Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

Animorphs "RM" is an exciting series for young adult readers about five teens who are given the power to "morph" into any animal they touch and then to absorb its DNA. This power is granted them by a dying Andalite alien named Elfangor, who also warns the teens that Earth is being threatened secretly by a group of aliens called Yeerks. This high-interest series is currently a successful television show and will be sure to intrigue even the most reluctant readers.

"It was a dark, blustery afternoon in spring, and the city of London was chasing a small mining town across the dried-out bed of the old North Sea."The great traction city London has been skulking in the hills to avoid the bigger, faster, hungrier cities loose in the Great Hunting Ground. But now, the sinister plans of Lord Mayor Mangus Crome can finally unfold.Thaddeus Valentine, London's Head Historian and adored famous archaeologist, and his lovely daughter, Katherine, are down in The Gut when the young assassin with the black scarf strikes toward his heart, saved by the quick intervention of Tom, a lowly third-class apprentice. Racing after the fleeing girl, Tom suddenly glimpses her hideous face: scarred from forehead to jaw, nose a smashed stump, a single eye glaring back at him. "Look at what your Valentine did to me!" she screams. "Ask him! Ask him what he did to Hester Shaw!" And with that she jumps down the waste chute to her death. Minutes later Tom finds himself tumbling down the same chute and stranded in the Out-Country, a sea of mud scored by the huge caterpillar tracks of cities like the one now steaming off over the horizon.In a stunning literary debut, Philip Reeve has created a painful dangerous unforgettable adventure story of surprises, set in a dark and utterly original world fueled by Municipal Darwinism -- and betrayal.

An intimate portrait of two men who cherish the slim bond between them and the dream they share in a world marred by petty tyranny, misunderstanding, jealousy, and callousness. Clinging to each other in their loneliness and alienation, George and his simple-minded friend Lennie dream, as drifters will, of a place to call their own—a couple of acres and a few pigs, chickens, and rabbits back in Hill Country where land is cheap. But after they come to work on a ranch in the fertile Salinas Valley of California, their hopes, like "the best laid schemes o' mice an' men," begin to go awry.Of Mice and Men also represents an experiment in form, as Steinbeck described his work, "a kind of playable novel, written in novel form but so scened and set that it can be played as it stands." A rarity in American letters, it achieved remarkable success as a novel, a Broadway play, and three acclaimed films. Steinbeck's tale of commitment, loneliness, hope, and loss remains one of America's most widely read and beloved novels.--front flap

Smaug certainly looked fast asleep, when Bilbo peeped once more from the entrance. He was just about to step out onto the floor when he caught a sudden thin ray of red from under the drooping lid of Smaug's left eye. He was only pretending to be sleep! He was watching the tunnel entrance!Whisked from his comfortable hobbit-hole by Gandalf the wizard and a band of dwarves, Bilbo Baggins finds himself caught up in a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon.

Librarian's Note: For an alternate cover edition of the same ISBN, click here.This beloved story -first published more than fifty years ago- introduces readers to Milo and his adventures in the Lands Beyond. For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason! Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams. . . .

Six years of magic, adventure, and mystery make this luxurious boxed set the perfect gift for Harry Potter fans of all ages. Follow Harry from his first days at Hogwarts School for Witchcraft and Wizardry, through his many adventures with Hermione and Ron, to his confrontations with rival Draco Malfoy and the dreaded Professor Snape. From the thrilling search for the Sorcerer's Stone to the Triwizard Tournament to the return of He-Who-Must-Not-Be-Named, each adventure is more riveting and exhilarating than its predecessor, and now all six books are available together for the first time in an elegant hardcover boxed set.

Brave New World is a dystopian novel by English author Aldous Huxley, written in 1931 and published in 1932. Largely set in a futuristic World State, inhabited by genetically modified citizens and an intelligence-based social hierarchy, the novel anticipates huge scientific advancements in reproductive technology, sleep-learning, psychological manipulation and classical conditioning that are combined to make a dystopian society which is challenged by only a single individual: the story's protagonist.

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

IN THE YEAR 2044, reality is an ugly place. The only time teenage Wade Watts really feels alive is when he's jacked into the virtual utopia known as the OASIS. Wade's devoted his life to studying the puzzles hidden within this world's digital confines, puzzles that are based on their creator's obsession with the pop culture of decades past and that promise massive power and fortune to whoever can unlock them. But when Wade stumbles upon the first clue, he finds himself beset by players willing to kill to take this ultimate prize. The race is on, and if Wade's going to survive, he'll have to win—and confront the real world he's always been so desperate to escape.

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

The Hunger Games Trilogy: these are my issues, let me show you them.Most of the good fiction/fantasy/scifi literature these days is coming out of the Young Adult and Juvenile areas, so every six months or so I round up the new stuff and go on a reading spree. Around two years ago that included the Hunger Games trilogy (thanks to an ARC copy of Mockingjay). I did a review on that for my work newsletter which made me think about it for a good long while. (It wasn’t my best review because we’re encouraged not to say anything bad about the books, the object being to get people to read, not to drive them away.)The first book, Hunger Games, is awesome. Beyond awesome. I loved it and I greatly encourage anyone who hasn’t read it to pick it up now and get to reading! Engaging characters, tight (in both senses of the word) narrative, a plot that, while being far from original, seems shiny and new for all the different spins Suzanne Collins puts on it. It draws out your emotions and engages them, keeps you on the edge of your seat. Highly, highly recommended.The problem is, it’s best if you stop there. I sure wish the story had. At least Hunger Games stands on its own, and after reading the other two in the trilogy, I know that I can go back and just reread the first one and never have to touch the other two to have a complete fulfilling story.That’s not to say that the second book is terrible. Catching Fire is actually pretty good. Not up to the same standards as the first book - it does feel like exactly what it is, the middle book in a trilogy - but not a bad read at all. Basically it both asks and answers the age-old question, “If you could go back and do it all over, knowing everything you do now, would you do anything differently?” Which is intriguing, definitely. But at the same time, it is kind of a rehash of the first book, which is what makes it less engaging. The characters, the politics and the good narrative stop it from feeling tired and dull, and again, it’s a good read, but it’s lost its originality and some of the excitement that made the first book so entertaining.And then there’s the real problem; Catching Fire isn’t a complete narrative on its own. To know the whole story you have to read the third book, Mockingjay.Oh man, Mockingjay. The book that had all the potential to be a wonderful, heart-racing, utterly amazing finale to the trilogy. So much potential; so much fail. The ideas were there, but the execution was...just that. An execution. It’s like everything that would’ve made it a phenomenal book was taken out back and double-tapped.Even a couple years later I’m still somewhat angry when I think about it. Still so disappointed. I keep asking myself, did the author have a word limit she had to adhere to? Was she over her deadline by too much and had to rush? Was she simply bored/tired of this world? What on earth could’ve made her do this?Going against one of the major rules of good writing, Mockingjay is an exercise in telling instead of showing. Nothing big happens in the book that the author isn’t telling us about it instead of giving us the wonderful descriptions of the previous two books. With very few exceptions, events happen off screen and we get an info dump explaining them. That alone was just terrible to read. But then there’s poor Katniss.Remember the spitfire, kick-ass woman of the previous two books, the one who was determined to do whatever she could to survive and thus ensure her family’s survival? Yeah, well, say goodbye to her before reading this last book because you won’t be seeing much of her again.It’s like she just floats through events, letting things happen to her and barely reacting. She just lets herself be used, over and over, turns into something akin to a leaf in the wind. The few decisions she does make often don’t make any sort of good sense and we’re left wondering if this is really Katniss or a robot in a Katniss skin.The introduction of new characters should help things, but the narrative fails there too. The characters (heck, even the old ones we’re familiar with!) aren’t given nearly enough fleshing out; they’re just there. They don’t feel as real, as three dimensional as characters did in the last two books.The combination of all that leaves us with a flat, lifeless book and what amounts to a boring read. You want to get excited, I mean, there are serious, emotional things going on! Or at least they’re supposed to be. Hard to say when you don’t feel it and it’s just words on a page. The originality, excitement and all the drive behind the first two books is just gone. Vanished. And it’s painful to see.Yeah, two years gone and I’m still not over that. Such a let-down.I still encourage people to pick up The Hunger Games, but I barely give the next two in the trilogy more than a cursory mention. I reserve all my glowing praise for the first book and try to pretend the third never happened.

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

One choice can transform you—or it can destroy you. But every choice has consequences, and as unrest surges in the factions all around her, Tris Prior must continue trying to save those she loves—and herself—while grappling with haunting questions of grief and forgiveness, identity and loyalty, politics and love.Tris's initiation day should have been marked by celebration and victory with her chosen faction; instead, the day ended with unspeakable horrors. War now looms as conflict between the factions and their ideologies grows. And in times of war, sides must be chosen, secrets will emerge, and choices will become even more irrevocable—and even more powerful. Transformed by her own decisions but also by haunting grief and guilt, radical new discoveries, and shifting relationships, Tris must fully embrace her Divergence, even if she does not know what she may lose by doing so.New York Times bestselling author Veronica Roth's much-anticipated second book of the dystopian DIVERGENT series is another intoxicating thrill ride of a story, rich with hallmark twists, heartbreaks, romance, and powerful insights about human nature.

In Beatrice Prior's dystopian Chicago, society is divided into five factions, each dedicated to the cultivation of a particular virtue--Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is--she can't have both. So she makes a choice that surprises everyone, including herself.During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles to determine who her friends really are--and where, exactly, a romance with a sometimes fascinating, sometimes infuriating boy fits into the life she's chosen. But Tris also has a secret, one she's kept hidden from everyone because she's been warned it can mean death. And as she discovers a growing conflict that threatens to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves . . . or it might destroy her.

The heroic son of Poseidon makes an action-packed comeback in the second must-read installment of Rick Riordan's amazing young readers series. Starring Percy Jackson, a "half blood" whose mother is human and whose father is the God of the Sea, Riordan's series combines cliffhanger adventure and Greek mythology lessons that results in true page-turners that get better with each installment.In this episode, The Sea of Monsters, Percy sets out to retrieve the Golden Fleece before his summer camp is destroyed, surpassing the first book's drama and setting the stage for more thrills to come.

One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind themIn ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.From Sauron's fastness in the Dark Tower of Mordor, his power spread far and wide. Sauron gathered all the Great Rings to him, but always he searched for the One Ring that would complete his dominion.When Bilbo reached his eleventy-first birthday he disappeared, bequeathing to his young cousin Frodo the Ruling Ring and a perilous quest: to journey across Middle-earth, deep into the shadow of the Dark Lord, and destroy the Ring by casting it into the Cracks of Doom.The Lord of the Rings tells of the great quest undertaken by Frodo and the Fellowship of the Ring: Gandalf the Wizard; the hobbits Merry, Pippin, and Sam; Gimli the Dwarf; Legolas the Elf; Boromir of Gondor; and a tall, mysterious stranger called Strider.

Harry Potter is leaving Privet Drive for the last time. But as he climbs into the sidecar of Hagrid’s motorbike and they take to the skies, he knows Lord Voldemort and the Death Eaters will not be far behind.The protective charm that has kept him safe until now is broken. But the Dark Lord is breathing fear into everything he loves. And he knows he can’t keep hiding.To stop Voldemort, Harry knows he must find the remaining Horcruxes and destroy them.He will have to face his enemy in one final battle.--jkrowling.com

SPARKS ARE IGNITING.FLAMES ARE SPREADING.AND THE CAPITAL WANTS REVENGE.Against all odds, Katniss Everdeen has survived the Hunger Games. She and fellow District 12 tribute Peeta Mellark are miraculously still alive. Katniss should be relieved, happy even. Yet nothing is the way Katniss wishes it to be. Gale holds her at an icy distance. Peeta has turned his back on her completely. And there are whispers of a rebellion against the Capitol - a rebellion that Katniss and Peeta may have helped create.Much to her shock, Katniss has fueled an unrest that she's afraid she cannot stop. And what scares her even more is that she's not entirely convinced she should try. As time draws near for Katniss and Peeta to visit the districts on the Capitol's cruel Victory Tour, the stakes are higher than ever. If they can't prove, without a shadow of a doubt, that they are lost in their love for each other, the consequences will be horrifying. Katniss is about to be tested as never before.

My name is Katniss Everdeen.Why am I not dead?I should be dead.Katniss Everdeen, girl on fire, has survived, even though her home has been destroyed. Gale has escaped. Katniss's family is safe. Peeta has been captured by the Capitol. District 13 really does exist. There are rebels. There are new leaders. A revolution is unfolding.It is by design that Katniss was rescued from the arena in the cruel and haunting Quarter Quell, and it is by design that she has long been part of the revolution without knowing it. District 13 has come out of the shadows and is plotting to overthrow the Capitol. Everyone, it seems, has had a hand in the carefully laid plans - except Katniss.The success of the rebellion hinges on Katniss's willingness to be a pawn, to accept responsibility for countless lives, and to change the course of the future of Panem. To do this, she must put aside her feelings of anger and distrust. She must become the rebels' Mockingjay - no matter what the personal cost.

WINNING MEANS FAME AND FORTUNE.LOSING MEANS CERTAIN DEATH.THE HUNGER GAMES HAVE BEGUN. . . .In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and once girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV.Sixteen-year-old Katniss Everdeen regards it as a death sentence when she steps forward to take her sister's place in the Games. But Katniss has been close to dead before—and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weight survival against humanity and life against love.

Legends of Rock drops you into the spotlight of the largest an...

You become a survivor in the zombie infested ruins of society, and team up with your friends to remain among the living....

Descend into the depths of an alien underwater world filled with resources, creatures, wonder and threats. Craft equipment and submarines to explore lush coral...

The next game in the Elite series - a space epic with fully multi-player. Carve your own path through a rich gaming sandbox, set against a backdrop of raw anarc...

The Witcher combines spectacular and visually stunning action with deep and intriguing storyline. The game is set in a world created by best-selling Polish auth...

The next chapter in the Elder Scrolls saga arrives from the Bethesda Game Studios. Skyrim reimagines the open-world fantasy epic, bringing to life a complete vi...

Skylines offers sprawling landscapes and maps with endless sandbox gameplay and new ways to expand your city. Key to progre...

Construct and manage a maximum security prison....

Stardew Valley is an RPG-style farming game. It's up to you to choose your path... Will you devote your time to raising crops and caring for animals? Will you s...

The latest game in the post-nuclear RPG series is being developed by many members of the Fallout 1 and 2 team at Obsidian Entertainment using the Fallout 3 eng...

[Metacritic's 2008 PC Game of the Year] Vault-Tec engineers have worked around the clock on an interactive reproduction of Wasteland life for you to enjoy from...

Portal is a new single player game from Valve. Set in the mysterious Aperture Science Laboratories, Portal has been called one of the most innovative new games...

As the sole survivor of Vault 111, you enter a world destroyed by nuclear war. Every second is a fight for survival, and every choice is yours. Only you can reb...

PlanetSide 2 is an MMO FPS set in an online persistent world where the war wages non-stop and the balance of power shifts with every base and territory captured...

Dominate 6,000 years of history from the Ancient Age to the Information Age. Which forces will you deploy to lead your nation to global prominence? Trade, espio...

Stranded on the shores of a mysterious island, you must learn to survive. Use your cunning to kill or tame the primeval creatures roaming the land, and encounte...

Age of Empires III offers gamers the next level of realism, with advanced battle physics and unparalleled visual detail. The new game picks up where Age of "Emp...

Age of Mythology transports players to a time when heroes did battle with monsters of legend and the gods intervened in the affairs of mortal men. Players wage...

In the end of the nineteenth century, in London, Robert Angier, his beloved wife Julia McCullough, and Alfred Borden are friends and assistants of a magician. When Julia accidentally dies during a performance, Robert blames Alfred for her death, and they become enemies. Both become famous and rival magicians, sabotaging the performance of the other on the stage. When Alfred performs a successful trick, Robert becomes obsessed trying to disclose the secret of his competitor with tragic consequences.

Phil Lord and Christopher Miller, the creative minds behind The Lego Movie and 21 Jump Street, bring their unique talents to a fresh vision of a different Spider-Man Universe, with a groundbreaking visual style that's the first of its kind. "Spider-Man(TM): Into the Spider-Verse" introduces Brooklyn teen Miles Morales (Shameik Moore), and the limitless possibilities of the Spider-Verse, where more than one can wear the mask.

In the year 2045, the real world is a harsh place. The only time Wade Watts (Tye Sheridan) truly feels alive is when he escapes to the OASIS, an immersive virtual universe where most of humanity spends their days. In the OASIS, you can go anywhere, do anything, be anyone-the only limits are your own imagination. The OASIS was created by the brilliant and eccentric James Halliday (Mark Rylance), who left his immense fortune and total control of the Oasis to the winner of a three-part contest he designed to find a worthy heir. When Wade conquers the first challenge of the reality-bending treasure hunt, he and his friends-aka the High Five-are hurled into a fantastical universe of discovery and danger to save the OASIS.

Plot unknown. Third installment of the 'Guardians of the Galaxy' franchise.

In 2029 the mutant population has shrunken significantly due to genetically modified plants designed to reduce mutant powers and the X-Men have disbanded. Logan, whose power to self-heal is dwindling, has surrendered himself to alcohol and now earns a living as a chauffeur. He takes care of the ailing old Professor X whom he keeps hidden away. One day, a female stranger asks Logan to drive a girl named Laura to the Canadian border. At first he refuses, but the Professor has been waiting for a long time for her to appear. Laura possesses an extraordinary fighting prowess and is in many ways like Wolverine. She is pursued by sinister figures working for a powerful corporation; this is because they made her, with Logan's DNA. A decrepit Logan is forced to ask himself if he can or even wants to put his remaining powers to good use. It would appear that in the near-future, the times in which they were able put the world to rights with razor sharp claws and telepathic powers are now over.

A sequel that will continue to explore the world of Wakanda and all the characters introduced in the 2018 film.

2022 superhero film produced by Marvel Studios

After losing Vanessa (Morena Baccarin), the love of his life, 4th-wall breaking mercenary Wade Wilson aka Deadpool (Ryan Reynolds) must assemble a team and protect a young, fat mutant Russell Collins aka Firefist (Julian Dennison) from Cable (Josh Brolin), a no-nonsense, dangerous cyborg from the future, and must also learn the most important lesson of all: to be part of a family again.

While the First Order continues to ravage the galaxy, Rey finalizes her training as a Jedi. But danger suddenly rises from the ashes as the evil Emperor Palpatine mysteriously returns from the dead. While working with Finn and Poe Dameron to fulfill a new mission, Rey will not only face Kylo Ren once more, but she will also finally discover the truth about her parents as well as a deadly secret that could determine her future and the fate of the ultimate final showdown that is to come.

2019 Star Wars film directed by J. J. Abrams

All looks lost for the Rebellion against the Empire as they learn of the existence of a new super weapon, the Death Star. Once a possible weakness in its construction is uncovered, the Rebel Alliance must set out on a desperate mission to steal the plans for the Death Star. The future of the entire galaxy now rests upon its success.

2016 American epic space opera film in the Star Wars franchise directed by Gareth Edwards

Marvel's "Doctor Strange" follows the story of the talented neurosurgeon Doctor Stephen Strange who, after a tragic car accident, must put ego aside and learn the secrets of a hidden world of mysticism and alternate dimensions. Based in New York City's Greenwich Village, Doctor Strange must act as an intermediary between the real world and what lies beyond, utilising a vast array of metaphysical abilities and artifacts to protect the Marvel Cinematic Universe.

After saving Xandar from Ronan's wrath, the Guardians are now recognized as heroes. Now the team must help their leader Star Lord (Chris Pratt) uncover the truth behind his true heritage. Along the way, old foes turn to allies and betrayal is blooming. And the Guardians find that they are up against a devastating new menace who is out to rule the galaxy.

As the Avengers and their allies have continued to protect the world from threats too large for any one hero to handle, a new danger has emerged from the cosmic shadows: Thanos. A despot of intergalactic infamy, his goal is to collect all six Infinity Stones, artifacts of unimaginable power, and use them to inflict his twisted will on all of reality. Everything the Avengers have fought for has led up to this moment, the fate of Earth and existence has never been more uncertain.

2018 film directed by Anthony and Joe Russo

Long ago up North on the Island of Berk, the young Viking, Hiccup, wants to join his town's fight against the dragons that continually raid their town. However, his macho father and village leader, Stoik the Vast, will not allow his small, clumsy, but inventive son to do so. Regardless, Hiccup ventures out into battle and downs a mysterious Night Fury dragon with his invention, but can't bring himself to kill it. Instead, Hiccup and the dragon, whom he dubs Toothless, begin a friendship that would open up both their worlds as the observant boy learns that his people have misjudged the species. But even as the two each take flight in their own way, they find that they must fight the destructive ignorance plaguing their world.

2010 animated film directed by Dean DeBlois and Chris Sanders

Thomas A. Anderson is a man living two lives. By day he is an average computer programmer and by night a hacker known as Neo. Neo has always questioned his reality, but the truth is far beyond his imagination. Neo finds himself targeted by the police when he is contacted by Morpheus, a legendary computer hacker branded a terrorist by the government. As a rebel against the machines, Neo must confront the agents: super-powerful computer programs devoted to stopping Neo and the entire human rebellion.

1999 American science fiction action thriller film

Shang-Chi, the master of weaponry-based Kung Fu, is forced to confront his past after being drawn into the Ten Rings organization.

2021 film directed by Destin Daniel Cretton

Peter Parker's secret identity is revealed to the entire world. Desperate for help, Peter turns to Doctor Strange to make the world forget that he is Spider-Man. The spell goes horribly wrong and shatters the multiverse, bringing in monstrous villains that could destroy the world.

Jedi Master-in-hiding Luke Skywalker unwillingly attempts to guide young hopeful Rey in the ways of the force, while Leia, former princess turned general, attempts to lead what is left of the Resistance away from the ruthless tyrannical grip of the First Order.

2017 American epic space opera film directed by Rian Johnson

A young Peter Parker/Spider-Man begins to navigate his newfound identity as the web-slinging super hero Spider-Man. Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May, under the watchful eye of his new mentor Tony Stark. Peter tries to fall back into his normal daily routine - distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man - but when the Vulture emerges as a new villain, everything that Peter holds most important will be threatened.

After the events of Captain America: Civil War, Prince T'Challa returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country's new king. However, T'Challa soon finds that he is challenged for the throne from factions within his own country. When two foes conspire to destroy Wakanda, the hero known as Black Panther must team up with C.I.A. agent Everett K. Ross and members of the Dora Milaje, Wakandan special forces, to prevent Wakanda from being dragged into a world war.

Nearly three years have passed since the beginning of the Clone Wars. The Republic, with the help of the Jedi, take on Count Dooku and the Separatists. With a new threat rising, the Jedi Council sends Obi-Wan Kenobi and Anakin Skywalker to aid the captured Chancellor. Anakin feels he is ready to be promoted to Jedi Master. Obi-Wan is hunting down the Separatist General, Grievous. When Anakin has future visions of pain and suffering coming Padmé's way, he sees Master Yoda for counsel. When Darth Sidious executes Order 66, it destroys most of all the Jedi have built. Experience the birth of Darth Vader. Feel the betrayal that leads to hatred between two brothers. And witness the power of hope.

2005 American epic space opera film directed by George Lucas

A mediocre paper company in the hands of Scranton, PA branch manager Michael Scott. This mockumentary follows the everyday lives of the manager and the employees he "manages." The crew follows the employees around 24/7 and captures their quite humorous and bizarre encounters as they will do what it takes to keep the company thriving.

As a child Matt Murdock was blinded by a chemical spill in a freak accident. Instead of limiting him it gave him superhuman senses that enabled him to see the world in a unique and powerful way. Now he uses these powers to deliver justice, not only as a lawyer in his own law firm, but also as vigilante at night, stalking the streets of Hell's Kitchen as Daredevil, the man without fear.

Ever since her short-lived stint as a superhero ended in tragedy, Jessica Jones has been rebuilding her personal life and career as a hot-tempered, sardonic private detective in Hell's Kitchen, New York City. Plagued by self-loathing and a wicked case of PTSD, Jessica battles demons from within and without, using her extraordinary abilities as an unlikely champion for those in need. Especially if they're willing to cut her a check.

Reimagines the origin and adventures of Sabrina: the Teenage Witch as a dark coming-of-age story that traffics in horror, the occult and, of course, witchcraft. Tonally in the vein of Rosemary's Baby and The Exorcist, this adaptation finds Sabrina Spellman wrestling to reconcile her dual nature - half-witch, half-mortal - while standing against the evil forces that threaten her, her family and the daylight world humans inhabit.

This science-fiction Western series from Jonathan Nolan and Lisa Joy was inspired by Michael Crichton's Westworld (1973) and is set at a Wild West theme park created by Dr. Robert Ford (Sir Anthony Hopkins) with human-like androids, where guests are encouraged to indulge their fantasies and desires.

US science fiction thriller television series from 2016

Dr. Cal Lightman teaches a course in body language and makes an honest fortune exploiting it. He's employed by various public authorities in various investigations, doing more when the police etc. fail to go the extra mile. So he can afford to constitute a team of his own, which like clients and others has to put up with his mind-games.

Explores a group of siblings who, as children, grew up in what would go on to become the most famous haunted house in the country. Now adults, and forced back together in the face of tragedy, the family must finally confront the ghosts of their past, some of which still lurk in their minds while others may actually be stalking the shadows of Hill House.

In a small town where everyone knows everyone, a peculiar incident starts a chain of events that leads to the disappearance of a child, which begins to tear at the fabric of an otherwise peaceful community. Dark government agencies and seemingly malevolent supernatural forces converge on the town, while a few of the locals begin to understand that there's more going on than meets the eye.

American science fiction horror Netflix series

The series follows the life of anti-social, pain killer addict, witty and arrogant medical doctor Gregory House (Hugh Laurie) with only half a muscle in his right leg. He and his team of medical doctors try to cure complex and rare diseases from very ill ordinary people in the United States of America.

After starring in the popular sitcom "Horsin' Around" in the late 80s and early 90s, BoJack Horseman struggles with his deteriorating popularity, depression, addiction, and maintaining the relationships with those he cares about, but can't seem to stop hurting, all while living in the satirical, pun-filled city of Hollywood, California.

The world is divided into four elemental nations: The Northern and Southern Water Tribes, the Earth Kingdom, the Fire Nation, and the Air Nomads. The Avatar upholds the balance between the nations, but everything changed when the Fire Nation invaded. Only the Avatar, master of all four elements, can stop them. But when the world needs him most, he vanishes. A hundred years later Katara and Sokka discover the new Avatar, an airbender named Aang. Together they must help Aang master the elements and save the world.

Stan Smith, who works for the C.I.A. and is constantly on the alert for terrorist activity, will go to extremes to protect his beloved America from harm; as evidenced by the terror-alert color code on his fridge, and his frequent knee-jerk reaction of shooting holes in the toaster whenever the toast pops up. In addition to Stan's wife and teenage children, the Smith household has two rather unconventional members. There's Roger, the sarcastic space alien who rescued Stan from Area 51, who deeply resents the fact that he's not allowed to leave the house, and therefore, has been reduced to drinking wine and smoking cigarettes, and Klaus, a lascivious, German-speaking goldfish; the result of a C.I.A. experiment gone seriously wrong, where the C.I.A. tried to give a fish a German man's brain. Stan's son is a dorky teenager who tries to be cool. His wife has had a past life of sex and drugs.

Pop culture references fly thick and fast as stop-motion animation is featured in sketches lampooning everything from television movies to comic books.

American stop-motion animated comedy television series

Philip J. Fry is a twenty-five-year-old pizza delivery boy whose life is going nowhere. When he accidentally freezes himself on December 31, 1999, he wakes up one thousand years in the future, and has a chance to make a fresh start. He goes to work for the Planet Express Corporation, a futuristic delivery service that transports packages to all five quadrants of the universe. His companions include the delivery ship's Captain, Leela, a beautiful one-eyed female alien who kicks some serious butt, and Bender, a robot with very human flaws.

American animated sitcom for the Fox Broadcasting Company and Comedy Central

Sick, twisted and politically incorrect, the animated series features the adventures of the Griffin family. Endearingly ignorant Peter and his stay-at-home wife Lois reside in Quahog, R.I., and have three kids. Meg, the eldest child, is a social outcast, and teenage Chris is awkward and clueless when it comes to the opposite sex. The youngest, Stewie, is a genius baby bent on killing his mother and destroying the world. The talking dog, Brian, keeps Stewie in check while sipping martinis and sorting through his own life issues.

Mythbusters takes myths, tall tales and urban legends and gives them the scientific treatment to determine their validity. Myths are proved true, probable, possible, improbable or busted. Often after the real-world practical tests have proved or debunked a Myth, the team will take the experiment to the extreme, many times using more modern technology than the myth could have used or upping the black powder for impressive explosions.

This wrestling show quickly grew into one of the most popular sports/entertainment shows ever. In addition to presenting matches between the stars of the WWF, this program spent most of its time on the elaborate backstage story that had developed, involving feuds, deals, backstabbings and romances between the wrestlers, managers, referees and commissioners.

Told from the perspective of an unseen documentary filmmaker, the series offers an honest, often-hilarious perspective of family life. Parents Phil and Claire yearn for an honest, open relationship with their three kids, but a daughter who is trying to grow up too fast, another who is too smart for her own good, and a rambunctious young son make it challenging. Claire's dad Jay and his Latina wife Gloria are raising two sons together, but people sometimes believe Jay to be Gloria's father. Jay's gay son Mitchell and his partner Cameron have adopted a little Asian girl, completing one big -- straight, gay, multicultural, traditional -- happy family.

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David Bonham

I made the mistake of watching the movie "Eragon" before I read any of the books. After reading just the first book you really realize what a hack job they did on the movie. Aside from special effects that really were quite good, the rest of the movie could have been put together in a much better way. I was captivated by these books more than I have ever been before. I couldn't put it down after I started reading, I would just get lost in the world of Alagaesia, that Eragon and his charasmatic dragon Saphira lived,fought and survived in. Christopher Paolini is a "fantasy world genius". I love the way he layered in many culturally different peoples ways of living and folklore along with their unique cities, towns and villages. It takes a brilliant,imaginative and intuitive mind to create a land the likes of Alagaesia the way he did. Not to mention that he started writing Eragon and graduated high school when he was but 15 years old. I would recommend this series of books to anyone that has an interest in fantasy stories, medieval times,sword fighting, dragons, elves/dwarves &amp; magic/folklore of elves/dwarves, or anything relating to any of these topics. I could go on and on about how great all 4 books are but you need to find that out for yourself. :)

before we start;a READERS ATTENTION!:Rick Riordan's series Order:first, Percy Jacksonthen  Heroes of Olympus at last, Trials of Apollo &amp; Magnus Chase is happening at the same time; they have crossovers sometimes.(or read in this order: Camp Half-Blood Chronicles)I warned everywhere I could, because I'm nervous you might read in wrong order &amp; you won't enjoy as much as you should.anyway...generally I love those fantasy stories happening in our world, they're apparently named low fantasy, but I call them: Fantasy in reality. (&amp; not just my favourite in books, but movies &amp; tv shows too)When fantasy elements bind in reality; we know a boring damn world (reality) &amp; then... magic came! or myths or travel between universes. I live in that world (as a reader lives a thousands of lives) &amp; I feel happy.also familiar sense in other way like I know places &amp; cities (I mean in almost all high fantasy stories I'm just confused with the strange names &amp; wondering where they were.)&amp; even heroes have been shocked when they actually entered their fantasy world. (so they know that world with me &amp; I can relate with their surprise, feelings, fears, etc)so it made very easy to believe they can be real, somewhere, somehow, in a corner of this world magic exists (Harry Potter), you can travel to parallel universes (Pendragon) or mythology lives among us. (Percy Jackson)my top fav series has another features too: they are about the subjects I actually love to know about in science. (magic, parallel universes, Myths)&amp; now whole review of one of my favourite series:Complete 5 Golden StarsIdea: ★★★★★/5I said thousand times that I love love love mythology, especially Greek mythology. -World building: ★★★★★/5mythology in fantasy, sign me in!I love how myths wrapped up in reality &amp; how this fiction built up. &amp; monsters, rules of this world, Demigods, villains... everything seems real &amp; realistic! I love realistic fictions. when you can just simply imagine the story is actually happening somewhere in this world. U know what I mean?

I had removed this review, which violates Article 2 of the Terms of Use:You agree not to post User Content that: (i) may create a risk of harm, loss, physical or mental injury, emotional distress, death, disability, disfigurement, or physical or mental illness to you, to any other person, or to any animal.Looking at the comment thread, it is abundantly clear that the review not only may, but indeed has caused emotional distress to several Potter fans. I would like to offer my apologies to these unfortunate people, who had every right to expect better service from Goodreads. But, despite the above, I have decided on mature consideration that I will attempt an experiment: I am reinstating the original review, hiding the dangerous and inflammatory content inside a spoiler tag. If you are a person easily offended by negative comments about Harry Potter and still decide to click it, then you have only yourself to blame. You have been warned.(view spoiler)[I got into an argument the other day with an articulate 17 year old Harry Potter fan - let's call him D - who wanted to know why I was being so nasty in my review of Deathly Hallows. What was wrong with it? I offered various structural criticisms: the ending is abrupt and unconvincing, the subplot with the Horcruxes has not been adequately foreshadowed in the earlier volumes, and the book as a whole is overlong and boring. D expressed surprise that I could call Deathly Hallows boring, when I'd given five stars to Madame Bovary and Animal Farm, both of which he considered far duller. The discussion continued for some time. In the end, I said I would write a review summarising my objections to the series as a whole. Here it is.As I said to D, it's not the books or the author. The early Potter books are cute and entertaining, and J.K. Rowling seems like a nice person - if someone's going to scoop the literary Powerball jackpot, why not her? What I very strongly object to is the way the books have been marketed. About 10 years ago, it seems to me, some clever people figured out a new marketing strategy, which they first applied to Potter; when that came to an end, the same methods were used for Twilight. Both series have enjoyed a level of success which is utterly disproportionate to their quality, and which is also unprecedented in literary history. Twilight clearly follows Potter; I've had several discussions about what preceded Potter, and the answer, everyone seems to agree, is that there was no earlier success story of this kind. Before Potter, there was no YA series of dubious merit that absolutely everyone read. I think it's uncontroversial that Potter, in terms of literary quality, is better than Twilight, but Twilight has been even more successful. At one point, the four volumes occupied the top four spots in the New York Times bestseller list. On Goodreads, nearly half of the top 50 reviews are of Twilight books. This is an absurd and unnatural state of affairs. Even though Twilight may not be quite as bad as is sometimes made out - I'm one of many people who have tried to defend it - there's no way it deserves this level of attention.So why is everyone reading it, and why, before that, was everyone reading Potter? As I said, I think it's primarily about the marketing, though I wish I was more sure about the details. Here, at any rate, are some thoughts. First, the publishers are aggressively using economies of scale and deals with third parties. They print very large numbers of copies, and they work together with movie studios, game companies and merchandisers to cross-promote them. I think it's particularly important that a large proportion of the books are sold, not at bookstores, but at normal supermarkets. It's well known that the cover price is usually marked down to the point where the supermarket is not in fact making any profit; they have discovered that they can successfully treat it as a loss leader. This is causing great pain to independent bookstores. Some of them, I have read, have adopted the desperate expedient of buying copies at supermarkets and then reselling them. Second, let's look at the content and style. Even though Potter and Twilight are fairly different in some ways, they also have many strong similarities. Above all, they are extremely easy to read, at every level. The vocabulary is unchallenging; the sentences are short and simple; most characters are one-dimensional stereotypes; the story is uncomplicatedly plot-driven; there are few references to other works of literature. You can read these books if you're tired, if you're sleepy, if you have poor reading skills, if you've never read anything else. They consequently have a very large potential audience.Third, they describe a comforting, emasculated world in which most of the things that make our own world so difficult and unpleasant have been removed. Most strikingly, there is no sex; in Harry Potter, which is supposed to be about fairly normal teens, no one masturbates, no girls get pregnant, none of them are labelled sluts because they've had sex with more than one boy (sometimes one is enough, for that matter), no one gets their heart broken and drops out of school or starts taking drugs as a result, no one is stuck in a dead-end relationship that they wish they could escape from, but can't. The worst thing that happens in either series is the sequence in New Moon where Edward temporarily leaves Bella. Meyer notoriously doesn't describe Bella's feelings at all, but just leaves several pages blank. Once, in fact not so long ago, most adults would have been embarrassed to be seen reading YA literature of this kind; to start with, the comforting word "YA" hadn't been invented yet, and they would have been reading children's books. Somehow, there's been a shift in standards. You look around you on a bus to see what people are reading, and you can be pretty sure you'll see at least a couple of people over 20 engrossed in Potter or Twilight. It's odd that this has happened, and I wish I understood why.In conclusion, I couldn't help being struck by the two books D chose to contrast against Potter. D, Madame Bovary is going to outlast both of these authors because Emma is a real person who experiences the crazy and contradictory emotions that real people experience when they are very unhappy, and as a result she behaves in a crazy and contradictory way; also, Flaubert, unlike Rowling and Meyer, took a great deal of trouble over his prose, and created some of the most beautiful and ironic passages in world literature. There aren't many books I'd call masterpieces, but this is one of them. And finally, Animal Farm is indeed an allegory of the Russian Revolution. More importantly, though, it's about how smart, unscrupulous people manipulate trusting, weak people. Tens of millions of people are reading Potter and Twilight, not because the books are well-written or interesting, but because the readers have been manipulated into buying them by the Napoleons and Squealers of this world. That's what I'm objecting to. Think about it for a moment. (hide spoiler)]

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