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The spirit of Grant Morrison's groundbreaking Doom Patrol is captured in this debut series starring the cult-favorite misfits as a part of Gerard Way's new Young Animal imprint.Flex Mentallo, Robotman, Rebis, Crazy Jane, and more are back to twist minds and take control. This new take on a classic embraces and reimagines the Morrison run's signature surrealism and irreverence. Incorporating bold, experimental art and a brash tone to match a new generation of readers, Gerard Way's Doom Patrol establishes radical new beginnings, breaks new ground, and honors the warped team dynamic of the world's strangest heroes.This abstract and unexpected ensemble series nods at the Doom Patrol's roots by continuing to break the barriers of the traditional superhero genre.Collecting Doom Patrol 1-6

Cave Carson has a cybernetic eye. But you knew that already. The question is, why was this spelunking adventurer fitted with a bionic implant and what do the visions it's giving him mean?Before his cybernetic eye started showing Cave Carson a world outside his own, he had retired from his life of exploring the center of the Earth with his wife, Eileen, and they had settled into a comfortable, if not mundane, existence above the surface. That is, until Eileen got sick. Now, newly widowed, a knock on the door of Cave's underground lab has brought him back into the world he thought he left behind, beneath the surface of the Earth.Co-written by Gerard Way (Doom Patrol) and Jon Rivera (Heartbreak), with stunning art by Michael Avon Oeming (Powers), this absurdist take on one of DC's more obscure spelunkers explores love and loss, and the line between reality and perception.Collecting: Cave Carson Has a Cybernetic Eye 1-6

A #1 New York Times Best Seller!Collecting for the first time ever all three volumes of controversial and fan-loved series THE INVISIBLES by Eisner Award winning writer Grant Morrison (ALL-STAR SUPERMAN, BATMAN)! Follow the adventures of The Invisibles, a secret organization out to battle against physical and psychic oppression brought upon humanity by the interdemsional alien gods of the Archons of Outer Church! This onmibus collects Invisibles Volume 1 #1-25 (1994-96), Invisibles Volume 2 #1-22 (1997-99), and Invisibles Volume 3 #12-1 (1999-2000).

It’s possible that I’m dumber than a fence post.Not that it’s necessarily fair for me to impugn the intellect of the average fence post, mind you, having never spent a considerable amount of time conversing with such stolid support structures—and for purposes of comparison, let’s assume we’re talking about an average fence post, as I’m sure there are some exceedingly gifted fence posts that are highly intellectual and who choose a life of physical labor and stoically standing in a field simply because they feel it’s their highest and best use, and not necessarily because it’s the only job they could get; it’s just that one assumes (perhaps unfairly) that fence posts are, by and large, intellectually unremarkable.But, I just didn’t get The Invisibles. Granted, this is not exactly a new phenomenon for me with Grant Morrison’s work, though if it’s the case that I rarely catch all of Mr. Morrison’s pitches, in this instance, I caught even fewer than normal; I felt like a one-legged catcher working with a knuckleballer. Who The Invisible are, what their purpose is, who they oppose…having now read hundreds of pages about them, I still don’t feel like I could satisfactorily answer those questions, which means I couldn’t really bring myself to care whether they succeed or not, though I’m given to understand that the Invisible are fighting some sort of secret intellectual oppressors and their success is paramount to our ability to have free thought and expression. I know that primarily from reading summaries of The Invisibles, though, not the text itself, which is troubling. (Warning: holier-than-thou moralizing and soap boxing ahead!)That said, there’s another reason I’m hanging a 2-star rating on this book, and that’s due to Morrison’s use of the Marquis de Sade as a character in the tale. It’s not that I object to the use of de Sade generally; what I object to is that, at the end of the brief arc in which he appears, de Sade seems to be standing in as a noble representation of being anti-establishment/authoritarian hegemony and is tasked by The Invisibles with helping to create a future where all—even the deviant—can be happy. I’m intellectually astute enough to recognize that Morrison was using de Sade as shorthand for libertine philosophy and a counterculture counterpunch against the systemic influence of the Man—I get that. But, when using historic persons in creative works, a storyteller should consider all aspects of that person and what message their inclusion might send to the reader. Let us not forget that de Sade was a serial rapist and pedophile. He had serious mental issues and was a sexual deviant of the worst and most damaging kind. Look, I’m no prude (as most of you know); I’m all in favor of two consenting adults engaging in whatever floats their respective boats under circumstances in which the boundaries are sufficiently clear that there’s no danger of harm (emotional, mental, or physical) to either party, even if that involves an inflatable cat, a nine-iron, and kumquats. But, lionizing a man who routinely tortured women (without consent, I might add) and sodomized children is, at best, a careless storytelling faux pas. I suspect that Grant Morrison is an enlightened and progressive individual, and I highly doubt that he would in any way condone de Sade’s horrific real-life acts. But, I think he could have made a better storytelling choice here. There are ways he could have achieved the same end without making at least one reader step outside the story and begin to wonder why on earth Morrison would be suggesting that such a horrible example of humanity should be held up as a savior, a distracting mental foray that may explain, in part, why I had no idea what the hell was going on most of the time (though I suspect that would have been the case with or without our friend the Marquis, give my aforementioned (average) fence-post intellectual wattage). de Sade’s relatively brief appearance isn’t the primary reason for the low rating, but it certainly didn’t help the situation, and I’m in no way inclined to continue forward with this series, though I’ll give Morrison another shot at some point. For those who have read the book, I’d be curious to hear your take on it—it goes without saying that my point of view is by no means the “right” one or the only acceptable one, though I’ll say that you are one smart fence post if you’re scooping up everything Morrison is pooping out here.

The groundbreaking series from Grant Morrison that led American comics in a wholly unexpected direction. Originally conceived in the 1960s by the visionary team of writer Arnold Drake and artist Bruno Premiani, the Doom Patrol was reborn a generation later through Grant Morrison’s singular imagination. Though they are super-powered beings, and though their foes are bent on world domination, convention ends there. Shunned as freaks and outcasts, and tempered by loss and insanity, this band of misfits faces threats so mystifying in nature and so corrupted in motive that reality itself threatens to fall apart around them—but it’s still all in a day’s work for the Doom Patrol. Written by Grant Morrison and featuring art by Richard Case, John Nyberg, Doug Braithwaite, Scott Hanna and Carlos Garzón, Doom Patrol: Book One collects issues #19-34 and includes introductions by Morrison and editor Tom Peyer.

No prison can hold him. No trap can contain him. He is Scott Free, the worldwide celebrity sensation known as Mister Miracle, and he is the greatest escape artist who ever lived. But can he pull off the ultimate trick–and escape death itself?Something has gone horribly wrong with the perfect life that Scott and his wife Big Barda have made for themselves on Earth. With war raging between their homeworlds of Apokolips and New Genesis, Scott's cruel adoptive father, Darkseid, seems to have finally found the Anti-Life Equation–the weapon that will give him total victory.As the mountains of bodies on both sides grow ever higher, only Mister Miracle can stop the slaughter and restore peace. But the terrible power of the Anti-Life Equation may already be at work in his own mind, warping his reality and shattering the fragile happiness he's found with the woman he loves.Is death the trap that's been waiting for him all along? Or is it life itself? And what price will Scott Free have to pay to learn the answer?Eisner Award winners Tom King and Mitch Gerads present a bold new vision of one of Jack Kirby's greatest creations with Mister Miracle–powerful, intimate and utterly unique, this modern comics classic will challenge everything you know about super-heroism! Collects Mister Miracle #1-12.

\
  The blooming origin of Black Orchid is here!\
This TPB edition collects “Black Orchid” #1-3.Creative Team:Writer: Neil GaimanIllustrator: Dave McKeanLetterer: Todd Klein\
  SEEDS OF CREATION\
In the same (very much) sense that Alan Moore (close friend of Neil Gaiman) re-invented The Swamp Thing character when he took the comic book, in this miniseries, Neil Gaiman re-invented Black Orchid, while he had more latitude to work since Black Orchid, while existing since 1973, it was known very little about the character, and it was until 1988 that Gaiman got the chance to tell the origin of the obscure comic book character.Black Orchid was a super-heroine which MO was to disguise as a secondary female character in a story, investigating some crime, and even many times, she wasn’t exposed, but just leaving a calling card, while the police was already on the way to arrest the villains.She appeared in several titles (even the non-canon Super Friends!), but not her original creators (Sheldon Mayer &amp; Tony DeZuniga) nor the other creative teams, shown much about her background, and therefore she was easily one of the most mysterious DC Comics characters.Due the close friendship of Gaiman with Moore, it wasn’t strange that this miniseries shared some similarities with Moore’s works ((the death of a hero unleashes the story like in Watchmen) and (the nature of the main character is tied to “The Green” (an elemental force of nature) just like in The Swamp Thing)).However, Gaiman’s goal in the miniseries is a different one, since instead to set in a “real world” the comic book super-hero genre like in Watchmen, in Black Orchid, the target is to go against the usual expected clichés of the mentioned genre……therefore, elements like heroes falling into traps, revenge’ issues, climax battles, etc……won’t work as you usually expect in a comic book title.But that’s not a critique but an acomplishment for Gaiman, developing a very mature tale, where you won’t be able to predict where the reading will take you or which known characters will make cameos, but……\
  One thing is certain\
, the exceptional work by the creative team (Gaiman’s words, McKean’s art &amp; Klein’s lettering) won’t \
  going down\
 but soaring here, and \
  yes\
, the story will grow into you.And finally, like in The Hobbit, an act of piety can be crucial in the most desperated times.

Years ago, the Killjoys fought against the tyrannical megacorporation Better Living Industries, costing them their lives, save for one—the mysterious Girl. Today, the followers of the original Killjoys languish in the Desert while BLI systematically strips citizens of their individuality. As the fight for freedom fades, it’s left to the Girl to take up the mantle and bring down the fearsome BLI! Collects The True Lives of the Fabulous Killjoys #1–#6 and “Dead Satellites” from Free Comic Book Day 2013.

Twenty-five years since \
  The Sandman\
 first changed the landscape of modern comics, Neil Gaiman’s legendary series is back in a deluxe hardcover edition!The Sandman: Overture heralds New York Times best-selling writer Neil Gaiman’s return to the art form that made him famous, ably abetted by artistic luminary J.H. Williams III (Batwoman, Promethea), whose lush, widescreen images provide an epic scope to The Sandman’s origin story. From the birth of a galaxy to the moment that Morpheus is captured, The Sandman: Overture will feature cameo appearances by fan-favorite characters such as The Corinthian, Merv Pumpkinhead and, of course, the Dream King’s siblings: Death, Desire, Despair, Delirium, Destruction and Destiny.Collects: The Sandman: Overture 1-6

For the first time the Joker's origin is revealed in this tale of insanity and human perseverance. Looking to prove that any man can be pushed past his breaking point and go mad, the Joker attempts to drive Commissioner Gordon insane. After shooting and permanently paralyzing his daughter Barbara (a.k.a. Batgirl), the Joker kidnaps the commissioner and attacks his mind in hopes of breaking the man. But refusing to give up, Gordon maintains his sanity with the help of Batman in an effort to beset the madman.

The team is despondent following the near apocalypse created by one of their own and the death of their beloved mentor Pogo. So it's a great time for another catastrophic event to rouse the team into action. Trouble is - each member of the team is distracted by some very real problems of their own. The White Violin is bedridden due to an unfortunate blow to the head. Rumor has lost her voice - the source of her power. Spaceboy has eaten himself into a near-catatonic state, while Number Five dives into some shady dealings at the dog track and the Kraken starts looking at his littlest brother as the key to unraveling a mysterious series of massacres… all leading to a blood-drenched face-off with maniacal assassins, and a plot to kill JFK!Chosen as BookExpo America's 2009 Hot Graphic Novel for Libraries and Teens!"It's the X-Men for cool people." - Grant Morrison (All-Star Superman)2009 Eisner Award nominations (The Umbrella Academy: Apocalypse Suite): Gerard Way and Gabriel Bá: Best Graphic Album; Gabriel Bá: Best Cover Artist, Best Penciller/Inker; James Jean: Best Cover Artist; Dave Stewart: Best ColoringCollecting: The Umbrella Academy: Dallas 1-6

In an inexplicable worldwide event, forty-seven extraordinary children were spontaneously born to women who'd previously shown no signs of pregnancy. Millionaire inventor Reginald Hargreeves adopted seven of the children; when asked why, his only explanation was, "To save the world."These seven children form the Umbrella Academy, a dysfunctional family of superheroes with bizarre powers. Their first adventure at the age of ten pits them against an erratic and deadly Eiffel Tower, piloted by the fearsome zombie-robot Gustave Eiffel. Nearly a decade later, the team disbands, but when Hargreeves unexpectedly dies, these disgruntled siblings reunite just in time to save the world once again.Collecting: The Umbrella Academy: Apocalypse Suite 1-6, as well as out-of-print short stories and an expanded sketchbook section featuring work by Gabriel Bá, James Jean, and Gerard Way

After moving to a new town, two brothers discover that the area is a haven for vampires.

1987 film by Joel Schumacher, Richard Donner

Kung-Fu Action / Comedy / Horror / Musical about the second coming.

Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.

1978 American horror film by George A. Romero

A vampire tells his epic life story: love, betrayal, loneliness, and hunger.

The story of the legendary British rock band Queen and lead singer Freddie Mercury, leading up to their famous performance at Live Aid (1985).

A woman discovers the newly resurrected, partially formed, body of her brother-in-law. She starts killing for him to revitalize his body so he can escape the demonic beings that are pursuing him after he escaped their sadistic underw

1987 horror film directed by Clive Barker

At Westerburg High where cliques rule, jocks dominate and all the popular girls are named Heather, it's going to take a Veronica and mysterious new kid to give teen angst a body count.

A disfigured composer sells his soul for the woman he loves so that she will perform his music. However, an evil record tycoon betrays him and steals his music to open his rock palace, The Paradise.

Carrie White, a shy, friendless teenage girl who is sheltered by her domineering, religious mother, unleashes her telekinetic powers after being humiliated by her classmates at her senior prom.

1976 American supernatural horror film directed by Brian De Palma

A ragtag group of Pennsylvanians barricade themselves in an old farmhouse to remain safe from a horde of flesh-eating ghouls that are ravaging the East Coast of the United States.

1968 horror film directed by George A. Romero

A newly-engaged couple have a breakdown in an isolated area and must seek shelter at the bizarre residence of Dr. Frank-n-Furter.

American recording artist, singer-songwriter, musician, author, artist and Nobel Laureate in 2016

A family of former child heroes, now grown apart, must reunite to continue to protect the world.

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