrutinized, eulogized, and idealized by the people who were there and who made it happen.

I'm not sure why Fritz is considered a classic. Poorly drawn and not funny, perhaps the 1972 Ralph Bakshi movie, the first animated film to earn an X rating, adds to the notoriety. Fritz hangs out with his pals, smokes weed, and does a good job of sticking it to the man. And speaking of sticking it to...He doesn't appear to be anatomically correct, yet he has no trouble making it with a huge variety of female critters, all of whom have lovely, curvy "lady" bodies - even the ostrich.Fritz also has no qualms about rape or incest when it comes to his quest to mount all of the animal kingdom.If the casual treatment of either of these subjects bothers you, stay FAR away from this book.

Have you ever really wanted to be a super hero? Dave Lizewski has - and he's not willing to let it stop with simple daydreams. Designing a suit for himself and taking the name "Kick-Ass," Dave decides to make his dreary existence more exciting - and maybe even help some people in the process. But with no special powers and outmatched by New York City's most hardened criminals, Kick-Ass might be in for a little more than he bargained for. With his super-hero secret identity gaining fans due to a popular viral video, and other masked vigilantes beginning to make their presence felt in the city, Dave knows that his extracurricular activity is dangerous, maybe even stupid - but he's got the itch, and it ain't going away.COLLECTING: Kick-Ass 1-8

Ghost World has become a cultural and generational touchstone, and continues to enthrall and inspire readers over a decade after its original release as a graphic novel. Originally serialized in the pages of the seminal comic book Eightball throughout the mid-1990s, this quasi-autobiographical story (the name of one of the protagonists is famously an anagram of the author's name) follows the adventures of two teenage girls, Enid and Becky, two best friends facing the prospect of growing up, and more importantly, apart. Daniel Clowes is one of the most respected cartoonists of his generation, and Ghost World is his magnum opus. Adapted into a major motion picture directed by Terry Zwigoff (director of the acclaimed documentary Crumb), which was nominated for an Academy Award for Best Adapted Screenplay. This graphic novel is a must for any self-respecting comics fan's library.

The screenplay for Stanley Kubrick’s disturbing and exhilarating masterpiece, featuring 800 film stills chosen by the director.This unique illustrated screenplay features 800 still images from “A Clockwork Orange,” selected by Stanley Kubrick when the film was first released in 1971. As Kubrick comments in his introduction: “I have always wondered if there might be a more meaningful way to present a book about a film. To make, as it were, a complete graphic representation of the film, cut by cut, with the dialogue printed in the proper place in relation to the cuts, so that within the limits of still photos and words, an accurate (and I hope interesting) record of a film might be available… This book represents that attempt.”Screenplay by Stanley Kubrick, based on the novel by Anthony Burgess.

A psychic who can read minds picks up the thoughts of a murderer in the audience and soon becomes a victim. An English pianist gets involved in solving the murders, but finds many of his avenues of inquiry cut off by new murders, and he begins to wonder how the murderer can track his movements so closely.

In Italy, American writer Sam Dalmas witnesses a murder attempt on an art-gallery owner, Monica Ranieri, a few days before he's supposed to return home. Inspector Morosini, who is in charge of investigating the three previous murderers of the serial-killer, asks Dalmas for help and takes his passport. Dalmas decides to stay with his girlfriend Julia and to help the police in the investigation. The killer threatens Dalmas and Julia by phone and the police overhear a strange noise on the tape. Soon the serial killer stalks Julia and Damas. Who might be the killer?

Young opera singer Betty gets her big chance when the previous star of a production of Verdi's 'Macbeth' is run over by a car. Convinced that the opera is bad luck, she accepts--and becomes the target (in Argento's unmistakable style) of a psychopath--a man who has inhabited her nightmares since her childhood.

An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out murder spree as relatives and friends attempt to reduce the inheritance playing field, complicated by some teenagers who decide to camp out in a dilapidated building on the estate.

In New York, Dr. Norman Boyle assumes the research about Dr. Freudstein of his colleague Dr. Petersen, who committed suicide after killing his mistress. Norman heads to Boston with his wife Lucy Boyle and their son Bob to live in an isolated house in the woods that belonged to Dr. Petersen. Bob befriends the girl Mae that only he can see and she warns him to leave the house. Soon his parents hire the mysterious babysitter Ann and creepy things happen in the house. When Bobby goes to the basement, his parents discover the secret of the house.

With Argento's trademark visual style, linked with one of his more coherent plots, Tenebrae follows a writer who arrives to Rome only to find somebody is using his novels as the inspiration (and, occasionally, the means) of committing murder. As the death toll mounts the police are ever baffled, and the writer becomes more closely linked to the case than is comfortable.

Follows a doctor whose mind begins to turn on her after she witnesses a traumatic event which involves a patient.

Pushing thirty, and defined by a hideous crime involving her bosom friend, Nina, emotionally scarred medical school dropout, Cassie, knows firsthand that some wounds never heal. Leading an uneventful existence, still living with her parents, waiting tables at a cheap coffee shop to earn a living, Cassie has found the perfect way to deal with the painful past. Dressed to kill, at night, Cassie frequents the local bars and nightclubs, pretending to be dead-drunk, utterly helpless and vulnerable. And, every week, lethally beautiful Cassie is on the prowl for all sorts of nocturnal predators and other wolves in sheep's clothing, who are unaware that, sometimes, the hunter can become the prey. Then, Ryan, a kindly and caring old classmate who is the bee's knees, enters the picture, and just like that, Cassie wants out. However, everybody knows that breaking bad habits is easier said than done. Could Ryan be the one?

Set in 1979, adult movie actors and a small film crew arrive to a farmhouse occupied by an elderly couple in the desolate Texas countryside to film an adult movie. As the day shifts to night, the visitors slowly realize that they are not safe, and are being targeted by a nearby enemy.

In order to get away from their busy lives, the Wilson family takes a vacation to Santa Cruz, California with the plan of spending time with their friends, the Tyler family. On a day at the beach, their young son Jason almost wanders off, causing his mother Adelaide to become protective of her family. That night, four mysterious people break into Adelaide's childhood home where they're staying. The family is shocked to find out that the intruders look like them, only with grotesque appearances.

Essentially a prequel to David Lynch and Mark Frost's earlier TV series "Twin Peaks". The first half-hour or so concerns the investigation by FBI Agent Chet Desmond (Chris Isaak) and his partner Sam Stanley (Kiefer Sutherland) into the murder of night-shift waitress Teresa Banks in the small Washington state town of Deer Meadow. When Desmond finds a mysterious clue to the murder, he inexplicably disappears. The film then cuts to one year later in the nearby town of Twin Peaks and follows the events during the last week in the life of Laura Palmer (Sheryl Lee) a troubled teenage girl with two boyfriends; the hot-tempered rebel Bobby Briggs (Dana Ashbrook) and quiet biker James Hurley (James Marshall), her drug addiction, and her relationship with her difficult (and possible schizophrenic) father Leland (Ray Wise), a story in which her violent murder was later to motivate much of the TV series. Contains a considerable amount of sex, drugs, violence, very loud music and inexplicable imagery.

Some time after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. Bounty hunter John Ruth and his fugitive captive Daisy Domergue race towards the town of Red Rock, where Ruth will bring Daisy to justice. Along the road, they encounter Major Marquis Warren (an infamous bounty hunter) and Chris Mannix (a man who claims to be Red Rock's new sheriff). Lost in a blizzard, the bunch seeks refuge at Minnie's Haberdashery. When they arrive they are greeted by unfamiliar faces: Bob, who claims to be taking care of the place while Minnie is gone; Oswaldo Mobray, the hangman of Red Rock; Joe Gage, a cow puncher; and confederate general Sanford Smithers. As the storm overtakes the mountainside, the eight travelers come to learn that they might not make it to Red Rock after all...

This is the story of Mr. Fox (George Clooney) and his wild ways of hen heckling, turkey taking, and cider sipping, nocturnal, instinctive adventures. He has to put his wild days behind him and do what fathers do best: be responsible. He is too rebellious. He is too wild. He is going to try "just one more raid" on the three nastiest, meanest farmers that are Walter Boggis (Robin Hurlstone), Nathan Bunce (Hugo Guinness), and Franklin Bean (Sir Michael Gambon). It is a tale of crossing the line of family responsibilities and midnight adventure and the friendships and awakenings of this country life that is inhabited by Fantastic Mr. Fox and his friends.

2009 stop-motion animated film directed by Wes Anderson

College student Jeffrey Beaumont returns to his idyllic hometown of Lumberton to manage his father's hardware store while his father is hospitalized. Walking though a grassy meadow near the family home, Jeffrey finds a severed human ear. After an initial investigation, lead police Detective John Williams advises Jeffrey not to speak to anyone about the case as they investigate further. Detective Williams also tells Jeffrey that he cannot divulge any information about what the police know. Detective Williams' high school aged daughter, Sandy Williams, tells Jeffrey what she knows about the case from overhearing her father's private conversations on the matter: that it has to do with a nightclub singer named Dorothy Vallens, who lives in an older apartment building near the Beaumont home. His curiosity getting the better of him, Jeffrey, with Sandy's help, decides to find out more about the woman at the center of the case by breaking into Dorothy's apartment while he knows she's at work. What Jeffrey finds is a world unfamiliar to him, one that he doesn't truly understand but one that he is unable to deny the lure of despite the inherent dangers of being associated with a possible murder. Still, he is torn between this world and the prospect of a relationship with Sandy, the two who are falling for each other, despite Sandy already being in a relationship with Mike, the school's star football player.

Following his early retirement as a detective from the San Francisco Police Department, John Ferguson - Scottie to his friends - becomes obsessed with two women in succession, those obsessions which trouble his long time friend and former fiancée, Midge Wood, a designer of women's undergarments. The first is wealthy and elegant platinum blonde Madeleine Elster, the wife of his college acquaintance Gavin Elster, who hires John to follow her in Gavin's belief that she may be a danger to herself in thinking that she has recently been possessed by the spirit of Carlotta Valdes, Madeleine's great-grandmother who she knows nothing about, but who Gavin knows committed suicide in being mentally unbalanced when she was twenty-six, Madeleine's current age. The second is Judy Barton, who John spots on the street one day. Judy is a working class girl, but what makes John obsessed with her is that, despite her working class style and her brunette hair, she is the spitting image of Madeleine, into who he tries to transform Judy. The initial question that John has is if there is some connection between Madeleine and Judy. What happens between John and individually with Madeleine and Judy is affected by the reason John took that early retirement: a recent workplace incident that showed that he is acrophobic which leads to a severe case of vertigo whenever he looks down from tall heights.

Phoenix office worker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks, and they cannot get married because Sam has to give most of his money away in alimony. One Friday, Marion is trusted to bank forty thousand dollars by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into the Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother.

Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children quickly disappear. Trying to follow her, he is horrified to find an underground world of workers who apparently run the machinery that keeps the Utopian world above ground functioning. One of the few people above ground who knows about the world below is Freder's father, John Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is called Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator who will act as the "heart". Freder wants to help the plight of the workers in their struggle for a better life. But when John learns of what Maria is advocating and that Freder has joined their cause, with the assistance of an old colleague. an inventor called Rotwang, who turns out to be But their nemesis goes to works towards quashing a proposed uprising, with Maria at the centre of their plan. John, unaware that Rotwang has his own agenda., makes plans that include shutting down the machines, with the prospect of unleashing total anarchy both above and below ground.

1927 German science fiction directed film by Fritz Lang

Benjamin Braddock returns home to California after successfully completing college. He gets a hero's welcome from his parents but Ben isn't quite sure what to do with the rest of his life. He is soon seduced by Mrs. Robinson, the wife of his father's partner, who methodically pursues the inexperienced young man. Soon, they are meeting regularly in hotel rooms. Warned by her to stay away from her daughter Elaine, his father goads him into taking her out on a date. He finds he quite likes Elaine but when she learns he's been having an affair with her own mother, she'll have nothing to do with him. He's smitten however and pursues her.

In the small New England town of Dunwich, a priest commits suicide by hanging himself in the church cemetery which somehow opens the gates of hell allowing the dead to rise. Peter, a New York City reporter, teams up with a young psychic, named Mary, to travel to the town where they team up with another couple, psychiatrist Jerry and patient Sandra, to find a way to close the gates before All Saints Day or the dead all over the world will rise up and kill the living.

"Creepshow 2" is divided into three stories, conducted by a leading segment where a boy that loves the horror comic book Creepshow buys seeds of carnivorous plant and is bullied by four teenagers. Meanwhile the Creep tells the tales of Creepshow: (1) "Old Chief Wood'nhead" - The elders Ray (George Kennedy) and Martha Spruce (Dorothy Lamour) have lived their whole life and raised their family with their small store in an Arizona town. Now the town is economically decadent and Ray gives credit to his customers; including the Indians of Ben Whitemoon's tribe. When Ray is repairing the wooden statue of an old chief in the front door, Ben (Frank Salsedo) arrives and asks him to keep the jewels of his tribe as a guarantee for their debts. However, Ben's nephew Sam (Holt McCallany) unexpectedly arrives with two other punks to steal Ray, and he kills the elders. They expect to travel to Hollywood, but the Old Chief Wood'nhead will not let them go. (2) "The Raft" - The teenagers Deke (Paul Satterfield) and Randy (Daniel Beer) travel with Laverne (Jeremy Green) and Rachel (Page Hannah) to a lake expecting to smoke weed, swim and get laid. They swim to a raft that is floating in the middle of the lake, but they discover a carnivorous blob in the lake that is hungry. (3) "The Hitchhiker" - In Maine, the unfaithful Annie Lansing (Lois Chiles) stays too long having sex with her escort and is late to meet her husband in the airport. She drives her Mercedes Benz in a hurry and loses control on the road. Annie runs over a hitchhiker, but she does not help the man and hit-and-run, questioning whether she can live with the situation. She discovers that the hitchhiker will not leave her.

Italian film director, producer and screenwriter

An interweaving narrative chronicling the antics of such diverse characters as: a transgender taxi driver, a family obsessed with hygiene and toads, a fiery reverend, a carnival owner who kidnaps women into marriage, and a xenophobic couple who run a local shop for local people.

The body of a young girl (Laura Palmer) is washed up on a beach near the small Washington state town of Twin Peaks. FBI Special Agent Dale Cooper is called in to investigate her strange demise only to uncover a web of mystery that ultimately leads him deep into the heart of the surrounding woodland and his very own soul.

American drama television series from 1990–1991

The offbeat adventures of Courage, a cowardly dog who must overcome his own fears to heroically defend his unknowing farmer owners from all kinds of dangers, paranormal events and menaces that appear around their land.

American horror animated television series

An absurd workplace comedy set in a neglected dream therapy facility where a rotating cast of desperate patients have their dreams recorded and analyzed by Dream Corp's absent-minded professor, Dr. Roberts and his team of unremarkable scientists.

Single camera, buddy comedy that centers on Sam (Richardson) and Tim (Robinson), two local ad men who make low budget commercials in Detroit, Michigan. But the two best friends, much like the city in which they live, aspire to achieve great things.

Grace is a street racer on the open road whose car runs on....people. Arthur is a cop trying to make a better world everyday. They get thrown together into a race, an event from Los Angeles to Phoenix which the loser losing their lives. Along the way they encounter psychos, freaks and innocents. Arthur wants to do right, but the rules don't allow his moral code to exist. Grace finally convinces Arthur, it's a do or die race. They must band together or forfeit their lives. Will they finish last only to die? Will Grace do anything to win? Who feeds the car next?

Mark leads a team of office workers whose memories have been surgically divided between their work and personal lives. When a mysterious colleague appears outside of work, it begins a journey to discover the truth about their jobs.

"Is hell a hostile work environment?" It's a common question, and one that can be answered by Gary, a career demon with the anal fissures to prove it. Follow Gary's misadventures as he treads fire trying to do Satan's work.

This is the story about the life and adventures of the last man on Earth. Phil Miller was once just an average guy who loved his family and hated his job at the bank - now he's humanity's last hope. Will he ever find another person alive on the planet? Would hoping that she is a female be asking too much?

American post-apocalyptic comedy television series

Half-hour stories with many themes, including; horror, twists, black-magic, and science fiction Introduced by a puppet called "The Crypt Keeper". A cross between The Twilight Zone (1959) and modern horror movies. Not suitable for the very young or squeamish.

American horror anthology television series

Thirty years after the events of Evil Dead, Ash is a loner, living a dull existence, still not able to come to grips with the events that started at the cabin. In the event of a Deadite invasion, Ash must attach his chainsaw and pick up his trusty boomstick one more time, all while finally coming to terms with his past.

American comedy horror television show distributed by Starz

In a neo-noir future, Nightclub hostess and classy femme fatale, Raven, presents various stories that involve some of her guests or even herself. Some of the tales are sleazy, some are violent, some are about love and some are about loneliness, some are darkly humorous and some are bittersweet and tragic, some are gritty cyberpunk thrillers and some are more fantastical and lighthearted, but they are all spicy and original.

Tim and Eric's parody of horror anthology TV shows.

John Kricfalusi, the creator of the original Ren & Stimpy Show, is back at the helm with new adventures of Ren Höek and Stimpson J. Cat (Stimpy) in Ren & Stimpy Adult Party Cartoon, with the emphasis toward adults instead of children. These half-hour long episodes feature the duo in new situations. The original humor that made Ren & Stimpy a success is back, like flatulence jokes and gross-out gags, combined now with adult themes and situations.

American adult animated television series

Each episode shows us scenes from the real life of a typical multimillionaire middle-aged heavy-metal rock star with two teenagers, a shopaholic wife that's the real head of the house, a large stable of unruly pets, and some of the many people they meet up with. Events include teen daughter Kelly secretly getting a tattoo; run-ins with noisy neighbors; and preparations for a concert tour.

In their new sketch series, Aunty Donna's Big Ol' House of Fun take viewers along for an absurdist adventure through their everyday lives.

In this new sketch show, Tim Robinson and guests spend each segment driving someone to the point of needing -- or desperately wanting -- to leave.

American sketch comedy web television show

LIMMY'S SHOW is a Scottish comedy sketch show written, animated and directed by BRIAN LIMOND. The most blisteringly original sketch show on television. LIMMY goes to places other sketch shows would shy away from even if they knew they were there.

Captain Ray Holt takes over Brooklyn's 99th precinct, which includes Detective Jake Peralta, a talented but carefree detective who's used to doing whatever he wants. The other employees of the 99th precinct include Detective Amy Santiago, Jake's over achieving and competitive partner; Detective Rosa Diaz, a tough and kept to herself coworker; Detective Charles Boyle, Jake's best friend who also has crush on Rosa; Detective Sergeant Terry Jeffords, who was recently taken off the field after the birth of his twin girls; and Gina Linetti, the precinct's sarcastic administrator.

Long-running satirical news quiz featuring regular team captains Ian Hislop and Paul Merton. Originally chaired by Angus Deayton, the series has adopted "guest hosts" since 2002.

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