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The hysterical, shocking and incredibly intimate memoir from one of the most original and unique comedians alive today.Hello! I’m Brian Limond, aka Limmy. You might know me from Limmy’s Show. Or you might not know me at all. Don’t worry if you don’t.They asked me to write a book about mental health, because I sometimes talk about my mental health in tweets and interviews, like suicidal thoughts and anxiety, and what I’ve done to try and deal with it.I said to them, oh, I don’t know if I could fill a whole book with just that. But how’s about I write a general autobiography type of thing, and all the mental health stuff will naturally appear along the way? I could talk about growing up and slashing my wrist and taking acid all the time and getting done for car theft and feeling like a mad freak that would never amount to anything.And then how I made my own sketch show. I directed it and everything. Plus I’m a dad. I’m an adult. But I still feel like that mad freak from years ago. I still feel like chucking it all away, for a laugh.I asked them if they wanted me to write about all that, plus some other stuff. Like being an alky. And my sexual problems. Stuff like that.They said aye.So here it is.

Jack Torrance's new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he'll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote...and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.

”In our sleep, pain, which cannot forget, fallsdrop by drop upon the heart until, in our own despair, against our will, come wisdomthrough the awful grace of God. --AeschylusI get a wild hair every so often and recently I decided that I needed to go on a 1970s blockbuster horror novel extravaganza tour. It all started with shifted some books around and finding this ratty well loved copy of The Exorcist that inexplicably found its way into my book collection. I’d swear it was stolen from one of Kemper’s now famous Rubbermaid container boxes of nostalgic paperbacks, but I gave my midget ninjas specific instructions NOT to take anything from Kemper’s abode, but simply take a look around, so the presence of this book on my shelves is still a mystery.\
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The Mysterious copy of The Exorcist.When I was in middle school I rode the bus to school and every day this teenager with rumpled hair and scuffed motorcycle boots would catch a ride with us. He had been clocked for speeding by the cops and had led them on a merry chase around the countryside until he turned a corner too quickly, hit gravel, and rolled his car. He was a LEGEND. Needless to say he lost his driving privileges for a long, long time. He would always sit in the front and there was always this sweet scent coming off his clothes that later when I went to college and attended my first party I had that ah ha moment. He’d lean back against the window and hoist those boots out in the aisle where we could all admire them. He always had a paperback novel with him, usually of the horror genre, and he would studiously ignore us and read his book. We of course were boring holes through him with fevered eyes because he was the most fascinating thing we’d ever seen. One day he looked back down the bus at us and said, “You want me to read you some of this?” as he flopped the latest paperback in the air. It was called The Exorcist. I don’t know if he understood or even understands today how cool a gesture that was, but it was pretty damn cool. So he started reading to us. We never got the whole story just bits here and there. Sometimes he would disappear for a while usually because he was jammed up in a little more trouble than normal. He’d show up with different paperbacks, The Omen, Psycho, Rosemary’s Baby, The Other, and The Amityville Horror to name a few. We were enraptured.He scared the crap out of us. The ghastly images those books inspired in my mind kept my eyes wide open late into the late which might have something to do with why my mom wouldn’t let me read such books.Those moments on the bus with him reading to us and scaring us are some of my most fond childhood memories. Boy, did we feel like we were getting away with something. So I started reading my ratty, not Kemper’s copy, of The Exorcist and could not believe how much I was struggling with the writing. The dialogue was horrible. How could this guy sell millions of copies of this book? I did some research. It seems that William Peter Blatty finished writing the rough draft of this book and was offered a lucrative screenwriting job and never polished the book. An editor, obviously not someone in the same category as Maxwell Perkins, allowed the book to go to print as basically a rough draft. Decades later Blatty is asked to read the book for the audio version. He kept having to stop to ask “who wrote this crap?” This story does have a happy ending. Blatty went back through and polished and rewrote and even added a critical scene to the book. It was released in time for the fortieth anniversary edition. \
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William Peter Blatty looking like he is ready for his casting call for a spaghetti western.The Dodge City Public library, they never has anything I absolutely need immediately, had a copy of the fortieth anniversary edition. Hallelujah! Praise the book gods! The difference between the books is a two star rating which I was already worried about how I was going to explain that rating to the legions of fans out there, and a four star rating which is much easier and much more fun to write a review for. So if you have thoughts of reading this book make sure you read the fortieth anniversary edition because as Blatty stated. ”This is the version I would like to be remembered for.”This is a novel about a demon possession of a twelve year old girl, but Blatty also spends a good amount of time explaining the other psychological aspects that could be causing the symptoms other than a demonic possession. The priest Damien Karras, who also happens to be a psychologist, finds himself confronting not only an evil entity beyond his wildest imaginations, but also his personal struggles with his own faith. He is damaged, dark, and brooding...a magnet for women if he were interested. \
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Jason Miller is Damien Karras in the movie.”As he lifted the Host in consecration, it trembled in his fingers with a hope that he dared not hope, that he fought with every particle and fiber of his will. “‘For this--is--My body.’” he intoned with a whispered intensity.No, it’s bread! It’s nothing but bread!He dared not love again and lose. That loss was too great, that pain too keen. The cause of his skepticism and his doubts, his attempts to eliminate natural causes in the case of Regan’s seeming possession, was the fiery intensity of his yearning to be able to believe. He bowed his head and placed the consecrated Host in his mouth, where in a moment it would stick in the dryness of his throat. And of his faith.”The thought that kept going through my head as I read this book is if you find proof of the devil or a demon or even true evil doesn't that mean you’ve found proof of God? \
  Glory be to God for dappled things,For skies of couple-color as a brindled cow;For rose-moles all in stipple upon trout that swim;Fresh-fire-coal chestnut falls; finches’ wings...He fathers forth whose beauty is past change.Praise him.\
Regan or Rags as her mother likes to call her starts exhibiting strange behavior, talking in tongues, and levitating. It is never really explained how or why she becomes possessed. Unless I somehow missed that part. Changing editions midstream has me a little worried about that as I did not go back and read the hundred or so pages that I’d read before the switch. She goes from being a creative, likable, normal twelve year old girl into something that is not only horrifying, but barely recognizable as human. \
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Linda Blair played Regan in the famous movie version.”Reining in his revulsion, he closed the door and then his eyes locked, stunned, on the thing that was Regan, on the creature that was lying on its back on the bed, head propped against a pillow while eyes bulged wide in their hollow sockets shone with mad cunning and burning intelligence, with interest and with spite, as they fixed upon his; as they watched him intently, seething in a face shaped into a skeletal mask of unthinkable malevolence. Karras shifted his gaze to the tangled and thickly matted hair; to the wasted arms and legs and distended stomach jutting up so grotesquely; then back to the eyes: they were watching him...pinning him...”\
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Transformed!!!Terrifying stuff!”Requested and performed exorcisms had begun to decline in the Western world by the 18th century due to advancements in medical understanding, and occurred rarely until the latter half of the 20th century when the public saw a sharp rise due to the media attention exorcisms were getting. There was “a 50% increase in the number of exorcisms performed between the early 1960s and the mid-1970s”.Media suggested hysteria. \
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Iconic shot from the movie.The church has a priest who had performed the last exorcism in 1949. He is an elderly Jesuit priest named Lankester Merrin. The two priests know they are over their heads, but in a true act of courage and faith take on the demon. No need for more details as I’m sure most of you have seen the movie and if you have not I would encourage you to read the book before watching the movie. The movie was nominated for ten academy awards and grossed over $441 million worldwide. No wonder the demand for priests and their knowledge of exorcisms went up exponentially. The tour of 1970s horror will continue with Jaws. Stay tuned. ADDENDUMMy friend, Gary Wyatt, supplied me with a picture of the house where the famous exorcism case happened in 1949. This was the case that inspired William Peter Blatty to write this book. Instead of a girl this case involved a thirteen year old boy named Roland Doe. Walter Halloran a Catholic priest of the Society of Jesus performed the exorcism. The setting: St. Louis, Missouri. \
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Exorcism House in St. LouisIf you wish to see more of my most recent book and movie reviews, visit http://www.jeffreykeeten.comI also have a Facebook blogger page at:https://www.facebook.com/JeffreyKeeten

The road in front of Dr. Louis Creed's rural Maine home frequently claims the lives of neighborhood pets. Louis has recently moved from Chicago to Ludlow with his wife Rachel, their children and pet cat. Near their house, local children have created a cemetery for the dogs and cats killed by the steady stream of transports on the busy highway. Deeper in the woods lies another graveyard, an ancient Indian burial ground whose sinister properties Louis discovers when the family cat is killed.source: stephenking.com

Roland, Eddie, Susannah, Jake, and Jake’s pet bumbler survive Blaine the Mono’s final crash, only to find themselves stranded in an alternate version of Topeka, Kansas, one that has been ravaged by the superflu virus. While following the deserted I-70 toward a distant glass palace, they hear the atonal squalling of a thinny, a place where the fabric of existence has almost entirely worn away. While camping near the edge of the thinny, Roland tells his ka-tet a story about another thinny, one that he encountered when he was little more than a boy. Over the course of one long magical night, Roland transports us to the Mid-World of long-ago and a seaside town called Hambry, where Roland fell in love with a girl named Susan Delgado, and where he and his old tet-mates Alain and Cuthbert battled the forces of John Farson, the harrier who—with a little help from a seeing sphere called Maerlyn’s Grapefruit—ignited Mid-World’s final war.

While pursuing his quest for the Dark Tower through a world that is a nightmarishly distorted mirror image of our own, Roland, the last gunslinger, encounters three mysterious doorways on the beach. Each one enters into the life of a different person living in contemporary New York. Here he links forces with the defiant young Eddie Dean and the beautiful, brilliant, and brave Odetta Holmes, in a savage struggle against underworld evil and otherworldly enemies.Once again, Stephen King has masterfully interwoven dark, evocative fantasy and icy realism.

Several months have passed, and Roland’s two new tet-mates have become proficient gunslingers. Eddie Dean has given up heroin, and Odetta’s two selves have joined, becoming the stronger and more balanced personality of Susannah Dean. But while battling The Pusher in 1977 New York, Roland altered ka by saving the life of Jake Chambers, a boy who—in Roland’s where and when—has already died. Now Roland and Jake exist in different worlds, but they are joined by the same madness: the paradox of double memories. Roland, Susannah, and Eddie must draw Jake into Mid-World then follow the Path of the Beam all the way to the Dark Tower. But nothing is easy in Mid-World. Along the way our tet stumbles into the ruined city of Lud, and are caught between the warring gangs of the Pubes and the Grays. The only way out of Lud is to wake Blaine the Mono, an insane train that has a passion for riddling, and for suicidal journeys.

Beginning with a short story appearing in The Magazine of Fantasy and Science Fiction in 1978, the publication of Stephen King's epic work of fantasy -- what he considers to be a single long novel and his magnum opus -- has spanned a quarter of a century.Set in a world of extraordinary circumstances, filled with stunning visual imagery and unforgettable characters, The Dark Tower series is King's most visionary feat of storytelling, a magical mix of science fiction, fantasy, and horror that may well be his crowning achievement.Book IIn The Gunslinger (originally published in 1982), King introduces his most enigmatic hero, Roland Deschain of Gilead, the Last Gunslinger. He is a haunting, solitary figure at first, on a mysterious quest through a desolate world that eerily mirrors our own. Pursuing the man in black, an evil being who can bring the dead back to life, Roland is a good man who seems to leave nothing but death in his wake.This new edition of The Gunslinger has been revised and expanded throughout by King, with new story material, in addition to a new introduction and foreword.

A vicious fifteen-year-old droog is the central character of this 1963 classic. In Anthony Burgess's nightmare vision of the future, where criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology. A Clockwork Orange is a frightening fable about good and evil, and the meaning of human freedom. And when the state undertakes to reform Alex to "redeem" him, the novel asks, "At what cost?"This edition includes the controversial last chapter not published in the first edition and Burgess's introduction "A Clockwork Orange Resucked."

When an army of invading Martians lands in England, panic and terror seize the population. As the aliens traverse the country in huge three-legged machines, incinerating all in their path with a heat ray and spreading noxious toxic gases, the people of the Earth must come to terms with the prospect of the end of human civilization and the beginning of Martian rule.Inspiring films, radio dramas, comic-book adaptations, television series and sequels,The War of the Worlds is a prototypical work of science fiction which has influenced every alien story that has come since, and is unsurpassed in its ability to thrill, well over a century since it was first published.

"Everybody is a book of blood; wherever we're opened, we're red." For those who only know Clive Barker through his long multigenre novels, this one-volume edition of the Books of Blood is a welcome chance to acquire the 16 remarkable horror short stories with which he kicked off his career. For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes:  I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago.  These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona WebsterContents:· Introduction by Ramsey Campbell· The Book of Blood· The Midnight Meat Train· The Yattering and Jack· Pig Blood Blues· Sex, Death and Starshine · In the Hills, the Cities

Tyrannical Nurse Ratched rules her ward in an Oregon State mental hospital with a strict and unbending routine, unopposed by her patients, who remain cowed by mind-numbing medication and the threat of electric shock therapy. But her regime is disrupted by the arrival of McMurphy – the swaggering, fun-loving trickster with a devilish grin who resolves to oppose her rules on behalf of his fellow inmates. His struggle is seen through the eyes of Chief Bromden, a seemingly mute half-Indian patient who understands McMurphy's heroic attempt to do battle with the powers that keep them imprisoned. Ken Kesey's extraordinary first novel is an exuberant, ribald and devastatingly honest portrayal of the boundaries between sanity and madness.

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001). Unforgettable!

The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep. J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

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