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Evan Shively (Perseus271)

Let’s face it….\
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Jonathan Swift was a snarky, snarky bitch. Gulliver’s Travels is like a giant  pimp slap across the human race face and I am so glad I finally read this in a non-school, non-structured environment because I had a whole lot more fun with it this time around. Swift’s wit, insight and delivery are often, though not always, remarkable and he crams more well thought out jabs and toe-steppings in this slim 250 page novel than I would have thought possible in a work twice this long.   This is certainly a classic that I believe people should read and experience for themselves outside of any required scholarly endeavors because I think that many of the ills, injustices and idiocies that Swift addresses in this novel are still, unfortunately, very relevant today. While Swift is short on resolutions or ideas for improvement (one of my disappointments) he does a marvelous job of exposing the problems that he perceived as existing within the 18th Century world, most particularly England, and opening the door for a more expansive, popular discussion on these issues.Kudos for that, Mr Swift.  From a plot perspective, Gulliver’s Travels is a series of adventures by Lemuel Gulliver to various undiscovered, fictional worlds that act as a backdrop for Swift, through his main character/mouthpiece, to scathe, rebuke, poke fun at and/or question all manner of political, religious  and social institutions, philosophies and groups. Everything from blind adherence to political ideologies or religious dogma, to ideological intolerance, to arbitrary social divisions and even the non-practical aspects of the rampant scientific explorations so in vogue at the time. Few groups were spared from Swift's caustic lens and many of his attacks are vehement bordering on brutal. Good. That is how such a work should be IMHO.  Overall, I thought this was very worthwhile and many of Swift’s commentaries were piercing,  brilliant and exceptionally well done. Some of my personal favorites include:  ** Parodying the massive waste of energy and resources expended in political infighting in Great Britain between the Whigs and Tories by having the two Lilliputian political parties separated solely by the aesthetic choice between wearing high heels and low heels. I can only imagine how this parody played out among the MP of England at the time.  ** Making light of the tremendous importance placed on seemingly trivial differences in religious doctrine that often lead to the most acrimonious wars and civil strife by explaining that the genesis of a long and bloody war between rival factions of Lilliputians stems from a disagreement over where to crack eggs. One group break their eggs on the small end (Small Endians) and the other break their eggs on the large end (Big Endians). What I found most clever about this attack was the use of an ambiguous reference in each side's “holy book” that states, “all true believers break their eggs at the convenient end.” That is just about perfect satire Mr. Swift. ** A biting jab at traditions and customs that people cling to long after there is no practical reason to do so is eloquently made when Gulliver describes the Lilliputians custom of burying their dead head first. \
   They bury their dead with their heads directly downwards, because they hold an opinion that in eleven thousand moons they are all to rise again, in which period the earth (which they conceive to be flat) will turn upside down, and by this means they shall, at their resurrection, be found ready standing on their feet. The learned among them confess the absurdity of this doctrine, but the practice still continues, in compliance to the vulgar. \
 When Swift is on his game, he is very, very effective.** A wonderful anti-war statement is made through the horror and disgust with which the King of the giant Brobdingnagians (their size depicted as representing moral superiority) reacts to Gulliver’s description of gunpowder and his offer to teach the Brobdingnagians the formula for producing it: \
   I told him of ‘an invention, discovered between three and four hundred years ago, to make a certain powder…[t]hat a proper quantity of this powder…would drive a ball of iron or lead, with such violence and speed, as nothing was able to sustain its force. That the largest balls thus discharged, would not only destroy whole ranks of an army at once, but batter the strongest walls to the ground, sink down ships, with a thousand men in each, to the bottom of the sea, and when linked together by a chain, would cut through masts and rigging, divide hundreds of bodies in the middle, and lay all waste before them. That we often put this powder into large hollow balls of iron, and discharged them by an engine into some city we were besieging, which would rip up the pavements, tear the houses to pieces, burst and throw splinters on every side, dashing out the brains of all who came near…...The king was struck with horror at the description I had given of those terrible engines, and the proposal I had made. ‘He was amazed, how so impotent and groveling an insect as I…could entertain such inhuman ideas, and in so familiar a manner, as to appear wholly unmoved at all the scenes of blood and desolation which I had painted as the common effects of those destructive machines; whereof,’ he said, ‘some evil genius, enemy to mankind, must have been the first contriver.’ As for himself, he protested, that although few things delighted him so much as new discoveries in art or in nature, yet he would rather lose half his kingdom, than be privy to such a secret; which he commanded me, as I valued any life, never to mention any more.\
 Sorry for the long quote, but I thought that was a particularly moving passage. ** My personal favorite (purely from an enjoyment standpoint) is the depiction of the scientifically adept and common-senseless Laputans  who exemplify Swift’s serious gripe against scientific research that doesn’t have a practical and foreseeable benefit to society. \
  The first man I saw was of a meagre aspect, with sooty hands and face…[H]e has been eight years upon a project for extracting sunbeams out of cucumbers, which were to be put in phials hermetically sealed, and let out to warm the air in raw inclement summers. He told me, he did not doubt, that, in eight years more, he should be able to supply the governor’s gardens with sunshine, at a reasonable rate….\
 Gulliver’s exploration of the scientific academy of Laputa was my favorite part of the novel and I thought Swift’s satiric chops were at there sharpest in relaying the societal dysfunction of the Laputans.  Now I must drop some ice in the bath water. As much as there was to enjoy in this work, I was not as blown away by it as I would have liked to have been. For one thing, I thought that Swift’s prose was merely serviceable and I didn’t find much in the way of eloquence in his delivery. It was missing the ear-pleasing lyrical quality that I have come to expect when reading classic literature. The writing wasn’t bad by any means but it wasn’t as enjoyable or memorable as I had hoped. This may be an unfair critique given that this book’s legacy lies with its content, but the lack of beautiful prose kept me from being able to enjoy the interludes and non-meaty passages of the work.    Also, some of Swift’s critiques fell a bit flat and didn't resonate with me as much as those mentioned above. For instance, the recasting of famous historical figures like Alexander, Hannibal and Caesar as being more subject to the moral frailties of the human animal than the established texts would have us believe. Swift uses this as the springboard to discuss the less than wholesome practices of securing political power today and that is a good thing. I just found the use of the legends of antiquity unnecessary and not particularly effective. That’s probably a personal bias of mine as I have always found those figures fascinating to read about.    Here's my biggest problem. One of the principal arguments that Swift makes in his novel is that balance and moderation are the keys to success both individually and as a people. Extremes of behavior and belief are the seeds from which disastrous consequences are born, according to Swift. That’s easy to say and it has an attractive ring to it, but I wish Swift had done a little more with it. This walkmy right into my biggest complaint about the story…the ending. I thought that the ambiguity of Gulliver’s condition at the end of the novel was a bit of a cop out. It appears as though the reader is left to determine whether Gulliver was (1) a man disgusted with humanity as a result of his exposure to the morally righteous and logically rational Houyhnhnm or (2) a man whose ill-conceived and intemperate worship of, and infatuation with the Houyhnhnm made him just another unbalanced yahoo whose loss of perspective and left him deranged.   Part of the answer of this would stem from determining whether Swift was holding up the Houyhnhnms as a model to follow or whether their own passionless adherence to logic was itself a subject of parody. However, as with the end, I think Swift was less than certain of his position (or of the position he wanted to state) and thus left too much ambiguity to the reader. Now I understand that often these kinds of soft endings are perfect as they allow the reader to interpret the work for themselves. However, here where Swift has been bludgeoning the reader with his opinions throughout the entire work, to suddenly punt and not clearly express a case for his protagonist seems to be a miss. That said, I am the first to acknowledge that it is anywhere from a distinct possibility to a metaphysical certainty that the “miss” here is on my part, but that was how I saw it. I wanted Swift to wrap up and summarize the effect of the journey on Gulliver and provide a statement about what should be drawn from his experience so that a better road could be paved for using his travels to address the problems on which it shined its light.   3.0 to 3.5 stars. Still…HIGHLY RECOMMENDED!!

Alternate cover edition of ISBN 0553213695 / 9780553213690"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With it's startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."

Among the 19th-century founders of modern philosophical anarchism, none is more important than Michael Bakunin (1814–76). Born into the Russian nobility, he renounced his hereditary rank in protest against Czarist oppression and fled to Western Europe. A colorful, charismatic personality, Bakunin quickly became central to the anarchism movement, and everyone involved either built upon or reacted to his ideas. Yet Bakunin, despite the power of his ideas, was primarily a man of action, and he wrote little. His only major work, God and the State, remained unfinished, although it is the torso of a giant.God and the State has been a basic anarchist and radical document for generations. It is one of the clearest statements of the anarchist philosophy of history: religion by its nature is an impoverishment, enslavement, and annihilation of humanity. It is the weapon of the state. It must be smashed, according to Bakunin, before the right of self-determination can be possible. As an introduction to anarchist thought, a manifesto of atheism, or as a summing-up of the thoughts of Bakunin, God and the State remains a mind-opening experience, even for those basically unsympathetic to its premise.

Chess is a board game between two players. It is sometimes called international chess or Western chess to distinguish it from related games, such as xiangqi (Chinese chess) and shogi (Japanese chess). The current form of the game emerged in Spain and the rest of Southern Europe during the second half of the 15th century after evolving from chaturanga, a similar but much older game of Indian origin. Today, chess is one of the world's most popular games, played by millions of people worldwide.Chess is an abstract strategy game and involves no hidden information. It is played on a chessboard with 64 squares arranged in an eight-by-eight grid. At the start, each player controls sixteen pieces: one king, one queen, two rooks, two bishops, two knights, and eight pawns. The player controlling the white pieces moves first, followed by the player controlling the black pieces. The object of the game is to checkmate the opponent's king, whereby the king is under immediate attack (in "check") and there is no way for it to escape. There are also several ways a game can end in a draw.

Life is Strange is a hand drawn work of art and every action enacts a butterfly effect - but with the power to rewind time, what would you change? And would it...

Football Manager (also known as Worldwide Soccer Manager in North America from 2004 to 2008) is a series of football management simulation video games developed by Sports Interactive and published by Sega. The game began its life in 1992 as Championship Manager. However, following the break-up of their partnership with original publishers Eidos Interactive, Sports Interactive lost the naming rights and re-branded the game Football Manager with their new publisher Sega. The latest version of Football Manager, titled Football Manager 2020 was released on 31 October 2019.On 12 February 2004, after splitting from publishers Eidos Interactive, it was announced that Sports Interactive, developers of the Championship Manager game, had retained the rights to the source code but not the rights to the title Championship Manager, which were held onto by Eidos (who previously acquired the brand rights from Domark upon their merger in 1995). These developments led to a further announcement that future Sports Interactive football management games would be released under the famous Football Manager brand name. Whilst the Championship Manager series would go on, Eidos no longer had any source code, or, indeed a developer for Championship Manager.

A new assignment forces a top spy to team up with his football hooligan brother.

In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.

A jaded Japanese woman discovers a hidden copy of Fargo (1996) on VHS, believing it to be a treasure map indicating the location of a large case of money.

Based on the actual events of one of the most horrific cases of child abuse ever to be documented, this haunting drama tells the tale of a young girl that was locked in a room for over 12 years.

Pauline is a 'little girl of 66 years old'. She is intellectually disabled and been cared after by her sister Martha. When Martha dies, her two younger sisters, Paulette and Cecile have to make a decision on the best place for Paulin

A documentary about a man who impersonates a wise Indian Guru and builds a following in Arizona. At the height of his popularity, the Guru Kumaré must reveal his true identity to his disciples and unveil his greatest teaching of all.

A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.

2009 science fiction drama film directed by Jaco Van Dormael

An insurance salesman discovers his whole life is actually a reality TV show.

A Brooklyn-set romantic drama about a bachelor torn between the family friend his parents wish he would marry and his beautiful but volatile new neighbor.

Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.

New York actors rehearse Chekhov's "Uncle Vanya" in a dilapidated theatre.

An American inherits an apartment in Paris that comes with an unexpected resident.

An urbane fox cannot resist returning to his farm raiding ways and then must help his community survive the farmers' retaliation.

2009 stop-motion animated film directed by Wes Anderson

Saraband is a 2003 Swedish drama film directed by Ingmar Bergman, and his final film. It was made for Swedish television, but released theatrically in a longer cut outside Sweden. Its United States theatrical release, with English subtitles, was in July 2005. The Swedish television version is 107 minutes, while theatrical releases run just under 2 hours.The story is a sequel to Bergman's Scenes from a Marriage (1973), bringing back the characters of Johan and Marianne. It is a co-production of Sweden, Italy, Germany, Finland, Denmark, and Austria.It opens with the camera on Marianne standing by a table covered with photographs. It is a well-lit room, and she addresses the viewer. She picks one picture up after another; they are in no particular order, being just heaped all over the table. Some make her smile, or elicit a comment or a sigh. But then she picks up a photograph of her husband, prompting her to reminisce about how they had been more or less happy, and how they'd broken up. She goes on to recall how his second marriage failed, while she was already married to a second husband herself, and then when her second husband died (by flying a glider off somewhere and disappearing), she reflects that it would be nice to see her first husband again.

A controlling, manipulative father locks his three adult offspring in a state of perpetual childhood by keeping them prisoner within the sprawling family compound.

A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent littl

Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.

When five orphan girls are seen innocently playing with boys on a beach, their scandalized conservative guardians confine them while forced marriages are arranged.

2015 film directed by Deniz Gamze Ergüven

Two women troubled with guy-problems swap homes in each other's countries, where they each meet a local guy and fall in love.

2006 American Christmas-themed romantic comedy film directed by Nancy Meyers

A famous "psychic" outs himself as a fake, and starts working as a consultant for the California Bureau of Investigation so he can find "Red John", the madman who killed his wife and daughter.

American crime television series (2008-2015)

An anthology series exploring a twisted, high-tech multiverse where humanity's greatest innovations and darkest instincts collide.

After a night of partying with a woman he picked up, a man wakes up to find her stabbed to death and is charged with her murder.

American crime drama television miniseries

Yorkshire based crime drama centering on the personal and professional life of Police Sergeant Catherine Cawood.

When a young boy disappears, his mother, a police chief and his friends must confront terrifying supernatural forces in order to get him back.

American science fiction horror Netflix series

Vikings transports us to the brutal and mysterious world of Ragnar Lothbrok, a Viking warrior and farmer who yearns to explore - and raid - the distant shores across the ocean.

Canadian-Irish historical drama television series

An English combat nurse from 1945 is mysteriously swept back in time to 1743.

The life and times of Larry David and the predicaments he gets himself into with his friends and complete strangers.

Matt Lucas and David Walliams, the creators of this character-comedy sketch show, delight in all that is mad, bad, quirky and generally bonkers about the people and places of Britain.

British character-based comedy sketch show

A family takes in a formerly institutionalized teen savant who is missing standard human behaviors such as anger, joy, and love.

Andy Millman (Ricky Gervais) is an actor with ambition and a script. Reduced to working as an extra with a useless agent, Andy's attempts to boost his career invariably end in failure and embarrassment.

Famous actors, directors and writers reminisce about their careers and the philosophy behind their craft.

American television show on the Bravo cable television

When a suburban mother turns to dealing marijuana in order to maintain her privileged lifestyle after her husband dies, she finds out just how addicted her entire neighborhood already is.

2005-2012 American dark comedy-drama television series

A chronicle of the lives of a dysfunctional family who run an independent funeral home in Los Angeles.

By day, mild-mannered Dexter is a blood-spatter analyst for the Miami police. But at night, he is a serial killer who only targets other murderers.

Spoiled billionaire playboy Oliver Queen is missing and presumed dead when his yacht is lost at sea. He returns five years later a changed man, determined to clean up the city as a hooded vigilante armed with a bow.

American action-adventure television series

A high school chemistry teacher diagnosed with inoperable lung cancer turns to manufacturing and selling methamphetamine in order to secure his family's future.

The life of Louie C.K., a divorced comedian living in New York with two kids.

Follows four friends and their antics during their final years of school.

Derek is a loyal nursing home care assistant who sees only the good in his quirky co-workers as they struggle against prejudice and shrinking budgets to care for their elderly residents.

British television comedy-drama created by Ricky Gervais

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