Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

Let’s face it….\
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Jonathan Swift was a snarky, snarky bitch. Gulliver’s Travels is like a giant  pimp slap across the human race face and I am so glad I finally read this in a non-school, non-structured environment because I had a whole lot more fun with it this time around. Swift’s wit, insight and delivery are often, though not always, remarkable and he crams more well thought out jabs and toe-steppings in this slim 250 page novel than I would have thought possible in a work twice this long.   This is certainly a classic that I believe people should read and experience for themselves outside of any required scholarly endeavors because I think that many of the ills, injustices and idiocies that Swift addresses in this novel are still, unfortunately, very relevant today. While Swift is short on resolutions or ideas for improvement (one of my disappointments) he does a marvelous job of exposing the problems that he perceived as existing within the 18th Century world, most particularly England, and opening the door for a more expansive, popular discussion on these issues.Kudos for that, Mr Swift.  From a plot perspective, Gulliver’s Travels is a series of adventures by Lemuel Gulliver to various undiscovered, fictional worlds that act as a backdrop for Swift, through his main character/mouthpiece, to scathe, rebuke, poke fun at and/or question all manner of political, religious  and social institutions, philosophies and groups. Everything from blind adherence to political ideologies or religious dogma, to ideological intolerance, to arbitrary social divisions and even the non-practical aspects of the rampant scientific explorations so in vogue at the time. Few groups were spared from Swift's caustic lens and many of his attacks are vehement bordering on brutal. Good. That is how such a work should be IMHO.  Overall, I thought this was very worthwhile and many of Swift’s commentaries were piercing,  brilliant and exceptionally well done. Some of my personal favorites include:  ** Parodying the massive waste of energy and resources expended in political infighting in Great Britain between the Whigs and Tories by having the two Lilliputian political parties separated solely by the aesthetic choice between wearing high heels and low heels. I can only imagine how this parody played out among the MP of England at the time.  ** Making light of the tremendous importance placed on seemingly trivial differences in religious doctrine that often lead to the most acrimonious wars and civil strife by explaining that the genesis of a long and bloody war between rival factions of Lilliputians stems from a disagreement over where to crack eggs. One group break their eggs on the small end (Small Endians) and the other break their eggs on the large end (Big Endians). What I found most clever about this attack was the use of an ambiguous reference in each side's “holy book” that states, “all true believers break their eggs at the convenient end.” That is just about perfect satire Mr. Swift. ** A biting jab at traditions and customs that people cling to long after there is no practical reason to do so is eloquently made when Gulliver describes the Lilliputians custom of burying their dead head first. \
   They bury their dead with their heads directly downwards, because they hold an opinion that in eleven thousand moons they are all to rise again, in which period the earth (which they conceive to be flat) will turn upside down, and by this means they shall, at their resurrection, be found ready standing on their feet. The learned among them confess the absurdity of this doctrine, but the practice still continues, in compliance to the vulgar. \
 When Swift is on his game, he is very, very effective.** A wonderful anti-war statement is made through the horror and disgust with which the King of the giant Brobdingnagians (their size depicted as representing moral superiority) reacts to Gulliver’s description of gunpowder and his offer to teach the Brobdingnagians the formula for producing it: \
   I told him of ‘an invention, discovered between three and four hundred years ago, to make a certain powder…[t]hat a proper quantity of this powder…would drive a ball of iron or lead, with such violence and speed, as nothing was able to sustain its force. That the largest balls thus discharged, would not only destroy whole ranks of an army at once, but batter the strongest walls to the ground, sink down ships, with a thousand men in each, to the bottom of the sea, and when linked together by a chain, would cut through masts and rigging, divide hundreds of bodies in the middle, and lay all waste before them. That we often put this powder into large hollow balls of iron, and discharged them by an engine into some city we were besieging, which would rip up the pavements, tear the houses to pieces, burst and throw splinters on every side, dashing out the brains of all who came near…...The king was struck with horror at the description I had given of those terrible engines, and the proposal I had made. ‘He was amazed, how so impotent and groveling an insect as I…could entertain such inhuman ideas, and in so familiar a manner, as to appear wholly unmoved at all the scenes of blood and desolation which I had painted as the common effects of those destructive machines; whereof,’ he said, ‘some evil genius, enemy to mankind, must have been the first contriver.’ As for himself, he protested, that although few things delighted him so much as new discoveries in art or in nature, yet he would rather lose half his kingdom, than be privy to such a secret; which he commanded me, as I valued any life, never to mention any more.\
 Sorry for the long quote, but I thought that was a particularly moving passage. ** My personal favorite (purely from an enjoyment standpoint) is the depiction of the scientifically adept and common-senseless Laputans  who exemplify Swift’s serious gripe against scientific research that doesn’t have a practical and foreseeable benefit to society. \
  The first man I saw was of a meagre aspect, with sooty hands and face…[H]e has been eight years upon a project for extracting sunbeams out of cucumbers, which were to be put in phials hermetically sealed, and let out to warm the air in raw inclement summers. He told me, he did not doubt, that, in eight years more, he should be able to supply the governor’s gardens with sunshine, at a reasonable rate….\
 Gulliver’s exploration of the scientific academy of Laputa was my favorite part of the novel and I thought Swift’s satiric chops were at there sharpest in relaying the societal dysfunction of the Laputans.  Now I must drop some ice in the bath water. As much as there was to enjoy in this work, I was not as blown away by it as I would have liked to have been. For one thing, I thought that Swift’s prose was merely serviceable and I didn’t find much in the way of eloquence in his delivery. It was missing the ear-pleasing lyrical quality that I have come to expect when reading classic literature. The writing wasn’t bad by any means but it wasn’t as enjoyable or memorable as I had hoped. This may be an unfair critique given that this book’s legacy lies with its content, but the lack of beautiful prose kept me from being able to enjoy the interludes and non-meaty passages of the work.    Also, some of Swift’s critiques fell a bit flat and didn't resonate with me as much as those mentioned above. For instance, the recasting of famous historical figures like Alexander, Hannibal and Caesar as being more subject to the moral frailties of the human animal than the established texts would have us believe. Swift uses this as the springboard to discuss the less than wholesome practices of securing political power today and that is a good thing. I just found the use of the legends of antiquity unnecessary and not particularly effective. That’s probably a personal bias of mine as I have always found those figures fascinating to read about.    Here's my biggest problem. One of the principal arguments that Swift makes in his novel is that balance and moderation are the keys to success both individually and as a people. Extremes of behavior and belief are the seeds from which disastrous consequences are born, according to Swift. That’s easy to say and it has an attractive ring to it, but I wish Swift had done a little more with it. This walkmy right into my biggest complaint about the story…the ending. I thought that the ambiguity of Gulliver’s condition at the end of the novel was a bit of a cop out. It appears as though the reader is left to determine whether Gulliver was (1) a man disgusted with humanity as a result of his exposure to the morally righteous and logically rational Houyhnhnm or (2) a man whose ill-conceived and intemperate worship of, and infatuation with the Houyhnhnm made him just another unbalanced yahoo whose loss of perspective and left him deranged.   Part of the answer of this would stem from determining whether Swift was holding up the Houyhnhnms as a model to follow or whether their own passionless adherence to logic was itself a subject of parody. However, as with the end, I think Swift was less than certain of his position (or of the position he wanted to state) and thus left too much ambiguity to the reader. Now I understand that often these kinds of soft endings are perfect as they allow the reader to interpret the work for themselves. However, here where Swift has been bludgeoning the reader with his opinions throughout the entire work, to suddenly punt and not clearly express a case for his protagonist seems to be a miss. That said, I am the first to acknowledge that it is anywhere from a distinct possibility to a metaphysical certainty that the “miss” here is on my part, but that was how I saw it. I wanted Swift to wrap up and summarize the effect of the journey on Gulliver and provide a statement about what should be drawn from his experience so that a better road could be paved for using his travels to address the problems on which it shined its light.   3.0 to 3.5 stars. Still…HIGHLY RECOMMENDED!!

Mancini’s story gets harder and harder to digest, as it spirals towards it’s violent and sordid climax. We see cracks beginning to appear in that seemingly impenetrable calm he maintains in the interrogation room, as he relates his difficult winter, his internment in a psychiatric hospital, his discovery of a collection of paintings that are the perfect representation of human suffering, and a cataclysmic encounter in the forest.

On the day that Hurricane Katrina hits New Orleans, elderly Daisy Williams (nee Fuller) is on her deathbed in a New Orleans hospital. At her side is her adult daughter, Caroline. Daisy asks Caroline to read to her aloud the diary of Daisy's lifelong friend, Benjamin Button. Benjamin's diary recounts his entire extraordinary life, the primary unusual aspect of which was his aging backwards, being diagnosed with several aging diseases at birth and thus given little chance of survival, but who does survive and gets younger with time. Abandoned by his biological father, Thomas Button, after Benjamin's biological mother died in childbirth, Benjamin was raised by Queenie, a black woman and caregiver at a seniors home. Daisy's grandmother was a resident at that home, which is where she first met Benjamin. Although separated through the years, Daisy and Benjamin remain in contact throughout their lives, reconnecting in their forties when in age they finally match up. Some of the revelations in Benjamin's diary are difficult for Caroline to read, especially as it relates to the time past this reconnection between Benjamin and Daisy, when Daisy gets older and Benjamin grows younger into his childhood years.

It is 1942, America has entered World War II, and sickly but determined Steve Rogers is frustrated at being rejected yet again for military service. Everything changes when Dr. Erskine recruits him for the secret Project Rebirth. Proving his extraordinary courage, wits and conscience, Rogers undergoes the experiment and his weak body is suddenly enhanced into the maximum human potential. When Dr. Erskine is then immediately assassinated by an agent of Nazi Germany's secret HYDRA research department (headed by Johann Schmidt, a.k.a. the Red Skull), Rogers is left as a unique man who is initially misused as a propaganda mascot; however, when his comrades need him, Rogers goes on a successful adventure that truly makes him Captain America, and his war against Schmidt begins.

We've always known that Spider-Man's most important conflict has been within himself: the struggle between the ordinary obligations of Peter Parker and the extraordinary responsibilities of Spider-Man. But in The Amazing Spider-Man 2, Peter Parker finds that his greatest battle is about to begin. It's great to be Spider-Man. For Peter Parker, there's no feeling quite like swinging between skyscrapers, embracing being the hero, and spending time with Gwen. But being Spider-Man comes at a price: only Spider-Man can protect his fellow New Yorkers from the formidable villains that threaten the city. With the emergence of Electro, Peter must confront a foe far more powerful than he. And as his old friend, Harry Osborn, returns, Peter comes to realize that all of his enemies have one thing in common: Oscorp.

After breaking out of LunarMax, a moon-based maximum security prison, Boris the Animal (Jemaine Clement) decides to go back in time and eliminate the person who arrested him - Agent K (Josh Brolin). When he does so, Agent J (Will Smith) realizes that the timeline has been changed and he too travels back to July 15, 1969, the day before Agent K is killed. After overcoming some disbelief, J manages to convince young K and others of just who he is and why he's there. With the help of Griffin (Michael Stuhlbarg), a being who can see all timelines, they track Boris down. J also learns a secret, something old Agent K (Tommy Lee Jones) had never told him.

Thousands of years ago, a race of beings known as Dark Elves tried to send the universe into darkness by using a weapon known as the Aether. Warriors from Asgard stopped them, but their leader Malekith (Christopher Eccleston) escaped to wait for another opportunity. The warriors find the Aether, and since it cannot be destroyed, they try to hide it. In the present day, Jane Foster (Natalie Portman) awaits the return of Thor (Chris Hemsworth), although it has been two years since they last saw once another. In the meantime, Thor has been trying to bring peace to the nine realms. Jane discovers an anomaly similar to the one that brought Thor to Earth. She goes to investigate, finds a wormhole, and is sucked into it. Back on Asgard, Thor wishes to return to Earth, but his father, Odin (Sir Anthony Hopkins), refuses to let him. Thor learns from Heimdall (Idris Elba), who can see into all of the realms, that Jane disappeared. Thor then returns to Earth just as Jane reappears. However, when some Policemen try to arrest her, an unknown energy repulses them. Thor then brings Jane to Asgard to find out what happened to her. When the energy is released again, they discover that when Jane disappeared, she crossed paths with the Aether and it entered her. Malekith, upon sensing that the time to strike is now, seeks out the Aether. He attacks Asgard and Thor's mother Frigga (Rene Russo) is killed protecting Jane. Odin wants to keep Jane on Asgard so that Malekith will come. Thor disagrees with his plan, so with his cohorts, he decides to take Jane away. He enlists the aid of his brother, Loki (Tom Hiddleston). Unfortunately, Loki's motivations remain unknown.

Yashvardhan Raichand lives a very wealthy lifestyle along with his wife, Nandini, and two sons, Rahul and Rohan. While Rahul has been adopted, Yashvardhan and Nandini treat him as their own. When their sons mature, they start to look for suitable brides for Rahul, and decide to get him married to a young woman named Naina. When Rahul is told about this, he tells them that he loves another woman by the name of Anjali Sharma. Yashvardhan decides to meet with the Sharma family, and finds out that they are middle-classed, unsophisticated, and will not be able to it into his family circle, as a result he refuses to permit Rahul to marry Anjali. A defiant Rahul decides to leave, gets married to Anjali, without his foster parents blessings, and re-locates to London, England, where Anjali's unmarried sister, Pooja, also lives. Rohan, who was studying in a hostel, returns home to find that Rahul is no longer living with them, and he also discovers that while outwardly his dad is not interested in seeing Rahul get back, Nandini wants the family back all together for all happy and sad moments. Rohan also misses Rahul a lot, and decides to travel to London in order to try and get Rahul to return home. Yashvardhan, is unable to prevent this, and as a result Rohan does travel to London, meets with Rahul, Anjali, and Pooja. The question remains will the hurt and sorrow that Rahul experienced with his foster parents be erased and enable the family to be reunited, or will Rahul forget about the past, and continue to live his life without getting back to his roots and the family who brought him up, leaving Rohan to return alone?

An action-thriller about a writer who takes an experimental drug that allows him to use 100% of his mind. As one man evolves into the perfect version of himself, forces more corrupt than he can imagine mark him for assassination. Out-of-work writer Eddie Morra's (Cooper) rejection by girlfriend Lindy (Abbie Cornish) confirms his belief that he has zero future. That all vanishes the day an old friend introduces Eddie to NZT, a designer pharmaceutical that makes him laser-focused and more confident than any man alive. Now on an NZT-fueled odyssey, everything Eddie's read, heard or seen is instantly organized and available to him. As the former nobody rises to the top of the financial world, he draws the attention of business mogul Carl Van Loon (De Niro), who sees this enhanced version of Eddie as the tool to make billions, but brutal side effects jeopardize his meteoric ascent. With a dwindling stash and hit men who will eliminate him to get the NZT, Eddie must stay wired long enough to elude capture and fulfill his destiny. If he can't, he will become just another victim who thought he'd found invincibility in a bottle.

Depicting the events after the Gamma Bomb. 'The Incredible Hulk' tells the story of Dr Bruce Banner, who seeks a cure to his unique condition, which causes him to turn into a giant green monster under emotional stress. Whilst on the run from military which seeks his capture, Banner comes close to a cure. But all is lost when a new creature emerges: The Abomination.

Bella Swan has always been a little bit different. Never one to run with the crowd, Bella never cared about fitting in with the trendy girls at her Phoenix, Arizona high school. When her mother remarries and Bella chooses to live with her father in the rainy little town of Forks, Washington, she doesn't expect much of anything to change. But things do change when she meets the mysterious and dazzlingly beautiful Edward Cullen. For Edward is nothing like any boy she's ever met. He's nothing like anyone she's ever met, period. He's intelligent and witty, and he seems to see straight into her soul. In no time at all, they are swept up in a passionate and decidedly unorthodox romance - unorthodox because Edward really isn't like the other boys. He can run faster than a mountain lion. He can stop a moving car with his bare hands. Oh, and he hasn't aged since 1918. Like all vampires, he's immortal. That's right - vampire. But he doesn't have fangs - that's just in the movies. And he doesn't drink human blood, though Edward and his family are unique among vampires in that lifestyle choice. To Edward, Bella is that thing he has waited 90 years for - a soul mate. But the closer they get, the more Edward must struggle to resist the primal pull of her scent, which could send him into an uncontrollable frenzy. Somehow or other, they will have to manage their unmanageable love. But when unexpected visitors come to town and realize that there is a human among them Edward must fight to save Bella? A modern, visual, and visceral Romeo and Juliet story of the ultimate forbidden love affair - between vampire and mortal.

2008 film directed by Catherine Hardwicke

Barney Ross leads the "Expendables", a band of highly skilled mercenaries including knife enthusiast Lee Christmas, martial arts expert Yin Yang, heavy weapons specialist Hale Caesar, demolitionist Toll Road and loose-cannon sniper Gunner Jensen. When the group is commissioned by the mysterious Mr. Church to assassinate the merciless dictator of a small South American island, Barney and Lee head to the remote locale to scout out their opposition. Once there, they meet with local rebel Sandra and discover the true nature of the conflict engulfing the city. When they escape the island and Sandra stays behind, Ross must choose to either walk away and save his own life - or attempt a suicidal rescue mission that might just save his soul.

Have you ever stopped to think if the most ordinary, uninteresting, unobtrusive man you might see on the road or around you might have a love story to tell? Maybe not. How can an ordinary man have a breathtaking, goose flesh igniting, awe inspiring love story of all things to tell? This is what happened to Surinder Sahni (Shahrukh Khan) - a simple, clean hearted, honest man, leading a humdrum life, when he meets his total opposite and finds love in the flamboyant, fun-loving, vivacious - Taani (Anushka Sharma) for whom the whole world is her canvas and she paints her own life with the colours of rainbow all until unforeseen circumstances changes it all and brings them together. What follows is a journey filled with laughter, tears, joy, pain, music, dance and a lot of love. A journey that makes us believe that there is an extraordinary love story in every ordinary jodi (couple).

Singapore-based Dr. Siddhant Arya recruits a superhumanly powerful Indian-born man named Rohit Mehra, who was given special powers by a blue-skinned alien named Jadoo, to build a computer that can forecast the future, which results in an accident that kills Rohit. When this news reaches Rohit's mother, Sonia, in India, she passes this on to Rohit's wife, Nisha, who has just given birth to a son named Krishna. However, Nisha, unable to handle this devastating news, passes away, leaving Krishna to be brought up by Sonia. When Krishna is enrolled in school, she notices that he has the same intellectual and physical powers that his father possessed, so in order to shield him from any harm, she moves to a secluded and remote area in a mountainous region of the country, where he grows up. Years later, Krishna has matured, has acquired the same special powers that his father had, and is also able to communicate with animals. He meets with a camper named Priya and is attracted to her. When she returns home to Singapore, she phones him to visit her so that she can introduce him to her mother so that they can get married. A thrilled Krishna travels to Singapore, despite Sonia's pleas; meets with Priya; and is all set to meet her mother, get married, and return home. What Krishna does not know is that Priya has lured him there so that she can exploit his superhuman powers on her TV network, Star Plus--and not only maintain her job but also get a promotion. It looks like the naïve and overly trusting Krishna may now be propelled straight into the hands of Dr. Arya, who is still alive and on the verge of creating a supercomputer that can forecast the future--and is quite capable of doing anything in his power to achieve this nefarious goal and project himself as the one and only God of the universe.

The story of two strangers on an odyssey of discovery, down a path that is ridden with the exquisite pain and joy of falling in love, only they don't realize it. A series of hilarious misadventures trace their bi-coastal road journey as they go about fulfilling their last wishes. But then life interrupts, as is its habit, and painful choices must be made. The duo part with the understanding that their days together were a brief interlude of insanity that had to succumb to real life. They part as they met--as strangers.

Based on Marvel Comics' superhero character, this is a story of Peter Parker who is a nerdy high-schooler. He was orphaned as a child, bullied by jocks, and can't confess his crush for his stunning neighborhood girl Mary Jane Watson. To say his life is "miserable" is an understatement. But one day while on an excursion to a laboratory a runaway radioactive spider bites him... and his life changes in a way no one could have imagined. Peter acquires a muscle-bound physique, clear vision, ability to cling to surfaces and crawl over walls, shooting webs from his wrist ... but the fun isn't going to last. An eccentric millionaire Norman Osborn administers a performance enhancing drug on himself and his maniacal alter ego Green Goblin emerges. Now Peter Parker has to become Spider-Man and take Green Goblin to the task... or else Goblin will kill him. They come face to face and the war begins in which only one of them will survive at the end.

Yeh Jawaani Hai Deewani is the story of the relationship between two characters, Bunny (Ranbir Kapoor) & Naina (Deepika Padukone), at two separate but defining times in their lives... first, when they are just out of college and standing on the crossroads of multiple decisions that will shape who and what they become... and then later on, in their late-twenties when they meet again, holding on to certain fulfilled and certain unfulfilled dreams, at a crossroads of another nature this time... how these two characters affect, change, befriend and eventually fall in love with each other is the journey the film aspires to take us on..

The true story of the "Flying Sikh" - world champion runner and Olympian Milkha Singh -- who overcame the massacre of his family, civil war during the India-Pakistan partition, and homelessness to become one of India's most iconic athletes.

After defeating the villainous Dr. Siddhant Arya and bringing his father Rohit back from the dead, Krrish continued fighting against evil and saving innocent lives. Now Krishna's living happily with his wife Priya, Rohit is using his scientific brilliance to benefit society, and Krrish is everyone's favorite superhero savior. Unknown to them, a dark force is growing in another part of the world. Kaal, an evil genius, is selfishly misusing his powers to spread fear, death, and destruction, assisted by an army of very dangerous beings created by himself. Not long after Kaal's plans are put into action, both Rohit and Krrish face a crisis of epic proportions that only they can resolve, together. But when they finally cross paths with Kaal and his army, neither is prepared for what lies ahead. Kaal not only brings the world to the brink of disaster, he also puts the strength and love of Krishna and his family to the test.

2013 Bollywood superhero science fiction film directed by Rakesh Roshan

The story revolves around Vicky's three love stories. The first story is in the age of schooling. When Vicky is in 10 Grade he falls in love with Suma(Anupama Parameshwaran). But he was afraid to reciprocate his love because her father (30 years Prithvi) beats anyone who proposes to his daughter. But the time he reciprocated his love she tells that she is already in love with another guy. The second story is in college. Vicky and his gang became in college. On one fine day, he comes across Sithara (Shruthi Hassan) a Marathi Math Lecturer. Vicky falls in love with her and they start getting friendly and unknowingly Sithara also falls in love with Vicky. But unfortunately while going to Pune she meets with an accident and loses her memory. So the second love story ends. The third story is when he is a young man. After 10 years, Vicky becomes a chef and opens a restaurant which becomes famous. At that time he comes across Sindhu(Madonna Sebastian) and falls in love with her. When Vicky proposed his love to Sindhu she rejected him as she was going to marry another man. But unfortunately her marriage gets called off because of his attitude. So she started loving Vicky and soon they married. Hence the movie ends with a happy note.

American singer, songwriter, and actress (born 1986)

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Senegalese American singer, songwriter, record producer, and entrepreneur

Spanish singer-songwriter; son of Julio Iglesias

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Patrick Jane is a crime consultant with the California Bureau of Investigation. He has a particular gift for astute observation and reading people, honed through years of being a faux psychic. His gift makes him brilliant at solving murders, which is why the CBI have him around. However, his motive for taking on the role is purely one of revenge: find and kill the man who killed his wife and daughter - Red John.

American crime television series (2008-2015)

After the unsolved murder of his wife, Trudy, Adrian Monk develops obsessive-compulsive disorder, which includes his terror of germs and contamination. His condition costs him his job as a prominent homicide detective in the San Francisco Police Department, but he continues to solve crimes with the help of his assistant and his former boss.

MTV Roadies is a youth-based popular reality television show on MTV India. The applicants are first asked to fill out a form and then attend a Group Discussion (GD). The form consists of basic questions regarding the applicant and includes some questions like "Why do you want to be a Roadie?" and "What is the greatest regret of your life?" etc. Moderators watch the performance of all the applicants in this GD and then they shortlist some people who are called on the next day for the Personal Interview round. This personal interview takes place with some of the above-mentioned VJ's. And These interviews are known to be intense and try to bring out the true nature of the participant. These interviews often have abusive language and the interviewers don't like applicants who have lied on the application form. The interviewers always stress on not lying in the application form and showing who they really are, instead of portraying a false personality in front of them.

In the high-tech gold rush of modern Silicon Valley, the people most qualified to succeed are the least capable of handling success. A comedy partially inspired by Mike Judge's own experiences as a Silicon Valley engineer in the late 1980s.

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